Sampleson

MELOX PRO. THE FIRST STUDIO-GRADE MELODICA

Melodica never was taken seriously until today. You won’t find a professionally sampled one out there. This is why we made the first Studio-Grade Melodica.

Adding a layer of scripting we recreated the expressiveness of a real instrument, including release velocities, noises, key clicks, air sound, and mechanics.

Also we made it Binaural for increasing realism. Check out the video to see what Melox Pro is able to do.

FEATURES

Melox Pro is perfect for soloing and also for chord playing.

We fine-tuned it until it sounds like no other one. Perfect tuning, fast attack, expressive releases and no chasis vibration.

• Native 64 bits.
• Binaural option.
• Small footprint (~250mb installed)
• VST/AU/Standalone versions included
• PC (64bits and 32bits) and MAC
• No 3rd. party activation or extra software needed
• Vibrato controlable via CC
• Stage reverb
• Noises/air/releses on-off switch

REAL ARTICULATIONS FROM REAL PLAYING

We’ve captured everything from a melodica. Even the key noises and air sounds. And we captured articulations from real playing. Meaning we play a song along (Autumn Leaves in fact) and we stop playing on every note we want to capture as a new articulation. This technique makes MELOX Pro Melodica sound like a real one.

Drumbada: Polyrhythmic Cinematic Drums

Drumbada simplifies the process of creating polyrhythms by offering intuitive controls within its five groups of sound sources and arpeggiators. With independent adjustments for signature, speed, spread value, and accent, users can effortlessly explore various rhythmic combinations without feeling overwhelmed. This thoughtful design allows for natural experimentation and encourages creative exploration, making polyrhythms accessible to musicians and producers of all skill levels.

A Rare Bass Drum

The “bombo legüero” is a drum popular in Latin American folklore. It owes its name to the characteristic it is believed to have, which is being heard even at 6 miles of distance. It consists of two leather membranes with hair attached to a box made from a hollowed trunk secured by straps made of leather or rawhide. Both the rims and the membranes are struck with leather-covered mallets called sticks or drumsticks. The legend tells that a butcher in a village, who lived in the middle of the countryside, had a drum to inform neighbors that he had meat for sale.

Crew Algorithm

Drumbada faithfully replicates the organic imperfections of a dynamic ensemble of 15 percussionists playing together. With precise control over the timing of each group of percussionists, you can finely adjust the rhythmic feel to suit your composition. Additionally, manipulate accents with ease to emulate the nuanced impact of subtle or strong hits, bringing authenticity and depth to your drum tracks.

Featuring an intuitive interface and a user-friendly mouse-drag UI zone, Drumbada grants you unparalleled control over your sound by seamlessly integrating multiple parameters into a single, effortless gesture. This transformative capability positions Drumbada as an indispensable creative tool, ideal for both live performances and studio composition alike.

Features

• Polyrhythmic cinematic drums.
• 5 sound sources with independent arpeggiators.
• 8-Round-Robins Bombo Legüero drum.
• ~300 MB.
• Low CPU usage.
• Crew Algorithm engine.
• Automated parameters for DAWs.
• Scalable HD interface.

Controls/FX

• Impulse based Reverb.
• Gain and pan for each group.

The First Nylon-Electric-Piano

ElectryNylon is never-seen-before instrument based on real-time spectral transformation that will allow you to go from Nylon Guitar to an Electric Piano in real-time and just moving a slider.

ElectroNylon is the first instrument of Sampleson’s Luthier-Series. A space for the creativity of Sampleson’s developers.

Sampleson’s Luthier-Series

The spirit behind the Luthier Series is to bring to life crazy and impossible ideas, mixing sounds and behaviors from instruments Sampleson love. As well as making playable and enjoyable virtual instruments that are ready to inspire you.

ElectroNylon is the first creation of the series. It features a unique sound including finger noises, slides and many other details from a nylon guitar mixed with the vintage sound that a reed and tines electric piano can create.

