Top Boundary Microphones
Top Boundary Microphones

Top 37 Boundary Microphones 2021

We have collected for you the Boundary Microphones

Equipment list navigation:

  1. Shure Beta 91A
  2. Shure Beta 91A Bundle
  3. Sennheiser E 901
  4. Behringer BA 19A
  5. beyerdynamic TG D71
  6. Sennheiser MEB 114-S B
  7. Audix ADX60
  8. the t.bone BD 500 Beta
  9. the t.bone GZ 1 USB
  10. Sennheiser MEB 114-S W
  11. Shure MX393/C
  12. beyerdynamic Classis BM32B
  13. Schoeps BLM 03C
  14. PUR CBM-1 Cajon Microphone
  15. AKG PCC-160
  16. Shure Centraverse CVB W/C
  17. Sennheiser MEB 114 W
  18. Shure Centraverse CVB W/O
  19. Superlux E303B
  20. Sennheiser MEB 114 B
  21. Superlux E304 BK
  22. Superlux E100
  23. Audio-Technica U851RW
  24. beyerdynamic Classis BM32W
  25. beyerdynamic MPR 210 B
  26. the t.bone GZ 400
  27. Shure Centraverse CVB B/O
  28. Superlux E303W
  29. Sennheiser MEB 102W
  30. Sennheiser MEB 104B
  31. Shure MX393/O
  32. Yamaha XM-CS-700
  33. beyerdynamic Classis BM 53 USB
  34. Shure Centraverse CVB B/C
  35. Audio-Technica U891RX
  36. Sennheiser MEB 102B
  37. beyerdynamic MPR 210 B B-Stock

1. Shure Beta 91A

Shure Beta 91A

Condenser boundary microphone

  • Combination of Beta 91 and SM 91
  • Switchable frequency range for bass drums or piano/ voice applications
  • Polar pattern: half cardioid
  • Frequency range: 20 – 20,000 Hz
  • Impedance: 146 Ω
  • 11-52 V Phantom power
  • SPL: 155 dB SPL max (@ 2500 Ohm)
  • Sensitivity: -48.5 dBV/Pa
  • Output: XLR-male
  • Weight: 480 g

2. Shure Beta 91A Bundle

Shure Beta 91A Bundle

Bundle offer comprising:

  • Sommer Cable Stage Blue Line Vocal 5m
  • Shure Beta 91A

3. Sennheiser E 901

Sennheiser E 901

Condenser Boundary Layer Microphone

  • Specially geared to bass drum pick up
  • Directional characteristic: Half cardioid
  • Frequency range: 20 – 20.000 Hz
  • Impedance: 100 Ohms
  • Integrated pre-amp with XLR-output socket, male
  • Rubber plate for dampening
  • Dimensions: 126.5 x 105 x 26.5 mm
  • Weight: approx. 350 g

4. Behringer BA 19A

Behringer BA 19A

Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g


5. beyerdynamic TG D71

beyerdynamic TG D71

Condenser Boundary Microphone

  • For cajon or bass drum recording
  • Directional characteristic: Half cardioid
  • Frequency range: 25 – 20,000 Hz
  • Sensitivity: 1.5 mV/Pa
  • Impedance: 200 Ω
  • Peak SPL: 148dB
  • 11 – 52 V Phantom power required
  • Robust metal housing
  • Non-slip rubber base
  • Red phantom status LED
  • Dimensions: 90 x 86 x 27 mm
  • Weight: 413 g
  • Colour: Black

6. Sennheiser MEB 114-S B

Sennheiser MEB 114-S B

Condenser Boundary Microphone

  • Especially for conference situations and altars in churches
  • With switch (programmable for on/off, PTM, PTT and “always on”) and two-colour LED ring for status display
  • Directional characteristic: Half cardioid
  • Frequency range: 40 – 20,000 Hz
  • Impedance: 200 Ω
  • Integrated pre-amp with XLR output jack
  • Rubber plate for damping
  • Dimensions (W x D x H): 85 x 100 x 25 mm
  • Weight: approx. 291g
  • Colour: Black

