Top Blue Cat Audio VST Plugins
Top Blue Cat Audio VST Plugins

Top 10+ Blue Cat Audio VST Plugins 2021

We have created for you a rating of the Best 10 Blue Cat Audio VST Plugins as the most downloaded and according to the excellent reviews of musicians

VST list navigation:

  1. Multi Bundle
  2. Liny EQ
  3. DP Meter Pro
  4. AcouFiend
  5. PatchWork
  6. Plug’n Script
  7. Late Replies
  8. Analysis Bundle
  9. Re-Head
  10. Axiom

1. Multi Bundle

 
Multi Bundle
 

This bundle contains the complete collection of our multiple instances analysis plugins. These plugins offer unique multiple tracks audio analysis capabilities thanks to our data sharing technology. This solution is ideal for mixing, tracking defects within an audio processing chain, teaching audio processing or learning sound synthesis.

Blue Cat’s FreqAnalyst Multi plugin provide extremely smooth spectrum and frequency content analysis, the Blue Cat’s StereoScope Multi analyzer let you visualize the stereo image of your audio content in details, and the Blue Cat’s Oscilloscope Multi waveform viewer shows the waveform of audio signals as well as their phase relationship.

All plug-ins integrate specific capabilities to compare audio signals and display their differences.

Bundled Products Include:

  • FreqAnalyst Multi
  • Oscillloscope Multi
  • SteroScope Multi

2. Liny EQ

 
Liny EQ
 

Main Features:

  • Linear phase graphic equalizer
  • very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.
  • customizable range (+/- 40 dB).
  • Exact EQ curve display.
  • Four EQ shapes.
  • Automatic gain compensation.
  • Real time spectrum analyzer display.
  • High resolution color and greyscale spectrogram display.
  • High resolution color peak meter.
  • Single and dual channel versions.
  • Left/right or mid/side processing for spectral stereo widening or narrowing.
  • Advanced channels linking capabilities.
  • Multiple display sizes.
  • Highly customizable user interface: display what you need, the way you need.

Blue Cat’s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds).

Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow.

The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.

Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal “Mix” control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.


3. DP Meter Pro

 
DP Meter Pro
 

Blue Cat’s DP Meter Pro (DPMP) is a unique audio analysis tool: it combines very flexible and customizable audio meters with advanced side chaining control capabilities thanks to its MIDI and automation outputs.

Main Features:

  • Multichannel peak, RMS & crest factor meter.
  • True dynamic range measurement with levels histograms.
  • Instant, average and maximum audio levels.
  • Modular user interface to fit into your workflow, with multiple screen sizes.
  • Total control over the metering characteristics, including attack/release shape.
  • Bob Katz’s K-System scales support (K-12 / K-14 / K-20 and custom)
  • Mono, stereo, mid-side or surround analysis.
  • Record measurements (peak, RMS, crest factor, clip etc.) as automation curves.
  • Control in real time any MIDI-compatible plug-in or external MIDI device with the generated envelopes thanks to the plugin’s MIDI CC output. See the Tutorials section for more examples.
  • Manage the shape of the output envelope: record reversed envelope, change amount of signal, and offset the generated envelope. This lets you use the plug-in for side chain ducking, compression and much more.
  • Easy ‘stereoness’ and phase cancelation measurement.

The metering capabilities of the DPMP plug-in let you control and monitor audio signals exactly the way you want: almost every aspect of the peak, RMS and crest factor meters can be customized. It proposes five different scales by default, including Bob Katz’s popular K-System scales (K-12, K-14, K-20), and you can create your own.

Large colored statistics displays following your own scales are included for an overview of a track, while histograms give you a precise measurement of the dynamic range of the track. The graphs show the evolution of the audio envelopes over time, and the mid-side switch lets you verify mono compatibility problems and check the “stereoness” of your audio sources very easily. Whether you are working with mono, stereo or surround tracks, this plug-in will fit into your workflow.

All envelopes (peak, RMS, crest factor…) can be reused for additional monitoring or side chaining purposes: combined together, reversed, modified and recorded as automation curves or sent as MIDI CC messages, they can control other effects in real time.

The DP Meter Pro Tutorials explain how to use these unique capabilities in your favorite host. Possibilities are endless, from voice over and ducking to side chain compression, multiple tracks monitoring or dynamic stereo enhancement.

It is also possible to control external MIDI hardware (such a synths, MIDI effects), video effects or lighting systems with an audio signal.


4. AcouFiend

 
AcouFiend
 

Blue Cat’s AcouFiend is an acoustic feedback simulator plug-in that can make your guitars scream, growl, or sing, even at low volume or through headphones, and it gives you total control over it!

