Mastering VST Plugins

Equalizing is probably the most important task, so you should get the best tool out there! MDynamicEq, the little brother of MAutoDynamicEq, is an unbelievably transparent and musical sounding equalizer with a gorgeous interface stuffed with amazing features. It pushes the technology forward by introducing dynamic processing!

5 Bands with Gorgeous-Sounding Dynamic Filters

Our variable-slope filters just sound amazing. No more resonances, you can finally be really surgical. Dynamic filters can do common tasks such as de-essing, ducking, compression, expansion plus much more and the world of possibilities is far from being explored! Plus flexible high-pass and low-pass filtering for speeding up your mixing workflow.

Simple User Interface for Common Tasks

Tasks such as de-essing or bass drum enhancement are so common that we decided to make them available with the simplified 4 knob interface. Just plug it in, select what you want to do and enjoy the results.

Super-Modern Visualisation

MDynamicEq not only shows the results of your processing, it also features an integrated analyzer, sonogram, spectrum areas plus much more.

Side-Chain Wonders

Normal equalizers could hardly benefit from a side-chain, but MDynamicEq is dynamic. Attenuate the bass guitar when bass drum is played? No problem! And that’s just the beginning.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

Your track is already great but you still feel it needs a little extra polish. A gentle push to perfection.

That so-called cherry on top is FireSonic’s FireMaster. This ultimate finisher and sonic exciter will give your tracks more body, air and perfect balance.

Give Your Track the Final Touch

FireMaster is meant to be inserted as the last effect on any track to give it the final polish. It is the extra push that will make your bass, vocals, drums or final mix sound stronger than your competitors.

The Body and Color

The sophisticated core algorithm is divided between two controls. Depth and Color controls are responsible for the psychoacoustic feel of great space and strong body.

Manage Highs and Lows

Don’t reach for external EQs. FireMaster has precisely tuned controls for mastering bass and treble. It will give your tracks perfect bottoms and a great amount of fresh Air.

Maximal Ease of Use

The simplicity of use is based on the number of presets. You may choose one that fits your needs and just by driving the Wet/Dry control you add the desired amount of perfectness.

CPU-Friendly

Even though the contemporary computers’ performance almost reaches the sky there’s always need to administer it wisely. Although FireMaster is meant mainly for master tracks the unit is highly optimized for use on multiple tracks withouth draining too much CPU power.

Be Creative, Be Gentle

Although the name FireMaster suggests the plugin is made for mastering you’d better be gentle and add just a little amount of effects on master tracks. The truth is FireMaster can be used with great results on vocals, bass, drums or any other tracks. Creativity knows no limits.

Hassle-Free Software Protection

No iLok, no dongle nor internet access is required for activation. Our software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

Realistic 3D Yet Flexible GUI

Photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size – make it smaller to save the valuable screen space, or enlarge it to make it easier to use.

64-bit Audio Quality at ANY Sampling Rate

The plugin provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher

Mixed In Key Studio Edition is an indispensable tool for music producers and DJs. This VST/AU plugin offers award-winning key detection that analyzes any sample, acapella, or track in your DAW, making it easy to match DJ mixes and music productions.

With Mixed In Key Studio Edition, you can quickly tune your vocals and find the perfect Key+Scale for Melodyne or Autotune, so your vocals are easier to tune correctly. It also tells you what percentage of the song is using the note C, C#, and other notes, making sampling a breeze.

Whether you want to make mashups, plan your DJ sets, or perform harmonic mixing, Mixed In Key Studio Edition has got you covered. It’s like an X-Ray into your music, providing detailed note and key information for any track or sample within your DAW.

Mixed In Key Studio Edition is also perfect for remixing and working with acapellas. It can help you determine the key of your acapellas, and you can start adding samples or writing chords in the same key for remix perfection!

Other features of Mixed In Key Studio Edition include fast and reliable key detection right in your DAW, available as a VST or AU plugin, key detection for your samples, and the ability to view harmonic changes in your audio in real time.

Drum tuning is also made easy with Mixed In Key Studio Edition. With just one click, it tells you the exact key and pitch of your drum and percussion samples.

The world-famous key detection algorithm of Mixed In Key Studio Edition has been trusted by professionals for years. And now, for the first time, this algorithm is available as a VST/AU plugin for your DAW. No more file scanning, just drag-and-drop the plugin into your session.

In summary, Mixed In Key Studio Edition is an essential tool for music producers and DJs. It simplifies sample analysis, drum tuning, and key detection, making your music productions and DJ sets sound better than ever.

GIVE THE TRACKS WHAT THEY NEED

The name says it all; Heater is a high-quality digital simulation of one of the most powerful EQ based analog-style saturation tone shaper. It heats the signal with giving fat, colored, gritty, dirty or crystal clear tones to your tracks.

LIFE WILL BE BETTER

Simplified controls allows you to reach the result that you’ve ever looking for very quickly. In adition to Analog Harmonic Saturation Engine; with Stereo Widener, LP-HP filter and Dry/Wet settings, the total control will be in your hands. Put your tracks to oven with Heater; so your life will be better.

EASY WARM ANALOG TONE

Every track needs some analog warmth & character. Making a weak-cold-lost track roar; requires some special magic. Heater does that for you! Adding true high quality analog character to your tracks is so easy now.

COLOR THE TRACKS

Beef your vocals, guitars, basses, drums, other acoustic instruments and even master channels up! You can re-produce every style from fat warm basses and shining bright vocals to boomy devastated drums and huge synth leads.

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Simplified controls, lot’s of creative possibilities.
• Vintage analog saturation model
• Solid State (Type I) and EQP1A (TypeII) Analog EQ Models for Low and High Gain with 4 Frequency ranges
• Special harmonic distortion algorithm
• Stereo Expander
• Low Shelf & High Shelf Solid State EQ
• LP & HP Filters
• Dry/Wet Setting
• Resizable GUI
• Friend of CPU

MXXXCore is a special licence, which includes only the basic building blocks. You will use MXXX as if you had the full licence, but not all processors will be available.

How to Get the Remaining Processors into MXXXCore

MXXXCore of course provides all of the modules MXXX does, but you need a licence to get the rest of them. For example, if you own MSpectralDynamics (or any bundle, which contains that plugin) then it will be enabled in MXXXCore as well. MXXXCore will not allow you to insert a processor you don’t own nor open a preset that uses it, and will tell you what you need to purchase in order to get it.

