EQ VST Plugins

MIXROOM is an intelligent EQ that guides you to set the perfect balance of richness and clarity whether you’re working on a vocal, a synth or mastering your music.

MIXROOM analyses your audio and shows you which frequencies could be adjusted to improve your sound. The EQ target suggestion helps you get a solid starting point, from which you can tweak your sound to suit your preference.

NO MORE MUDDY, DULL, THIN, OR HARSH SOUNDING MIXES

Key Benefits

• Specifically designed EQ filters that deliver maximum clarity & transparency in the mid and high frequency range.
• Genre and channel specific EQ target suggestions to take out the guesswork and give you pro-sounding results in seconds.
• Create your own EQ targets by importing reference tracks so you can get closer to the sound of your favorite tracks.
• Level match pointer on output gain to help you make sure you’re making real improvements to your music.
• Super-fast workflow with easily adjustable EQ bands and mid-side functionality.
• Clear and immersive mixing experience with the retina 3D & fully resizable user interface.

How To Use MIXROOM In 4 Easy Steps:

1. Load On Master or individual Channel – You can use MIXROOM to EQ anything in your session. It works great on vocals, instruments, grouped buses, or on your master channel.

2. Choose A Preset or Create A Target – To get the most value from MIXROOM, start by selecting a preset that best suits the material you’re working on.

3. Shape Your Sound – Now monitor a full bodied section of your audio. The Target EQ Curve takes out the guesswork and helps you dial in pro-sounding results in seconds. The ‘Add Smart Bands’ button will instantly load EQ bands that match the Target EQ Curve to give you a great starting point. MIXROOM’s unique and specifically designed EQ filters give you maximum clarity & transparency when shaping your audio.

4. Level Match – The EQ adjustments may have changed the perceived loudness of your audio making it difficult to hear whether the changes you’ve made are improving your sound. Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through MIXROOM. This allows you subjectively hear how the changes have affected your sound.

Hear The Difference!

Whether your audio is muddy, dull, thin, harsh, or even almost perfect, MIXROOM helps you elevate your mix to get the perfect balance of richness and clarity.

MFreeformAnalogEq is a unique equalizer, that allows you to draw any frequency response you wish and then attempts to match the response by applying analog filters using our MeldaProduction Filter Adaption technology (MFA).

If the response you draw can be achieved using analog filters, then MFreeformAnalogEq will create it for you so now there’s no need to worry about complicated parametric equalizer settings anymore.

MFreeformAnalogEq combines an extremely quick and easy-to-use interface with the highest analog audio quality available.

Features

• Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
• Integrated powerful spectral analyzer and sonogram – despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
• Integrated tube saturation gives the sound a great vintage analogue feel.
• Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully Automatable.

+10db Equaliser is meticulously modelled after the EQ section of a very highly sought after hardware channel strip.

+10db Equaliser takes the EQ section from our +10db Channel strip plugin and puts it in a dedicated plugin. This plugin faithfully recreates the curves and subtleties of this hardware equaliser unit.

What is so special about this EQ?

This EQ takes a different approach to equalization than your standard digital EQ. Instead of the standard series configuration, this EQ uses a parallel configuration, which makes for some very interesting effects, especially for bands that are close together. You will notice that you can use more extreme boost and cut settings without going into that harsh realm.

And of course, in order to preserve the spectral integrity of analog filters, we do not do any of the digital pre-warping tricks. Instead, each filter has a nice symmetric frequency response all the way up to Nyquist frequency, giving it a much more natural and musical response in the high frequencies.

The layout of this EQ makes you work with a different part of your brain than the standard parametric EQ. Don’t get us wrong, we love parametric EQs too, but working with this EQ definitely opens up the creative side of our brain, which can open up entirely new creative possibilities.

NEED 84 Console EQ is one of the most sought-after British Style Class-A “Red Knob” preamp and discrete EQ which is the enhanced version of his big brother “NEED 73 Console EQ”, with switchable more high band frequencies, wide/narrow Q settings, and modified filters.

Queen, Nirvana, Red Hot Chilli Peppers, David Bowie, Foo Fighters, Slipknot, Adele, Drake … the list continues. This unit has been used not only on classics but has been still widely used on the current records too.

The extremely accurate end-to-end circuit emulation which is holding each small detail and true vintage tone of the phenomenal studio equipment.

