Top Microphones for Saxophone
Top Microphones for Saxophone

Top 107 Microphones for Saxophone 2021

We have collected for you the Microphones for Saxophone

Equipment list navigation:

  1. Shure SM57 LC
  2. Shure SM 7 B
  3. Sennheiser E 906
  4. AKG C414 XLII
  5. Audio-Technica ATM350U
  6. beyerdynamic M160
  7. Sennheiser E 902
  8. EV RE20 RE-Series
  9. beyerdynamic M201TG
  10. Lewitt LCT 440 PURE
  11. Sennheiser E 906 Bundle
  12. Shure Beta 57 A
  13. Audio-Technica ATM350UL
  14. Shure Beta 181/C
  15. beyerdynamic TG D35
  16. Audio-Technica ATM350W
  17. Rumberger WP-1X Pickup Woodwind
  18. SD Systems LDM 94
  19. Sennheiser MD421-II
  20. Lewitt LCT 441 FLEX
  21. EV RE20-Black
  22. Shure Beta 56 A
  23. Audix i-5
  24. Sennheiser E609 Silver
  25. Sennheiser MD441-U
  26. Sennheiser MKH 50 P48
  27. DPA 4099 Core Classic Kit 4M
  28. AKG C1000s MKIV Bundle
  29. Audio-Technica AT5045
  30. Sennheiser E 902 B-Stock
  31. EV RE20 RE-Series Bundle
  32. Lewitt LCT 040 MATCH stereo pair
  33. Presonus PD-70
  34. Lewitt LCT 140 AIR
  35. Audix Micro-D
  36. SD Systems LCM 85 MK II
  37. AKG C314
  38. AKG C214
  39. EV RE320
  40. Sennheiser E845
  41. AKG C 519 M
  42. beyerdynamic M88TG
  43. AKG C1000s MKIV
  44. Shure WB98 H/C
  45. Shure KSM 137 SL
  46. Shure Beta 57 Set I
  47. AKG Perception Live P4
  48. Audix ADX 51
  49. AKG C 519 ML
  50. Sennheiser E 908 B
  51. the t.bone MB 75
  52. Neumann BCM 705
  53. Sennheiser E 908 B EW System
  54. the t.bone Ovid System CC 100 RC EW
  55. DPA 4099 Core Sax
  56. Behringer SL 75C
  57. SD Systems SDS MD Modular System
  58. Audio-Technica Pro35 CW
  59. Superlux PRA-383D XLR
  60. Lewitt LCT 040 MATCH
  61. EV RE320 Bundle
  62. Superlux D10B
  63. the t.bone BD 200
  64. the t.bone Ovid System Complete Bundle
  65. the t.bone Ovid System CC 100 RC
  66. the t.bone BD 300
  67. Audix ADX 20 i-p
  68. beyerdynamic TG I51
  69. beyerdynamic TG D35d Triple Set
  70. the t.bone Ovid System CC 100
  71. the t.bone CC 75
  72. the t.bone Ovid System CC 100 RC Shure
  73. LD Systems LDWS1000MW
  74. EV RE920TX
  75. the t.bone Lucan System CC 200 RC
  76. Presonus PD-70 Bundle
  77. the t.bone MB 7 Beta Podcast Bundle
  78. Lewitt LCT 441 FLEX Bundle
  79. beyerdynamic M201TG Stereo Bundle
  80. beyerdynamic M160 FetAmp Bundle
  81. EV RE20 FetAmp Bundle
  82. DPA 4099 Core Rock Touring Kit 4M
  83. Lewitt LCT 140 AIR Bundle
  84. Lewitt LCT 440 PURE Bundle
  85. Lewitt LCT 040 Stereo Bundle
  86. DPA 4099 Core Rock Touring Kit 10M
  87. Sennheiser MD 421 Cordial Bundle
  88. Sennheiser MD421-II FetAmp Bundle
  89. Sennheiser MD441-U FetAmp Bundle
  90. Lewitt LCT 441 FLEX Bundle
  91. the t.bone CC 915
  92. EV RE320 FetAmp Bundle
  93. SD Systems LCM 85T
  94. Lewitt LCT 040 MATCH stereo pa Bundle
  95. Lewitt LCT 040 MATCH Bundle
  96. the t.bone Lucan System Complete Bundle
  97. the t.bone free solo 863 Ovid Sax Set
  98. Rumberger AFK-X Cable f. Wireless Sennh.
  99. DPA 4099 Core Classic Kit 10M
  100. Lewitt LCT 140 Air Bundle
  101. the t.bone Lucan System Multi Clip Bundle
  102. the t.bone GigA Pro Wind Mic
  103. the t.bone Ovid System CC 100 RC B-Stock
  104. Rumberger WP-1X Replacement Mic
  105. Rumberger AFK-X Cable for Wireless Shure
  106. the t.bone Ovid System CC 100 RC B-Stock
  107. Lewitt LCT 140 Air B-Stock

1. Shure SM57 LC

Shure SM57 LC

Dynamic Instrument Microphone

Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.

  • Cardioid
  • Contoured frequency response for clear instrumental and sonorous vocal recordings
  • Decrease of percussion, drums and instruments amplifiers in professional quality
  • Cardioid for isolated signal source and reduces distracting background noise
  • Pneumatic shock minimizes handling noise
  • Holds even heavy use in stage use was
  • Frequency response: 40-15000 Hz
  • Output Impedance: 310 Ohm
  • Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV)
  • Dimensions (L x Ø): 157 x 32 mm
  • Weight: 284 g
  • Incl. clamp, 3/8″Thread Adapter and Bag
  • Matching windscreen: Art. 149561 (both not included)

2. Shure SM 7 B

Shure SM 7 B

Micro dynamique large membrane

  • Directivité: cardioïde
  • Réponse en fréquence: 50 Hz – 20 kHz
  • Sensibilité: -59,0 dB (1,12 mV)
  • Filtre coupe bas
  • Rehausseur de médiums
  • Impédance : 150 Ohm
  • Blindage interférence électromagnétique
  • Pince micro fixe avec pas de vis
  • Prise XLR
  • Bonnette fournie (article de remplacement: 157230)
  • Ce micro est idéal pour les voix radios et les amplis guitares. Micro de référence en télé-diffusion!
  • Dimensions: 190 x 64 x 96 mm
  • Poids: 766 g

Accessoire disponible en option :

  • Bonnette supplémentaire, article n°: 263050
  • Grille et bonnette de remplacement, article n° : 157230

3. Sennheiser E 906

Sennheiser E 906

Dynamic Instrument Microphone

  • “Evolution” series
  • Especially suitable for electric guitar, snare drum, brass
  • Characteristics: supercardioid
  • 3-Position switch: hi boost, flat, hi cut
  • Frequency range: 40 – 18,000 Hz
  • Sensitivity: 2.2 mV/Pa @ 1 kHz
  • Dimensions: 55 x 34 x 134 mm
  • Weight: 140 g
  • Incl. microphone holder MZQ 100 and pocket

4. AKG C414 XLII

AKG C414 XLII

Condenser Large Diaphragm Microphone

  • Successor to the C 414B-TLII
  • Now with 9 switchable polar patterns (cardioid, wide-cardioid, hypercardioid, omnidirectional, figure-8 + 4 intermediate positions)
  • Frequency range: 20 – 20,000 Hz
  • Dynamic range: 140 dB(SPL) max
  • Improved detail above 4kHz
  • Lock mode to save the settings
  • Peak-Hold display
  • Status LEDs
  • 3-Way switchable bass cut filter (0/40/80/160 Hz)
  • 3 Preattenuation pads (0/-6/-12/-18 dB)
  • Microphone capsule: CK12
  • Transformerless XLR Output (FET)
  • Incl. elastic mount (H85), pop filter (PF80), windshield (W414X) and aluminium case

5. Audio-Technica ATM350U

Audio-Technica ATM350U

Condenser Microphone with Universal Clip-On Mounting

  • Suitable for a variety of instruments
  • Modular design offers a high degree of flexibility for different mounting options and capsules
  • Directional characteristic: Cardioid
  • Frequency response: 40 – 20,000 Hz
  • Switchable low-cut filter at 80 Hz
  • 200 Ohm
  • Max. SPL (sound pressure level): 159 dB
  • Open circuit sensitivity: -49 dB (3.5 mV) re 1V at 1 PA
  • 11 – 52 V phantom power necessary
  • Cable length: 4 m
  • Detachable XLR phantom adapter (HRS4M)
  • Capsule dimensions: 37.8 x 12.2 mm
  • Microphone weight: 14.5 g

15 Year manufacturer’s warranty when you register the product at audio-technica.com within 30 days after purchasing.

Included:

  • ATM350 Microphone
  • AT8490 Gooseneck
  • AT8491U Universal clip-on mount
  • AT8543 Power module
  • Hardcase
  • AT8468 Violin mount

6. beyerdynamic M160

beyerdynamic M160

Double Ribbon MicrophoneBeyerdynamic is one of the few manufacturers in the world who are still producing ribbon microphones. The classic among them is the dynamic double microphone M 160.

