Limiter VST Plugins

FinalPlug is a professional peak limiter/volume maximizer with extensive bit depth truncation and dither options, making it ideally suited for a final mix.

Tame the peaks a bit, or really squeeze all the volume you can out of it.

The FinalPlug interface could hardly be simpler. Select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.

The peak limiter section works by looking ahead 1.5 milliseconds.

When a input peak is detected that will exceed the desired output ceiling, the gain is quickly ducked to let the peak pass, then the gain is restored relatively slowly according to the release time control.

During rapidly changing program material with frequent peaks, a faster release time will achieve better results. During slowly changing material, slower release times prevent excessive modulation distortion.

FinalPlug’s auto release feature analyzes the input signal to determine peakiness, and selects the optimum release time for the program material.

The truncate/dither section is usually used for CD mastering, where truncation to 16 bits can create audible quantization distortion. By adding special dither noise, the quantization distortion can be eliminated, and the dither noise can be spectrally shaped to move it to frequency ranges where it is less audible.

FinalPlug contains a comprehensive noise shaping section which reproduces a variety of commonly used noise shapes.

MAIN FEATURES

• Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
• Auto release control for greater sonic clarity
• Bit depth truncation from 4 to 24 bits
• TPDF dithering
• Comprehensive noise shaping options, choose between 12 noise shapes
• Presets for CD and DVD-audio mastering and track compression
• Latency compensation, and latency matching when bypassed
• Up to 192 kHz sampling rate
• Mono or stereo

SKYE Clipper is a clipper and saturator that can be used for mixing, mastering and creative sound design.

It includes 7 different clipping types, utilising our sophisticated proprietary real-time anti-aliasing algorithms, with a sleek, feature rich and yet simple user interface. Clippers are a great way to add perceived volume to your tracks by shaving off the peaks and adding more body by introducing harmonic saturation that can create a rich, punchy and fuller sound. They also work great as saturators to add some grit and crunch on your instruments.

What does SKYE Clipper Do?

SKYE Clipper lets you choose between different clipping styles to help control peaks, add loudness to your mix, or to add saturation to your audio. This means it can be used in a variety of scenarios like taming a snare, bus processing, or to add texture to a synthesiser. You can look back over your audio to check your processing with our scalable history view for precision work. Drop it on the master and push the signal into clipping to emulate A-D Convertor clipping.

Remove unwanted aliasing artefacts

SKYE Clipper uses our proprietary real time anti-aliasing algorithms to drastically reduce the amount of aliasing artefacts produced by clipping. This removes the need to use high upsampling ratios that are known to cause an increase in CPU usage that slows down performance.

Automated parameters

SKYE Clipper has a control panel where you can control its Pre-gain, Threshold, Clipping Type, Gain Link, Post-Gain and Dry-Wet Mix. All parameters are fully automatable in your DAW and all controls can also be fine tuned by holding the shift modifier while dragging.

Get the surround version for spatial mixing

With ambisonic mixing becoming more prevalent, we ensure our plugins are prepared. SKYE Clipper Surrond is compatible with up to 7.1.4 surround sound including Dolby Atmos, as well as Stereo and Mono configurations.

Features:

• A plugin for hard & soft clipping
• Seven clipping types
• Real time proprietary anti aliasing technology
• Resizable History view for timeline of processing
• Pre & Post gain linking
• Preset Manager
• Controls for Pre-gain, Threshold, Clipping Type, Gain Link, Post-Gain and Dry-Wet Mix
• Dynamic range for metering can be freely scaled
• Mix control for easy parallel processing
• Full and compact view for optimising screen space
• Stereo and Surround versions for multichannel configurations
• Compatible with Mac OS or Windows
• Compatible with VST / VST3 / AU / AAX formats

Vintage Compressor / Limiter

The Apogee Opto-3A is a vintage compressor and limiter plugin that is part of the Apogee FX Rack & ApogeeChannelFX suite of plugins that runs natively in your favourite DAW without any Apogee hardware but also has DualPath™ functionality that allows the plugins to run on Apogee Hardware DSP in Symphony Desktop, Element Series, and Ensemble Thunderbolt audio interfaces.

