Compressors

• Switchable signal path with CineMag USA input and output transformer
• THAT 2180 VCAs
• External side chain input switchable
• Switchable hi-pass filter: 30, 60, 105, 125, 185 Hz
• Frequency response: 18 to 22,000 Hz
• Dynamic range:> 120 dB
• Input impedance: 10k ohms
• Output impedance: 50 ohms
• Input and output: XLR and TRS jack
• Built-in power supply
• Dimensions: 19"/ 1U

• Signal path completely analog
• All parameters are digitally controlled via the front panel and / or the DAW via the plugin
• 5" Backlit touchscreen
• Analog VCA compressor with PEAK or RMS detection
• Stereo, dual mono and mid / side modes with solo and sidechain preview functions
• Dry / wet mix control
• HPF, LPF and fully configurable parametric sidechain filter
• Dimensions (H x W x D): 19 "x 2 U x 220 mm
• Weight: 3.9 kg

• Based on the 1176
• FET compressor BF245A
• Matched transistor
• Two linkable channels
• Wet / Dry Mix knob for parallel compression
• 45 dB transistor amp
• Stepped potentiometers
• Sidechain HPF: 240, 180, 120, 90, 60, Off
• Attack: 0.1 - 1 ms
• Release: 0.1 - 1.5 s
• Frequency range: 8 Hz - 22 kHz +/- 0.2 dB
• Input impedance: 10 kOhm
• Output impedance: 600 Ohm
• Bypass per channel
• VU meters per channel
• Construction: 19"/ 2 U

• 2 Channel compressor / limiter
• 100% Discreet Class-A technology
• Auto Fast
• Anti Log
• Negative ratios
• Audio filter
• External side chain
• Gain reduction limiter
• Analog dynamic LED display
• Transconductance amplifier
• T12 Heater
• Frequency range:
• Noise: 20 Hz - 20 kHz, -84 dBu
• Dynamic absorption: 20 Hz - 22 kHz, 109 dB
• Maximum level input / output: + 25 / + 27 dBu
• Input impedance: 10 kOhm
• Output impedance: 68 Ohm
• 19" / 2U Rack format

• Digitally controlled
• Authentic SSL Bus Compressor circuitry with High Performance 2181 THAT VCAs
• 4 Operating modes: Stereo, S/C Stereo, Dual Mono, Mid-Side
• Attack & Release options for more flexibility in detail settings
• 3 Specific compression characteristics for individual or combined use (4K - Single VCA with VHD, LOW THD with LF reduction, F/B Mode)
• Integrated 2-band Dynamic EQ (D-EQ)
• Transient Expander
• Configurable processing (Compressor pre/post D-EQ)
• External Side Chain inputs/outputs incl. HPF control up to 300Hz (in 10Hz steps)
• Mix control for immediate parallel compression
• Detented potentiometers
• Format: 19" / 2 RU
• Weight: approx. 7 kg

• Discrete Class-A topology
• THD Boost: edgy sound and coloration
• Auto Fast, Anti Log: Pumping and breathing at the push of a button
• Regative ratios
• Gain Reduction Limiter
• Stepped potentiometers
• Frequency range (-3dB):
• Noise (20 Hz - 20 kHz, A-weighted): -79 dBu
• Dynamic range (20 Hz - 22 kHz): 99 dB
• Maximum level input: +21 dBu
• Maximum level output: +22 dBu
• Input impedance: 10 kOhm
• Output impedance: 68 ohms
• 2 Line inputs XLR / 6.3 mm jack
• 2 Line outputs XLR / 6.3 mm jack
• Desktop case
• Includes power supply
• Made in Germany

The TG-1 Limiter represents the rebirth of the legendary EMI TG12413 limiter, an integral part of the EMI's own Abbey Road mixing consoles of the late 60s. The EMI TG12413 Limiter is one of the very rare examples of analog signal processing since it was never available for purchase and was only reserved for EMI's own studios. The TG-equipment has been used in many major productions, such as "Abbey Road" by the Beatles, "Darkside of the Moon" by Pink Floyd, or by Paul McCartney and the Rolling Stones. The Chandler TG-1 is completely discreetly circuit-switched with transformer-balanced inputs and outputs. The control element is a rarely used diode circuit which is distinguished by soft, pleasant distortion products. The warm, open sound with a special clarity in the range of high frequencies is often compared by the fans with the Fairchild 670

• Completely discreetly designed circuit design of the legendary EMI TG12413 limiter
• Trafosym I / O
• Warm sound
• Comparable to Fairchild 670
• Optional power supply required (item no.185072)

• Based on the Classic 2254 series of the late 60s
• For music recording, mastering and post-production
• Neve 2254 discrete Class A circuit design
• Transformer-coupled circuitry on input, bridge driver, sidechain and output
• Fast Attack Time and Level controls
• Independent limiter and compressor in/out
• Ratio adjustable from 1.5:1 to 6:1
• Gain make-up control
• Hardbypass switch
• Link option
• USB type-B for use with a PC / Mac and the Total Recall software
• VU meter switchable between gain reduction, in- and output signal
• Input: 1x XLR (line, balanced)
• Output: 1x XLR (balanced)
• Frequency range: 20 - 20,000 Hz
• External power supply: 500 mA, 36 V DC
• Dimensions: 19" / 1 U
• Handmade in UK