The M 160’s excellent transmission quality and its hyper-ning characteristics with a noise suppression of 25 dB at 110 °, which suppresses lateral sound reflections and disturbing external sound, makes the M160 an ideal microphone whether the demands are placed on the recording or transmission technology. It is recommended both for stringed instruments such as violin, viola and cello as well as for the acceptance of piano and grand piano and for drums for the hi-hat. Ideal for saxophone.

The black chrome-plated surface of the M 160 and its extremely small dimensions allow it to be used both in television and in film studios, where it is important to avoid the reflections of light and the inconspicuousness of the microphone.

In combination with the dynamic double microphone M 130, the M 160 is ideal for stereo recording in MS (mid-side) technology.

  • Pure aluminum membrane
  • Polar pattern: Hyper cardioid
  • Instrument recording – especially saxophone
  • Drum miking (toms, hi-hat)
  • MS stereophony with the M 130
  • Frequency response: 40 Hz-18 kHz
  • Nominal impedance: 200 Ohm
  • Very good frequency response
  • Excellent transparency and transient response
  • Compact and robust design
  • Warm and natural sound
  • Bracket included
  • Length: 156 mm
  • Shaft diameter: 23 mm
  • Head diameter: 38 mm
  • Weight without cable: 156 g

7. Sennheiser E 902

Sennheiser E 902

Dynamic bass drum microphone

  • Specially for bass drums, tubas, and other bass instruments
  • Polar pattern: Cardioid
  • Frequency range: 20 – 18,000 Hz
  • Impedance: 350 Ohm
  • Integrated stand adapter
  • Incl. bag
  • Dimensions: 128.5 x 60 mm
  • Weight: 440 g

8. EV RE20 RE-Series

EV RE20 RE-Series

Large-Diaphragm Dynamic Microphone

  • Directional characteristic: Cardioid
  • Bass roll-off switch
  • Variable-D design
  • Frequency range: 45 / 18,000 Hz
  • Dimensions (diameter x length): 49 x 54 x 217 mm
  • Weight 1474 g
  • Incl. clamp and storage box
  • 3 Year manufacturer’s warranty
  • Remark: Ideal for bass drums, wind instruments, and speeches

9. beyerdynamic M201TG

beyerdynamic M201TG

Instrument Microphone

The dynamic moving coil microphone M 201 is suitable for professional use in radio, television and recording studios. Apart of that, it can equally well be used by orchestras and instrumentalists, if highest sound quality with optimal feedback suppression is desired.

The microphone is particularly suited for picking up drumming, acoustic guitar and banjo sounds. Many PA distributors opt for this microphone as a real “all-round” microphone, which can be used almost everywhere with success.

  • For drums, piano, and string instruments
  • Directional characteristic: Hyper-Cardioid
  • Frequency range: 40 – 18,000 Hz
  • Impedance: 200 Ω
  • Sensitivity: 1.2 mV/ Pa (-58 dBV)
  • Length: 160 mm
  • Diameter: 24 mm
  • Weight: 220 g
  • Including microphone holder (MKV8), Windscreen Ws 101 and bag

10. Lewitt LCT 440 PURE

Lewitt LCT 440 PURE

Large diaphragm condenser microphone

  • Cardioid
  • 25.4 mm capsule gold-plated
  • Dynamic range: 134 dB-A
  • Max SPL 0.5% THD: 140 dB
  • Robust zinc die-cast housing
  • Gold coater 3-pin. XLR connector
  • Dimensions: 138 x 52 x 36 mm
  • Weight: 310 g
  • Incl. DTP40 Lb leather case, LCT 40 SH microphone spider, LCT 40 PSx magnetic pop filter, LCT40 Ws windscreen

11. Sennheiser E 906 Bundle

Sennheiser E 906 Bundle

Bundle offer comprising

Sennheiser E 906

  • Dynamic Instrument Microphone
  • “Evolution” series
  • Especially suitable for electric guitar, snare drum, brass
  • Characteristics: supercardioid
  • 3-Position switch: hi boost, flat, hi cut
  • Frequency range: 40 – 18,000 Hz
  • Sensitivity: 2.2 mV/Pa @ 1 kHz
  • Dimensions: 55 x 34 x 134 mm
  • Weight: 140 g
  • Incl. microphone holder MZQ 100 and pocket

Cordial CAM 6 BK

  • Professional microphone cable
  • Length: 6 m
  • Original Neutrik NC 3 FXX-BAG + NC 3 MXX-BAG XLR plug
  • Cable type: CME 220 Black
  • Includes hook and loop fastener
  • Colour: Black

12. Shure Beta 57 A

Shure Beta 57 A

Dynamic Microphone

  • For vocals, toms and brass instruments
  • Polar pattern: Supercardioid
  • Frequency range: 50 – 16,000 Hz
  • Output impedance: 150 Ohm
  • Dimensions (L x Ø): 160 x 43 mm
  • Weight: 275 g
  • Includes microphone clamp and bag

13. Audio-Technica ATM350UL

Audio-Technica ATM350UL

Condenser Microphone with Universal Clip-On Mounting

  • Suitable for a variety of instruments
  • Long gooseneck
  • Modular design offers a high degree of flexibility for different mounting options and capsules
  • Directional characteristic: Cardioid
  • Frequency response: 40 – 20,000 Hz
  • Switchable low-cut filter at 80 Hz
  • 200 Ohm
  • Max. SPL (sound pressure level): 159 dB
  • Open circuit sensitivity: -49 dB (3.5 mV) re 1V at 1 PA
  • 11 – 52 V phantom power necessary
  • Cable length: 4 m
  • Detachable XLR phantom adapter (HRS4M)
  • Capsule dimensions: 37.8 x 12.2 mm
  • Microphone weight: 14.5 g

15 Year manufacturer’s warranty when you register the product at audio-technica.com within 30 days after purchasing.

Included:

  • ATM350 Microphone
  • AT8490L Gooseneck
  • AT8491U Universal clip-on mount
  • AT8543 Power module
  • Hardcase
  • AT8468 Violin mount

14. Shure Beta 181/C

Shure Beta 181/C

Compact Small Diaphragm Condenser Microphone

  • With interchangeable capsules for all types of instrument recording
  • Lateral recording for unobtrusive positioning
  • Polar pattern: cardioid
  • Frequency range: 20 – 20,000 Hz
  • SPL: 149 dB max. SPL
  • All capsules available separately on option
  • Incl. microphone clamp (A57F), windscreen (A181WS) and a transport case (A181C)

15. beyerdynamic TG D35

beyerdynamic TG D35

Dynamic Instrumental Microphone

  • Ideal for snare and tom recordings
  • Also suitable for brass and guitar amps
  • Polar pattern: Super-cardioid
  • Frequency range: 50 – 14,000 Hz
  • Impedance: 600 Ohm
  • Sensitivity: 2.2 mV/Pa (-53 dBV) ±3 dB
  • Includes patented microphone holder MKV 87 for fixing to rim

16. Audio-Technica ATM350W

Audio-Technica ATM350W

Condenser Clip Microphone with Woodwind Holder

  • Modular design for high flexibility with various available brackets and capsules
  • Polar pattern: cardioid
  • Frequency range: 40 – 20,000 Hz
  • Switchable low-cut filter at 80 Hz
  • 200 Ohms
  • Max. SPL: 159 dB
  • -49 dB (3.5 mV) re 1V at 1 PA
  • 11 – 52 V phantom power necessary
  • Cable length: 4 m
  • Removable XLR phantom adapter (HRS4M)
  • Dimensions of the capsule: 37.8 x 12.2 mm
  • Weight of the microphone: 14.5 g

Delivery:

  • ATM350 microphone
  • Gooseneck AT8490L
  • AT8490 woodwind holder
  • AT8543 power adapter
  • Hard case
  • AT8491W Velcro holder

17. Rumberger WP-1X Pickup Woodwind

Rumberger WP-1X Pickup Woodwind

Miniature Mouthpiece Pickups for Woodwind Instruments

  • Also for saxophones (with neck)
  • Further development of WP1
  • Due to its small size, this pickup can be installed in the mouthpiece
  • A drilling of the instrument body is no longer necessary
  • Diameter: 7.5 mm
  • Inconspicuous design
  • Lifelike sound
  • Highest quality workmanship
  • Even sound reduction down to the lowest levels
  • No detuning of the instrument
  • Optimally suited for radio operation
  • No feedbacks
  • Complete freedom of movement on the stage
  • Bass control knob
  • Minimal structure-borne noise
  • Includes cable with XLR plug
  • Optional for radio operation (suitable accessories not included)

18. SD Systems LDM 94

SD Systems LDM 94

SD Systems LDM 94, Dynamic Sax-Microphone, cardoid, XLR-plug, incl. shock mount and box, 4 years warranty


19. Sennheiser MD421-II

Sennheiser MD421-II

Dynamic microphone

The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.