7. Audix ADX60

Audix ADX60

Condenser boundary microphone

  • Directional characteristic: Half cardioid
  • Frequency response: 50 – 18,000 Hz
  • Maximum sound pressure level (SPL): 130 dB
  • Sensitivity 9 mV / PA @ 1k
  • Impedance: 250 Ohm
  • For speaking, theatre and broadcast applications
  • 3-Pin mini XLR connector
  • 9-52 V phantom power operation
  • Mini XLR cable with a length of approx. 65 cm
  • Dimensions: 80 x 65 x 21 mm
  • Weight: 143 g
  • Colour: Black
  • Incl. APS910 phantom power supply adapter, P1 bag and cable

8. the t.bone BD 500 Beta

the t.bone BD 500 Beta

Condenser Boundary Microphone

  • Polar pattern: Semi-cardioid
  • Switchable frequency response for bass drum or piano / voice applications
  • Frequency range: 30 – 20,000 Hz
  • Impedance: 230 Ohm
  • Sensitivity: -53 dB
  • Robust metal housing
  • XLR male output
  • Holes on the back for suspending
  • Bottom with 3/8″ internal thread and non-slip rubber for stability and to protect sensitive surfaces
  • Dimensions: 95 x 123 mm
  • Weight: 480 g

9. the t.bone GZ 1 USB

the t.bone GZ 1 USB

t.bone GZ 1 USB boundary microphone with USB; Sensitivity -54dB(at 1KHz,0dB=1V/u,bar); Frequeny range 50 Hz – 18 kHz; Sampling 48kHZ; Resolution 16 bit; Power supply via USB; 3,5mm stereo TRS for Headphone; 3,5mm stereo TRS for Headphone; Micro-USB connector; 125cm Micro-USB to USB-A cable included; Dimensions (LxWxH) 90 x 90 x 24 mm; colour black


10. Sennheiser MEB 114-S W

Sennheiser MEB 114-S W

Condenser Boundary Layer Microphone

  • Specially geared for meetings and church altars
  • Including switch (programmable for on/off, PTM, PTT and “always on” and two coloured LED-Ring status display)
  • Directional characteristic: Half cardioid
  • Frequency range: 40 – 20.000 Hz
  • Impedance: 200 Ohms
  • Integrated pre-amp with XLR-output socket, male
  • Rubber plate for dampening
  • Dimensions (W x D x H): 85 x 100 x 25 mm
  • Weight: approx. 291 g
  • Colour: White

11. Shure MX393/C

Shure MX393/C

Condenser Boundary Microphone

  • Directional characteristic: Half-cardioid
  • Frequency response: 50 – 17,000 Hz
  • Output impedance: 180 Ohm
  • Open circuit voltage: -27.5 dBV/Pa (42.2 mV)
  • Max. sound pressure level (1 kHz at 1% THD (total harmonic distortion), 1 kOhm load): 117 dB
  • Inherent noise: 23 dB
  • Common mode rejection: At least 45.0 dB
  • Power requirement: 11 to 52 V
  • Power consumption: 2 mA
  • Interchangeable capsule (modular)
  • Ideal for installation applications
  • Can be mounted on a table or lectern plate
  • Remote controllable logic In/Out connections via SCM-810
  • Built-in preamplifier
  • Very flat housing
  • Very linear frequency response with a slight presence boost
  • Dimensions (L x W x H): 107 x 77 x 22 mm
  • Includes a plastic dust cover

12. beyerdynamic Classis BM32B

beyerdynamic Classis BM32B

Condenser Boundary Layer Microphone

  • For table and ceiling mounts
  • Directional characteristic: Half cardioid
  • Frequency range: 50 – 18.000 Hz
  • Impedance: 200 Ohms
  • Max. sound pressure level: 107 dB SPL
  • Phantom supply: 8 – 52 V
  • XLR connection
  • M20 screw thread
  • Length: 67mm
  • Colour: Black