The following shows which licences you need to get any of the modules working in MXXX with MXXXCore licence. You can also use any bundle that contains a required plugin.

Modulation

Processor to unlock and the products that will unlock it:

• Autopan – MAutopanMB (Product that would unlock the former processor)
• Chorus – MFlangerMB (Product that would unlock the former processor)
• Phaser – MPhaserMB (Product that would unlock the former processor)
• Rotary – MRotary (Product that would unlock the former processor)
• Tremolo – MTremoloMB (Product that would unlock the former processor)
• Vintage Rotary – MVintageRotary (Product that would unlock the former processor)

Spectral

Processor to unlock and the products that will unlock it:

• Character – MCharacter (Product that would unlock the former processor)
• Frequency Shifter – MFreqShifterMB (Product that would unlock the former processor)
• Harmonizer – MHarmonizerMB (Product that would unlock the former processor)
• Ring Modulator – MRingModulatorMB (Product that would unlock the former processor)
• Transformer – MTransformer (Product that would unlock the former processor)
• Vibrato – MVibratoMB (Product that would unlock the former processor)
• Vocoder – MVocoder (Product that would unlock the former processor)

Equalizer

Processor to unlock and the products that will unlock it:

• Comb – MCombMB (Product that would unlock the former processor)
• Dynamic Equalizer – MAutoDynamicEq or MDynamicEq (Product that would unlock the former processor)
• Freeform Equalizer – MFreeformEqualizer (Product that would unlock the former processor)
• Freeform Analog Equalizer – MFreeformAnalogEq (Product that would unlock the former processor)
• Equalizer – MAutoEqualizer or MAutoDynamicEq or MDynamicEq (Product that would unlock the former processor)
• Equalizer Linear Phase – MAutoEqualizer or MEqualizerLinearPhase (Product that would unlock the former processor)
• Wobbler – MWobbler (Product that would unlock the former processor)

Dynamics

Processor to unlock and the products that will unlock it:

• Auto-Volume – MAutoVolume (Product that would unlock the former processor)
• Drum Enhancer – MDrumEnhancer (Product that would unlock the former processor)
• Drum Leveler – MDrumLeveler (Product that would unlock the former processor)
• Dynamics – MDynamics or MDynamicsMB (Product that would unlock the former processor)
• Limiter – MDynamicsLimiter (Product that would unlock the former processor)
• Modern Compressor – MModernCompressor (Product that would unlock the former processor)
• Spectral Dynamics – MSpectralDynamics (Product that would unlock the former processor)
• Transient – MTransient or MTransientMB (Product that would unlock the former processor)

Reverb & Delay

Processor to unlock and the products that will unlock it:

• Convolution – MConvolutionMB (Product that would unlock the former processor)
• Delay – MDelayMB (Product that would unlock the former processor) 
• Granular – MGranularMB (Product that would unlock the former processor)
• Reverb – MReverb or MReverbMB (Product that would unlock the former processor)
• Rhythmizer – MRhythmizer or MRhythmizerMB (Product that would unlock the former processor)

Stereo

Processor to unlock and the products that will unlock it:

• Stereo Generator – MStereoGenerator (Product that would unlock the former processor)
• Stereo Spread – MStereoSpread (Product that would unlock the former processor)
• Stereo Processor – MStereoProcessor (Product that would unlock the former processor)

Distortion

Processor to unlock and the products that will unlock it:

• Amp – MAmp (Product that would unlock the former processor)
• Bit-Fun – MBitFunMB (Product that would unlock the former processor)
• Distortion – MDistortionMB (Product that would unlock the former processor)
• Saturator – MSaturatorMB (Product that would unlock the former processor)
• Wave-Shaper – MWaveShaperMB (Product that would unlock the former processor)

Utility

Processor to unlock and the products that will unlock it:

• Auto-Align – MAutoAlign (Product that would unlock the former processor)
• Compare – MCompare (Product that would unlock the former processor)
• Multi-Analyzer – MMultiAnalyzer (Product that would unlock the former processor)

Synthesis

Processor to unlock and the products that will unlock it:

• PowerSynth – MPowerSynth (Product that would unlock the former processor)

IGNITE

Ignite mode allows you to dial in rich harmonic distortion in a dynamic way based on the input signal. Ignite can increase the perceived loudness, power and presence of a channel without the pumping effects of a compressor.

More Features:

• Mid/Side, Left & Right Functionality
• Sharp retina display
• Easy to set up. Gives you total control with a user friendly interface. Interactive tool tips can also be activated for even more information.

This product is an individual plugin related to the Parent Plugin: Animate 

MTurboReverb is a revolutionary algorithmic reverb, which features about 100 superb sounding reverbs in a single plugin and even lets you design your own reverb algorithms. It is quick, easy-to-use, perfect for mixing, mastering and creative production…

Maybe you do not need to design you own reverbs – you can consider the cheaper version MTurboReverbLE which provides all those 100 reverbs.

About 100 great sounding reverbs ready for you to use

Algorithmic reverbs are usually based on a single algorithm. But MTurboReverb comes up with a revolutionary programmable engine, where you can design your own algorithms, but most importantly about 100 of them have already been prepared for you, with a standardized GUI for extremely quick workflow and a short learning curve. There is everything from rooms to halls, plates, ethereal and shimmering sounds, and 2D positioning reverbs.

Each of these reverbs feature all the necessary controls such as dry/wet or reverb length, but also more special ones, such as a dynamics section or side high-pass filter. Switching between the reverbs is one click away, which tremendously speeds up your creative workflow.

Programming your own reverb

The Edit screen of the MTurboReverb plugin is certainly not for beginners, but if you have the courage, it actually lets you build your own reverbs! The plugin comes with 4 early reflection generators, which are editable graphically. But the true revolution comes in the form of 6 late reflection generators, each featuring a simple programming language, which lets you define the actual reverberation algorithm. And it’s not complex at all, in fact, every algorithm takes only a single line. The plugin has been designed to make everything needed to make this work quick and easy; it does most of the design work for you automatically. Despite all the simplicity, it may not be just reverbs you can create; you can exploit complex feedback structures featuring modulation effects, pitch shifters, saturators and much more. The only limit is your imagination…and the algorithm generator, yes, it can even generate new algorithms…

Never-ending supply of creative features

Let’s say you are temporarily out of ideas how to make something sound more interesting. No problem. Randomize any ER or LR section, or use one of the hundreds of presets for them. Exploit the modulators to do, well, almost anything. Mess up any of the predefined reverbs. And if that’s not enough for you, there is also a multiband version MTurboReverbMB available for you. If that won’t help you, nothing will.