  • Suitable for voice, guitar, wind instruments and drums
  • Very tough
  • Polar pattern: Cardioid
  • 5-Stage switch Bass
  • Good feedback rejection
  • Transparent sound reproduction
  • Frequency response: 30-17000 Hz
  • Free field, no circuit sensitivity (1kHz): 2 mV / Pa (- 3 dB)
  • Nominal impedance: 200 Ohm
  • Min load impedance:. 200 Ohm
  • Dimensions: 215 x 46 x 49 mm
  • Weight: approx 385 g
  • Incl. microphone clamp for 3/8″ thread

20. Lewitt LCT 441 FLEX

Lewitt LCT 441 FLEX

Large-diaphragm condenser microphone

  • 8 Directional characteristics to choose from
  • 5 Front characteristics: omnidirectional, wide cardioid, cardioid, supercardioid, and figure-8
  • Gold-plated 25.4 mm capsule
  • Dynamic range: 134 dBA
  • Max. SPL (sound pressure level) (0.5% THD): 140 dB
  • Robust zinc diecast housing
  • Gold-coated 3-pin XLR plug
  • Dimensions: 138 x 52 x 36 mm
  • Weight: 310 g
  • Incl. DTP 40 Lb leather case, LCT 40 SH microphone shock mount, LCT 40 PSx of magnetic pop filter, LCT40 Ws windshield

21. EV RE20-Black

EV RE20-Black

Dynamic Grand Diaphragm Microphone

  • Ideal for bassdrum, brass, language
  • Directional characteristics: Cardioid
  • Frequency range: 45 – 18,000 Hz
  • Sensitivity: 1.5 mV / Pascal @ 1 kHz
  • Switchable HP
  • Variable-D design
  • Dimensions: 49 x 54 x 217 mm
  • Weight: 737 g
  • Colour: Black
  • Includes Microphone clamp and storage box

22. Shure Beta 56 A

Shure Beta 56 A

Dynamic Instrument Microphone

With its compact design, the Beta 56 A is the ideal choice for use on drum sets and other instruments. The extremely uniform supercardioid pattern throughout the entire frequency range stands for high feedback safety with the greatest possible amplification and maximum suppression of auxiliary noises. The adjustable tripod adapter of the Beta 56 A with integrated XLR connector simplifies the installation and keeps the microphone even when hit by a drumstick. Typical applications of the Beta 56 A are the close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind instruments.The Beta 56 A is the ideal choice for use on the drum set and other instruments with its compact design. The extremely uniform supercardioid pattern throughout the entire frequency range is high gain at maximum gain and maximum suppression of noise. The adjustable stand adapter of the Beta 56 A with integrated XLR connector simplifies installation and keeps the microphone even sure yet if it is struck by a drumstick. Typical fields of application of the Beta 56 A for close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind.

  • Super-cardioid
  • Ideal instrument controlling eg for toms, snare, percussion
  • Integrated, adjustable stand adapter with integral XLR connector for easy installation and maximum flexibility.
  • Uniform supercardioid polar pattern for high gain before feedback with maximum gain and maximum suppression of noise.
  • Compact design saves space on stage.
  • Hardened steel mesh grille that resists wear and damage.
  • Neodymium magnet for high output levels with minimal noise.
  • Pneumatic shock mount protects against impact noise and vibration.
  • Frequency response: 50 Hz – 16 kHz
  • Output impedance: 290 O
  • Open circuit sensitivity: -51 dBV / Pa (2.8 mV)
  • Weight: 468 g
  • Bag included

23. Audix i-5

Audix i-5

Micro dynamique pour caisse claire

  • Directivité: cardioïde
  • Réponse en fréquence: 50 Hz – 16 kHz
  • SPL max: 144 dB
  • Impédance: 150 Ohm
  • Convient à tout types de percussions
  • Pince micro, réducteur de pas de vis et boitier de transport inclus

24. Sennheiser E609 Silver

Sennheiser E609 Silver

Dynamic Instrument Microphone

  • Suitable for electric guitar, percussion, wind instruments and drums
  • Characteristics: Super-cardioid
  • Frequency range: 40 / 15,000 Hz
  • Impedance: 350 Ohm
  • Sensitivity: 1.5 mV / Pa 1 kHz
  • @Dimensions: 55 x 34 x 134 mm
  • Weight: 140 g
  • Incl. MZG 100 clip and bag

25. Sennheiser MD441-U

Sennheiser MD441-U

Dynamic Microphone

The MD 441 U is a microphone of an exceptional quality: its acoustic properties correspond to those of a condenser microphone. Transient response and low distortion are ensured even at extremely high sound pressure. Surface: all metal body with black imitation leather finish, sound inlet basket: nickel plated

  • Very feedback resistant
  • Super-cardioid
  • Tunable HP and HF shelve, XLR
  • Impedance: 200 Ohm
  • Frequency range: 30 Hz – 20 kHz
  • Size: 270 x 33 x 36 mm
  • Weight: approx. 450 g
  • Incl. clamp and storage box
  • Suitable matching clamp: Article Nr 106538 (not included)

26. Sennheiser MKH 50 P48

Sennheiser MKH 50 P48

RF Condenser microphone

  • Supercardioid
  • Frequency range: 40 – 20,000 Hz
  • 10 dB Pad
  • 48V +/- 4V Phantom power required
  • 150 Ohms
  • Balanced fully floating output
  • Incl. storage case, clamp and MZW41 windscreen
  • Note: Extremely inherent self-noise

27. DPA 4099 Core Classic Kit 4M

DPA 4099 Core Classic Kit 4M

Microphone Set with Case

Consists of:

  • 4x 4099 Core microphones
  • 4x DAD6001-BC XLR adapters
  • 4x 1.6mm CM1618B00 cables
  • 4x VC4099 clips for violin
  • 2x PC4099 clips for piano
  • 2x CC4099 clips for cello
  • 1x GC4099 clips for guitar
  • 1x BC4099 clips for bass
  • 1x Peli case

28. AKG C1000s MKIV Bundle

AKG C1000s MKIV Bundle

Bundle offer comprising

AKG C1000s MKIV

  • Condenser Microphone
  • Cardioid/ hyper cardioid (changeable with PPC)
  • Operates with 48V phantom power or 2x 1.5 V AA battery
  • Switch with battery LED
  • Plug on HF shelf with PB-1000
  • Frequency range: 50 Hz – 20 kHz
  • Electric impedance: 200 Ohm
  • Sensitivity: 6 mV/ Pa (-44 dBV)
  • Max. SPL: 137 dB
  • Diameter: 34 mm
  • Length: 220 mm
  • Weight: 275 g
  • Colour: black
  • Incl. transport bag, wind shield and clamp

K&M 27105

  • Microphone stand Thomann Type I
  • Plastic base
  • Height is adjustable from 900 to 1600 mm
  • Boom arm: 810 mm
  • Weight: 2.3 kg
  • Colour: Black

29. Audio-Technica AT5045

Audio-Technica AT5045

Condenser Microphone Chopsticks

  • Large single membrane in a compact housing
  • Especially for the overhead-acceptance of all acoustic instruments like guitar, strings, percussion, etc.
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Boundary sound pressure: 149 dB
  • Sensitivity: -35 dB (17.7 mV) re 1V @ 1 Pa
  • Requires 48 V phantom power
  • Aluminium-copper case
  • Dimensions: 177 x 25 mm
  • Weight: 197 g

15 year manufacturer’s warranty if you register the product at audio-technica.com within 30 days of purchase.


30. Sennheiser E 902 B-Stock

Sennheiser E 902 B-Stock

Dynamic bass drum microphone

  • Specially for bass drums, tubas, and other bass instruments
  • Polar pattern: Cardioid
  • Frequency range: 20 – 18,000 Hz
  • Impedance: 350 Ohm
  • Integrated stand adapter
  • Incl. bag
  • Dimensions: 128.5 x 60 mm
  • Weight: 440 g

31. EV RE20 RE-Series Bundle

EV RE20 RE-Series Bundle

Bundle offer comprising

EV RE20 RE-Series

  • Large-Diaphragm Dynamic Microphone
  • Directional characteristic: Cardioid
  • Bass roll-off switch
  • Variable-D design
  • Frequency range: 45 / 18,000 Hz
  • Dimensions (diameter x length): 49 x 54 x 217 mm
  • Weight 1474 g
  • Incl. clamp and storage box
  • 3 Year manufacturer’s warranty
  • Remark: Ideal for bass drums, wind instruments, and speeches

Millenium MS 2005

  • Affordable Microphone Stand with Boom arm
  • Second microphone can be mounted next to the locking screw of the boom arm
  • 3/8″ Threaded connector
  • Cast metal base
  • Foldable feet
  • Max. Height with Boom arm: Approx. 210 cm
  • Weight: 1.60 kg
  • Colour: Black

pro snake TPM 10

  • Professional microphone cable
  • Length: 10 m
  • Black Yongsheng XLR plug (made by Neutrik)
  • XLR male –> XLR female
  • Incl. hook and loop fastener

32. Lewitt LCT 040 MATCH stereo pair

Lewitt LCT 040 MATCH stereo pair

Matched stereo pair microphone set

  • 2 Small diaphragm condenser microphones
  • Polar pattern: cardioid
  • Max. SPL: 135 dB
  • Sensitivity: 18.8 mV / Pa
  • Dynamic range: 115 dB (A)
  • Requires +48 V phantom power
  • Dimensions (Ø x L): 24 x 83 mm
  • Weight: 44.6 g