Features

• Optical Compressor/Limiter
• Reproduces the reactive compression characteristics of modelled hardware
• Extended Hf emphasis functionality
• Sidechain HP filter
• Dry/FX Mix
• Runs natively in your favourite DAW (no Apogee hardware is required)
• Runs on Apogee hardware DSP in Symphony Desktop, Element Series, and Ensemble Thunderbolt audio interfaces

Nitro power for your mixes

Truly universal: Disregard the music style. Thanks to the selection of unique algorithms, FireMaximizer can be anything from transparent to brutal. Clippers & saturators will make your modern metal and EDM tracks punchy and aggressive. Limiters will produce nicely transparent sound for any genre, from ambient and classic music to pop. And, well, anything in between.

Pump up your instruments: Although FireMaximizer is primarily intended to be used on the master track, you can use it to power up almost any instrument track too. It’s fantastic on drums, amazing on acoustic or electric guitars, but also outstanding on vocals.

16x oversampling: For maximum precision and smoothness, FireMaximizer offers up to 16x oversampling, alowing its algorithms to operate in way better resolution than an ear can possibly hear (but with a significant impact on the final sound).

Hassle-free software protection: No iLok, no dongle nor internet access is required for activation. Our software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

Realistic 3D yet flexible GUI: The photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size – make it smaller to save valuable screen space, or enlarge it to make it easier to use.

64-bit audio quality at ANY sampling rate: The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart bypass: The intelligent way our plugins manage bypassing ensures that you don’t get any clicks or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.

Intelligent sleep on silence: This plugin intelligently detects whether it makes sense to perform processing at all. And if not, it temporarily turns on sleep mode. In such a state, it requires virtually no CPU at all to save the computing sources for other processes.

PSP Twin-L is a dual algorithm classic limiter effect. The aim of this plug-in is to provide a wide variety of shaping options. 

PSP Twin-L is able to emulate the main features of two types of limiter: VCA-limiters, which is a modern type of analog limiter, and Opto-limiters which are vintage optical limiters.

PSP Twin-L’s limiting algorithms are not intended to emulate any specific hardware, but rather to bring the capabilities of both types into a versatile plug-in.

PSP Twin-L is part of our series of Zero Latency Processing plug-ins; making it ideal for situations such as live monitoring, live broadcast production, and managing levels while tracking.

MLimiterMB is an advanced state-of-the-art multiband mastering brickwall limiter plugin that makes your recordings and mixes sound louder with minimal distortion and artifacts.

You don’t need a Ph.D. to achieve great professional quality results with our plugin and a little work.

Using a few controls MLimiterMB can basically do the limiting for you with outstanding quality. On the other hand it also allows incredible flexibility if you need it. Starting with a variable number of bands and ending with full automation, MLimiterMB is the most flexible yet easiest way to use a multiband limiter!

Features

• State-of-the-art mastering multiband limiter with adjustable knee, threshold, input gain and other important parameters, which automatically handle look-ahead and other features for you. It’s flexibility is outstanding, however it’s workflow is still incredible – you can basically perform limiting only by adjusting input and output gain!
• Powerful metering system – you always know the output level and gain reduction for each band as well as master output, gain reduction and saturation reduction. You can often get great results without even listening to it! 
• 3 limiting modes – besides manual limiting, where you have to modify any advanced parameter manually, MLimiterMB provides 2 additional modes optimized for increasing loudness and minimizing pumping effect.
• Dual user interface – the plugin is not only extremely versatile, but also quick and easy-to-use thanks to 2 graphical user interfaces. First there is a simple default one with several predefined modes, but just a few controls, which lets you start quickly and easily without any knowledge. All you need to do is choose what you want and use a few knobs. And the plugins also has an advanced mode, which provides all the extreme features the plugin offers.
• 1-6 fully configurable independent bands built on 3 perfectly transparent crossover algorithms (analog, linear-phase and hybrid) with fully adjustable limits and input gains. Includes peak meters for all bands and the master. 
• Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Full randomization – using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that’s too much, you can just hold ctrl and MMultiBandLimiter will only slightly modify existing settings.
• Adjustable up-sampling 1x-16x to minimize aliasing and get an even clearer sound.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it! 
• Fully Automatable.