13. Schoeps BLM 03C

Schoeps BLM 03C

Small Boundary Capsule

  • Half-omnidirectional polar pattern
  • 20 – 20,000 Hz
  • 128 dB SPL max.
  • Includes active cable for connection to CMC 5 or CMC 6
  • Diameter: 80mm
  • Max. Height: 8,6mm
  • Cable length: 5m
  • Weight without microphone amplifier CMC: 233 g

14. PUR CBM-1 Cajon Microphone

PUR CBM-1 Cajon Microphone

Cajon Microphone

  • Boundary microphone with integrated active EQ for miking cajon or bass drum
  • With hook and loop fasteners for attaching
  • Attenuation switch -10dB
  • Semi-hypercardioid
  • Frequency range: 30 – 20,000 Hz
  • 24-48 V phantom power
  • Output: XLR male
  • Weight: 145 g
  • Dimensions (L x W x H): 75 x 50 x 25 mm

15. AKG PCC-160

AKG PCC-160

Condenser boundary microphone

  • Frequency range: 50 – 18,000 Hz
  • Directional characteristic: super cardioid
  • Switchable bass cut / boost
  • Nominal impedance: 150 Ohm, balanced
  • Sensitivity: 22 mV/ Pa (-30 dBV)
  • Peak SPL: 120 dB
  • Operating voltage: 12 V to 48 V phantom power
  • 3-pin TQG connector
  • Robust metal chassis
  • Weight: 170 g
  • Dimensions: 17 x 8 x 2 cm
  • Colour: black
  • Incl. 4.6 m connection cable TQG / XLR and bag

16. Shure Centraverse CVB W/C

Shure Centraverse CVB W/C

Condenser Boundary Microphone

  • Directional characteristic: Cardioid
  • Frequency range: 17 – 16,000 Hz
  • Sensitivity: -32.5 dBV/Pa
  • Peak SPL: 120dB
  • Impedance: 180 Ω
  • Optimised for speech applications
  • Resistant to HF interference due to HF filter
  • Weight: 0.34 kg
  • Colour: White
  • Incl. 3 m XLR cable

17. Sennheiser MEB 114 W

Sennheiser MEB 114 W

Condenser Boundary Layer Microphone

  • Specially suited for meetings and church altars
  • Directional characteristic: Half cardioid
  • Frequency range: 40 – 20.000 Hz
  • Impedance: 200 Ohms
  • Integrated pre-amp with XLR-Output socket, male
  • Rubber plate for dampening
  • Dimensions (W x D x H): 85 x 100 x 25 mm
  • Weight: approx. 291 g
  • Colour: White

18. Shure Centraverse CVB W/O

Shure Centraverse CVB W/O

Condenser Boundary Microphone

  • Directional characteristic: Omnidirectional
  • Frequency range: 17 – 16,000 Hz
  • Sensitivity: -28 dBV/Pa
  • Peak SPL: 120dB
  • Impedance: 180 Ω
  • Optimised for speech applications
  • Resistant to HF interference due to HF filter
  • Weight: 0.34 kg
  • Colour: White
  • Incl. 3 m XLR cable

19. Superlux E303B

Superlux E303B

Condenser Boundary Layer Microphone

  • Directional characteristic: Half cardioid
  • Frequency range: 30 – 18.000 Hz
  • Colour: Black
  • Delivery includes: 7,5 m mini XLR – XLR male cable

20. Sennheiser MEB 114 B

Sennheiser MEB 114 B

Condenser Boundary Layer Microphone

  • Specially geared for meetings and church altars
  • Directional characteristic: Half cardioid
  • Frequency range: 40 – 20.000 Hz
  • Impedance: 200 Ohms
  • Integrated pre-amp with XLR-output socket, male
  • Rubber plate for dampening
  • Dimensions (W x D x H): 85 x 100 x 25 mm
  • Weight: approx. 291 g
  • Colour: White