Real-Time Spectral Transformation

ElectroNylon is based on spectral modelling, a realistic modelling technique that involves scanning real instruments.

ElectroNylon is an electric piano and a nylon guitar, and everything in the middle. A unique instrument made out of the spectral models from a nylon guitar and two electric pianos (reeds and tines based).

Real-time spectral transformation takes harmonics and formants and blends them mathematically. ElectroNylon allows you to do this transformation in real-time with no CPU-usage increase.

MAIN FEATURES

• Spectral-modelled nylon electric piano.
• Real-time, spectral transformations based on real samples.
• Just 35MB.
• No velocity-switching.
• Ambient, Chorus, Drive, Reverb FX.
• Scalable HD interface.
• Easy install.
• No extra other 3rd party player required.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FL Studio etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• No online activation required.

Brushed Drums for Finger-Drummers
Brushify is the first brushed drum kit created to reproduce pro drummers techniques with your fingers. Based on advanced scripting and built upon sampling + modeling techniques.

Featuring a dedicated keyboard layout will allow you to recreate brushed drums playing techniques on any keyboard or midi/pad controller.

FEEL THE JOY A PRO DRUMMER FEELS

Most of us in our team are keyboardists and programmers. No drummers at all. We always wanted to see what playing drums like a pro feels like. This is why we did Brushify Pro.

Our keyboard/pad minded layout will allow you to do things only a drummer were allowed to, until today.

PRODUCT DETAILS

• Brushed Drums Module
• 12 mic position sampling of Pearl Masters Custom Kit
• Sampling + Modeling technique
• HD Scalable interface.
• Mixer with pan, width and sympathetic resonance knobs
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• About ~65MB installed.
• No online activation required.

SANDSTORM is a massive soundscape and atmosphere creator that produces huge and evolving ambients and textures by stacking up to 17 high-quality layers of sound.

From Orchestral Instruments to Analog Synths, Granular and Wavetable modules, SANDSTORM can create impressive textures and ambients in seconds.

Sound Huge In A Second

SANDSTORM can create unique multi source sounds that will allow you to rapidly try many variations and ideas for a movie passage or game scene.

Available as a VST/AU plugin and standalone software for both Windows and Mac, SANDSTORM is a cutting-edge tool for generating complex and evolving soundscapes. Featuring up to 17 high-quality sound sources, SANDSTORM offers a wide range of sonic possibilities that are perfect for modern underscores and sound production.

With SANDSTORM, you can experiment with a variety of sound sources, including orchestral instruments, analog synths, granular, and wavetable modules.

Its intuitive interface and flexible routing options give you complete control over your sound, allowing you to shape and mold it to your exact specifications. All of its sounds are assignable to the mouse macro control. This will help you create new colors every time you drag the mouse over the interface.

Whether you’re a professional sound designer or a beginner, SANDSTORM is an essential tool for any film or gaming production setup. With its high-quality sound sources, versatile features, and intuitive interface, SANDSTORM is the ultimate tool for creating dynamic and engaging soundscapes and textures.

Layers List

• Strings 1 [STR1]
• Bassoons [BAS]
• Tubas [TUB]
• Strings 2 [STR2]
• French Horns [FH]
• Strings 3 [STR3]
• Pad Synthesiser [PAD]
• Upright Piano [PIAN]
• Male Voices [MALE]
• Sub Synthesiser [SUB 1]
• Sub Synthesiser [SUB 2]
• Wavetable Arpeggiator [ARP]
• Wavetable Synthesiser [WT]
• Wind Noise Synthesizer [WIND]
• Granular Synthesiser 1 [TX1]
• Granular Synthesiser 2 [TX2]
• Granular Synthesiser 3 [TX3]

Features

• Cinematic Instrument for music scoring.
• Ambient, Arps, Drones, Melodic and Textures Modules.
• ~200 MB.
• Low CPU usage.
• 17 sound engines.
• 88 presets.
• Automated parameters for DAWs.
• Granular, Wavetable, Oscillator and Sampling Engines.
• Scalable HD interface.