The “Red Knob” Class-A preamp and eq combination make the audio sources feel alive using high-frequency ocean tones, incredibly detailed mid-range, clarity, and uniquely warm analog saturation with anti-aliasing tonal quality.

MAIN FEATURES

• Truly accurate circuit reproduction of the most desired British Class-A preamp / eq
• Nuance Deviation System (NDS)
• Mid/Side channel processing mode
• Additional second mid band (4 Bands total)

Extremely Accurate

NoiseAsh Audio is proud to bring the original vintage amplifier and eq units into your DAW. Expertly captured, totally detailed, extremely accurate analog models for sculpting your sound just like legendary top-rated British style consoles. Thanks to NoiseAsh modeling technology; warm, bold, and distinguishing analog characteristics, even little details are exactly here in the box now with NEED 84 Console Eq.

True Console Sound

Analog domain components have some little tonal nuance differences which create some deviations concerning their theoretical values. Nuance Deviation System (NDS) is the NoiseAsh Audio proprietary signal processing model, which emulates the sonic character deviations of the analog components. Individual Left-Mid and Right-Side channels can be alternated with NDS. There are plenty of carefully modeled console channels and each number stands for a console channel bearing its deviation. With NDS, real tonal differences can be captured quickly!

Product Specifications

• Truly accurate circuit reproduction of the most desired British Class-A preamps and equalizers
• Nuance Deviation System (NDS) for individual Left/Mid and Right/Side channels
• Mid/Side channel processing mode
• Additional second mid band (4 Bands total)
• Class-A Mic (from 0 dB to 80 dB) and Line (from 0 dB to 10 dB) Preamp model with output gain compensator (Drive Mode)
• Complex signature interaction between filters with fabled musical curves
• Anti-Aliasing Analog Modeling Engine
• Optimized Resizable GUI layout for the effective workflow
• Friend of CPU

A complete professional digital audio processing environment in a single bundle: the Blue Cat’s PatchWork standalone application and the complete collection of Blue Cat Audio’s commercial audio plug-ins.

This is a total of 19 products, including 6 award-winning unique audio analysis tools, 3 powerful dynamics processors, 4 premium equalizers, and a unique scripting plug-in to build your own effects or virtual instruments.

Bundled Products Include:

• DP Meter Pro
• Destructor
• Dynamics
• FreqAnalyst Multi
• FreqAnalyst Pro
• Late Replies
• Liny EQ
• MB-5 Dynamix
• MB-7 Mixer
• Oscilloscope Multi
• Parametr’EQ
• PatchWork
• Plug’n Script
• Protector
• Remote Control
• Stereo Parametr’EQ
• StereoScope Multi
• StereoScope Pro
• Widening Parametr’EQ

A New Era in Equalization

Advanced Mixing EQ with Transient / Tonal Splitting Technology

SplitEQ is a groundbreaking EQ that offers a new approach to corrective and creative audio equalization. It excels at Enhancing, Repairing, Rebalancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool that opens up exciting new musical possibilities. More than just an EQ—It’s a new and better tool.

At first glance, it’s a parametric EQ with 8 bands of precise musical filters. What’s new and different is Eventide’s powerful Structural Split engine divides the incoming audio into separate Transient and Tonal streams that feed the 8 bands of “Split” parametric EQ. This approach is musically useful and makes common EQ problems easy to solve, even in a complex mix. 

• Want to soften the transients? Use the master Transient Gain slider. 
• Remove plosives or de-ess? EQ only the Transient. 
• Reduce snare ring? Put a filter on the Tonal mids.

By applying EQ to Transient and Tonal separately, you can fix many of the problems normally attempted by complex combinations of EQ, compression, transient designers, de-essers, multi-band compression, spatial processors, or dynamic EQ. Simplify and declutter your workflow, get better results and create new sounds.

By Musicians For Musicians

SplitEQ reduces the distance between what you want to do and how you actually do it, and with fewer tradeoffs of other EQs. A low-shelf boost on a kick drum will yield muddiness rather than delicious oomph. A low cut on a low male vocal removes plosives but at the expense of low-end richness. SplitEQ gives you the surgical control to address the problematic part of a sound without losing the magic and without the need for additional tools.

SplitEQ is not just a corrective tool, it is also a new type of creative tool for taking your mixes to new heights through its independent L/R and Mid-Side panning. With SplitEQ every source is split into a pair of sonically distinct elements offering your music, mixes, and audio signals an extraordinary new level of musicality.