PSP VintageWarmer2 is a high-quality digital simulation of an analog-style single or multi-band compressor/limiter.

It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. PSP VintageWarmer2 is highly flexible and can be used for both soft-knee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers.

Careful attention has been paid to PSP Vintage Warmer’s overload characteristics with the algorithm being capable of generating saturation effects typical of analog tape recorders. PSP Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby ensuring professional quality results.

PSP VintageWarmer2 version installer contains 3 versions of the plug-in:

PSP MicroWarmer: Providing the same sound quality as it’s siblings, but with a simplified single-band interface and low latency performance optimized for use on individual tracks.

PSP VintageWarmer (LE): A direct descendant of the original PSP VintageWarmer, with its all strengths such as low resource usage and latency.

PSP VintageWarmer2: Which includes our acclaimed FAT double sampling mode for even more accurate analog sounding processing.

We strongly recommend that you use PSP VintageWarmer (LE) or PSP MicroWarmer in multi-tracking applications, except in situations where FAT mode is important. PSP VintageWarmer2 is recommended for use in mastering sessions or when processing groups or master busses.

Features:

• High quality signal processing algorithms
• Single or multi-band signal processing
• FAT (Frequency Authentication Technique) PSP’s double sampled processing
• 64-bit floating point precision
• Shelf filters for bass and treble frequencies in single-band processing mode
• Control of bass and treble signal components in multi-band processing mode
• Accurately calibrated VU and PPM meters with the overload indicators
• Disengagable brick-wall limiting
• Two Release Mutliplier ranges for fast or relaxed processing
• Semi Automated Release mode.
• Up to 192kHz sample rates supported
• Library of presets

MUltraMaximizer is a fatal weapon that lets you win the loudness war and is affordable to everyone! Using a few controls MUltraMaximizer can basically do the limiting for you with outstanding quality.

It is a simplified, extremely easy-to-use and cheap alternative to MMultiBandLimiter, one of the most advanced multiband limiters in the world.

Features

• State-of-the-art mastering multiband limiter and saturator which lets you increase the loudness of your audio to unbelievable levels with minimal artifacts.
• Powerful metering system – you always know the output level, gain reduction and saturation reduction. You can often get great results without even listening to it!
• Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Full randomization – using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that’s too much, you can just hold ctrl and MUltraMaximizer will only slightly modify existing settings.
• Adjustable up-sampling 1x-16x to minimize aliasing and get an even clearer sound.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully automatable.

Faithful and unique emulation of an old German broadcast compressor/limiter unit U73b. The device was often used for mastering between 1960 and 1980. It is an all tube vary-mu compressor/limiter with adjustable release time option. We kept the circuit exactly as it was originally designed and only added input and output gain (before and right after compressor circuit) to help with proper adjustment of the compression. The plugin effect has been also supplemented with a VU meter and selectable side-chaining. U73b is great for mastering, mixing drums, bass, guitar, vocals and voice overs. Controls The compressor’s controls are very easy, but the effect of this unique device is audible at the same moment you turn it on:

• Compressor/Limiter switch – is the upper U73b knob and it switches between Compressor mode (Kompr), Bypass (Durchschalt) and Limiter mode (Begr). The compressor mode has lower threshold setting and very gentle increasing ratio, in opposite, the limiter mode provides higher threshold setting with higher ratio but still with smooth knee.
• Release time – the first three positions offer fixed release time, the other three positions (marked red) provide adjustable program content dependent release time option.
• IN – adjust input gain before the compressor/limiter circuit
• OUT – adjust output gain after the compressor/limiter circuit.
• Key input – selects the signal source used for controlling the gain reduction
• HPF – U73b is a vintage device and as such it may not meet present mastering demands. We added a bass management button that simply switches between original sound and desired modern sound (without low frequencies bypass).