Controls/FX

• Ambient Reverb.
• Master gain.
• Modules Reverb.

KLAVEE: RARE CZECH ELECTRIC PIANO, RESTORED.

Klavee is the virtual restoration of a gem. The Czech Klaviphon. A plucked electric piano manufactured in the 60s in the Czech Republic.

There’s no other Electric Piano like this one and it’s never been recreated into a virtual instrument, until now. A rare-piece specially made for electric piano collectors.

Sound is generated by reeds plucked by wooden hammers. Sound on lower octaves is the classical reed-based. On upper register, the timbre turns in to a Kalimba-like sound, due to the nature of the hammer-hit direction (from bottom to top on the reed-edge).

The Czech Klaviphon is almost extinct. No parts can be found online and just a few of them still alive. This is why we wanted to make a virtual version of it. To keep its unique sound for further generation of musicians.

KLAVEE was built upon spectral modeling. A technique that assures perfect tone matching with the original instrument.

MAIN FEATURES:

• Spectral Modeled Klaviphon Electric Piano.
• Real-time Spectral transformations
• Based on real samples.
• Just 35MB.
• No velocity-switching.
• Ambient FX
• Drive FX
• Stereo Delay FX.
• Scalable HD interface.
• Easy install.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FL Studio, etc)
• Win 32/64 bits and Mac (Catalina Ready) VST/AU/Standalone versions included (No AAX version)
• No online activation required, just download and install.

ACOUSTIC MODELS. ORGANIC RESULTS.

A new approach to sound design. We created spectrums for acoustic instruments to be accessed via additive synthesis. Akoustic gives you a very precise and obsessive way to create new sounds, allowing you to tweak every partial in a detailed way.

Envelope, tuning, offset or gain for any partial are accessible individually. This gives you unmatched detailed editing power.

EVERY SOUND CREATED WITH AKOUSTIC, IS… ACOUSTIC

DNA for acoustic instruments will remain recognizable on any weird editing made with Akoustic.

This is what we love about Akoustic. All of the patches have an organic, wood-like sounding and analog feel.

CREATE AMAZING ORGANIC SOUNDS

Akoustic is fully based on spectral modeling. Recreating organic sounds by additive and spectral synthesis. This is why it’s so lightweight. We don’t need to include huge sampling audios. We just included the DNA. Creating organic sounds is in your hands.

MAIN FEATURES:

• Additive synthesizer based on spectral models
• Drive, delay and Reverb FXs
• Basic arpeggiator included
• HD Scalable interface.
• Releases, mechanical noises knob
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• About ~35MB installed.
• No library installation required.
• No online activation required.

1959. HIDDEN ELECTRO-ACOUSTIC PIANO

1959 by Sampleson is based on the Electro-Acoustic Piano patent (lifetime expired) registered in 1959. We brought it to life using spectral modeling. Sound can be described as a CP80-like but a bit more tuned due to the fewer number of strings.

1959 AUDIO DEMOS

1959 can be described as RAW. Despite the reverb included, 1959 is minded to be heavily processed with anything you want. It will melt perfectly with choruses, flangers, phasers, etc. Demos were recorded with and without effects (factory free FXs included in GarageBand).

THE EXPERIENCE OF RECREATING A FORGOTTEN ELECTRO-ACOUSTIC PIANO PATENT.

Does it sound like the original one? We don’t know, because it has never been built. And we won’t build it (at the moment). But the experience of bringing to life an instrument that never existed, was super-exciting. The resulting sound of this virtual instrument is warm, clean and bright. The expressiveness of the piano action we emulated gives it a nice and wide range of timbres. From warm lows to metallic shines on higher velocities.

The original patent proposes an idea about string vibration direction that improves the pickup effectiveness.

PRODUCT DETAILS

• 88 notes electro-acoustic piano.
• Spectral modeled (no samples at all).
• Resonance amount.
• Hammer noise amount.
• Release sound amount.
• Static noise emulator.
• Just 35 MB.
• Scalable HD interface.
• MacOS
• Easy install.
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• About ~65MB installed.
• No online activation required.