Batteries Included

SplitEQ comes with a Factory Library of over 150 presets to solve many of today’s standard corrective and complex mixing problems in a cleaner and faster way. The presets are designed to Enhance, Repair, Rebalance and Widen various instruments including drums, vocals, guitar and more. A/B comparison and Undo/Redo make it easy to explore ideas without losing where you started.

Whether you’re working on individual tracks, a full mix, or cleaning up a two-track loop, you’ll find SplitEQ to be an inspiring and powerful tool that allows you to approach the material in a new, musical and sonically meaningful way.

Overview

Structural Split

The beating heart of SplitEQ analyzes the incoming audio and separates it into two separate streams:

• Transient (Noise, pops, mic plosives, vocal sibilance, attacks)
• Tonal (Sustained notes, harmonics, tone, ambience)

8-Band Parametric EQ

SplitEQ’s filters are state-of-the-art, pristine and musical. The User Interface has been designed to streamline workflow. Add sheen to vocals without boosting sibilance or harshness. Enhance acoustic guitar harmonics while reducing string buzz.

Stereo Imaging

Continuous L/R or Mid/Side panning of the Transient and Tonal components for each of the eight bands.

Graphical Display

High-res, real-time, spectrum analysis of audio components with multiple options for monitoring or comparison. SplitEQ also features Peak and RMS metering.

SplitEQ Applications

Enhance: With independent control of the Tonal and Transient elements of an instrument, SplitEQ can be used to deliver punch, detail, sheen, breathiness, diction, tightness, thump, and pluck.

Repair: A unique audio repair and restoration tool, SplitEQ allows you to surgically tune the Transient and Tonal response independently. Remove a kick drum’s boom without losing its thump. 

Rebalance: SplitEQ allows versatile track placement in a mix. Easily perform multiple tasks not possible with any other EQ, like softening electric guitar strums while boosting cab reverb.

Widen: SplitEQ allows for precise multi-band stereo image manipulation of the Tonal and Transient elements of each frequency band. L/R and Mid/Side panning are supported. Spatialize a beat like never before.

X-Ray Vision

With SplitEQ you can hear and even see your sound in new ways. Eventide’s Structural approach mimics the way in which people interpret sound and the spectrum display offers an inside look into what you’re hearing. Solo only the transients, or a single band, or only the transients on a single band. Use the real-time spectrum analyzer to track down problematic resonances or transients by displaying the tonal and transient streams separately. SplitEQ adds a new dimension to your trouble-shooting toolkit.

Prepared for Repair

Eventide’s team took all the knowledge they had about recording, threw it out the window, then headed down to the studio to lay down some badly recorded tracks. Double-headed kick drum with no port? Check. Ill-advised mic placement on snare? Check. Why? To prove that SplitEQ works well on a wide range of sonically challenged material. Eventide created an entire folder of presets for those less-than-perfect recordings.

Features

• World-class 8-band parametric EQ with pristine musical filters.
• EQ Transient and Tonal parts of a sound separately using Eventide’s patented Structural Split™ technology.
• Control Transient and Tonal Output levels.
• Enhance the stereo-field with continuous Transient and Tonal panning controls (L/R and Mid/Side modes).
• Control the underlying Split technology for fine-tuning and experimentation.
• Globally scale the EQ curves together or independently.
• Peak, Notch, Bandpass, High Shelf, Low Shelf, Tilt Shelf, High Pass, and Low Pass filter types with slopes from 6 to 96 dB/octave.
• An innovative real-time spectrum analyzer displays the Transient and Tonal streams independently.
• Comprehensive Presets Library includes 150+ presets.
• A/B buttons allow quick auditioning of two presets or settings plus Undo/ Redo functionality.
• Resizable GUI with zoom options.

TOTAL SOUND DEVASTATOR

It’s not a straight forward bit crusher. As the name says; it’s a total sound Devastator. It gives all of the commonly used Lo-Fi distortion / audio resolution degradation features for adding very unique shapes to your sound.

SIMPLIFIED CONTROLS

It allows you to create low resolution audio and bit crushed sound through a variety of controls with different sonic characteristics. With tweaking just one knob, you will see the significant difference and tone degradation on your tracks.