Key features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• Modulators
• Multiparameters
• Tube saturation
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX capable processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

The Struggle Is Over

Balancing the low-end is one of the hardest challenges in any mix or master. This is where so many potentially awesome tracks fail. Too much bass and your track will sound bloated and lack clarity. Not enough bass and your track will sound weak.

BASSROOM is a final mix and mastering EQ that helps beginners and pros nail their low-end in seconds.

It does this by delivering exceptional sound quality and suggesting genre-specific EQ adjustments a great audio engineer in a world-class studio would make.

We analyzed the best mixes in various genres to give you EQ target presets you can trust.

You can also create your own targets with BASSROOM’s inbuilt analysis tools. From this starting point, you can tweak your low-end to perfection using the immersive 3D room interface.

Main Features

• Minimized phase distortion and transient distortion filters
• Immersive 3D user interface
• EQ targets based on reference material
• Level match pointer on output gain
• Fully resizable user interface
• Create your own EQ targets by importing reference tracks
• Solo bands
• Q Bandwidth control

How To Use BASSROOM – What’s It All About?

Master Channel

BASSROOM uses complex algorithms that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. For that reason it should be loaded on your master channel so it can analyse and be applied to your whole mix.

Choose A Preset

To get the most value from BASSROOM, start by selecting a preset that best suits the material you’re working on.

Create A Target

Alternatively, you can create your own target values by clicking the target icon in the bottom left corner and importing reference tracks. If you’re creating targets, we recommend clicking and dragging on the waveform to select the drop or chorus for the analysis, as this is usually the material with the best representation of the bass in the track. BASSROOM will create targets based on all the tracks loaded into the analysis window.

Shape your low-end

Now monitor a bass heavy section of your production (i.e. the drop or chorus), and you’ll see the targets move to the suggested EQ positions based on the tonal balance of your mix compared to the tonal balance of your preset. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection. The algorithm accounts for differences in loudness, so the targets will be accurate and relevant whether you’re mixing or mastering.

Level Match

The EQ adjustments may have changed the overall gain of your audio. If the gain has changed by more than 2dB the speaker icon will turn orange. Hover your mouse over the bypass icon to open the output gain and level match pointer. Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through BASSROOM.

Hear The Difference

Not only will your low-end fall into place, but the level matching will give you a well balanced sound across the whole frequency spectrum. Toggle bypass on and off to hear the difference.

What Else Can I Expect from Bassroom?

Unparalleled EQ Quality

BASSROOM gives you unparalleled EQ quality when working with low-frequencies on your master channel. Other EQs can introduce transient ringing and smearing or phase distortion that reduces the quality and clarity of your audio.

BASSROOM has specifically designed filters that have minimal phase distortion AND minimal transient distortion providing greater transparency than standard linear-phase filters at low-frequencies.

This means that the low-end is not affected by unwanted phase changes that can alter the timbre of your audio or by transient distortion that means you lose the bite from kicks or bass-lines.

For example, the plots show the transient effects on a step function when applying a 6dB gain at 240Hz. Think of this as a simplified waveform of a kick drum. It’s clear that the output of the filter in Plot 2 has an oscillation before and after the “hit”. This is a “ringing” of the transient and can sound like a sucking effect. In Plot 3 BASSROOM’s EQ produces virtually no oscillation and so the transient is preserved.

With BASSROOM, you can transparently shape your low-end without compromising the clarity of your mix or master. This translates into retaining punch in the low-mids, and definition in the low-end compared to other EQs.

Immersive 3D Room Display

Ordinary EQs use a horizontal representation of frequencies and vertical representation of gain. BASSROOM takes a unique approach and focuses more on how we experience audio in the real world. Louder sounds feel closer while quieter sounds feel further away and lower frequencies are associated with a ‘foundation’ whilst higher frequencies are perceived as ‘air.

To reflect this, in BASSROOM frequencies are displayed vertically, and gain is represented by depth in the room.

When a band is on the central 0dB line in the middle of the room, there is no gain adjustment. Push frequency bands back in the room to decrease gain, and bring them forward to increase gain.

The unique and intuitive UI helps you visualise how you’re adjusting the low-end of your song. This gives you a more immersive mixing experience, helping you connect more with your music.

EQ Targets You Can Trust

The targets on the walls of BASSROOM suggest the genre-specific EQ adjustments a great audio engineer in a world-class studio would make.

We analysed the best mixes in various genres to give you EQ target presets you can trust.

This isn’t simple ‘slowed-down’ frequency matching.

The targets are a result of a complex algorithm that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. BASSROOM analyses your mix and displays a target in each frequency band to help you make informed mixing decisions sonically relevant to your audio.

Matching the bands to target suggestions results in a clear and defined low-end that’s well balanced in the context of the whole mix. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection.

The Best in Mixing & Mastering

Step into the world of iZotope’s AI software with the Mix & Master Bundle, now featuring Ozone 9 Standard, Neutron 4 Standard and Tonal Balance Control 2.

Create the perfect mix for your track with the complete set of 8 modular mixing tools and prepare your master for release at just the touch of a button. With the Mix & Master Bundle, it has never been easier to produce radio-ready music.

Ozone 9 Standard

Ozone 9 brings the latest advances in audio technology to the world of mastering.

Find the perfect modern or vintage vibe with an expanded Master Assistant, or match to your favorite reference track with the new Match EQ.  Work faster with improved plug-in performance, smoother metering, and resizable windows. Stop wondering if your music is ready for primetime—with Ozone 9, the future of mastering is in your hands.