WHAT’S NEW IN VERSION 2

Our main modeling engine was rebuilt, and now it allows us to do thing we had in mind for more than a year.
The result is a modeled instrument that is not distinguishable from a real one.

Spectral modeled Reed-EP
The first Spectral Modeled reed EP based on real samples entirely rebuilt by modeling. Offering the real sound and feel of the real instrument in just 45MB.

PRODUCT DETAILS

• Spectral modeled full range reed EP
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• No layer switching (Smooth velocity curve).
• Phaser, Reverb and Color adjusment.
• Releases and velocity controls.
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• Just 30MB installed.
• No library installation required.
• No online activation required.

SPECTRAL MODELED REED-BASED EP
Reed200 is our second spectral modeled instrument. We can say it’s all that we dreamed about. Clean and responsive timbre made out of the real model. Stacking up to 600 pure sinewaves, we achieved a perfect and accurate timbre reproducing the sound that a reed-ep generates on the line output. (Also we included a cabinet and drive emulator)

As in our Markus 88, we did most of the jobs manually. Despite the deep spectrum analysis we used to decode the timbre DNA, we focused on recreating the real feel of pushing down a key in a real model.

THE REED TIMBRE RECREATION
We discovered the Reed timbre is kind of unique. After doing our first modeled electric piano, Markus 88, we can tell electric reeds has some characteristics on the spectrum that makes it more dirty and punchy.

What we’ve learned is that the main difference between tines and reed is the perfect octaves harmonics (meaning 12 semitones up, 24, 36, 48, etc). Envelope for those partials are quite louder than in a tine-based EP and this is one of the main secrets of reed-ep timbre

You can play a bit with this characteristic with our “Color” slider on our main interface.

WHAT EXACTLY IS SPECTRAL MODELING?
Every sound in nature can be decomposed into simple sine waves. From a bird tweet to a trumpet note. Spectral modeling is the process of analyzing and creating a sound by stacking simple sine waves.

According to Julius O. Smith (Standford) Spectral modeling provides a sound representation much closer to the perception of sound by the brain because your ear and brain are in fact spectral decoders.

INTRODUCING MODEL T – Spectral modeled 80s EP

A classic of the late 70’s and 80’s. We recreated a classic 80s EP by Spectral Modeling, offering the real sound and feel of the simplest electromechanical piano in the history in just 30MB.

Carefully crafted. Detailed recreation of every single mechanical noise and main timbre. No velocity swithching since is not sample-based. Available for Mac & Win, Standalone and Plug-in versions.

PRODUCT DETAILS

• Spectral modeled full range EP
• Included Drive and Reverb FXs -Sustain activation option. -Releases, mechanical noises and velocity controls.
• No layer switching (Smooth velocity curve).
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• Just 30MB installed.
• No library installation required.
• No online activation required.

MODEL T SOUND

This was one of the most affordable and common eletromechanical piano produced in the late 70’s. Based on reeds, it generates a warm, bell-like but dark tone. It does not includes sustain pedal, due his simple mechanics and easily replaceable pieces. But we included the option to activate the sustain pedal on our modeled recreation.

Also we recreated mechanics sound, very present in every sound. (Controlable individually on our instrument)

AN 80S CLASSIC

Late in the 70’s was launched a simple yet powerful electromechanical piano. Manufactured betwen 1977 and 1982, this classic electr-mechanical piano was one of the simplest EPs in the history. Based on reeds, ands sticky pads, the it offers a “Reed” like sound but with a much more present mechanical noises due the proximity of the mechanics to the keyboard itself. It does not offers a sustain pedal or volume/tone controls. Despite this his tone makes extremely effect-friendly as many of the vintage EPs

WHAT EXACTLY IS SPECTRAL MODELING?