ADVANCED DEGRADE FX

With fully automable functions, it can be used on anything; even on a total mix. Nice intros or transition effects, tone adding / deforming your tracks, classic SID chip sound emulating, giant distorted drums, digitally distorted guitars, angry basses and so on.

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast Analog Quality All in One DSP Engine
• Lo-Fi degrade unit with “Bit Reduction & Sample Amount” settings
• Vintage analog saturation
• Special distortion algorithm
• Low Shelf & High Shelf Solid State EQ
• LP & HP Filters
• Simplified controls, lot’s of creative possibilities
• Resizable GUI
• Friend of CPU

Powerful Sonic Sculpting

SEQ-ST delivers sculpting power beyond any other EQ. The resizable direct-draw interface makes it easy to quickly fine-tune your audio, with incredible resolution that you can’t get with a traditional parametric interface. SEQ-ST gives you complete control over your spatial environment, with access to stereo & mid/side operation.

Unparalleled Flexibility

• Linear phase spline EQ
• Curve scaling and smoothing
• Zoomable and resizable interface
• No phase smearing
• Frequency node locking
• Psychoacoustic banding
• Match EQ presets

Intuitive EQ Matching

Use SEQ-ST to capture the flavour of a piece of source audio and match it to your current work – great as a reference for mastering. Or use this match technique on individual tracks to unify different takes, microphone positions, and more.

Plus, by inverting the match EQ curve, you can achieve a minimally invasive technique for carving out space in a complex mix where traditional EQs won’t cut it.

For Music Production

Fine-tune and correct your sound with flexible, detailed envelopes difficult to achieve with a traditional parametric EQ. Plus, take advantage of independent left/right and mid/side operation, even within the same plug-in instance.

Use EQ matching to gently push your sound toward reference material or dive into new creative spheres with tempo locked effects. Ideal for both corrective mix work and gentle mastering polish.

For Post and Broadcast

Precise corrections which would be very time consuming with a traditional parametric interface are a breeze with SEQ-ST’s flexible nodes and direct draw interface.

Match ‘invert’ makes it quick and easy to find space for dialogue in a busy soundtrack, avoiding heavy-handed EQ or intrusive ducking.

Typical Applications

• Independent control of left/right & mid/side channels
• EQ matching
• Creating ‘perfect space’ for vocals or dialogue
• Mono and stereo audio production

Urei 565 Filter Set

The EQ65 is a recreation of a classic audio surgical tool, the Urei 565 filter set, used by generations of engineers to de-emphasize or completely eliminate selected frequencies in an audio recording. Its two-band notch/band pass filter set allows you to quickly find a selected frequency to boost or cut. Target frequencies also may be attenuated in gradations by using the notch filters in conjunction with the depth controls.

Features

• Emulation of the analog Urei 565 filter set
• Powerful 36 dB/octave High Pass and Low Pass filters
• Two switchable Notch/ Band Pass filters
• Use Band Pass to identify unwanted frequencies, then switch to Notch to cut them with very narrow Q settings
• In/Out switch and indicator
• Several instrument and special effect presets

No Apogee Hardware Required!

The Apogee ModEQ 6 is a modern 6 band equalizer plugin that is part of the Apogee FX Rack & ApogeeChannelFX suite of plugins that runs natively in your favourite DAW without any Apogee hardware but also has DualPath™ functionality that allows the plugins to run on Apogee Hardware DSP in Symphony Desktop, Element Series, and Ensemble Thunderbolt audio interfaces.

Features

• 6 Band Parametric EQ
• Lo Pass, Hi-Pass
• 2 Peak/Shelf
• 2 Peak/Notch
• Visual user interface
• Spectrum Analyzer
• Band Solo
• Proportional/Constant Q
• Runs natively in your favourite DAW (no Apogee hardware is required)
• Runs on Apogee hardware DSP in Symphony Desktop, Element Series, and Ensemble Thunderbolt audio interfaces

The essential tools for production, mixing and mastering!

Melda have picked the most important plugins from their huge arsenal and put them into a single cost-effective bundle, which contains everything you need to produce, mix and master music efficiently and with ultimate audio quality.

Ultimate Audio Quality

High speed, simplicity, crystal clear sound and minimal noise level is the standard output from every MeldaProduction plugin.

Unique Super-modern Technologies

MeldaProduction specialize in hi-tech super-modern technologies available nowhere else. Their MEssentialsFXBundle does not contain simulations of vintage analogue devices or mere clones. Rather their plugins move audio production technology forward! The price is also more than affordable. The question now, is only: “Do you want to join this advancing, new world of audio processing”?