21. Superlux E304 BK

Superlux E304 BK

Condenser Boundary Layer Microphone

  • Directional characteristic: Half sphere
  • Frequency range: 20 – 18.000 Hz
  • Impedance: 600 Ohms
  • Colour: Black
  • Delivery includes: 7.5 m mini XLR – XLR male cable

22. Superlux E100

Superlux E100

Condenser boundary microphone

  • Especially for the bass drum recording
  • Polar pattern: Half cardioid
  • Frequency range: 30 – 18,000 Hz
  • High boost at 8 KHz for a clean attack
  • Impedance: 600 Ω
  • Peak SPL: 149 dB
  • Dimensions: 85 x 20.5 mm
  • Weight: 270 g
  • Solid 1.5 m cable with XLR male connector
  • Colour: black

23. Audio-Technica U851RW

Audio-Technica U851RW

Condenser Boundary Microphone

  • Half cardioid
  • Frequency range 30-20,000 Hz
  • 138 DB SPL max.
  • Switchable Low-Cut 150 Hz
  • 6dB/octave
  • UniGuard technology for shielding against RF interference e.g. from mobile phones
  • Phantom power 9-52V
  • Detachable 7.6 m cable with TAF3 connector on the microphone side and screw connections on the mains adapter
  • Colour: White

Note: Especially for lecterns


24. beyerdynamic Classis BM32W

beyerdynamic Classis BM32W

Condenser Boundary Layer Microphone

  • For table and ceiling mounts
  • Directional characteristic: Half cardioid
  • Frequency range: 50 – 18.000 Hz
  • Impedance: 200 Ohms
  • Max. sound pressure level: 107 dB SPL
  • Phantom supply: 8 – 52 V
  • XLR connection
  • M20 screw thread
  • Length: 67mm
  • Colour: White

25. beyerdynamic MPR 210 B

beyerdynamic MPR 210 B

Condenser speech microphone

  • Patentend Array technology
  • Innovative flat design corridor characteristic
  • Frequency range: 130 – 17.000 Hz
  • Impedance: 200 Ohms
  • Max. sound pressure level: 112 dB SPL
  • Phantom power: 24 – 52 V
  • XLR connection cable
  • Dimensions: 300 x 40 x 45.5 mm
  • Colour: Matte black

26. the t.bone GZ 400

the t.bone GZ 400

Boundary Microphone

  • Condenser microphone
  • Characteristic: Super-cardioid
  • Frequency range: 50 Hz – 18 kHz
  • Sensitivity: -36 dB
  • 130 dB SPL
  • Impedance: 250 Ohm
  • Power supply via 1x 1.5 V AA battery
  • Weight: 350 g

27. Shure Centraverse CVB B/O

Shure Centraverse CVB B/O

Condenser Boundary Microphone

  • Directional characteristic: Omnidirectional
  • Frequency range: 17 – 16,000 Hz
  • Sensitivity: -28 dBV/Pa
  • Peak SPL: 120dB
  • Impedance: 180 Ω
  • Optimised for speech applications
  • Resistant to HF interference due to HF filter
  • Weight: 0.34 kg
  • Colour: Black
  • Incl. 3 m XLR cable

28. Superlux E303W

Superlux E303W

Condenser Boundary Layer Microphone

  • Directional characteristic: Half cardioid
  • Frequency range: 30 – 18.000 Hz
  • Colour: White
  • Delivery includes: 7,5 m mini XLR – XLR male cable

29. Sennheiser MEB 102W

Sennheiser MEB 102W

Condenser Boundary Microphone for Installation in Tabletops

  • Directional characteristics: Omnidirectional
  • Frequency range: 40 – 20,000 Hz
  • Sensitivity: 16 mV/Pa
  • Maximum sound pressure: 125dB
  • Impedance: 200 Ω
  • 3-Pin XLR connector
  • 24 – 48 V Phantom power required
  • M20 thread
  • Dimensions: 83 mm (12 mm above the surface)
  • Diameter: 28.5 mm
  • Colour: White