Every sound in nature can be decomposed into simple sine waves. From a bird tweet to a trumpet note. Spectral modeling is the process of analyzing and creating a sound by stacking simple sine waves.

According to Julius O. Smith (Standford) Spectral modeling provides a sound representation much closer to the perception of sound by the brain because your ear and brain are in fact spectral decoders.

Spectral Modelled Grand Piano

MetaPiano is the first Spectral Modeled Grand Piano out there. It was built upon real sound captures from a Japanese Concert Grand Piano, and meticulously rebuilt by math algorithms. It’s so realistic you won’t believe it is not the real instrument. And so lightweight you can email it.

The Process 

It all started with the search for the perfect piano to analyze its sound. Sampleson fell in love with a Japanese Concert Grand Piano and deeply recorded it, capturing every nuance to feed our spectral analysis with high-quality audio sources. A peaceful studio located in Patagonia gave them the noiseless scenario they needed to capture crystal-clear waveforms with top industry Mics and Preamps. Then the real process begins. A custom-made algorithm disassembles the audio and extracts the main characteristics for each note and noise. Finally, their Spectral Engine 2.0 generates the sound every time you play it, making every note unique and irreplaceable since it’s created on the fly.

Hyper-detailed Spectral Modeled Grand Piano 

MetaPiano was made upon Spectral Modeling, a technique that provides realistic sounds since it’s based on real samples and not hypothetical approaches like physical modelling.
It sounds real because it is real: sound is created the same way in nature (stacking simple sinewaves together). This is why it feels organic and warm.

Sampleson mapped more than 64 groups of timbre components (releases, hammer, key noises, main timbre, resonance, etc) and recreated them by Spectral Modeling, archiving a realistic and warm sound in only 60 MB, and with very low CPU usage.

Full Decays (No Loops)

Thanks to the Spectral Engine, MetaPiano reproduces the full length of the real notes without loops. You’ll hear decays for a minute and more on lower notes.

No Velocity Sweeping

MetaPiano is built upon the full dynamics of the real instrument. There’s no velocity switching because there are no layers or regions or anything that old sampling techniques needs.

Features

• Spectral modelled 88 notes grand piano.
• 60MB.
• Low CPU usage.
• Based on real samples.
• No velocity-switching.
• Scalable HD interface.
• Impulse response-based Ambient Reverb
• Master gain
• Wood resonance
• Width(stereo to mono) control
• Dynamic velocity adjustment

SPECTRAL MODELED ELECTRIC PIANO

We decoded and analyzed a vintage electric piano sinewaves spectrum for every note and every velocity, and recreated it manually. When you play a note on Markus, the exact same sound for the original instrument will be generated (no samples involved)

And we did it manually. Every single harmonic was tuned by ear. Like in acoustic piano tuning, the final touch is always made manually, and no tuning software or algorithm is able to replace that.

PRODUCT DETAILS

• 88 Notes EP.
• No player (like Kontakt, UVI, etc) or any other 3rd. party host needed.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• No layer switching (Smooth velocity curve).
• Recreated from real electric piano sound spectrum
• Preamp, Reverb and Phaser FX included.
• Bells and Releases controls.
• Adjustable non-linear velocity (changes harmonic behavior)

DECODING THE ELECTRIC PIANO GENOME

Every sound in nature is a complex spectrum of harmonics. The combination of those harmonics makes every sound unique and easy to be identified by humans. Doing the reverse engineering for finding the harmonics that makes a tine-based electric piano sound like a tine-based electric piano is a complex task. We disassembled tine-based electric piano timbre into the minimal parts a sound can be split. And reassembled into a fully expressive virtual instrument.

WHAT’S NEW ON VERSION 1.5? This is more than an update.

We redesigned the entire harmonic spectrum and behaviors. Bells are more natural, low range is darker and overall velocity responses were improved.

Update Features:

• MacOS Catalina ready.
• New harmonic spectrum.
• Improved response on low velocities.
• Improved inharmonics on low frequencies.
• Re-designed release noises.
• Fixed channel’s gain fluctuations.
• CPU efficiency fixes.