33. Presonus PD-70

Presonus PD-70

Presonus PD-70; dynamic speaker and recording microphone; perfect for for spoken-word applications like podcasts, live streaming or traditional broadcast; polar pattern: cardioid; sensitivity: 1.6mV/Pa; frequency range: 20Hz – 20kHz; Output Impedance: 350 ohms; rugged construction; Integrated hard mount and windscreen


34. Lewitt LCT 140 AIR

Lewitt LCT 140 AIR

Small Diaphragm Condenser Microphone

  • Pressure gradient transducer
  • Polar pattern: Cardioid
  • Externally polarised 17 mm capsule
  • Dynamic range: 115 dB
  • Max. sound pressure level: 135 dB
  • Switchable EQ Preset: Flat / Air
  • Switchable pre-attenuation: 0 dB / 12 dB
  • Switchable low-cut filter: linear / 80 Hz @ 12 dB / octave
  • Transformerless output balancing
  • Includes bag, microphone clip and windscreen

35. Audix Micro-D

Audix Micro-D

Clip-On Condenser Microphone

  • With gooseneck
  • For drums and brass
  • Hypercardioid
  • 40 – 20,000 Hz
  • 250 Ohm
  • 140 dB max SPL
  • Mini XLR connector
  • Adaptor APS910 to XLR male included
  • Included: Audix D-Vice rim clamp, optional mount for various acoustic instruments
  • 48 Volt phantom power required
  • Weight: 370 g

36. SD Systems LCM 85 MK II

SD Systems LCM 85 MK II

Universal Condenser Wind Instrument Microphone

  • For trumpet, trombone, saxophone etc.
  • Polar pattern: cardioid
  • Frequency range: 20 – 20,000 Hz
  • Impedance: 200 Ohm
  • Max. SPL: 139 dB
  • Incl. LP microphone preamp with tone and volume level
  • XLR Connector
  • 48 V Phantom power or battery power with 1 x 9V battery
  • Incl. plastic case

37. AKG C314

AKG C314

Condenser microphone

  • 1″ Large-diaphragm microphone with gold-coated double-diaphragm capsule based on the AKG classic C414
  • Switchable directional characteristics: Cardioid, omnidirectional, supercardioid, figure-8
  • Frequency range: 20 – 20,000 Hz
  • SPL: 135/155 dB
  • 8 dB Inherent noise
  • Sensitivity (Cardioid): 20 mV / Pa (-34 dBV)
  • Switchable 20 dB pad
  • 48 V +/- 4 V Phantom power required
  • Connector: 3-pin XLR connector
  • Dimensions: 160 x 55 x 43 mm
  • Weight: 300 g
  • Incl. H85 shock mount, metal case, SA60 stand adapter and W214 windshield

38. AKG C214

AKG C214

Professional large diaphragm microphone

  • 1″ Large diaphragm microphone with evaporated-gold dual diaphragm capsule based on the AKG Classic
  • Frequency range: 20 – 20000 Hz
  • Sensitivity: 20 mV / Pa
  • Preattenuation pad: 20 dB
  • Required phantom power: 12 – 52V
  • Connection: 3-pin XLR connector
  • Dimensions: 160 x Ø 55 mm
  • Weight: 280 g
  • Includes elastic microphone suspension holder, metal case and well-designed windshield
  • Suitable microphone mount: Article Nr. 124593 (not included)

39. EV RE320

EV RE320

Dynamic Large Diaphragm Microphone

  • For studio and live applications
  • Cardioid
  • 30 – 18000 Hz
  • 150 Ohm
  • Switchable frequency response for kick drum or linear
  • Robust steel construction
  • Dimensions: 216.7 x 54.4 x 49.2 mm
  • Weight 681 g
  • Incl. clamp and storage box
  • 3 year manufacturer warranty
  • Ideal for bass drum, wind instruments, speaking

40. Sennheiser E845

Sennheiser E845

Dynamic Microphone

  • Supercardioid
  • Incl. clamp and bag
  • Ideal e.g. for vocals and brass instruments

41. AKG C 519 M

AKG C 519 M

Condenser Clip On Microphone

  • Cardioid
  • Frequency range: 60 – 20,000 Hz
  • Impedance: 200 Ohm
  • Max. SPL @ 1% THD: 130 dB
  • Colour: black
  • Detachable 3.0 m phantom power adaptor cable to XLR (MPA V L)
  • Gooseneck with clamp
  • Dimensions (microphone): length: 213 mm, max. width: 47 mm
  • Incl. W44 wind shield, H 518 angled holder, 3.0 m connector cable and bag

42. beyerdynamic M88TG

beyerdynamic M88TG

Dynamic Microphone

The M88 is a dynamic moving coil microphone for the highest demands. The light properties are almost the same in theory. It reduces the risk of acoustic feedback in transmission systems of any kind to an absolute minimum. In broadcasting and recording studios, it is estimated to be the exceptionally broad transmission range, which ensures that the last tonal subtleties are also recorded. A special suspension of the microphone system suppresses the transmission of structure-borne noise. A compensation coil reduces the influence of external magnetic fields by more than 20 dB.

  • Hypercardioid
  • For singing, sheet, overhead, Bass Drum and Percussion
  • Exceptionally wide frequency response
  • Extremely low feedback
  • Humbucking against extraneous magnetic fields
  • Ruggedised
  • Suitable for high sound pressure levels
  • Frequency response: 30 – 20,000 Hz
  • Nominal Impedance: 200 Ohm

43. AKG C1000s MKIV

AKG C1000s MKIV

Condenser Microphone

  • Cardioid/ hyper cardioid (changeable with PPC)
  • Operates with 48V phantom power or 2x 1.5 V AA battery
  • Switch with battery LED
  • Plug on HF shelf with PB-1000
  • Frequency range: 50 Hz – 20 kHz
  • Electric impedance: 200 Ohm
  • Sensitivity: 6 mV/ Pa (-44 dBV)
  • Max. SPL: 137 dB
  • Diameter: 34 mm
  • Length: 220 mm
  • Weight: 275 g
  • Colour: black
  • Incl. transport bag, wind shield and clamp

44. Shure WB98 H/C

Shure WB98 H/C

Miniature Instrument Microphone

The Shure Beta 98H/C is a high-quality, permanently polarized condenser microphone with cardioid polar pattern, which can be attached to the bell of wind instruments or to the hoops of drums or other percussion instruments. The integrated gooseneck and the ratcheting swivel joint allows for easy placement and securing of the microphone. An isolating shock mount reduces the transmission of noise from wind instrument keys, as well as from other instrument noises. The supplied gooseneck angle brace keeps the microphone in the desired position, even during heavy movements. Also available for use with wireless systems under the model name WB98H/C.

The Beta 98H/C operates with a transformerless preamplifier circuit for better linearity over the entire frequency range, while the cardioid polar pattern provides high gain before feedback and excellent suppression of unwanted background noise. The high maximum sound pressure level makes it possible to meet the extreme requirements of brass, woodwind and percussion instruments.

The Beta 98H/C comes with a click-into-place windshield, a case, a gooseneck angle brace, and a cable holder. The preamplifier can be operated via any 11 – 52 V phantom power source, or via the battery powered MX1BP preamplifier when no phantom power is available.

  • Directional characteristic: cardioid
  • With a permanently polarized condenser capsule
  • Integrated clip and gooseneck
  • Click-into-place foam windshield
  • Especially suitable for wind instruments
  • TQG connector for direct connection to wireless systems
  • Optimized frequency range for open, natural sound reproduction
  • Optionally available interchangeable microphone capsules with various directional characteristics
  • Frequency response: 20 Hz – 20 kHz
  • Output impedance: 150 Ohm
  • Open circuit sensitivity: -56 dBV/Pa (1.6 mV)
  • Max. sound pressure level (SPL): 163 dB SPL
  • Equivalent output noise: 31 dB (A)
  • Power requirements: 11 to 52 V
  • Weight of the microphone: 65 g

45. Shure KSM 137 SL

Shure KSM 137 SL

Small Diaphragm Condenser Microphones

  • Optimized for acoustic instruments
  • Neutral and precise sound for stage and studio applications
  • Ideal for overhead, hi-hat, piano, choir and orchestra and acoustic stringed instruments
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response
  • gold-plated internal and external contacts
  • Polar pattern: cardioid
  • Frequency response: 20 Hz – 20 kHz
  • Sensitivity: -37 dBV / Pa
  • Switchable pad: 0 dB, -15 dB, -25 dB
  • SPL: 164 dB (with switched -25dB pad)
  • Three-stage switchable low cut filter
  • 14 db (A) very low self noise for a small diaphragm condenser microphone
  • Robust housing
  • Weight: 100 g
  • Includes A137C plastic case, A26M stereo bar, 2x A100WS windshield and 2x A57F Microphone Mounts
  • Also available as pair: Art.171884

Optional accessories:

  • A53M Shock-absorbing microphone holder Art:138152
  • A27M Swivel Microphone Adapter for two microphones Art.210368

46. Shure Beta 57 Set I

Shure Beta 57 Set I

Bundle offer comprising:

  • the sssnake SM6BK
  • Shure Beta 57 A

47. AKG Perception Live P4

AKG Perception Live P4

Dynamic instrument microphone

  • For drums, percussion, wind instruments and guitar amplifiers
  • Directional characteristics: Cardioid
  • Frequency range: 40 – 18,000 Hz
  • Output level: 152 dB SPL max.
  • Robust metal housing and wire-mesh cap
  • Weight: 200 g
  • Dimensions: 110 x 79 x 44 mm
  • Colour: Black
  • Incl. microphone bag, microphone clamp/holder

48. Audix ADX 51

Audix ADX 51

Special Microphone

  • For overhead recording
  • Professional electret condenser microphone
  • Polar pattern: cardioid
  • Frequency range: 40 Hz – 18 kHz
  • Impedance: 100 Ohm
  • Max. SPL: 132 dB (142 dB with pad)
  • Also suitable for flute, strings, etc.