AcouFiend simulates the acoustic feedback (a.k.a “Larsen effect”) well known to guitarists playing loud and close to their speaker… Except that here, you have total control over the effect.

You can choose when and how to trigger the feedback, on sustained notes or chords.

The plug-in lets you select the main harmonic of the feedback, and you can even choose to transpose it for more creative effects.

Of course, it can be entirely automated or controlled via MIDI.

And since it is a plug-in, it is not just for guitars: create screaming synths, sustained vocal harmonies and more…

MAIN FEATURES:

  • Acoustic feedback simulator
  • Total control over the feedback: adjust the rise and fall time, the sensitivity to pitch and amplitude changes, and the generated harmonic
  • Supports chords
  • Limit the range of notes that can produce feedback
  • Transpose the feedback signal to create harmonies
  • No latency

BLUE CATS AUDIO STANDARDS:

  • Available in most plug-in formats for Mac and Windows.
  • Full MIDI control and automation support, MIDI Learn.
  • No CPU load on idle: processing shuts down when fed with silence (optimal the CPU usage).
  • Customizable user interface with transparency & zoom.
  • Smooth Bypass: noiseless plug-in activation / deactivation.
  • Undo/Redo. Full featured integrated presets manager.
  • Copy/paste the state of the plug-in between instances.
  • Any sample rate supported.

5. PatchWork

 
PatchWork
 

Blue Cat’s PatchWork is a universal plug-ins patchbay that can host up to 64 VST, VST3 or Audio Unit plug-ins into any Digital Audio Workstation (DAW) in one instance.

New Features in 2.5

  • Up to 8 times more processing power with the new multicore engine that processes each parallel chain on a separate core.
  • New DSP workload meter that displays the DSP activity and CPU load.
  • Added MIDI control support (MIDI CC messages) for Next and Previous Preset commands, with MIDI learn.
  • Reduced time to load PatchWork or any built-in plug-in.
  • Multiple DSP performance improvements.
  • Improved buffer management in standalone application on Mac, reducing both latency and CPU usage.
  • Level meters are not updated anymore when the user interface is closed, reducing CPU usage.
  • Reduced the number of threads used by the plug-in.
  • Improved global and preset settings window loading time on Windows.
  • Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.
  • Full unicode support.
  • Preset files can now be dropped onto the preset LCD area to be loaded.
  • Improved “Tone Maps” user interface (available for 9 built-in effects).

It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below).

Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in.

For each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.

Also, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat’s PatchWork parameters mapping capabilities.

This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels.

Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.

Main Features:

  • Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.
  • Available as an effect, virtual instrument or standalone application.
  • Build your own effects chains: up to 8 “pre” and “post” plug-ins slots to chain plug-ins in series.
  • Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.
  • Host up to 8 virtual instruments in parallel and mix them within the plug-in.
  • Global Dry/Wet control (“Mix”).
  • Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.
  • Flexible MIDI routing: connect sub plug-ins together or with the host application.
  • Flexible Audio routing: connect sub plug-ins i/o to any audio channel.
  • External side chain and multiple outputs support.
  • Link pre and post gains for automatic gain compensation.
  • Cut, Copy and paste plug-ins with their settings between slots.
  • Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.
  • Input and output levels monitoring.
  • Plug-ins Latency compensation.
  • Supports VST Shell plug-ins.
  • Integrated undo/redo.
  • Fully customizable user interface, with multiple sizes.
Blue Cat Audio Standards:

  • Available as: Mac-AAX, Mac-AU, Mac-App, Mac-RTAS, Mac-VST, Mac-VST3, Win-AAX, Win-App, Win-DX, Win-RTAS, Win-VST, Win-VST3, Win x64-AAX, Win x64-App, Win x64-DX, Win x64-VST, Win x64-VST3.
  • Native DSP code for optimal performance.
  • Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
  • No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
  • Skinnable and customizable user interface with transparency management.
  • Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
  • Undo/Redo.
  • Full featured integrated presets manager.
  • Copy/paste the state of the plug-in between instances using the system clipboard.
  • Any sample rate supported.

6. Plug’n Script

 
Plug'n Script
 

Blue Cat’s Plug’n Script is a scripting plug-in that can be programmed to quickly build custom audio and MIDI effects or virtual instruments, without quitting your favorite DAW software.

With this plug-in, you can write your own effects with very little knowledge about programming: no need to invest time and money to learn all these plug-in formats, they are all supported here already! If you do not care about programming, Blue Cat’s Plug’n Script can also be used as a regular processor with existing scripts or to get someone else write this very particular effect you have been searching for years and cannot find anywhere.