20 Digital Electrical Pianos In One

Glassy is an electric piano module inspired by the lovely digital-electric piano sounds from the late ’80s and ’90s. Recreated by spectral modelling and offering 20 studio-quality Digital Pianos in just 35MB.

There’s no ’90s without these sounds. And Sampleson brought them back in a studio-grade virtual instrument, using a different approach.

Most of the Digital Electric Pianos were made upon FM and additive-like synthesis. Sampleson used spectral modelling to recreate a create those unique timbres and to propose some new ones.

No FM, No Samples. An Additive Approach

Glassy was built using spectral modelling. In some way it’s related with additive synthesis method. Sampleson used spectral models to recreate famous sounds and to introduce new ones. With a detailed control of the harmonics over the keyboard range.

MAIN FEATURES

• Digital Electric Piano +pads module
• 20 Factory EP Sounds included
• Chorus and Phaser FX
• HD Scalable interface.
• Pad Generator w/filter
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included.
• About ~35MB installed.
• No library installation required.
• No online activation required.

RARE VIRTUAL ELECTRIC PIANO

The recreation of the rare and famous Hohner Eletra Piano T used by Led Zeppelin in “Stairway to Heaven”, “Misty Mountain Hop”, “No Quarter” and “Down by the Seaside”.

BETWEEN RHODES AND WURLITZER

Where it all begins. Hohner created The Electra Piano T in the early 70’s and was followed by other electric piano manufacturers. It uses forks strucked by hammers and electronically converts vibrations transmitted to a transistorised amplifier.

Sound can be described as a half-way between Rhodes and Wurlitzer, but with a vintage dirty touch .

STUDIO-GRADE INSTRUMENT

Electrix is the result of more than 1200 hours of develop and testing. Native 64bit and perfectly balanced to fit into any professional mix. Available for Mac and PC, VSTi, AU and Standalone versions are included.

THE 70’S AT YOUR FINGERTIPS

Electrix Piano’s is a sound modeled instrument and was made recreating every single detail from the original Hohner Electra Piano T. Main sound, noises, releases, tines, resonance and effects has been carefully integrated into a serious dynamic range instrument.

Suitcase Electric Piano

Sampleson have extracted the Suitcase 73’s DNA and packed it into a 35MB virtual instrument.

Suit73 is the most detailed emulation Sampleson have created so far. Presenting the second generation of Sampleson’s spectral modelling engine (DNAudio 2.0) allowing them to create realistic and warm emulations.

Hyper-Detailed Spectral Modelled Suitcase Electric Piano

Suit73 was made upon spectral modelling. A technique providing realistic sounds since it’s based on real samples and not mathematical approaches like physical modelling.

It sounds real because it is real: sound is created the same way it’s in nature (stacking simple sinewaves together). This is why it feels organic and warm.

Sampleson mapped more than 64 groups of timbre components (releases, bells, key noises, main timbre, resonance, etc) and recreated them by spectral modelling. Archiving a realistic and warm sound in just 35MB and very low CPU usage.

Features

• Spectral modelled 73-key Suitcase Electric Piano.
• Based on real samples.
• Just 35MB.
• No velocity-switching.
• Drive FX.
• Phaser w/intensity and frequency FX.
• Tremolo w/intensity and frequency FX.
• Reverb FX.
• Scalable HD interface.
• MacOS Catalina Ready.
• Easy install.
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FL Studio etc).
• Win 32/64 bits and Mac VST/AU/Standalone versions included.
• No online activation required.

THINGS. INTUITIVE SYNTH SOUND CREATOR.

THINGS allows you to create hi-quality synth sounds even if you have zero experience in synthesis. We’ve implemented what we called “Descriptors” which are objects and ideas that will help you understand the effect of a knob and the kind of sound it will produce.