30. Sennheiser MEB 104B

Sennheiser MEB 104B

Condenser Boundary Microphone for Installation in Tabletops

  • Directional characteristics: Cardioid
  • Frequency range: 40 – 20,000 Hz
  • Sensitivity: 14 mV/Pa
  • Maximum sound pressure: 125dB
  • Impedance: 200 Ω
  • With light ring
  • 3-Pin XLR connector
  • 24 – 48 V Phantom power required
  • M20 thread
  • Dimensions: 90 mm (19 mm above the surface)
  • Diameter: 28.5 mm
  • Colour: Black

31. Shure MX393/O

Shure MX393/O

Condenser Microphone (Boundary)

  • Half omnidirectional
  • With programmable switch
  • Status LED
  • TQG cable to XLR
  • Exchangeable capsule (modular)
  • Very flat design
  • Very linear frequency response with light presence lift
  • Ideal for installation applications
  • Including dust cover

32. Yamaha XM-CS-700

Yamaha XM-CS-700

Yamaha XM-CS-700 – Extension microphone for Yamaha CS700 system; characteristic: cardioid; Frequency range: 160 Hz – 16000 Hz; Mute switch with LED; black; Dimensions (WxDxH): 76mm x 80mm x 44mm; Weight: 0.3kg;


33. beyerdynamic Classis BM 53 USB

beyerdynamic Classis BM 53 USB

beyerdynamic Classis BM 53 USB, Condenser Microphone with USB port and Scudio-Technologie, silent key with blinds, high-bandwidth linear frequency response, LED display, Switchable 150 Hz depth reduction, Switchable gain of -10 dB, 0 dB, +10 dB, Adapter for Smart Devices: USB OTG adapter (for Android version 5) and Camera Connection Kit (for iPad)


34. Shure Centraverse CVB B/C

Shure Centraverse CVB B/C

Condenser Boundary Microphone

  • Directional characteristic: Cardioid
  • Frequency range: 17 – 16,000 Hz
  • Sensitivity: -32.5 dBV/Pa
  • Peak SPL: 120dB
  • Impedance: 180 Ω
  • Optimised for speech applications
  • Resistant to HF interference due to HF filter
  • Weight: 0.34 kg
  • Colour: Black
  • Incl. 3 m XLR cable

35. Audio-Technica U891RX

Audio-Technica U891RX

Condenser Boundary Microphone

  • Half cardioid
  • 30 – 20,000 Hz
  • 133 DB SPL max.
  • Switchable Low-Cut 80 Hz
  • On/off switch
  • 18dB/octave
  • UniGuard technology for shielding against RF interference e.g. from mobile phones
  • Phantom power
  • XLR out
  • Especially for lecterns

36. Sennheiser MEB 102B

Sennheiser MEB 102B

Condenser Boundary Microphone for Installation in Tabletops

  • Directional characteristics: Omnidirectional
  • Frequency range: 40 – 20,000 Hz
  • Sensitivity: 16 mV/Pa
  • Maximum sound pressure: 125dB
  • Impedance: 200 Ω
  • 3-Pin XLR connector
  • 24 – 48 V Phantom power required
  • M20 thread
  • Dimensions: 83 mm (12 mm above the surface)
  • Diameter: 28.5 mm
  • Colour: Black

37. beyerdynamic MPR 210 B B-Stock

beyerdynamic MPR 210 B B-Stock

Condenser speech microphone

  • Patentend Array technology
  • Innovative flat design corridor characteristic
  • Frequency range: 130 – 17.000 Hz
  • Impedance: 200 Ohms
  • Max. sound pressure level: 112 dB SPL
  • Phantom power: 24 – 52 V
  • XLR connection cable
  • Dimensions: 300 x 40 x 45.5 mm
  • Colour: Matte black

Write your review and rate this rating The Best 37 Boundary Microphones

Top Boundary Microphones
Top 37 Boundary Microphones 2021
SOUND QUALITY
91
VALUE FOR MONEY
92
EASE OF USE
99
FEATURES
98
Reader Rating0 Votes
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