MTurboDelay

MTurboDelay is the ultimate delay providing 39 delay plugins in a single beast. That means 39 completely different delay designs inspired by both analog and digital worlds, brought to a whole new level.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MAutoAlign

MAutoAlign solves problems with phase cancellations when recording a single instrument using multiple microphones. Normally engineers have to search for ideal delays and potentially invert phases manually. But now all you need to do is to place MAutoAlign to all tracks you want to fix, start playback and press Analyze button in one of them. The plugin will analyze all tracks and after a few seconds, you are finished!

Features

• Unique multitrack design – the plugin does not need any advanced techniques with sidechains etc. All you need is to do is to place one instance to each track. These will automatically talk to each other and perform the analysis without need for your interaction.
• Completely transparent processing – the plugin only delays each track and potentially inverts phase of some of them. But performs no filtering or any other advanced processing which alters the signal.
• Advanced metering system – provided meters display frequency cancellations useful to judge how much of the signal is lost when mixing the tracks together.
• Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover, Melda plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Fully automatable.

MAutoDynamicEq

MAutoDynamicEQ is the ultimate “go-to” parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange

MAutoVolume

Vocals, bass, solo guitars, saxophones. They all deserve to be on top of the mix all the time. To accomplish this, some engineers used compressors, others automated faders. Now you have MAutoVolume, which does the job for you with almost no effort and with unbelievable audio quality.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange

MCompare

MCompare is the ultimate reference tool for mixing and mastering allowing you to quickly compare your audio to any audio file and stages of your processing chain, and saves you from loudness deception.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• M/S, single channel, up to 8 channels surround processing…
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MLimiterX

4 simple knobs give you all the power to make your recordings loud without the ugly artifacts most limiters cause. Choose the character you like and just use the drive knob. Advanced visualization will tell you immediately how loud the results are. If you need to dive deeper, just click the edit button.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimized for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange

MSaturatorMB

MSaturatorMB is a powerful multiband saturation/distortion processor. It can be smooth as glass, hard as rock, or creamy as butter. Its modulation system goes far beyond what you could have thought possible. All this with unbelievable audio quality that will blow you away.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• 1-6 fully configurable independent bands
• Modulators
• Adjustable oscillator shape technology
• Multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MTurboCompLE

MTurboComp is the ultimate (not-only) compressor, which emulates most of the classic vintage analogue compressors. Unbelievable sound, uniquely fast workflow, tons of additional features.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• Unique generalized dynamic detector
• Parallel compression using dry/wet control
• Unique temporary gain feature
• M/S, single channel, up to 8 channels surround processing…
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MTurboReverbLE

MTurboReverbLE is an edition of Melda’s revolutionary algorithmic reverb MTurboReverb, at a lower price, but has a few limitations.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• Modulators
• Multiparameters
• Tube saturation
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX capable processors
• Global preset management and online preset exchange

T-Bone uses custom filters that do not have any of the wonky side effects to your high end that most digital filters have.

No matter what sample rate you are using, T-Bone will give you a smooth natural curve right up to Nyquist frequency.

T-Bone is a slant EQ at heart, with a few extra features that just make it that much more useful.

MAIN FEATURES

• Slant EQ simultaneously boosts and attenuates for quick tone shaping without gain increase
• High- and low-pass filters with resonance control
• Boom and Harsh controls tame unwanted side effects
• Wet/dry mix control
• Clean filters up to Nyquist limit
• Low CPU usage

What is a Slant EQ?
A slant EQ is a filter that simultaneously boosts one end of the frequency spectrum while attenuating the other end. As it turns out this is an amazingly useful tool for brightening or darkening your tracks very quickly.

Another reason this is super handy is that it allows you to change the tone of your track without changing the overall level. With traditional EQ plugins, as you boost certain frequencies, the overall sound gets louder.

The problem with this is that our brains have the screwy little feature where louder music tends to sound better (even if it actually sounds worse. Make sense?). A slant EQ works around that special feature in our brain so that you aren’t deceived by the changing level and you can know instantly if your are improving or worsening your sound.

Extra Features
While a slant EQ is a very handy filter to have, we have added a few features that make it even easier to dial in the sound you need.

We included a high pass filter with resonance control (think Bark of Dog) and low pass filter with resonance (henceforth to be known as Meow of Cat).