It is also possible for audio software companies to use this plug-in to quickly prototype algorithms and reduce the time required to develop audio products: writing and testing scripts is lightning fast!

This plug-in has been in our lab for several years and has been used to prototype lots of our existing plug-ins. It supports both scripts distributed as source code and pre-compiled binary scripts.

For source scripts, it uses the high performance AngelScript scripting engine, originally developed for video games, with a JIT compiler that helps compiling scripts into machine code for optimal performance. Starting with version 2, the plug-in also supports native (compiled) code and can load binary scripts built from C or C++ (or any language that can export C functions), using the same interface as the angelscript version.

The syntax of the AngelScript language is close to Java, C#, C++ or JavaScript, making it very easy to learn. It is also convenient to reuse your scripts into native code, or integrate code snippets found on the web into your script. Also, switching between angelscript and binary versions of the same script is very easy, requiring very few changes.

The plug-in includes dozens of audio and MIDI processing scripts as well as several virtual instruments and utilities to enhance your workflow. They can be used as is, or as examples to get started to write your own scripts. User scripts can be shared in the scripts repository, which also includes the factory scripts and native projects for reference.

Note: on Mac, the factory native scripts require Mac OSX 10.7 or newer.

Main Features:

  • Audio and MIDI scripting plug-in.
  • Build your own Audio and MIDI effects or virtual instruments.
  • Simple scripting syntax, using either the AngelScript language (similar to C++, Java or javascript) or C/C++ for native code.
  • Native binary scripts support (compiled C or C++).
  • The user interface adapts to scripts automatically. Build your own using Blue Cat’s KUIML language.
  • Up to 48 input parameters and 32 outputs, with full MIDI and automation control.
  • Use your favorite Integrated Development Environment (IDE) for editing.
  • Integrated JIT (Just In Time) compiler for optimal performance (scripts are not interpreted but compiled).
  • Includes 55 scripts with source code and 132 presetsfor sound synthesis, MIDI FX, audio FX (comp, gate, tremolo echo, filters, looper…), waveform generation, file playback/recording and more.
  • Side chain input and auxiliary outputs support.
  • Surround support (up to 8 audio channels).
Blue Cat Audio Standards:

  • Available as: Mac-AAX, Mac-AU, Mac-RTAS, Mac-VST, Mac-VST3, Win-AAX, Win-DX, Win-RTAS, Win-VST, Win-VST3, Win x64-AAX, Win x64-DX, Win x64-VST, Win x64-VST3.
  • Native DSP code for optimal performance.
  • Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
  • No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
  • Skinnable and customizable user interface with transparency management.
  • Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
  • Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
  • Undo/Redo.
  • Full featured integrated presets manager.
  • Copy/paste the state of the plug-in between instances using the system clipboard.
  • Any sample rate supported.

7. Late Replies

 
Late Replies
 

Blue Cat’s Late Replies is a powerful delay and multi effects plug-in that can be indefinitely extended by hosting third party VST, VST3 or AU plug-ins anywhere in the signal path.

With its unique topology, the plug-in is a full-featured delay machine with unlimited powers: both the 8 taps pattern module and the two nested feedback loops include plug-in slotsthat can host built-in effects or third party plug-ins.

So it’s not just about delays! The plug-in includes 25 built-in effects to further manipulate the delay lines: modulation effects, EQ and filters, dynamics processors, pitch and frequency shifters, wave shaper…

With the integrated ducker and its side chain input, ducking delays or reverbs has never been so easy.

Blue Cat’s Late Replies is delivered with hundreds of presets producing many kinds of audio effects: classic delays, rhythmic or melodic patterns, reverbs, vintage echoes, shimmer effects, sci-fi sounds and more.

Main Features

  • Powerful delay with built-in effects and third party plug-ins support.
  • 8 taps pattern section with integrated mixer and plug-ins slots.
  • 2 feedback loops with crossfeed and plug-ins slots.
  • 25 built-in effects: EQ, filters, pitch & frequency shifter, delays, modulation effects, compressor, gate, bit crusher, wave shaper and more.
  • Supports third party VST, VST3 and Audio Unit plug-ins, with latency compensation.
  • Tempo/Host Synchronization.
  • Global stereo spread control.
  • Several hundreds of fully editable presets.
  • Integrated ducking, with internal and external side chain.
  • Comprehensive visual feedback with detailed impulse response display.
  • Protect your ears with the included feedback and output brickwall limiters.
  • No latency.