49. AKG C 519 ML

AKG C 519 ML

Condenser Clip On Microphone

  • Cardioid
  • Frequency range: 60 – 20,000 Hz
  • AKG L plug
  • Impedance: 200 Ohm
  • Detachable cable
  • Gooseneck with clamp
  • Length: 213 mm
  • Weigth: 85 g
  • Incl. wind shield (e.g. for brass)
  • A400 Body pack holder
  • H 518 angled holder
  • Connection cable: 1.5 m
  • With bag
  • Colour: black

50. Sennheiser E 908 B

Sennheiser E 908 B

Condenser Gooseneck Microphone for Wind Instruments

  • Especially for recording for wind instruments
  • Microphone can also be used with EW wireless systems
  • Polar pattern: cardioid
  • Frequency range: 40 – 20,000 Hz
  • Impedance: 100 Ohm
  • Dimensions: 116 x 41 mm
  • Cable length: 2.2 m
  • Weight: 210 g
  • Incl. special clip for wind instruments, power adapter MZA 900 P and bag

51. the t.bone MB 75

the t.bone MB 75

Dynamic Microphone

  • Ideal for instrument pickup
  • For toms, amps, etc.
  • Polar pattern: Wide cardioid
  • Frequency response: 40 – 16,000 Hz
  • Max. SPL: 138 dB
  • Impedance: 560 Ohm
  • Field transfer factor [mV / Pa]: 1.7
  • Field transfer factor [dB re 1V / Pa]: -55.2
  • XLR output
  • Dimensions: 32 x 155mm
  • Weight: 254 g
  • incl. 6 m XLR cable included, microphone clamp and thread adapter from 5/8″ to 3/8″ in plastic case

52. Neumann BCM 705

Neumann BCM 705

Dynamic microphone

  • With hypercardioid directional characteristic
  • No phantom power required
  • Pop-screen protection and elastic suspension are already integrated
  • Frequency range: 20 Hz – 20 kHz
  • Sensitivity: 1.7 mV / Pa = -55.4 dB ± 1 dB
  • Impedance: 200 Ohm
  • Equivalent noise level: 18 dB-A

53. Sennheiser E 908 B EW System

Sennheiser E 908 B EW System

Condenser Gooseneck Microphone for Wind Instruments

  • Especially for recording for wind instruments
  • Just for use with EW wireless systems
  • Polar pattern: cardioid
  • Frequency range: 40 – 20,000 Hz
  • Impedance: 100 Ohm
  • Dimensions: 116 x 41 mm
  • Weight: 210 g
  • Incl. special clip for wind instruments and bag

54. the t.bone Ovid System CC 100 RC EW

the t.bone Ovid System CC 100 RC EW

Condenser Clip Microphone for the Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter
  • Removable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible goose neck for easy alignment on the instrument
  • Cable with Sennheiser EW connector for Sennheiser EW wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cable with Shure TQG plug and 3-pin TQG plug for the t.bone and AKG systems sold separately (not included)
  • Includes foam windscreen

55. DPA 4099 Core Sax

DPA 4099 Core Sax

Condenser Clip-On Microphone

  • Especially for saxophone
  • Characteristics: Supercardioid
  • Frequency range: 20 – 20,000 Hz with 2 dB soft boost at 10 – 12 kHz
  • Boundary sound pressure level: 142 dB
  • Gooseneck length 140 mm (suitable extension to 220 mm available under Article Nr. 294624)
  • Removable cable
  • Cable length 1.8 meters
  • Cable diameter: 1.6 mm (cable with 2.2 mm diameter available under Article Nr. 289926)
  • Improved microphone suspension for even less structure-borne noise
  • B + K plug
  • Includes special mount for saxophone and DAD 4099 XLR phantom power adapter

56. Behringer SL 75C

Behringer SL 75C

Dynamic microphone

  • Polar pattern: Cardioid
  • Integrated wind and pop filters
  • Shock Mount System suppresses handling noise
  • Wide frequency response for transparent sound
  • ”Soft” mid frequencies especially for voice, drums and guitar
  • 3-Pin XLR connector
  • Frequency range: 40 – 15,000 Hz
  • Impedance: 310 ohms
  • Max. sound pressure level: 150 dB
  • Weight: 260 g
  • Includes microphone stand adapter and impact-resistant case

57. SD Systems SDS MD Modular System

SD Systems SDS MD Modular System

Dynamic Saxophone Microphone

  • Consisting of LDM 94 microphone module with CL MD – modular clamp
  • Polar pattern: cardioid
  • Frequency range: 70 – 15,000 Hz
  • Sensitivity: -66 mV
  • Impedance: 200 Ohm
  • Max. SPL: 139 dB
  • XLR connector
  • Cable length: app. 1 m
  • Incl. foam wind shield

58. Audio-Technica Pro35 CW

Audio-Technica Pro35 CW

Clip-On Condenser Microphone

  • Especially for saxophone and trumpet
  • Frequency range: 50 – 15,000 Hz.
  • Sound pressure limit: 145 dB SPL
  • Impedance: 250 Ohm
  • Special 4-pin connector for use with Audio-Technica wireless systems (“HRS-type locking 4-pin-connector”, not compatible with wireless systems from other manufacturers such as Shure, Sennheiser etc.)
  • Cable length: 132 cm
  • Matching phantom adapter AT8539: Article Nr. 138637 (not included)

59. Superlux PRA-383D XLR

Superlux PRA-383D XLR

Condenser microphone

  • Especially suitable for trumpets
  • Characteristic: Cardioid
  • Frequency response: 40 Hz – 18000 Hz
  • Sensitivity: 8.0 mV/Pa
  • Impedance: 200 Ohm
  • Cable length 130 cm
  • Weight: 160 g
  • XLR output
  • Dimensions (DxL): 20 x 150 mm
  • Includes power supply with battery supply

60. Lewitt LCT 040 MATCH

Lewitt LCT 040 MATCH

Small Diaphragm Condenser Microphone

  • Directional characteristic: Cardioid
  • Max. SPL: 135 dB
  • Sensitivity: 18.8 mV / Pa
  • Dynamic range: 115 dB (A)
  • Requires +48 V phantom power
  • Dimensions (Ø x L): 24 x 83 mm
  • Weight: 44.6 g

61. EV RE320 Bundle

EV RE320 Bundle

Bundle offer comprising

EV RE320

  • Dynamic Large Diaphragm Microphone
  • For studio and live applications
  • Cardioid
  • 30 – 18000 Hz
  • 150 Ohm
  • Switchable frequency response for kick drum or linear
  • Robust steel construction
  • Dimensions: 216.7 x 54.4 x 49.2 mm
  • Weight 681 g
  • Incl. clamp and storage box
  • 3 year manufacturer warranty
  • Ideal for bass drum, wind instruments, speaking

Millenium DS-30

  • Tripod Table Microphone Stand
  • Extendable
  • Very stable
  • Foldable
  • 3/8 ” threads
  • Total height incl threads: 280 – 390 mm
  • Cable clip (included)
  • Colour: Black
  • Weight: 0.45 kg

pro snake TPM 6

  • Professional microphone cable
  • Length: 6 m
  • Black Yongsheng XLR plug (made by Neutrik)
  • Incl. hook and loop fastener

62. Superlux D10B

Superlux D10B

Dynamic Instrument Microphone

  • Supercardioid
  • Frequency range: 50 – 16,000 Hz
  • Impedance: 250 Ohm
  • Ideal for classical guitars, amplifiers, stringed instruments and wind instruments
  • Dimensions: 42.5 x 144 mm
  • Weight: 220 g
  • Bag and microphone holder included

63. the t.bone BD 200

the t.bone BD 200

Dynamic drum and wind instrument microphone

  • Suits also very well for guitars
  • Frequency range: 20-16000 Hz
  • Sensitivity: -54 dB
  • Impedance: 400 Ohm
  • Polar pattern: Supercardioid
  • Solid metal housing
  • Excellent price-performance ratio
  • Incl. bracket
  • Weight: 400 g

64. the t.bone Ovid System Complete Bundle

the t.bone Ovid System Complete Bundle

Bundle offer comprising:

