Top Analog Modeled Waves VST Plugins
Top Analog Modeled Waves VST Plugins

Top 10+ Analog Modeled Waves VST Plugins 2021

We have created for you a rating of the Best 10 Analog Modeled Waves VST Plugins as the most downloaded and according to the excellent reviews of musicians

More Modular VST Plugins of other brands

VST list navigation:

  1. Abbey Road TG Mastering Chain
  2. SSL E-Channel
  3. J37 Tape
  4. SSL G-Master Buss Compressor
  5. CLA-2A Compressor / Limiter
  6. Scheps 73
  7. CLA-76 Compressor / Limiter
  8. Aphex Vintage Aural Exciter
  9. Reel ADT
  10. Abbey Road Reverb Plates

1. Abbey Road TG Mastering Chain

by: Waves

 
Abbey Road TG Mastering Chain
 

A modular mastering chain plugin modeled after the EMI TG12410 Transfer Console used in all Abbey Road’s mastering suites since the early ’70s to this day. Use the Abbey Road TG Mastering Chain to create custom processing chains with a flexible flow and the TG magic on the master bus, or on individual tracks/groups in a mixing session.

The distinct solid-state transistor-based sound of the TG12410 has proven itself time and again over many decades. Whether it’s used for mastering as a complete console, or for mixing with only select modules, the TG brings nothing less than magic — the same magic heard on albums like Pink Floyd’s The Dark Side of the Moon, Nirvana’s In Utero, Radiohead’s OK Computer and Ed Sheeran’s “+”. Thanks to this Waves/Abbey Road collaboration, the TG12410 is available outside of Abbey Road Studios and you can now bring the very same magic to your own productions.

Just like the original console, the TG Mastering Chain plugin is made out of modules (or cassettes):

  1. TG12411 Input Module
  2. TG12412 Tone Module (EQ)
  3. TG12413 Compressor/Limiter Module
  4. TG12414 Filter Module
  5. TG12416 V.A.L (Spread) Module (stereo component only) incorporated into the Output Module.

Modules can be interchanged (except for input/output modules) and switched on/off to allow for a flexible processing flow and creating custom chains. Individual modules can be used on different tracks and group buses in a mixing session, as well as on the master bus in mastering sessions.

The compressor/limiter module offers two flavors — Original and Modern — and is coupled with 48 dB/Oct linear-phase sidechain filters to help you take complete control over your sound.

  • Original — aggressive and “dirty” just like the ’70s and exactly how we modeled it.
  • Modern — an original Waves and Abbey Road design based on the TG topology, that will help you get pristine sound with higher levels of perceived loudness.

Alongside the TG Mastering Chain is the Meter Bridge component (separate plugin), offering a new approach to metering. Open one Meter Bridge component on any channel and get access (via drop-down) to all Abbey Road TG Mastering Chain instances in the session. Get a clear reading of VU, PPM, Phase and Peak at a glance, and stay focused on the music.

With different processing modes (Stereo/Duo/MS) and monitoring modes (Stereo/Mono/L/R/M/S), the Abbey Road TG Mastering Chain plugin is truly a powerful tool. Use it in the studio or for live sound with a dedicated Live component.


2. SSL E-Channel

by: Waves

 
SSL E-Channel
 

The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your computer.

The equalization section of the SSL E-Channel is based on the renowned Black Knob equalizer, developed in 1983 with legendary producer George Martin. It features a High Pass Filter, Low Pass Filter, and a four-band parametric equalizer.

The dynamics section features a soft-knee compressor / limiter and an expander/gate modeled on the SSL LS611E. Like the original, it can be placed before or after the equalization section, and makeup gain is automatically applied to maintain a steady output level.


3. J37 Tape

by: Waves

 
J37 Tape
 

Waves and Abbey Road Studios present the J37 tape saturation plugin, a precision model of the very machine used to record many of the greatest masterpieces in modern music. With a variety of user-adjustable controls including Tape Speed, Bias, Noise, Saturation, Wow and Flutter, the Waves: Abbey Road J37 faithfully recreates the inimitable sonic signature of the original machine. In addition to the J37 itself, three exclusive oxide tape formulas have been modeled. Specially developed by EMI during the ‘60s and ‘70s, each formula has its own unique frequency response and harmonic distortion behavior. In order to push the envelope even further, a comprehensive Tape Delay unit has been added to complement those warm tones.

The Waves: Abbey Road J37 tape emulation plugin will bring stunning analog warmth to your digital recordings, delivering a level of hardware realism never before experienced “in the box.”


4. SSL G-Master Buss Compressor

by: Waves

 
SSL G-Master Buss Compressor
 

Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design. Prized by top engineers for its ability to “glue together” tracks, the SL 4000 G master buss center compressor is ideal for taming piano dynamics or adding punch to drums and percussion. Now, the ultimate finalizer that transforms a mix into a finished record can be yours – in the box.


5. CLA-2A Compressor / Limiter

by: Waves

 
CLA-2A Compressor / Limiter
 

Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original’s smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge’s personal presets, and seemingly limitless instantiations, and you’ve got a model that surpasses its inspiration.