A unique and powerful Plug-In to increase loudness, without sacrificing sonic quality or dynamic range.

Add power and presence to your mix without the pumping of compression, or use on individual channels to bring them forward and add weight. Perfect to help vocals cut through the mix.

When driven harder, Inflator delivers tube-like musical warmth and provides the ‘sonic glue’ you need to gel your mix together!

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal.

The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.

Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.

MAIN FEATURES

• Fully 64-bit compliant
• Adds presence and tube-like warmth
• Increases perceived loudness of any material
• Provides virtual headroom above digital maximum
• Direct and band-split modes

The Content-Aware Limiter

Loudness and Dynamics in tune

smart:limit delivers limiter settings that let your mix breathe and gives you all the loudness and dynamics info you need for confident publishing.

• Automatic parametrization in just a few seconds
• Extensive loudness and dynamics monitoring
• Unique set of sound-shaping tools

The one-stop-shop limiter

Straightforward “set – check – publish”

smart:limit is all about worry-free limiting: Its intelligent processing will preserve the detail of your track and provide a transparent, uncompromised limiting quality. With smart:limit’s extensive loudness and dynamics monitoring, you won’t have to use any additional metering plug-ins. Besides providing you with all the necessary loudness information in real-time for confident publishing, smart:limit guides you towards hitting the safe zone requirements of streaming platforms or loudness standards and gives you feedback via interactive Quality Check hints.

Transparent sound with just one click

AI-powered parametrization for confident limiting.

Speed up your workflow with smart:limit. Its intelligent processing analyzes your signal and finds limiting parameters that let your mix breathe – all in just a few seconds. By choosing a genre-based profile that fits your mix, you can prime the plug-in for different limiting characteristics. Or instead, upload a reference track, if you are aiming for a specific limiting style. You can use smart:limit with or without the automatic parametrization – or go for a combination of both.

Everything under control in real-time

Extend the Loudness Monitoring section to access an extensive information hub on loudness and dynamics: Here you will find all relevant loudness readouts, visual guidance regarding different publishing targets, and information on the dynamics of your track. With the revolutionary Instant Impact Prediction feature, you won’t have to restart the loudness measurements every time you change a parameter – the change will be reflected in real-time without having to repeatedly playback the entire input signal.

Monitor all relevant key metrics at a glance:

• Loudness [LUFS] – integrated, short-term, momentary
• Loudness Range [LU] – integrated, short-term, momentary Dynamics [dB ] – based on Peak to Loudness Ratio
• True Peak [dbTP] – using high-resolution oversampling
• Gain Reduction [dB]

Vibe is in the detail

Shape your sound to perfection.

When your sound is in need of a little bit of extra vibe, smart:limit has got you covered. Use the Style dial to freely choose between either a soft or hard limiting style. Play with saturation to add some subtle warmth or to really inflate your signal. Adapt the Balance to give your track that perfect spectral polish prior to publishing and tweak the Bass Control for a rich and compact low end.smart:limit is packed with great features that will help your sound get all of the attention it deserves.

SKYE Clipper is a clipper and saturator that can be used for mixing, mastering and creative sound design.

It includes 7 different clipping types, utilising our sophisticated proprietary real-time anti-aliasing algorithms, with a sleek, feature rich and yet simple user interface. Clippers are a great way to add perceived volume to your tracks by shaving off the peaks and adding more body by introducing harmonic saturation that can create a rich, punchy and fuller sound. They also work great as saturators to add some grit and crunch on your instruments.

What does SKYE Clipper Do?

SKYE Clipper lets you choose between different clipping styles to help control peaks, add loudness to your mix, or to add saturation to your audio. This means it can be used in a variety of scenarios like taming a snare, bus processing, or to add texture to a synthesiser. You can look back over your audio to check your processing with our scalable history view for precision work. Drop it on the master and push the signal into clipping to emulate A-D Convertor clipping.