Main Features

• Polyphonic Synth
• Built upon FM, additive and subtractive synth.
• Automatable DAW controls for all of the parameters.
• 32 steps arpeggiator
• FX Section
• HD Scalable interface.
• Mono and Stereo flavors via “Width” knob.
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.

THING is a 32 oscillators and 30 FX processors and filters Synthesizer. Sounds were designed using mixed techniques and processes. (additive, subtractive and FM synthesis)

POWERFUL ARPEGGIATOR FEATURES:

• 4 to 32 steps selector
• Octave range switch
• Note Shift automation
• Note Velocity automation
• Note Length automation
• Arpeggio direction (4 modes)
• Shuffle amount knob
• Ignore key-down option
• Sync to host and manual tempo

DESCRIPTORS LIST AND PARAMETERS

All of the parameters can be assigned to a CC contoller (right-click over the desired slider/knob) and automatable via DAW.

Arcade – Component name: ARCADE. Real-time parameters: Softness, Time, Gain and Color (main knob). Automatable parameters: Softness, Time, Gain and Color.

Crystal – Component name: CRYSTAL. Real-time parameters: Delay, Worm, Gain and Color (main knob). Automatable parameters: Delay (on/off), Worm (on/off), Gain and Color.

Alien Talk – Component name: ALIEN TALK. Real-time parameters: Number of Aliens, Anger, Gain and Speech speed (main knob). Automatable parameters: # of Aliens, Anger, Gain and Speech speed.

Clouds – Component name: CLOUDS. Real-time parameters: Softness, Time, Gain and Color (main knob). Automatable parameters: Softness, Time, Gain and Color.

Air – Component name: AIR. Real-time parameters: Attack, Release, Gain and Speed (main knob). Automatable parameters: Attack, Release, Gain and Speed.

Horror – Component name: HORROR. Real-time parameters: Gain, Attack, Evolve and Evilness (main knob). Automatable parameters: Gain, Attack, Evolve and Evilness.

Heavily used by The Doors on live shows, Rhodes Piano Bass is an icon of the rock and funk music. We did a recreation based on Spectral Modeling, offering the real sound and feel of the instrument in just 30MB. Carefully crafted.

Detailed recreation of every single mechanical noise and main timbre. No velocity switching since is not sample-based.

Available for Mac & Win, Standalone and Plug-in versions.

FIRE PIANO BASS SOUND DEMOS

Fire piano bass can be used as a normal bass or even to play melodies on the low end, thanks to the rich harmonic spectrum.

We also recreated mechanics sound, and releases. A big part of the Rhodes Piano Bass sound

THE RHODES BASS PIANO

Late in the 60’s Fender Rhodes released the bass version for his Rhodes Piano. Bass Piano was used on many records and live shows.

Equipped with the same tines and pickups system you can find on a regular Rhodes MK1, the Piano Bass offers a deeper and warmer, with reinforced low frequencies.

WHAT EXACTLY IS SPECTRAL MODELING?

Every sound in nature can be split into simple sinewaves. From thunder to a trumpet. Spectral modeling is the technique to analyze and recreate sinewaves spectra to recreate the exact timbre and behavior of an instrument.

According to Julius O. Smith (Standford) Spectral modeling provides a sound representation much closer to the perception of sound by the brain because your ear and brain are in fact spectral decoders.

PRODUCT DETAILS

• Spectral modeled full range Rhodes Bass Piano
• Included Drive and Reverb FXs
• Low end harmonic knob.
• HD Scalable interfase.
• Releases, mechanical noises and velocity controls.
• No layer switching (Smooth velocity curve).
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• Just 30MB installed.
• No library installation required.
• No online activation required.

Underscores and ambients for Sci-Fi scenes with mouse gestures.

ALIENIZE is a revolutionary way to craft dynamic underscore, melodies, and soundscapes.

Utilize your mouse or MIDI controller to create intricate atmospheres, percussive textures, and melodic arpeggios to add depth and emotion to your projects.

Now you can perform live and sync your creations with visuals in real time.