Features

• Emulate classic analogue EQs or modern digital models depending on your style
• Use Mid/Side mode to correct frequencies in the sides of your audio
• NEW! Enjoy smooth, fluid metering and a resizable window that lets you see more of your sound
• NEW! Two modes for stereoize give you new flavours for widening your track
• Sculpt your image in stereo with per-band widening and narrowing
• Monitor stereo width and phase with new fluid metering
• Seamlessly compare your mix with a reference track at the touch of a button
• Loop specific regions of your references and load up to 16 at once into Ozone
• See your reference displayed in Ozone’s meters for easy visual comparison
• Use Master Assistant to automatically match the tone of your loaded reference tracks
• Make mixes LOUD while preserving dynamics with Ozone’s intelligent limiter
• Intelligent Release Control (IRC) modes react to your sound to reduce distortion and pumping
• Threshold Learn mode intelligently sets loudness to a target LUFS level
• True Peak detection ensures your audio doesn’t clip after export
• Make EQ boosts and cuts that respond to the dynamics of your audio
• Make subtle boosts and cuts that occur only when frequencies are too loud or soft
• Mix and match between seven different types of distortion to add warmth and character
• Use different flavours of distortion such as Tape, Retro, or Tube
• Add different distortion modes on multiple bands to create your own unique tonal balance
• Compress in up to four bands, or with the Detection Filter mode

Neutron 4

Neutron 4 is designed to bring your mix workflows into the 21st century.

Bend and shape your audio to any instrument profile with the brand new Sculptor, create custom presets through machine learning with Track Assistant, communicate across plug-ins in your session with the smartest EQs on the planet, and automatically find and fix masking issues with the most intelligent Masking Meter. With 8 modular mixing tools in one mothership plug-in, it’s the easiest, most intelligent way to bring unrivaled quality and speed to your mix.

Features

• New Interactive Visuals: Resizeable, beautiful, and significantly faster. Dive into analysis tools that enhance your mixing experience and get results with plug-in controls made for humans, not machines.
• Communicate Across your Session: Use the included Visual Mixer plug-in to adjust the gain, pan, and width of any Neutron or Relay in your session.
• EQ with Masking Meter: With a convenient one-window display and smoother metering, Masking Meter is now even better at helping you find and fix competing elements of your mix to create space for your instruments.
• Improved Performance:
  • Neutron on More Tracks: Sessions with Neutron 4 load up to 3X faster than Neutron 2, so you can transform your mix with premium processing anywhere and everywhere.
  • MUCH faster processing: Sessions with Neutron 4 use up to half the memory of Neutron 2. Forget about messing with settings and bouncing in large sessions.
  • Lower buffer size: Neutron 4 sessions use up to a third of the CPU of Neutron 2 at the lowest buffer sizes. Create on the fly at lower buffer sizes without slowdowns or dropouts.

Tonal Balance Control 2

Get decades of mastering expertise in your next session with Tonal Balance Control 2, a plug-in that helps you overcome your listening environment and make the best decisions to achieve a balanced mix.

See the balance of frequencies in your track and compare to 12 different genre targets based on thousands of professional masters, or upload your own audio file to compare to a unique custom curve. Control EQ and gain of other compatible iZotope plug-ins without leaving Tonal Balance Control 2. Whether you need a quick confidence check on a mix, or are struggling to perfect your final master, Tonal Balance Control 2 is essential for any project.

Features

• Create with confidence: Tonal Balance Control 2 is your second set of ears in a session, with 12 target curves representing popular music genres that help you stay on target no matter your listening environment. Load your own audio file to create a custom curve for when you’re looking for a specific vibe. 
• Fix issues in your session: Tonal Balance Control 2 can open an EQ from an iZotope Neutron 4 or Ozone 9 plug-in in your session, so you can fix balance issues from one plug-in window. Tonal Balance Control 2 can also talk to plug-ins like iZotope Nectar 3 or VocalSynth 2, letting you see how your vocal fits into your overall balance.
• Get the complete picture: With improved fluid metering and resizability, it’s even easier to see every detail of your tonal balance. Work in Broad view mode to get a general bird’s eye of your mix, or switch to Fine view to zoom in on tough problem areas. Solo frequencies to hear exactly what’s contributing to your tonal balance, and quickly fix issues on your tracks with improved scaling that makes it easier to work with EQs in Ozone 9 or Neutron 4

PSP VintageWarmer2 is a high-quality digital simulation of an analog-style single or multi-band compressor/limiter.

It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. PSP VintageWarmer2 is highly flexible and can be used for both soft-knee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers.

Careful attention has been paid to PSP Vintage Warmer’s overload characteristics with the algorithm being capable of generating saturation effects typical of analog tape recorders. PSP Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby ensuring professional quality results.

PSP VintageWarmer2 version installer contains 3 versions of the plug-in:

PSP MicroWarmer: Providing the same sound quality as it’s siblings, but with a simplified single-band interface and low latency performance optimized for use on individual tracks.

PSP VintageWarmer (LE): A direct descendant of the original PSP VintageWarmer, with its all strengths such as low resource usage and latency.

PSP VintageWarmer2: Which includes our acclaimed FAT double sampling mode for even more accurate analog sounding processing.

We strongly recommend that you use PSP VintageWarmer (LE) or PSP MicroWarmer in multi-tracking applications, except in situations where FAT mode is important. PSP VintageWarmer2 is recommended for use in mastering sessions or when processing groups or master busses.

Features:

• High quality signal processing algorithms
• Single or multi-band signal processing
• FAT (Frequency Authentication Technique) PSP’s double sampled processing
• 64-bit floating point precision
• Shelf filters for bass and treble frequencies in single-band processing mode
• Control of bass and treble signal components in multi-band processing mode
• Accurately calibrated VU and PPM meters with the overload indicators
• Disengagable brick-wall limiting
• Two Release Mutliplier ranges for fast or relaxed processing
• Semi Automated Release mode.
• Up to 192kHz sample rates supported
• Library of presets

Find Your Balance

Get decades of mastering expertise in your next session with Tonal Balance Control 2, a plug-in that lets you overcome your listening environment and get a balanced mix that translates to your audience. Reference your track’s frequency balance against 12 different genre targets based on thousands of professional masters, or upload your own audio file to compare to a unique balance curve.

Solo frequencies that are out of bounds, and make adjustments across your mix from within Tonal Balance Control 2 using controls that talk to Neutron 3, Ozone 9, and other compatible iZotope plug-ins.

Whether you need a quick confidence check on a mix or are perfecting your final master, Tonal Balance Control 2 is essential for any project.