6. Scheps 73

by: Waves

 
Scheps 73
 

The Waves Scheps 73 is a colorful 3-band EQ modeled on the classic 1073 console’s EQ and mic preamp module and developed in association with world-renowned mixing engineer Andrew Scheps (Adele, Red Hot Chili Peppers, Black Sabbath, Lana Del Ray, Metallica, Jay-Z.)

Empowered by Waves cutting-edge technologies, the Scheps 73 EQ features interrelated bands that adhere to the 1073’s original specs and precisely emulate its behavior: a fixed 12kHz high-frequency band, switchable low and midrange bands with cut and boost controls, and an 18dB/octave high-pass filter. Additionally, for the first time ever, a little-known 10kHz midrange band discovered in the original 1073 schematics but operable only on the rare 1078 channel strip has been modeled and incorporated into the plugin. And to top it all off, the Waves MS matrix has been added to let you apply different equalization to mid and side stereo content.

Using innovative procedures to model the acclaimed Marinair transformer, Waves has meticulously captured all the sonic characteristics of the 1073, including its harmonic distortion. These overtones were tweaked to perfection by Andrew Scheps himself, resulting in beautiful and authentic saturations.

Whether used for recording, mixing or mastering, Scheps 73 lets you enjoy all the warm tones of a fabled piece of studio hardware, in-the-box!


7. CLA-76 Compressor / Limiter

by: Waves

 
CLA-76 Compressor / Limiter
 

Inspired by two highly-desirable revisions of the famed mid-60s Class A line level limiting amplifier, both versions of the CLA-76 (“Blacky” and “Bluey”) offer the superfast attack (as quick as 50 microseconds!) that made the originals studio legends. With an exclusive “ALL” control that recreates the original’s explosive “All-Ratio-Buttons-In” mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.


8. Aphex Vintage Aural Exciter

by: Waves

 
Aphex Vintage Aural Exciter
 

Modeled on one of only a few tube-powered units ever made, the Waves Aphex Vintage Aural Exciter® plugin delivers all the unique character of the rare original hardware unit, with all the advantages of software.

When it was originally introduced in the mid-1970s, the Aphex Aural Exciter brought its distinctive sound to select sessions by leading recording artists, traveling from studio to studio as an exclusive (and expensive) rental unit.

A true groundbreaker, the original Aural Exciter was highly regarded for its ability to increase and enhance presence, brightness, and vibrancy on vocal and instrumental tracks alike. It was even credited as a “session player” on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.


9. Reel ADT

by: Waves

 
Reel ADT
 

Waves/Abbey Road Reel ADT is the first plugin to successfully emulate Abbey Road Studios’ pioneering process of Artificial Double Tracking. The effect that would become an integral part of Abbey Road’s signature sound was initially created at the famed studios in the 1960s to meet the needs of some very special clients: The Beatles.

Reel ADT puts the magic of that era in your hands within seconds. Using its intuitive controls, you can advance or delay the doubled signal to achieve genuine, lush-sounding delay and pitch variations. You can also drive each of the signals separately to add beautiful tape saturations.

With its authentic modeled valve tape machine sound and faithful emulation of wow and flutter, this extraordinary plugin can enhance any track with the impression of two separate takes, giving you results as close as possible to real double tracking. Other classic Abbey Road tape effects such as flanging and phasing can also be achieved with ease.

All the character, depth and panoramic sound of this inimitable classic effect can now be created digitally, simply and for real: Reel ADT.


10. Abbey Road Reverb Plates

by: Waves

 
Abbey Road Reverb Plates
 

State-of-the-art modeling of the four legendary reverb plates housed at Abbey Road Studios and used on recordings by the Beatles, Pink Floyd and Radiohead.

Introduced in the 1950s, plate reverbs have been a fixture of recorded music ever since. Used most prominently in the ‘60s and ‘70s by pioneering bands, including the Beatles and Pink Floyd, Abbey Road Studios’ original reverb plates were first installed in 1957 to complement the fixed reverberation times of the studios’ echo chambers. These beautiful-sounding plates, with a variable reverb time of up to six seconds, were then tweaked to perfection by Abbey Road’s technical engineers. To keep noise to a minimum, EMI’s Central Research Laboratories designed unique hybrid solid-state drive amps for Plates A, B and C. Plate D was fully valve-powered on both drive and output stages, allowing a versatile array of sonic characteristics, from warm and dark to lush and smooth.

In each of these original plates, the stereo reverb effect is created by suspending a large sheet of metal with tensioned springs attached to each corner. A transducer injects the metal sheet with audio energy, which is picked up by two contact mics fixed to the surface of the plate. The reverb time can then be adjusted by using an internal damper, and all of this is contained within a large wooden unit.

These historic Abbey Road plates have been used on countless seminal pop, rock, classical and film recordings over the years, and continue to be used in all kinds of audio production to this day. Waves has now created meticulous models of these stunning and unique-sounding units, individually modeling the harmonic distortion of both the drive and output amps as well as the individual plate/damper behaviors.

Write your review and rate this rating The Best 10 Analog Modeled Waves VST Plugins

Top Analog Modeled Waves VST Plugins
Top 10+ Analog Modeled Waves VST Plugins 2021
SOUND QUALITY
96
VALUE FOR MONEY
93
EASE OF USE
95
FEATURES
97
PRESETS
96
Reader Rating0 Votes
0
95

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