Remove unwanted aliasing artefacts

SKYE Clipper uses our proprietary real time anti-aliasing algorithms to drastically reduce the amount of aliasing artefacts produced by clipping. This removes the need to use high upsampling ratios that are known to cause an increase in CPU usage that slows down performance.

Automated parameters

SKYE Clipper has a control panel where you can control its Pre-gain, Threshold, Clipping Type, Gain Link, Post-Gain and Dry-Wet Mix. All parameters are fully automatable in your DAW and all controls can also be fine tuned by holding the shift modifier while dragging.

Features:

• A plugin for hard & soft clipping
• Seven clipping types
• Real time proprietary anti aliasing technology
• Resizable History view for timeline of processing
• Pre & Post gain linking
• Preset Manager
• Controls for Pre-gain, Threshold, Clipping Type, Gain Link, Post-Gain and Dry-Wet Mix
• Dynamic range for metering can be freely scaled
• Mix control for easy parallel processing
• Full and compact view for optimising screen space
• Stereo and Surround versions for multichannel configurations
• Compatible with Mac OS or Windows
• Compatible with VST / VST3 / AU / AAX formats

Introducing Swole, the ultimate audio plugin that pumps up your sound like a seasoned bodybuilder.

This all-in-one plugin lets you add saturation, compression, limiting, reverb, and EQ to your tracks using just one macro dial.

Are you tired of weak, puny audio tracks? Ready to pump up your sound and make it MASSIVE? OKAY Audio are proud to introduce ‘Swole’, the ultimate audio plugin that allows you to add saturation, compression, limiting, reverb, and EQ to your tracks using just one dial.

Swole is the ideal audio plugin for music producers and audio engineers looking to get a professional sound, without the confusing interface. With Swole, you’ll be able to transform your sound into a beastly masterpiece, capable of crushing the competition.

So don’t wait any longer. Get Swole today and start flexing your audio muscles like never before.

A bullet list of features for the product:

• One macro control for ease of use
• Complex back end algorithms shaped to any audio input
• Animated, user responsive GUI
• Input and output gain control with corresponding RMS meters
• Reverb/width toggle
• VST and AU format
• Stereo and Mono capability
• Available on Windows and Mac
• M1 chip Native, Rosetta Ventura and Monterey supportive

World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL 2st delivers both, giving you superb sound with complete confidence about meeting the new standards for online delivery. ISL 2st is an intelligent look-ahead brick-wall limiter that provides highly transparent True Peak limiting for all stereo & mono content. ISL 2st is designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you. It delivers content fully compatible with loudness normalization standards used by iTunes Radio, Spotify and many others. The risk of distortion from down-stream codec conversion (mp3, AAC etc.) is eliminated with ISL 2 on the master bus. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest. Pristine quality true-peak limiting ISL 2st includes Apple ‘afclip’ true-peak detection, and many other algorithms suitable for the control of audio for Music & Post Production applications. Powerful Processing and Visualisations With unique Steering and Ducking meters, ISL2st guides you to the perfect settings. Whether you are preserving directional integrity or atmospheric ambience, ISL2st gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation. Applications

• Post Production & Broadcast audio
• Audio Mastering
• Loudness compliance
• Apple ‘afclip’ intersample clip monitoring
• Protection for downstream compression
• Preserving quality for streaming/podcast
• Inter-sample clip management

Complexer 2 is a dynamics powerhouse, letting you take complete control of your track.

Three Processors – Six Modes

Complexer 2 features three independently controlled dynamics processors, each with a choice of six different modes: Upward and downward compressors, upward and downward expanders, a limiter, and a gate.

Each of the three stages can be processed in a variety of different configurations, including parallel chaining, stereo and mid/side, and multi-band.

Dynamics Chaining

Complexer 2 lets you run the three dynamic processors through a configurable chain. You can have all three in series, or run two in parallel with the third either before or after.

Full Control

Each of the processors feature a vast amount of control. Along with the familiar attack, hold and release, each processor has an advanced look-ahead section to capture peaks ahead of time.

There are also three detection modes: peak, RMS and average. Peak is perfect for limiting, and RMS allows smooth detection – great for compression.