• With FIR filter
• 4 Inputs 8 outputs
• 96 kHz sampling rate
• 32-Bit DSP
• 24-Bit AD / DA converter
• XLR inputs and outputs
• USB and RS232 / 485 interface
• Ethernet interface
• Easy to read display
• Format: 19"/ 1U
• Installation depth: 24.7 cm

• 4 XLR inputs
• 8 XLR outputs
• 96 kHz sampling rate
• 32 Bit DSP
• 24 Bit AD/DA converter
• USB and RS232/485 interface
• Ethernet interface
• Dimensions (W x H x D): 480 x 45 x 245 mm
• Construction: 19" / 1 U

• 4-Channel expander / gate / compressor / peak limiter of the reference class with dynamic enhancer and low-contour filter
• Servo-balanced inputs and outputs with 1/4" phone jacks and XLR connectors
• Dimensions (H x W x D): 44.5 x 482.6 x 217.0 mm
• Installation size: 19", 1U
• Weight: 2.25 kg

Chandler Limited RS600; 1-channel tube compressor; 3 compression modes: THD, Comp, Limit; variable time constants (7 settings); variable output impedance (200, 600 ohms); input and output controls: continuous; VU meter; connections: Line input XLR, line output XLR, stereo link 6.3 mm jack; housing: 19" 2U

• Includes 6 new circuits for signal processing and tone colouring in one device
• Vintage Drive: Saturation for harmonic overtones and subtle compression
• Violet EQ: Newly developed 2-band equalizer (shelving characteristic) with 4 selectable frequencies per band and +/- 9 dB stroke
• High Frequency Compressor: Frequency-selective compressor to round off the high-frequency range and control unwanted transients
• Stereo Image: Analogue M / S matrix for stereo broadening
• Transformer: Switchable SSL transformer for subtle emphasis on bass and treble
• Listen Mic Compressor: powerful compression with lots of punch, ideal e.g. B. for drums, via dry / wet control also for parallel compression
• Switchable insert
• Input and output level controls
• Switchable high-pass filter with 3 frequencies
• Level meter
• Bypass switch
• 2 XLR inputs
• 2 XLR outputs
• Dimensions: 19" / 2 U

• 3 Compression modes: THD, Comp, Limit
• Variable time constants (7 settings)
• Variable output impedance (200, 600 Ohm)
• Input and output controls: continuous
• VU meter
• 1 Line input: XLR
• 1 Line output: XLR
• Stereo link: 6.3 mm jack
• Construction: 19" / 2U

• Sidechain filters: Off, 50, 100, 200, 350
• Direct access to continuously variable slope
• Frequency response: 40 Hz to 15 kHz, +/- 1 dB
• Input impedance: 2 kOhm
• Output impedance: 600 Ohm
• Output level: +4 or +8 VU (+30 dBu clipping point)
• Inherent noise: below -82 dBu
• Harmonic distortion: less than 1% up to an output level of +18 dBu (no limiting)
• VU meter
• 1 Line input: XLR
• 1 Line output: XLR
• Construction: 19" / 3 U
• Dimensions (W x H x D): 48.2 x 13.4 x 20 cm
• Weight: 7.4 kg

• With Classic Knee compression
• Inputs and outputs: XLR and jack per channel
• Link connection for additional EL7X
• Sidechain input per channel
• Format: 19 "/ 1 HU

• Includes British Mode and Image Link functions
• Includes 2 separate mono-channel devices that can be connected to each other via the image-link connectors
• Classic knee compressor
• Tube saturation
• Opto mode
• XLR (balanced) and 6.3 mm jack (unbal.) I / O
• One of the most versatile compressors on the market
• The distressor is used in many professional sound studios

• Analog bus and master compressor with transformer-coupled inputs and outputs
• Vintage sound character through 1073-inspired amplifier circuit with Carnhill transformer and diode bridge circuit
• Extremely fast attack and release control times
• Flexible sidechain path with 5-stage filter with high-pass and peak characteristics
• Rasterized blend control for parallel compression
• Rasterized controls for Threshold, Ratio, Attack, Release and Gain Makeup
• Per channel input and output (XLR) and sidechain send/return (6.3 mm jack)
• Frequency response: 20 Hz - 20 kHz
• Threshold: 20 - 20 dBu
• Ratio: 1.5:1 to 20:1
• Attack time: 50µs to 20ms
• Release time: 25ms to 400ms
• Auto circuit for program dependent compression
• Side-chain filter high-pass: 80, 160, 5000 Hz
• Side-chain filter peak: 1, 3 kHz
• Amplification: 0 to 10 dB in 2 dB steps
• Power supply: 100 - 240 VAC (external universal power supply)
• Dimensions: 19", 1 HE

• True tube compression in the style of the legendary 670s Fairchild
• Dual Triode 5670 compression in Manley design
• Best-selling tube-type stereo-compressor worldwide
• Intrinsically balanced inputs and outputs (600 Ohm)
• Hard bypass
• Maximum gain 35 dB
• Variable ATTACK: 25 msec-70 msec
• LIMITER (4: 1 to 20: 1) or COMPRESSOR (1.5 to 1)
• Balanced outputs
• Max Output: +30 dBu (26Vrms) 26 dB Headroom
• Variable Threshold
• Stereo Link Switch
• Optionally available with M / S option and as mastering version with rotary switches instead of potentiometers.
• Optional link of several devices for 5.1 use
• 19 " rack format with 2 U