New features and improvements in Late Replies 1.5:

  • New dual user interface: browse and quick-edit presets with the new easy mode, or create your own delays and reverb with the full editor.
  • Up to 8 times more processing power with the new multicore engine that can process each reply on a separate core.
  • New echoes and ping pong delay presets with effects.
  • New DSP workload meter that displays the DSP activity and CPU load.
  • Added MIDI control support (MIDI CC messages) for Next and Previous
  • Preset commands, with MIDI learn.
  • Reduced time to load Late Replies or any built-in plug-in.
  • Multiple DSP performance improvements.
  • Level meters and spectrum analyzers are not updated anymore when the user interface is closed, reducing CPU usage.
  • Reduced the number of threads used by the plug-in.
  • Improved global and preset settings window loading time on Windows.
  • Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.
  • Full unicode support.
  • Preset files can now be dropped onto the preset LCD area to be loaded.
  • Smoother loops Freeze when quickly switched from 0 to 100%.

Compatibility:

  • Native Apple Silicon (M1 processor) support.
  • Dropped 32-bit support on Mac.
  • Now requires MacOS 10.9 and newer.

Fixes:

  • Fixed host loop end value not properly passed to hosted plug-ins, for the VST2 version.
  • Fixed several crashes upon load for multiple third party plug-ins (mostly VST3).
  • Fixed MIDI control for hosted plug-ins not always working when fed with silence.
  • Fixed VST3 (and sometimes VST) version freezing Ableton Live upon save on Windows.
  • Fixed harmonizer and Pitch Shifter built-in plug-ins that did not always flush their buffer upon bypass (short sounds could be heard when getting out of bypass)

8. Analysis Bundle

 
Analysis Bundle
 

Get all the tools you need to measure, monitor, understand your audio signal and also reuse these measurements to control other plug-ins or any MIDI controllable hardware!

Blue Cat’s DP Meter Pro plug-in will tell you everything about your audio levels. Blue Cat’s FreqAnalyst Pro and FreqAnalyst Multi plug-ins provide extremely smooth spectrum and frequency content analysis.

Finally, the StereoScope plug-ins series let you visualize the stereo image of your audio content in details. While the ‘Pro’ plug-ins offer unique possibilities to create your own signal-controlled effects, the ‘Multi’ versions have unique multiple instances features to perform the analysis on several tracks or anywhere in a signal chain. Our audio analysis tutorials explain these in great detail as well.

Bundled Products Include:

  • DP Meter Pro
  • FreqAnalyst Multi
  • FreqAnalyst Pro
  • Oscilloscope Multi
  • StereoScope Multi
  • StereoScope Pro

9. Re-Head

 
Re-Head
 

“Mixing room experience with headphone convenience”

Enjoy studio monitor sound in your headphones with Re-Head, a unique head-response plugin.

Re-Head uses a head response model to recreate the effect of your head and skull on the audio coming in from your speakers.

Together with stereo processing, impulse response treatment, EQ and more, Re-Head takes care of the most common problems associated with headphone use in professional work: unnatural sound and ear fatigue.

For many audio professionals, listening on headphones is a necessary evil. Perhaps you need headphones when tracking? Perhaps you need to work away from your studio? Or perhaps your studio has that one neighbor that simply can’t enjoy your creative output at 3 AM in the morning? Listening through headphones creates an unnatural sound that’s quite different from how we hear music from speakers.

Re-Head will create a mixing room experience when using headphones, even when recording distorted guitars and other instruments that tend to sound unnaturally in-your-face in a headphone mix.

At the center is a head response model that mimics the effect of your own skull on your hearing when listening through loudspeakers. Add to that stereo processing to avoid the hard-panned sound so common in headphones, a spectrum analyzer and EQ. There is even an impulse response representation of your favored mixing room to let you feel right at home, even when you’re not.

Re-Head won’t replace your favorite studio monitors, for sure. But it will make the transition from speakers to headphones less dramatic.

MAIN FEATURES

  • “Head response” model: get a more natural tone when working with headphones.
  • Adjust the position and the angle between the virtual speakers.
  • Adjust the brightness.
  • Built-in EQ and spectrum analyzer.
  • Impulse response (IR) loader to mimic your listening room, and compensate actual headphones.
  • Flip left and right channels.
  • No latency.

BLUE CAT AUDIO STANDARDS:

  • Available in most plug-in formats for Mac and Windows.
  • Full MIDI control and automation support, MIDI Learn.
  • No CPU load on idle: processing shuts down when fed with silence (optimal CPU usage).
  • Customizable user interface with transparency & zoom.
  • Smooth Bypass: noiseless plug-in activation / deactivation.
  • Undo/Redo.
  • Full featured integrated presets manager.
  • Copy/paste the state of the plug-in between instances.
  • Any sample rate supported.