  • the t.bone Ovid System Case
  • the t.bone Ovid System CC 100
  • the t.bone Ovid System Piano Clip
  • the t.bone Ovid System Cello Clip
  • the t.bone Ovid System Bass Clip
  • the t.bone Ovid System Flute Clip
  • the t.bone Ovid System Sax Clip
  • the t.bone Ovid System Violin Clip
  • the t.bone Ovid System Guitar Clip

65. the t.bone Ovid System CC 100 RC

the t.bone Ovid System CC 100 RC

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible gooseneck for easy alignment on the instrument
  • 3-Pin mini XLR connector for operating with t.bone wireless systems – also suitable for AKG wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)
  • Foam windshield included

66. the t.bone BD 300

the t.bone BD 300

Dynamic bass drum microphone

  • Specially for bass drum and brass instruments
  • With integrated microphone mount
  • 20 – 10,000 Hz
  • 70 Ohm
  • Super cardioid
  • 137 dB SPL max

67. Audix ADX 20 i-p

Audix ADX 20 i-p

Miniature Condenser Microphone

  • With short gooseneck holder, rubberized clamp and elastic micro-suspension for direct attachment e.g. to brass instruments
  • Also suitable for double-bass bridge, tripods up to 6 mm or similar.
  • Linear transmission of 40 to 20,000 Hz
  • Polar pattern: Cardioid
  • Peak SPL: 135 dB
  • Especially suitable for: Saxophone, trumpet or trombone, double-bass, ambience for recording and broadcast
  • Requires phantom power 9 – 52 V
  • Prepolarised

Including:

  • Microphone with 1.4 m cable on three-pin mini XLR connector
  • Short gooseneck
  • Voltage converter APS910 mini XLR to XLR male
  • Windscreen
  • Travelbag

68. beyerdynamic TG I51

beyerdynamic TG I51

beyerdynamic TG I51 – dynamic instrument microphone for drums, electric guitar amps, brass instruments; characteristic: cardioid; nearfield frequency range: 33 Hz – 19 kHz; farfield frequency range: 80 Hz – 19 kHz; nominal impedance: 600 Ohms; no-load transmission factor: 2.7 mV/Pa (-51.4 dBV) ±3.0 dB; dimensions (LxW): 79.5 x 44 mm; weight: 203 g; incl. microphone clamp and bag;


69. beyerdynamic TG D35d Triple Set

beyerdynamic TG D35d Triple Set

Microphone Set

  • Consisting of 3 dynamic instrumental microphones
  • Especially for snare and tom recording
  • Also suitable for wind instruments and guitar amplifiers
  • Polar pattern: Super-cardioid
  • Frequency range: 50 – 14,000 Hz
  • Impedance: 600 Ω
  • Sensitivity: 2.2 mV/Pa (-53 dBV) ± 3 dB
  • Incl. 3 patented microphone holders MKV 87 for rim mounting

70. the t.bone Ovid System CC 100

the t.bone Ovid System CC 100

Condenser Clip Microphone for the Ovid System

  • Cardioid
  • 20 – 20,000 Hz
  • Flexible gooseneck for simple appliance to instrument
  • 3-Pin mini XLR connector for operation with t.bone wireless systems (also suitable for AKG wireless systems)
  • Length of gooseneck: 130 mm
  • Length of cable: 2 m
  • Simple appliance with different instrument clamps (not included)
  • Incl. XLR phantom power adaptor and foam wind shield

71. the t.bone CC 75

the t.bone CC 75

Condenser Clip-on Microphone

  • For wind instruments, drums etc.
  • Balanced XLR connector
  • 9-52 V Phantom power
  • Frequency range: 20 – 20,000 Hz
  • Polar pattern: Cardioid
  • Impedance: 350 Ohm
  • Cable length: 4 m
  • Weight: 170 g

72. the t.bone Ovid System CC 100 RC Shure

the t.bone Ovid System CC 100 RC Shure

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible gooseneck for easy positioning on the instrument
  • 4-Pin mini XLR connector for operating Shure wireless systems
  • Length of the gooseneck: 130 mm
  • Cable length: 1.2 m
  • Suitable cables with Sennheiser EW and 3-pin TQG connector for the t.bone and AKG systems available separately (not included)
  • Foam windshield included

73. LD Systems LDWS1000MW

LD Systems LDWS1000MW

Clip Microphone

  • For wind instruments, wind / percussion clip microphone
  • Polar Pattern: Kidney
  • Frequency response: 50 Hz – 18 kHz
  • SPL: 133 dB
  • Sensitivity: -45 dB +/- 3 dB
  • Impedance: 250 Ohm +/- 30% 1 kHz
  • Connector: Mini XLR – 3-pin
  • Gooseneck: 70 mm
  • Cable length: 1.5 m
  • Colour: Black matte
  • Weight: 56 g

74. EV RE920TX

EV RE920TX

Condenser Clip-on Microphone

  • Cardioid
  • Max. SPL: 148 dB
  • Frequency range: 80 Hz – 18 kHz
  • Dynamic range: 117 dB
  • Impedance: 1000 Ω
  • Dimensions: 10.5 x 24.1 mm
  • Weight 54 g
  • TA4F Connector for EV radio systems
  • Gooseneck length: 15 cm
  • Weight: 54 g

75. the t.bone Lucan System CC 200 RC

the t.bone Lucan System CC 200 RC

the t.bone Lucan System CC 200 RC – Condenser Instrument Microphone; easy Installation with different holders for many instruments (optional); flexible gooseneck for easy positioning of microphone, incl. windscreen; removeable cable with screw terminal; 3 pin Mini XLR-plug for use with t.bone Wireless-Systems (works also with Sirus and AKG Wireless-Systems); Polar pattern: Cardioid; Frequency response; 30 – 20.000 Hz; Sensitivity: -38dB +/-2dB; Max SPL: 152dB; S/N ratio: 71dB; Impedance 100 Ohms; THD: <1%; incl. Phantompower Adapter (phantom power required) and Hardcase (space for one optional holder); length of gooseneck: 120 mm; cable length ca. 2m; Dimension of the Case (LxWxH): 26 x 13 x 7 cm


76. Presonus PD-70 Bundle

Presonus PD-70 Bundle

Bundle offer comprising:

  • Presonus PD-70
  • Millenium MA-2050

77. the t.bone MB 7 Beta Podcast Bundle

the t.bone MB 7 Beta Podcast Bundle

Bundle offer comprising

Focusrite Scarlett Solo 3rd Gen

  • 2-Channel USB2.0 audio interface with USB-C connection
  • 24 Bits / 192 kHz
  • 1 x Scarlett microphone preamp
  • Phantom power +48 V
  • Switchable air function
  • 1 Mic input: XLR
  • 1 Line / instrument input: 6.3 mm jack
  • 2 Line outputs: 6.3 mm jack balanced
  • Stereo headphone output: 6.3 mm jack
  • USB-C connection
  • For PC / Mac
  • USB bus-powered
  • Dimensions (W x H x D): 143.5 x 43.5 x 95.8 mm
  • Weight: 0.32 kg
  • Includes USB cable (Type C to A) and Ableton Live Lite, Pro Tools First, Focusrite Red 2 & Red 3 Plug-in Suite, Softube Time & Tone Bundle and a software tool of 4 XLN Audio Addictive Keys of your choice

the t.bone MB 7 Beta

  • Dynamic Broadcast Microphone
  • Suitable for Broadcasts, Podcasts, Studio etc.
  • Cardioid polar pattern reduces feedback
  • Built-in pop filter and shockmount for reducing vibration noise
  • Shielded against electromagnetic noise
  • Frequency range: 20 to 20000 Hz
  • Sensitivity: -57 DB +/- 3 DB
  • Output impedance: 320 ohms
  • XLR 3-pin connection
  • 5/8″ Thread
  • Dimensions without bracket: diameter 50 mm X length 140 mm
  • Dimensions with bracket (L x B x H): 200 x 90 x 50 mm
  • Weight: 450 g
  • Colour: Black

Superlux HD-681

  • Studio Headphones
  • Semi-open
  • Circumaural (full size)
  • Dynamic
  • Self-adjusting headband
  • Peak SPL: 98 dB
  • Impedance: 32 Ohm
  • Frequency Range: 10 – 30000 Hz
  • Maximum Power: 300 mW
  • 2,5m Cable with 3,5 mm Stereo mini-jack
  • Weight (including cable): 278 g
  • Weight (excluding cable): 230 g
  • Including 6,3 mm mini-jack adapter and a bag

Millenium DS-20

  • Compact Desktop Microphone Stand
  • Round support base
  • Adjustable via locking screws
  • 5/8 ” Threads
  • Total height including threads: 170 mm
  • Colour: Black

the sssnake SK233-1,5 XLR Patch

  • XLR Patch cable
  • Exclusively manufactured for Thomann
  • XLR Male / XLR Female
  • Length: 1,5 m
  • Colour: black