MAIN FEATURES

• Create with confidence: Tonal Balance Control 2 is your second set of ears in a session, with 12 target curves representing popular music genres that help you stay on target no matter your listening environment. Load your own audio file to create a custom curve for when you’re looking for a specific vibe. 
• Fix issues in your session: Tonal Balance Control 2 can open an EQ from an iZotope Neutron 3 or Ozone 9 plug-in in your session, so you can fix balance issues from one plug-in window. Tonal Balance Control 2 can also talk to plug-ins like iZotope Nectar 3 or VocalSynth 2, letting you see how your vocal fits into your overall balance.
• Get the complete picture: With improved fluid metering and resizability, it’s even easier to see every detail of your tonal balance. Work in Broad view mode to get a general bird’s eye of your mix, or switch to Fine view to zoom in on tough problem areas. Solo frequencies to hear exactly what’s contributing to your tonal balance, and quickly fix issues on your tracks with improved scaling that makes it easier to work with EQs in Ozone 9 or Neutron 3*

* Ozone, Neutron, Nectar, and other compatible iZotope plug-ins are not included with the purchase of Tonal Balance Control 2.

Target Curves *Updated in version 2!

Drawn from analysis of decades of recorded audio across the spectrum of styles and genres, Tonal Balance Control 2 offers a set of 12 target curves that help give you fix balance issues in your sound, even in poor listening environments. Whether your style calls for massive low-end or brilliant highs, you’ll always have a benchmark with genre curves from “rock” to “reggae” and more.

Load your own reference track to generate a unique curve: see the balance of your favourite songs, and fine-tune your master to match their sound. Use the target curves to keep your music on track and help it translate to your audience!

• New! Tonal Balance Control 2 includes 9 new genre-cased targets, for a total of 12 curves. Now you can measure you tonal balance in styles like Jazz, R&B/Hip-Hop, and Pop. See how your music translates for top-50 radio play, or the classical crowd!
• Use Broad or Fine view modes to get a different perspective on your tonal balance. Broad view measures the general balance between low, low-mid, hi-mid, and hi frequency regions to give you an at-a-glance picture. Fine view lets you zoom in to catch smaller balance issues in a more narrow range.
• Load your own audio file and generate a unique custom curve, perfect for when you’re mastering to a reference track, or comparing two versions of a mix.

Find and Fix Issues In The Mix

Tonal Balance Control 2 is more than just a meter — by talking to the included Relay plug-in, you can make level adjustments to your tracks while checking your tonal balance in real-time.

If you have Neutron 3 or Ozone 9 in your session, you can open their EQs from Tonal Balance Control 2 and make finer tonal adjustments to your individual tracks or master. Combine the power of iZotope tools and bring your session together to speed up your mixing and mastering workflow!

• New! Use Relay to view the spectrum of your tracks against your tonal balance targets. You can now make changes to Relay’s gain controls from Tonal Balance Control 2 for quick adjustments against your target.
• Talk to the EQ of any Ozone 9 or Neutron 3 plug-in in your session to make finer balance tweaks without changing the gain.
• Use your alt/option key to “solo” frequency areas, useful for identifying what elements of your mix make up the overall tonal balance.

iZotope Relay

Relay is included in Tonal Balance Control 2 and goes on your individual tracks, acting as a mini-channel strip complete with gain, pan, high pass, and even stereo width controls. Relay also talks to other iZotope plug-ins, enabling machine-learning features to help you remove masking, bring balance and focus your mix, monitor dialogue intelligibility, and more. As a quick and easy trimming or sweetening tool, or an advanced workflow-saver, Relay is a great choice for any session template.

• Control pan, gain, width, and add a high pass filter to your track without messing with your DAW faders or consuming a lot of CPU.
• View the frequency of individual tracks in Tonal Balance Control 2 against your target curves, and adjust them against your balance targets in real-time.
• Mix all of your tracks in a visual space with Neutron 3’s Visual Mixer: With Relay on your tracks or busses, you can open Visual Mixer and adjust pan, gain, and width directly within the Visual Mixer plug-in, included with Neutron 3 Advanced.
• Measure Intelligibility with Insight 2’s Intelligibility Meter: Using this brand new meter in Insight 2, measure the relative intelligibility of your vocal and visualize how clearly it will be heard in different types of listening environments.
• Remove masking from your vocal with Nectar 3: Relay communicates with Nectar 3’s Unmask mode and provides automatic processing to remove masking frequencies from your vocal track. Learn more about it here.
• Visualize the spectrum of different tracks against your entire mix with the Spectrogram in Insight 2: Insight 2 will communicate with individual instances of Relay and display them on your spectrogram, with customizable colours.
• With Relay on all your tracks, you can use Mix Assistant (available in Neutron 3 Advanced) to automatically set an initial level balance in your session.

*Relay is included for free with Tonal Balance Control 2, Neutron 3 Advanced, Insight 2, and Nectar 3. 

Important Note: Tonal Balance Control 2 is included in Ozone 9 Advanced and Neutron 3 Advanced, and is now also available for separate purchase. Owners of Ozone 9 Advanced and Neutron 3 Advanced can update to the latest version of Tonal Balance Control 2 via iZotope Product Portal for free.

What Is Levels?

Ever felt that your music could have sounded better? There are so many technical details to focus on when mixing and mastering that mistakes are common. LEVELS has presets for CD, Club, Streaming, Youtube and more to help you make sure your music sounds great wherever its heard.

LEVELS helps music producers get a technically excellent final mix and master. It does this by analyzing the essential elements of your mix and alerting you if there is an issue. The powerful tools give you the crucial information you need to make improvements to your mix.

LEVELS 2.0 is Released! Find more info below!

Headroom

• True peak meter (16 X oversampling ) to make sure your masters don’t clip.
• Standard peak meter. Keep it below -6dB for a perfect final mix
• EBU R128 compliant integrated and short term LUFS meters. The most accurate way to analyse perceived loudness.

Stereo Field

• Vectorscope to visualise stereo width.
• Correlation meter to monitor phase issues.
• Left/Right meter to assess the balance of your mix.
• Low Pass button solos your low frequencies below 300hz so you can see their stereo width.

Dynamic Range

• Instantly see if your music is over-compressed
• Oscilloscope glows green if your music is dynamic.
• ‘DR’ Dynamic Range display based on reliable Short Term LUFS to peak ratio.