41 MODULES. INFINITE IDEAS.

ALIENIZE utilizes the mouse position on your screen to generate and manipulate sounds in real time, as well as to publish the parameter as an Automatable Parameter in your DAW.

You can also map this parameter to a CC to control it from your controller.

This innovative software has 41 sound modules, each with its own gesture behavior (for example, the Theremin pitch is regulated by the left-right cursor position).

You can also play gestures over a movie in order to create synchronization on the fly.

FEATURES

• Cinematic Instrument for Sci-Fi music scoring.
• Ambient, Arps, Drones, Melodic and Textures Modules.
• ~200MB.
• Low CPU usage.
• 41 sound modules.
• 120 presets.
• Automated parameters for DAWs.
• Granular, Wavetable, Oscillator and Sampling Engines.
• Scalable HD interface.

CONTROLS/FX

• Ambient Reverb
• Master gain
• Modules Gain

Turn any object into a percussion instrument

Make everyday objects (such as a jar, a plate or anything you want) sound like a conga, a djembe or any other percussion instrument. Haptic Perc is a cutting-edge plug-in that uses microphone input to excite physical percussion models. Creating a hands-on sensation closely resembling the authentic touch of real instruments.

Haptic Perc comes in two flavors: as Effect Plug-in and as Midi Synth Plug-in. Both included in your purchase.

Initial Presets Included

These presets are included by default. You can create an unlimited number of them by adjusting the physical model parameters to achieve the surface, resonance, and size you desire.

• Conga
• Hi Bongo
• Cuban Bongo
• Repique
• Surdo
• Large Pot
• Orchestral Triangle
• Old Phone
• Glass Bar
• Metal Click
• Tic Toc

Everything is Possible

With Haptic Perc, you can turn everyday objects into percussion instruments. It’s equipped with six parameters that allow you to tweak the underlying physical models to create the surface, resonance, and size you want for your new instrument. Use any mic, even the one on your laptop.

Two Flavors – FX & MIDI Synth

• Haptic Perc as FX Plug-in: You can use Haptic Perc as an FX plug-in on any audio channel. Connect a mic and voilà! Any microphone will be enough. Even the one that is built-in your laptop. Despite this, we recommend to use a studio-grade mic or any piezoelectric or contact mic for more sound quality.
• Haptic Perc as Virtual Instrument Plug-in: You can also use it as a virtual instrument. Load it on any midi track and control it with midi controller (a keyboard or a midi controller od a midi multi pad interface).

Features:

• Physical modeled percussion
• Two flavors: VST Effect and VSTi Instrument.
• Compatible with your regular built-in laptop microphone.
• Only 35 MB.
• Automatable parameters in your DAW.
• Built-in ambient HQ reverb.
• Six parameters to fine-tune the physical model details.

REED106. THE FIRST EVER-CHANGING MODELED ELECTRIC PIANO

Reed106 is the first modeled piano that is always changing. Every note, every day, every month.

Reed106 creates small variations of itself every time you play it (reproducing temperature, humidity, power supply fluctuations in real life) This eliminates one of the most frustrating things in a VST. The boring effect that a virtual instrument generates over time.

YOU’LL HAVE A NEW ELECTRIC PIANO EVERY DAY.

Every electric piano has a unique sound. Even if it’s the same model, same manufacturer and same year! This is why real pianos and electric pianos can never be emulated by software… until today! Reed106 introduces a proprietary Sampleson’s software that turns static vst instruments into living ones.

INFINITE ROUND-ROBINS

Sampled instruments use to add round-robins (Round-robin sampling is a method of sample playback which allows you to play different sampled versions of the same sound to avoid the “machine-gun” effect). Reed106’s spectral model is capable to create infinite natural variations for every note and velocity. Something is not possible with sampling methods.

Daylight-based UI

Product details

• Spectral modeled Reed-based Electric Piano.
• Extended range (64 keys).
• Just 45MB.
• No velocity-switching.
• Reverb, Tremolo and Drive FX
• Scalable HD interface.