78. Lewitt LCT 441 FLEX Bundle

Lewitt LCT 441 FLEX Bundle

Bundle offer comprising

Lewitt LCT 441 FLEX

  • Large-diaphragm condenser microphone
  • 8 Directional characteristics to choose from
  • 5 Front characteristics: omnidirectional, wide cardioid, cardioid, supercardioid, and figure-8
  • Gold-plated 25.4 mm capsule
  • Dynamic range: 134 dBA
  • Max. SPL (sound pressure level) (0.5% THD): 140 dB
  • Robust zinc diecast housing
  • Gold-coated 3-pin XLR plug
  • Dimensions: 138 x 52 x 36 mm
  • Weight: 310 g
  • Incl. DTP 40 Lb leather case, LCT 40 SH microphone shock mount, LCT 40 PSx of magnetic pop filter, LCT40 Ws windshield

Roadworx Mic Stand Tripod Boom

  • Microphone stand with boom arm
  • Length: ca. 92 to 150 cm
  • Boom arm length : 70 cm
  • Thread: 3/8″ and with a 5/8″ adapter
  • Weight: 1 kg
  • Colour: Black

Fun Generation Pop1

  • Pop-killer for clamp-on
  • Diameter of the screen: 150 mm
  • Length of gooseneck: 350 mm
  • Screw clamp fits all common microphone stands
  • Clamping range: Approximately 18 – 25 mm
  • Colour: Black

79. beyerdynamic M201TG Stereo Bundle

beyerdynamic M201TG Stereo Bundle

Bundle offer comprising:

  • 2 piece(s) beyerdynamic M201TG
  • Gravity MS STB 01 PRO

80. beyerdynamic M160 FetAmp Bundle

beyerdynamic M160 FetAmp Bundle

Bundle offer comprising

beyerdynamic M160

  • Double Ribbon MicrophoneBeyerdynamic is one of the few manufacturers in the world who are still producing ribbon microphones. The classic among them is the dynamic double microphone M 160.

The M 160’s excellent transmission quality and its hyper-ning characteristics with a noise suppression of 25 dB at 110 °, which suppresses lateral sound reflections and disturbing external sound, makes the M160 an ideal microphone whether the demands are placed on the recording or transmission technology. It is recommended both for stringed instruments such as violin, viola and cello as well as for the acceptance of piano and grand piano and for drums for the hi-hat. Ideal for saxophone.

The black chrome-plated surface of the M 160 and its extremely small dimensions allow it to be used both in television and in film studios, where it is important to avoid the reflections of light and the inconspicuousness of the microphone.

In combination with the dynamic double microphone M 130, the M 160 is ideal for stereo recording in MS (mid-side) technology.

  • Pure aluminum membrane
  • Polar pattern: Hyper cardioid
  • Instrument recording – especially saxophone
  • Drum miking (toms, hi-hat)
  • MS stereophony with the M 130
  • Frequency response: 40 Hz-18 kHz
  • Nominal impedance: 200 Ohm
  • Very good frequency response
  • Excellent transparency and transient response
  • Compact and robust design
  • Warm and natural sound
  • Bracket included
  • Length: 156 mm
  • Shaft diameter: 23 mm
  • Head diameter: 38 mm
  • Weight without cable: 156 g

Thomann FetAmp

  • Microphone Preamplifier
  • Extremely low-noise Class A JFet amplifier
  • For dynamic and ribbon microphones
  • 2 Matched JFet transistor pairs
  • Input: Balanced 3-pin XLR female
  • Output: Balanced 3-pol. XLR male
  • Input impedance: 20 kOhm
  • Gain: 28 dB (@ 3 kOhm source impedance)
  • Frequency response: 10 – 50,000 Hz (+/- 1 dB)
  • Requires phantom power: 24 – 48 V.
  • Dimensions (L x W): 77 x 22 mm
  • Weight: 35 g
  • Developed and produced in Germany

Note: Does not allow phantom power to pass through to the microphone


81. EV RE20 FetAmp Bundle

EV RE20 FetAmp Bundle

Bundle offer comprising

EV RE20 RE-Series

  • Large-Diaphragm Dynamic Microphone
  • Directional characteristic: Cardioid
  • Bass roll-off switch
  • Variable-D design
  • Frequency range: 45 / 18,000 Hz
  • Dimensions (diameter x length): 49 x 54 x 217 mm
  • Weight 1474 g
  • Incl. clamp and storage box
  • 3 Year manufacturer’s warranty
  • Remark: Ideal for bass drums, wind instruments, and speeches

Thomann FetAmp

  • Microphone Preamplifier
  • Extremely low-noise Class A JFet amplifier
  • For dynamic and ribbon microphones
  • 2 Matched JFet transistor pairs
  • Input: Balanced 3-pin XLR female
  • Output: Balanced 3-pol. XLR male
  • Input impedance: 20 kOhm
  • Gain: 28 dB (@ 3 kOhm source impedance)
  • Frequency response: 10 – 50,000 Hz (+/- 1 dB)
  • Requires phantom power: 24 – 48 V.
  • Dimensions (L x W): 77 x 22 mm
  • Weight: 35 g
  • Developed and produced in Germany

Note: Does not allow phantom power to pass through to the microphone


82. DPA 4099 Core Rock Touring Kit 4M

DPA 4099 Core Rock Touring Kit 4M

Ensemble de microphones pour Live

Mallette de microphones composée de :

  • 4x micros instrument d:vote core 4099
  • 4x adaptateurs Microdot
  • 4x câbles de microphone miniature pour usage intensif
  • 4x pinces pour fûts
  • 2x pinces pour saxophone/trompette
  • 2x pinces universelles
  • 1x Peli Case

83. Lewitt LCT 140 AIR Bundle

Lewitt LCT 140 AIR Bundle

Offre Bundle comprenant

2x Lewitt LCT 140 AIR

  • Micro à condensateur petite membrane
  • Transducteur à gradient de pression
  • Directivité : cardioïde
  • Capsule polarisée de 17 mm
  • Plage dynamique : 115 dB
  • Limite de pression sonore : 135 dB
  • EQ préréglé commutable : Plat / Air
  • Pré-atténuation commutable : 0 dB / 12 dB
  • Filtre passe-bas commutable : linéaire ou 80 Hz avec pente de 12 dB / octave
  • Sortie symétrisée sans transformateur
  • Livré avec sac, pince pour microphone et bonnette antivent

Gravity MS STB 01 PRO

  • Barre stéréo pour microphone
  • convient pour 2 microphones
  • Distance des microphones réglable en continu de 6 à 29 cm
  • Plage de pivotement des microphones de +/- 90°.
  • Barre inclinable à +/- 90°
  • Règles graduées facilement lisibles pour un réglage précis
  • Marqueurs pour système stéréo ORTF
  • Matériau : aluminium
  • Longueur : 330 mm
  • Poids : 0,8 kg

84. Lewitt LCT 440 PURE Bundle

Lewitt LCT 440 PURE Bundle

Bundle offer comprising

Lewitt LCT 440 PURE

  • Large diaphragm condenser microphone
  • Cardioid
  • 25.4 mm capsule gold-plated
  • Dynamic range: 134 dB-A
  • Max SPL 0.5% THD: 140 dB
  • Robust zinc die-cast housing
  • Gold coater 3-pin. XLR connector
  • Dimensions: 138 x 52 x 36 mm
  • Weight: 310 g
  • Incl. DTP40 Lb leather case, LCT 40 SH microphone spider, LCT 40 PSx magnetic pop filter, LCT40 Ws windscreen

Roadworx Mic Stand Tripod Boom

  • Microphone stand with boom arm
  • Length: ca. 92 to 150 cm
  • Boom arm length : 70 cm
  • Thread: 3/8″ and with a 5/8″ adapter
  • Weight: 1 kg
  • Colour: Black

85. Lewitt LCT 040 Stereo Bundle

Lewitt LCT 040 Stereo Bundle

Bundle offer comprising

Lewitt LCT 040 MATCH stereo pair

  • Matched stereo pair microphone set
  • 2 Small diaphragm condenser microphones
  • Polar pattern: cardioid
  • Max. SPL: 135 dB
  • Sensitivity: 18.8 mV / Pa
  • Dynamic range: 115 dB (A)
  • Requires +48 V phantom power
  • Dimensions (Ø x L): 24 x 83 mm
  • Weight: 44.6 g

Gravity MS STB 01 PRO

  • Stereo Microphone Bar
  • For two microphones
  • Infinitely adjustable (no fixed increments) microphone distance from 6 – 29 cm
  • Swivel range of the microphone: +/- 90°
  • Rail tilt range: +/- 90°
  • Easy to read scales for precise adjustment
  • Markings for ORTF Stereo microphone system (Side-Other-Side)
  • Material: Aluminium
  • Length: 330 mm
  • Weight: 0.8 kg

86. DPA 4099 Core Rock Touring Kit 10M

DPA 4099 Core Rock Touring Kit 10M

Microphone Set

  • 10x Core 4099 instrument microphones
  • 10x Microdot adapters
  • 10x Miniature heavy duty microphone cables
  • 6x Clips for drums
  • 4x Clips for saxophone / trumpet
  • 2x Universal clips
  • 3x Clamp mounts
  • 2x Guitar clips
  • 3x Clips for violin
  • 2x Clips for piano
  • 1x Bass clips
  • 1x Peli case

87. Sennheiser MD 421 Cordial Bundle

Sennheiser MD 421 Cordial Bundle

Bundle offer comprising

Sennheiser MD421-II

  • Dynamic microphone

The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.