LUFS

• EBU R128 compliant integrated and short term LUFS meters.
• The most accurate way to analyse perceived loudness.

Loudness Range

• EBU R128 compliant loudness range meter to monitor the difference in loudness between the various sections in your track.

Bass Space

• Identifies if any channels are outputting unwanted low frequencies.
• Helps you clean up your low end giving your track punch and clarity.
• Level meters for 40Hz, 80Hz, 120Hz, 160Hz.

LEVELS 2.0 is Released! Here’s What’s Up!

Mastering The Mix has finally released a serious update for LEVELS! For pre-existing customers, You can access the update by clicking the (?) icon in the top right corner of LEVELS. Or you can update via your account area right on the Mastering the Mix website.

Levels 2.0 Update Includes:

• New Loudness Range Section
• Separated LUFS Section
• New Presets
• Compact View
• Adjustable Filter Solo in Stereo Field Section
• Tool Tip Suggestions on How to Fix the Issues LEVELS Finds

Other Improvements:

• Mid/Slide Solo Feature
• UI and UX Improvements
• Better error code reporting
• Offline activation
• Bug fixes

MasterMind is a swift mastering tool which allows you to optimize your tracks in a second, match your tracks EQ with a reference track and boost the master gain.

The shortest way from mix to master

Mastering is the last step of the tone-shaping process. The very last step before you serve your track to the audience. It is not only to make your signal louder but also better and simply to sound right. To make this sensitive job easy for you, we created MasterMind, which can do most of the tasks for you automatically.

MasterMind KEY FEATURES

Optimize in a second
The heart of the plugin is the Optimizer. After a long development and research of a lot of mastered material, we developed a special algorithm which makes your signal richer, bigger and psychoacoustically better. It simply makes it sound right.

Match EQ easily
MasterMind’s EQ Matching is a shortcut to a perfect-sounding result. You may use it to match the feel of your favourite tracks but also unite the tracks on your album within a few clicks. Simply load a reference material to your track and loop-play to analyze. Then analyze your material and let MasterMind do the magic. Try not to overdo it; because of the difference, the best will be 20-30% of the matching

Maximize the sound
The louder, the better. MasterMind’s limiter will make the mixes sound strong and proud. They will stand out and beat your competition. On top, the limiter section offers a pleasant saturation module to glue everything together.

Make it wider
The stereo feel and the space perception are integral elements of a perfectly mastered sound. MasterMind will help you to achieve outstanding results using just one knob.

EQ final touch
MasterMind’s EQ section is here to fine-tune both the high-end and low-end EQ curves of your track. It is based on a famous American analogue equalizer mode and gives you a chance to apply nice tube saturation, too.

Analyze visually
What you get is what you see. MasterMind’s analysis section gives you a perfect overview of the three stages of your signal. You can easily monitor input and output but also the signal stage between EQ and limiter. This helps you add even more precision to your work.

Maximum precision
Mastering requires maximum precision. The high-quality audio engine uses up to 16x oversampling to give you warm analogue style saturation without digital artefacts.

All you need to finalize your mixes or master your audio tracks is here: visualize, monitor and verify the content of your tracks with ultimate precision thanks to Blue Cat’s DP Meter Pro, Blue Cat’s FreqAnalyst Pro and Blue Cat’s StereoScope Pro.

Adjust the spectrum with Blue Cat’s Liny EQ and Blue Cat’s Parametr’EQ, improve your tracks’ dynamics with Blue Cat’s Dynamics and maximize the loudness of the track with Blue Cat’s Protector.

Last but not least, Blue Cat’s MB-5 Dynamix will let you finalize the dynamics and spectral balance.

Bundled Products Include:

• DP Meter Pro
• Dynamics
• FreqAnalyst Pro
• Liny EQ
• MB-5 Dynamix
• Parametr’ EQ
• Protector
• SteroScope Pro

Smart loudness metering plugin

Loudness standards are usually part of a delivery specification and since this is the last step in post-production it’s a time-critical issue for most projects. Signum Audio tools help to meet specifications with ease. Even if you don’t need to hit specific specifications you might still want to loudness master for your target platform (e.g. Spotify, or youtube), Signum Audio’s tools help with that as well. The BUTE Loudness Analyser 2 is the backbone of Signum Audio’s range of loudness solutions, and an essential tool for those working in post-production for broadcast, music, gaming, podcasts, film, sound design and radio imaging. It offers high-end quality at great value.

Check out the Surround Version Here!

Bute-ifully crafted for an improved workflow

The BUTE Loudness Analyser 2 has been beautifully designed to deliver unparalleled levels of insight into your audio files with accurate and customisable readings. Advanced features like automatic re-metering, customisable warnings, an interactive navigation overview and window, and reloadable session data. These workflow-driven features make it particularly useful for long-form content.

Master Smarter

With the high precision metering algorithms, you can rest assured that your audio will meet your clients delivery specifications and sound as it should. With its range of useful workflow features, configurable meter readings for short-term and momentary loudness, true peak and traditional RMS, and the latest broadcasting and streaming standards included as presets, Signum Audio’s loudness meter makes your mixing and mastering journey much simpler.

Applications

Mixing & Mastering

• Produce consistent masters
• Avoid ‘level shifting’ and clipping downstream
• Ensure accurate representation of your audio/music
• Measure and refine dynamic content

Post-Production & Broadcasting

• Hit target levels easily with a wide range of implemented presets
• Ensure and prove compliance with regulation
• Balance dialogue, music and effects
• Manage live broadcasting & streaming levels accurately and efficiently
• Optimise dynamics for streaming content

Gaming Audio

• Balance sound effects and dialogue
• ASWG 5.1 and 7.1 Surround Sound support (Surround version)

MAIN FEATURES

• A smart loudness metering tool focused on pro-audio workflows
• Smart history overview for completely interactive browsing of up to 10-hours of loudness data at a glance
• Custom alert system flags up areas that need attention with severe (red) or warning (yellow) pointer on the history overview. User settings can be defined in the settings panel.
• Smart auto re-metering feature which syncs on load-up, and auto-detects and reflects any adjustments you make in the DAW on the graphical display
• Powerful compact read-out view which is completely resizable vertically and horizontally to optimise screen space while keeping readings visible
• Display settings to switch between True Peak/Metering, Relative/Absolute scale, or Max/Live modes
• Highly responsive and informative graphical interface 
• Industry-standard (IEC 60268-18) meter bar fallback for natural, analogue feel
• Auto-detects DAW channel configuration with dropdown menu to select mono, stereo or surround configurations (Surround version)
• Wide array of built-in presets for the very latest loudness standards and recommendations
• Highest quality linear phase upsampling
• Clean and comprehensive read-outs for short-term & momentary loudness, True Peak, and traditional RMS
• Reloadable session data
• Save, Load and Export metering data
• Available in Stereo or Surround version. The Surround version expands support for multi-channel configurations up to Atmos 7.1.2
• Free future updates 