10. Axiom

 
Axiom
 

Blue Cat’s Axiom is a powerful and open multi effects processor and amp simulation software for guitar and bass. Based on the acclaimed Destructor plug-in for amp simulations, Axiom offers an infinite number of exceptional tones for your axe.

What’s new in 1.6?

  • Improved Tone Maps navigation, with updated user interface (for amp simulation and 9 built-in effects).
  • Added MIDI control support (MIDI CC messages) for Next and Previous Preset commands, with MIDI learn.
  • Improved MIDI & automation control settings with lock, reset and “save as global setting” capabilities.
  • Preset files can now be dropped onto the preset LCD area to be loaded.
  • Level meters, spectrum analyzers and tuner stop processing when the user interface is closed, reducing CPU usage.
  • Multiple DSP performance improvements.
  • Reduced the number of threads used by the plug-ins.
  • Improved global and preset settings window loading time on Windows.
  • Reduced time to load Axiom, Destructor or any built-in plug-in.
  • Full unicode support.
  • Native Apple Silicon (M1 processor) support.
  • Dropped 32-bit support on Mac.
  • Now requires MacOS 10.9 and newer.
  • Fixed VST3 (and sometimes VST) version freezing Ableton Live upon save on Windows.
  • Up to 5 times more processing power with the new multicore engine that processes each channel and each tool on a separate core.
  • Multicore engine also available for the built-in Late Replies plug-in (Pattern module).
  • Updated all 460 factory presets with appropriate drive range for all simulated amps.
  • New built-in looper plug-in (in the “Utils” category).
  • New built-in distortion and dynamics pedals based on Destructor with new pedal GUI.
  • New built-in delay models based on Late Replies 1.5 with new “EZ mode” GUI.
  • New DSP workload meter that displays the DSP activity and CPU load.
  • Tap Tempo with MIDI CC to set BPM in the application with a footswitch.
  • Lock effects bypass switches to match the state of MIDI foot controllers when changing presets.
  • Improved buffer management in standalone application on Mac, reducing both latency and CPU usage.
  • reverted default preset to empty preset to improve performance upon load (the preset is still available as “Default Clean”)
  • Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.

Main Features

  • Powerful and unlimited multi-effects processor and amp modeling software for guitar and bass.
  • Realistic and fully customizable amp simulation based on Blue Cat’s Destructor.
  • Flexible routing: 2 parallel amp simulation channels with effects + input and master sections.
  • 40 high quality built-in effects: wah, delays, reverb, pitch bender, EQ, filters, distortion units, compressor, gate, chorus, flanger…
  • Includes Blue Cat’s Destructor and Late Replies as built-in effects.
  • Built-in high precision tuner.
  • Open and extensible: load any third party VST, VST3 or Audio Unit (AU) plug-in.
  • Delivered with thousands of presets for all sections and built-in effects.
  • Load third party virtual instruments to play along.
  • Global stereo spread control.
  • Lock sections to prevent changes when loading presets.
  • No latency.

It includes two amp simulations channels (with pre and post effects) that can be mixed together or used alternatively like a real amp. You can choose your amp models from hundreds of presets or launch the amp editor to build your own, with complete control over the tone. Additional input and master sections let you adjust the tone at the input and the output of Axiom, with 4 additional effect slots each and an integrated high precision tuner. A brickwall limiter also protects the output from overshoot. Axiom includes 40 built-in effects that can be loaded in any of the 32 plug-in slots, including a built-in version of Late Replies for creative delays and reverbs, and a built-in version of Destructor to add your own distortion pedals, cabinets or additional amp simulations. Blue Cat’s Axiom is not limited to its built-in effects: these slots can also host third party Audio Unit, VST or VST3 plug-ins: you can use your favorite plug-ins anywhere in the signal chain and expand Axiom’s capabilities. And because playing alone is not so much fun, we have added a tools section with 3 additional slots to load virtual instruments: add a metronome, a drum machine, sequencer or your keyboardist’s favorite synthesizer there to get it mixed with your guitar.

Write your review and rate this rating The Best 10 Blue Cat Audio VST Plugins

Top Blue Cat Audio VST Plugins
Top 10+ Blue Cat Audio VST Plugins 2021
SOUND QUALITY
97
VALUE FOR MONEY
94
EASE OF USE
96
FEATURES
94
PRESETS
95
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