We also came up with this super hand feature called Boom and Harsh Control. Sometimes adding extreme amounts of slant EQ can have some nasty side effects. If slanted too far to the left, you can end up with a lot of low end build up. Slant too far to the right and you can get too much harsh high end. The Boom and Harsh Control lets you add massive amounts of slant without getting  harsh or boomy.

It’s really an essential part of what makes this plugin so easy to use. We also added mid/side mode and an analog mode that adds subtle distortion and compression to your sound. Enable that for some grit, or disable for super clean tone shaping.

Clean filters Without the CPU Hit
During the development of this plugin, we created some incredibly smooth filters that don’t have any of the crazy side effects on your high frequencies (technically known as wonk).

Our wonkless filters not only give you a smooth frequency response all the way up to Nyquist frequency, but they do this without adding that CPU hit that oversampled filters take.

HY-Filter4 is a semi-modular type effect plugin.

It contains multi-engine filter + built-in 38 effect units + 10 types of modulators + the CTRL SEQ. You can modulate parameters of the main filter, bult-in effects and modulators by using the modulation units.

In addition, these are controlled by the CTRL SEQ which is a grid sequencer

The plugin consists of 3 parts.

• FX Chain: Processes the input signal
• Modulator: Modulates the FX/Modulator parameters
• CTRL SEQ: Controls the FX/Modulator unit

FX CHAIN

Modulator

CTRL SEQ

CTRL SEQ

The CTRL SEQ has 16 tracks and 12 pattern snapshots.

These tracks will be assigned to effect/modulation units.

Once a CTRL SEQ track is assigned to a Modulator/FX unit, that unit will be under the control of the CTRL SEQ

Main Features:

• Multi-engine filter
• 38 built-in effect units
• 10 types of modulator (total 42 units)
• Built-in grid sequencer (CTRL SEQ) for controlling effect and modulator units
• Drag and drop modulation assignment

Both RZ062 plug-ins deliver pleasant vintage warmth and amazing presence to your vocals, instruments and entire mixes. 2 EQ plug-ins in a bundle Precise valve circuit models Left/Right and Mid/Side Controls and transformation Calibration.

Input and output level control Auto output parameter (link) Smoothest EQ sound available.

The original

The RZ062 Equalizers were originally (in the 1960s) designed in Germany for installation in mixing consoles. They were supposed to permit arbitrary modification of frequency response in sound recording and reproduction in order to eliminate undesired studio acoustics, noise, or to produce certain acoustic impression or tonal colouring. Soon they accommodated in top European studios. Now, these 6lbs 300V powered units are extremely rare. Due to their inaccessibility and unmistakable sound, their price climbs over $12.000 per pair. But thanks to our precise circuit modeling technique, these jewels can return to your projects.

Common EQ vs RZ062

Nowadays producers tend to surf through various frequencies and spend hours on trying to find the sweet spot of their mix. But the vintage gear worked differently. The RZ062 EQ‘s controls adjust precisely selected fixed parameters. They are perfectly sonically balanced to give the immediate and no compromise results. In addition, the circuitry adds wonderful colour to the entire material. RZ062a The RZ062a and RZ062b modules differ in the function of the central knob. The a-module middle handle rotates the entire frequency curve by around the central point (650 Hz). When the bass frequencies are raised, the trebles are simultaneously lowered. RZ062b The b-module is even more complicated. Its presence knob lets you choose one of four frequencies (1.4, 2, 2.8 and 4 kHz) and adjust their gain at the same time. This parameter helps your sonic material to cut through very gently and sensitively.

The Model To create these amazing plug-ins we had to emulate more than 200 circuit components. That includes 3 triodes, input and output transformers. It is not just any circuit but someone did a great job focusing on the details. Each part has its own thoughtful meaning. For RZ062 we used so called white box modeling. We described the whole circuit with complex math equations based on the circuit analysis. Eventually, the overall model was fine tuned by measurements and component-values fitting algorithm. to find as the closest model to the real device as possible.

In use RZ062‘s place is everywhere where extra bass, treble or presence is needed while improving the overall colour, smoothness, and tightness of the sonic material. RZ062 is incredible on vocals, bass or acoustic instruments. But due to the advanced controls – the independent left/right channels tweaking or mid/side operation – the main point of the RZ062 EQs is the top quality mastering purpose.