BUTE is fully compliant with up-to-date presets for the following loudness specifications:

• ITU-R BS. 1770, EBU R128, ATSC A/85OP-59, ARIB TR-B32, Spotify, YouTube, Apple Check, Hulu, Netflix, TIDAL, Sony Gaming (ASWG), AES Streaming Recommendation, US Public Radio (PRSS), TIDAL and Pandora. You also have the ability to save multiple user-defined presets.

RX10 Standard

Used on countless albums, movies, and TV shows to restore audio from problematic to pristine condition, RX 10 Standard is a complete toolkit for audio cleanup. Find and repair issues with the new Repair Assistant plugin, instantly remove hum and interference with dynamic De-hum, rebalance your mix and create stems with Music Rebalance, and clean up unwanted sounds directly in Logic using the Spectral Editor built on ARA. Use the Standalone audio editor or as plugins inside your favourite DAW or NLE to surgically improve any recording. 

The Smart Solution for Clear Audio

Things break. So does audio. Recorded sound is rarely perfect – in fact, it’s often in really bad shape. That’s why you need RX, the award-winning audio repair suite that helps restore, clean up, and improve recordings in post-production, music, and content creation.

Built on decades of iZotope research, RX 10 is the most intuitive and intelligent version iZotope has ever made. From analyzing audio capture and production issues to providing processing solutions, RX speeds up your editing workflow, salvages poor audio takes that were once unfixable, and delivers reliably clear sound quality.

Whether you are editing a podcast, recording a full band, or working on a blockbuster movie, RX 10 enables you to captivate audiences by bringing out the best in recorded audio.

What’s New in RX 10?

Repair Assistant Plugin

May We Assist You?

If you’re new to audio repair, or you just want to save time, try the new Repair Assistant Plugin, which uses machine learning to find and fix audio issues quickly without leaving your DAW. The Assistant automatically recognizes specific problems and intelligently proposes a repair chain that you can modify to your liking with easy-to-use dials. More than just an upgrade of the previous Repair Assistant, this plug-in was built from the ground up.

Text Navigation

Navigate Through Words

Even if you love spectrograms as much as iZotope do, navigating long dialogue files can be time-consuming, especially when seeking specific events in a recording. Now you can see what you hear with the new Text Navigation function. It analyzes dialogue and displays a text transcription above the spectrogram that’s in sync with the corresponding audio. So you can now search for specific words in an audio file and also select and edit the recording using text. [This navigation feature will only be available in English for RX 10.]

Dynamic Adaptive Mode in De-Hum

Adapt to the Noise

Save time removing unwanted hum with the new Dynamic Adaptive Mode in De-Hum. Get rid of hums and buzzes on the fly, without having to spend time learning the noise profile of your audio. Eliminating electromagnetic interference or other complex noise that changes pitch can now be done automatically without sacrificing quality.

First-Time User Experience

Is it THAT Simple?

RX is complex. That’s why iZotope added the First Time User Experience, an interactive tour to guide you through the software. Whether you’re new to RX or catching up with the latest version, iZotope has a tour for you.

Additional Enhancements

• Make smoother edits with improved Selection Feathering, which now also works in the frequency domain.

The S1 uses a VCA detection circuit on a selected frequency band to detect the signal peaks and boost the stereo spread accordingly.

The image will be made wider during high-energy transients to prevent phase knockbacks.

You can choose and blend between different imaging algorithms, from haas delay or classical mid-side equalization to the emulation of SRS transfer functions.

The input signal is first fed to a detection circuit that reacts to the average loudness of the song, where:

• Threshold controls the minimum peak detection,
• Speed controls the intertia of the moving average from the detection circuit,
• Low Pass allows to filter the input detection signal with a biquad low pass filter.

This detection circuit is used to dynamically adjust the stereo image of the sound:

• High pass and Low Pass allow to reduce the stereo adjustments to a single frequency band,
• Peak gain is the stereo gain that will be applied when the detection circuit hits his maximum value,
• Circuit allows to choose and blend between different imaging algorithms: binaural delay (Haas), head-related transfer functions (SRS) and mid-side boost (M/S).

A post processing step allows to adjust the final render:

• Makeup applies a negative makeup gain to compensate the induced stereo variance by reducing its average value,
• Comp reuses the input detection circuit to apply a touch of VCA compression to the signal sides.

A powerful tool designed for quickly finalizing complete mixes, stems, buses, and/or individual audio tracks

Grand Finale is a multi-effect plug-in designed for finalizing complete mixes, stems, buses, and/or individual audio tracks. The plug-in offers several modules in a pre-routed configuration. Each module has parameters to alter, and most modules offer a set of algorithms to select. These features come together to make Grand Finale a powerful tool for quickly finalizing a track, bus, or mix.

Trim the input signal, add your desired amount of compression, multi-band compression, stereo width, EQ, blend in some add compression and/or distortion, and glue it all together by balancing the input and output trim. Use the meters to monitor and adjust your output level to whatever destination (for example, YouTube recommends -14 LUFS).

• 1. Master section – This module contains a high-pass filter, input and output gain knobs, a limiter, and some metering. The red and green lines reflect how audio is routed to and from this box.
• 2. Metering – The meters give you information about the levels of the output signal, reading LUFS to the left and RMS to the right. LUFS can be useful if you want to finalize your audio to fit online services like YouTube or Spotify
• 3. Add signal path – After the Output gain, the signal is split and also sent to the add signal path. Here, you may add additional Dist and Compressor and then mix together with the main signal path, before the output gain.
• 4. Main signal path – All the modules in this box are processed in serial from left to right: Compressor, Multi-band Compressor, Stereo width effect, EQ.