Each processor can also be controlled via an external sidechain.

Multiband

With Complexer 2, you can run each of the processors in their own adjustable frequency band. Not limited to just compression, you can also do multi-band limiting, expanding, and gating, allowing effects ranging from mixing and mastering applications, to creative effects.

Mid/Side and Stereo

There are two separate modes specifically for stereo dynamics processing – mid/side, and stereo.

In stereo mode, you can process the left and right channels independently, and in mid/side mode, you can apply different dynamics to the mid or side channels of the audio.

SpeakerSim is a realistic emulation of different types of speakers with their own acoustics and environments. This processor can be used for these purposes: Checking your mix in different monitor systems, Music productions, TV or Movie audio post productions

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast DSP Engine
• Simplified controls, lot’s of creative possibilities.
• Lo-Fi degrade distortion unit.
• Built-in Intelligent Limiter unit.
• 3 band Solid State EQ (Low Shelf – Mid – High Shelf)
• Analog LP & HP Filters
• 18 unique speaker simulation engines. 3 types of Megaphone (Bullhorn), Old PC, Cellphone, Vintage phone, Jukebox, Answering machine, Headphone, Old Radio (with roomed version), Car, Toy, Mini guitar cabinet, Wireless walkie talkie (with roomed version), Vintage turn table (with roomed version)

WORLD OF SPEAKERS

There are 18 speaker emulations. Three bullhorn / megaphone types, computer, cellphone, vintage phone, jukebox, answering machine, headphone, radio, car, toy, mini guitar cabinet, wireless walkie talkie, turn table and some room sounds are all in one plugin.

QUICK MIX CHECKING

In the real world, most people use their cellphones, headphones or even computer speakers to listen music or watch movies. So you need to hear what listeners hear. And it would be very useful to check your track in such systems quickly with a just few clicks.

So you will be able to tweak your mix according to these monitors and you’ll get much more stable mixes that sound on almost every speaker system!

EASY SOUND MORPHING

We’ve added Lo-fi distortion, Intelligent Limiter and Solid EQ units for having extra control over the sound shaping. Getting what you want is just a few clicks away. User friendly interface makes sound-morphing much more easier.

PLENTY OF USES

SpeakerSim can be used for Video Audio Post Productions as well as Music Productions & Mixing Purposes. You can make a studio-recorded human voice, sound like in the cell phone / walkie talkie / PA loudspeaker. Or make a song playing on a radio / old turn table / jukebox. And this sound effects can be done so quickly with SpeakerSim .

Big Clipper combines a variable clipping algorithm and limiter that gives you the ability to control peaks and increase loudness transparently.

Enabling you to make tracks louder, compression and reverb sound more natural, and overall mixes more cohesive.

Big Clipper is what you get when you take a clipper and inject it with growth hormones, and then add a little extra MSG on top. Clipping is a great way to transparently control the peaks of your tracks. When done subtly, clipping will make compressors and reverb sound more natural down the line, and give your mix an overall cohesive feel.

But clippers have one glaring issue: They really fall apart when you push them too hard. There seems to be a very thin line between adding cohesion and breaking apart into a distorted mess.

That’s where Big Clipper comes in.

Big Clipper gives you the controls to be able to push it hard without breaking apart. Whether you need subtle clipping or heavy overdrive, Big Clipper handles it with ease.

Big Clipper—Just the Facts:

• Combines variable clipping and limiting
• Shape lets you adjust between hard and soft clipping
• Four blend modes control how the limiter and clipper are blended together
• Three-band frequency sensitivity controls how the clipper/limiter responds to different parts of the frequency spectrum
• Toolbar with presets and save, A/B comparison, selectable stereo, and mid-side operation, wet/dry mix, and bypass

Loudness Maximiser

Maximal 3 is a true-peak brickwall limiter, soft clipper, and broadcast standard loudness meter.

Maximal 3 is a loudness maximiser, designed to limit and maximise your track. Featuring both a true-peak brickwall limiter and a variable shape soft clipper, Maximal 3 can increase the overall loudness of your track, without destroying the sonic quality.