Features

• High-quality effects, trimmed for high-precision audio finalizing
• LUFS and RMS output metering
• Fine-tuned algorithms for each effect module Parallel signal in aligned phase
• UI optimized for a quick and creative workflow

A Revolution in Dialogue Editing

Exclusively for Pro Tools – Not available in AU/VST Formats.

The makers of RX bring you the next indispensable tool for post-production. Keep your audience in the moment with seamless dialogue recordings.

Tailor-fit Dialogue Tracks to Your Scene

Dialogue Match is a Pro Tools AudioSuite plug-in that learns the reverb, EQ, and ambience data of a dialogue recording. It can then apply the profile to any other dialogue recording, giving your scene audio consistency across multiple environments.

The Dialogue Match Story

In 2019, iZotope added the complete Exponential Audio product line of reverb plug-ins to our collection of audio software. Working with Exponential Audio founder and renowned reverb expert Michael Carnes, iZotope set out to cure the headache of fitting multiple dialogue recordings to a single scene, even when captured with different microphones and in different spaces. Enter Dialogue Match.

Dialogue Match doesn’t just introduce all-new reverb matching technology; it also combines our EQ and ambience matching tech with the superb engineering and sound quality of Exponential Audio reverbs. The result is a tool that extracts the environmental profile from one recording, and applies it directly onto another using the Exponential Audio reverb engine, reducing hours of tedious audio editing to mere seconds.

Dialogue Match is just the first example of what’s possible through the iZotope/Exponential Audio collaboration. With Michael Carnes as a part of our team dedicated to pushing the boundaries of digital audio production, iZotope are poised to deliver even more powerful and inspiring software innovations for music and post production.

How Dialogue Match Works

• Capture the profile of your Reference file
• Capture the profile of the file that needs editing
• Tweak your effect settings and render

Why Dialogue Match?

Quickly Match Lavaliers to Booms

Add the space and ambience of a boom mic to the clarity and articulation of a lavalier without compromising on audio quality.

Automatically get ADR to Sit in the Mix

Studio-recorded dialogue performances can now instantly have the on-location sound to suit your production.

Match Localized Audio to Production

Apply the sonic profile of original dialogue to foreign language dubs in order to quickly complete localization projects.

Meet the Dialogue Match Modules

Traditionally, the process of matching audio clips recorded in different environments or captured using different microphones required hours of EQ tweaking and reverb crafting—until now. With the ability to instantly learn and transfer reverb, EQ, and ambience content between audio files, Dialogue Match helps maintain a sense of space and atmosphere between your scenes and keep your audience in the moment.

EQ

Dialogue Match uses iZotope’s powerful EQ matching mechanics in order to produce a comprehensive replica of your reference file’s spectral profile. Select a clip as a reference, then quickly match the tonal aspects of any piece of dialogue and apply it to another. The Dialogue Match EQ module includes:

• Amount: Controls the dry/wet ratio for your processed audio file
• Up to 8 frequency band nodes for sonic flexibility and versatility
• 5 shapes for each band node: Bell, High Pass, High Shelf, Low Pass, and Low Shelf
• Individual Enable/Bypass controls on each band node for easy A-to-B comparisons

Reverb

Combining the latest innovations in iZotope machine learning with beloved Exponential Audio reverbs, Dialogue Match’s Reverb module is an industry first. By analyzing the reflections in your audio files, Dialogue Match instantly generates a matching reverb preset to place both files in the same virtual space. You can refine the reverb using a number of intuitive parameter controls:

• Independent Wet and Dry controls to balance your reverb tone
• Bypass: Enables and disables the Reverb module
• Early Reflections: Controls the Level (gain) and Time (length) of the first reverb reflections
• Tail: Controls the Predelay, Level, Attack, and Time (length) of the reverb tail
• Reverb types: Choose from Chamber, Hall, or Plate reflections to tailor the right reverb for your project
• Output Filter: Offers high and low pass filtering for your reverb signal
• Density: Colors your reverb for even more precise fine-tuning

Ambience

Dialogue Match leverages the power of RX’s ambience matching technology to capture and create a more comprehensive profile of your dialogue recordings. Achieve authentic noise floor parity across any number of audio files in two simple clicks.

By learning your file’s ambience data—background noise—in addition to EQ and reverb data, Dialogue Match creates a more detailed, comprehensive profile which can then be applied to your target files with more precision and accuracy. Complete with a spectrogram display and Trim slider, the Ambience module lets you dial in the final layer of realism to your actors’ performance for unparalleled depth and authenticity.

Features

Global Features

• Advanced and Bypass controls for each module
• Fully resizable UI
• Save and load global Snapshots and Reference profiles
• Spectral display for Reference and Apply To profiles

Reverb Module

• Wet/Dry controls
• Early Reflections Level
• Early Reflections Time
• Tail Attack
• Tail Level
• Tail Predelay
• Tail Time
• Chamber Reverb
• Hall Reverb
• Plate Reverb
• Output Filter
• Density Control

EQ Module

• Dry/Wet controls
• EQ nodes
• Bell node shape
• High Pass node shape
• High Shelf node shape
• Low Pass node shape
• Low Shelf node shape

Ambience Module

• Trim
• Spectrogram display

Big Clipper combines a variable clipping algorithm and limiter that gives you the ability to control peaks and increase loudness transparently.

Enabling you to make tracks louder, compression and reverb sound more natural, and overall mixes more cohesive.

Big Clipper is what you get when you take a clipper and inject it with growth hormones, and then add a little extra MSG on top. Clipping is a great way to transparently control the peaks of your tracks. When done subtly, clipping will make compressors and reverb sound more natural down the line, and give your mix an overall cohesive feel.

But clippers have one glaring issue: They really fall apart when you push them too hard. There seems to be a very thin line between adding cohesion and breaking apart into a distorted mess.

That’s where Big Clipper comes in.

Big Clipper gives you the controls to be able to push it hard without breaking apart. Whether you need subtle clipping or heavy overdrive, Big Clipper handles it with ease.

Big Clipper—Just the Facts:

• Combines variable clipping and limiting
• Shape lets you adjust between hard and soft clipping
• Four blend modes control how the limiter and clipper are blended together
• Three-band frequency sensitivity controls how the clipper/limiter responds to different parts of the frequency spectrum
• Toolbar with presets and save, A/B comparison, selectable stereo, and mid-side operation, wet/dry mix, and bypass