The limiter features true-peak lookahead detection, meaning inter-sample peaks will never overshoot and clip. With four different modes, and controls for attack and release, the shape of the limiter can achieve anything from transparent limiting with transient preservation, to warm bus gluing or pumping.

True-Peak Limiting

Maximal 3 features true-peak, lookahead, brickwall limiting. This means that no matter how hard you push it, there will never be any overshoots from intersample peaks.

With four different limiter modes, and attack and release controls, Maximal 3 can be used for anything from clean and transparent loudness maximising, to gluing a bus together.

Variable Soft Clipping

Clipping can be used to shave off rampant peaks before limiting, or used as a creative tool to add a bit of warmth to tracks.

An adjustable curve from hard to soft allows chopping transients or adding saturation to both individual tracks and whole mixes.

Loudness Metering

Maximal 3 features a dedicated loudness metering section, displaying the LUFS and true-peak value of the signal, based on the ITU-R BS.1770-4 specification.

Additionally, you can set the target loudness of the meters to any level, such as for mastering specifically the EBU R128 standard.

Oversampling

To help limit aliasing and catch inter-sample peaks, Maximal 3 offers up to 16x oversampling.

Using linear-phase resampling filters, our high-quality oversampling algorithm cleanly upsamples the signal before applying the limiting, before cleanly bringing the sample rate back to the original.

Make Your Sound Go Boom!

UBERLOUD makes your sounds go loud, insanely loud. The VST plug-in is a true beast with sharp edges and extraordinary character. Using a clipper to add harmonics while a denoiser gets rid of floor noise, UBERLOUD will maximize your sound with minimal effort. So the next time your sound just doesn’t sound loud enough, make it UBERLOUD.

What is UBERLOUD?

Does your sound seem thin or weak, no matter how loud it reads on the volume meter? Is it drowned out by other material? Usually, to make a sound truly big and shine through, it often takes layers of highly compressed and distorted material. But Boom has developed its own dynamic approach. Using high-end algorithms in an easy-to-use interface, you’re able to pump up your sounds with quick and maximum results.

With just a few knobs, UBERLOUD pushes your sound to a greater perceived loudness. It uses a clipper to add harmonics and includes a denoiser to get rid of floor noise that might be raised with everything else – making it a great option for voiceovers and guitar solos. And best of all? It’s all with a few clicks.

Your loudness jackhammer

UBERLOUD is designed to make your sounds really shine through your mix in the simplest possible way. You have one knob that pushes your signal. Use a clipper to add harmonics and a denoiser to get rid of floor noise. It’s that simple.

Features

• Add power and volume to your mix
• Dial-in the knob to control the impact
• Push the button to activate/deactivate
• Trigger via MIDI
• Dynamic single and multi-band processor
• Easy-to-use volume plug-in
• Add power and volume to your mix
• Give specific sounds the space they need
• Make stuff very loud and shine through

ThrillMe is a 32-bit multi-effects processor divided into 3 parts.

Please Note: This is 32-bit Windows VST ONLY. Not compatible with MAC OS.

Spectral enhancer:

• 4 bands (Bipole shelving IIR filter – (1 x Low-shelf + 2 x Peaking + 1 x Hi-shelf) x 2 (stereo).
• Serial Routing.
• Auto Adjustment.

Dynamics processor:

• 3 bands.
• Splitting filter: Single-pole IIR/-6dB oct x 2 (stereo) x 3 (bands).
• Band range: 0-1kHz/1kHz-10kHz/10kHz-Inf (with -6dB/oct crossover roll off).
• Algorithm: VADP – Virtual Analog Dynamics Processing.
• Envelope: Attack / Release (Self adjusted).
• Ratio: from 1:1 to 1:128.
• Threshold range: -inf dB. to 0.0dB, exponential curve.

Limiter:

• Type: Mathematical waveshaping.

Please Note: This is 32-bit Windows VST ONLY. Not compatible with MAC OS.