  • Suitable for voice, guitar, wind instruments and drums
  • Very tough
  • Polar pattern: Cardioid
  • 5-Stage switch Bass
  • Good feedback rejection
  • Transparent sound reproduction
  • Frequency response: 30-17000 Hz
  • Free field, no circuit sensitivity (1kHz): 2 mV / Pa (- 3 dB)
  • Nominal impedance: 200 Ohm
  • Min load impedance:. 200 Ohm
  • Dimensions: 215 x 46 x 49 mm
  • Weight: approx 385 g
  • Incl. microphone clamp for 3/8″ thread

Cordial CAM 9 BK

  • Professional Microphone Cable
  • Length: 9 m
  • Original Neutrik NC 3 FXX-BAG + NC 3 MXX-BAG XLR plugs
  • Cable type: CME 220 Black
  • Thomann hook & loop cable tie included
  • Colour: Black

88. Sennheiser MD421-II FetAmp Bundle

Sennheiser MD421-II FetAmp Bundle

Bundle offer comprising

Sennheiser MD421-II

  • Dynamic microphone

The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.

  • Suitable for voice, guitar, wind instruments and drums
  • Very tough
  • Polar pattern: Cardioid
  • 5-Stage switch Bass
  • Good feedback rejection
  • Transparent sound reproduction
  • Frequency response: 30-17000 Hz
  • Free field, no circuit sensitivity (1kHz): 2 mV / Pa (- 3 dB)
  • Nominal impedance: 200 Ohm
  • Min load impedance:. 200 Ohm
  • Dimensions: 215 x 46 x 49 mm
  • Weight: approx 385 g
  • Incl. microphone clamp for 3/8″ thread

Thomann FetAmp

  • Microphone Preamplifier
  • Extremely low-noise Class A JFet amplifier
  • For dynamic and ribbon microphones
  • 2 Matched JFet transistor pairs
  • Input: Balanced 3-pin XLR female
  • Output: Balanced 3-pol. XLR male
  • Input impedance: 20 kOhm
  • Gain: 28 dB (@ 3 kOhm source impedance)
  • Frequency response: 10 – 50,000 Hz (+/- 1 dB)
  • Requires phantom power: 24 – 48 V.
  • Dimensions (L x W): 77 x 22 mm
  • Weight: 35 g
  • Developed and produced in Germany

Note: Does not allow phantom power to pass through to the microphone


89. Sennheiser MD441-U FetAmp Bundle

Sennheiser MD441-U FetAmp Bundle

Bundle offer comprising

Sennheiser MD441-U

  • Dynamic Microphone

The MD 441 U is a microphone of an exceptional quality: its acoustic properties correspond to those of a condenser microphone. Transient response and low distortion are ensured even at extremely high sound pressure. Surface: all metal body with black imitation leather finish, sound inlet basket: nickel plated

  • Very feedback resistant
  • Super-cardioid
  • Tunable HP and HF shelve, XLR
  • Impedance: 200 Ohm
  • Frequency range: 30 Hz – 20 kHz
  • Size: 270 x 33 x 36 mm
  • Weight: approx. 450 g
  • Incl. clamp and storage box
  • Suitable matching clamp: Article Nr 106538 (not included)

Thomann FetAmp

  • Microphone Preamplifier
  • Extremely low-noise Class A JFet amplifier
  • For dynamic and ribbon microphones
  • 2 Matched JFet transistor pairs
  • Input: Balanced 3-pin XLR female
  • Output: Balanced 3-pol. XLR male
  • Input impedance: 20 kOhm
  • Gain: 28 dB (@ 3 kOhm source impedance)
  • Frequency response: 10 – 50,000 Hz (+/- 1 dB)
  • Requires phantom power: 24 – 48 V.
  • Dimensions (L x W): 77 x 22 mm
  • Weight: 35 g
  • Developed and produced in Germany

Note: Does not allow phantom power to pass through to the microphone


90. Lewitt LCT 441 FLEX Bundle

Lewitt LCT 441 FLEX Bundle

Bundle offer comprising

Lewitt LCT 441 FLEX

  • Large-diaphragm condenser microphone
  • 8 Directional characteristics to choose from
  • 5 Front characteristics: omnidirectional, wide cardioid, cardioid, supercardioid, and figure-8
  • Gold-plated 25.4 mm capsule
  • Dynamic range: 134 dBA
  • Max. SPL (sound pressure level) (0.5% THD): 140 dB
  • Robust zinc diecast housing
  • Gold-coated 3-pin XLR plug
  • Dimensions: 138 x 52 x 36 mm
  • Weight: 310 g
  • Incl. DTP 40 Lb leather case, LCT 40 SH microphone shock mount, LCT 40 PSx of magnetic pop filter, LCT40 Ws windshield

K&M 23230

Desktop Microphone Stand

  • Triangular shaped base
  • Round sound absorption
  • 3/8 “thread connector
  • Overall height: 152 mm
  • Weight: 0.75 kg
  • Colour: Black

91. the t.bone CC 915

the t.bone CC 915

the t.bone CC 915 – Condenser Clip on instrument microphone – for brass, drums, etc.; Phantom power: 48 volt; Thanks to the rubberized spring clip, it can be easily attached to almost any instrument; Frequenzy response: 50 – 18.000 Hz; Polar pattern: Cardioid, Impedance: 250 Ohms +/- 30%; Max SPL: 130dB; S/Nratio: >70dB; Sensitivity: -45dB +/- 3dB; 3pin Mini-XLR plug compatible to the t.bone wireless systems, except GigA and TWS One, and AKG wireless systems; Mini-XLR to XLR-Phantom Adapter and windscreen included; Cable length: 3m; Gooseneck 10 cm; Dimensions (LxWxH) Clip: 65 x 36 x 25 mm; overall length 20cm; Weight: microphone + cable 70g, adapter 65 g; Colour: black-red


92. EV RE320 FetAmp Bundle

EV RE320 FetAmp Bundle

Bundle offer comprising

EV RE320

  • Dynamic Large Diaphragm Microphone
  • For studio and live applications
  • Cardioid
  • 30 – 18000 Hz
  • 150 Ohm
  • Switchable frequency response for kick drum or linear
  • Robust steel construction
  • Dimensions: 216.7 x 54.4 x 49.2 mm
  • Weight 681 g
  • Incl. clamp and storage box
  • 3 year manufacturer warranty
  • Ideal for bass drum, wind instruments, speaking

Thomann FetAmp

  • Microphone Preamplifier
  • Extremely low-noise Class A JFet amplifier
  • For dynamic and ribbon microphones
  • 2 Matched JFet transistor pairs
  • Input: Balanced 3-pin XLR female
  • Output: Balanced 3-pol. XLR male
  • Input impedance: 20 kOhm
  • Gain: 28 dB (@ 3 kOhm source impedance)
  • Frequency response: 10 – 50,000 Hz (+/- 1 dB)
  • Requires phantom power: 24 – 48 V.
  • Dimensions (L x W): 77 x 22 mm
  • Weight: 35 g
  • Developed and produced in Germany

Note: Does not allow phantom power to pass through to the microphone


93. SD Systems LCM 85T

SD Systems LCM 85T

SD Systems LCM 85T, condenser Sax microphone (alto), cardioid, 20 – 20.000 Hz, 200 Ohms, 139 dB SPL max, inclusive LP mic preamp with HF shelve and volume level, XLR Out, Black tripod holder, inclusive shock mount holder and case


94. Lewitt LCT 040 MATCH stereo pa Bundle

Lewitt LCT 040 MATCH stereo pa Bundle

Bundle offer comprising

Lewitt LCT 040 MATCH stereo pair

  • Matched stereo pair microphone set
  • 2 Small diaphragm condenser microphones
  • Polar pattern: cardioid
  • Max. SPL: 135 dB
  • Sensitivity: 18.8 mV / Pa
  • Dynamic range: 115 dB (A)
  • Requires +48 V phantom power
  • Dimensions (Ø x L): 24 x 83 mm
  • Weight: 44.6 g

2x Roadworx Slim Line Mic Stand

  • Microphone Stand with Boom Arm
  • Can be folded very compactly
  • Length adjustable from approx. 0.68 – 1.56 m
  • Boom arm length: 60 cm
  • Boom arm joint can be fixed with only one screw
  • 5/8″ threads
  • Weight: 2.1 kg
  • Colour: Black

95. Lewitt LCT 040 MATCH Bundle

Lewitt LCT 040 MATCH Bundle

Bundle offer comprising

Lewitt LCT 040 MATCH

  • Small Diaphragm Condenser Microphone
  • Directional characteristic: Cardioid
  • Max. SPL: 135 dB
  • Sensitivity: 18.8 mV / Pa
  • Dynamic range: 115 dB (A)
  • Requires +48 V phantom power
  • Dimensions (Ø x L): 24 x 83 mm
  • Weight: 44.6 g

Roadworx Mic Stand Tripod Boom

  • Microphone stand with boom arm
  • Length: ca. 92 to 150 cm
  • Boom arm length : 70 cm
  • Thread: 3/8″ and with a 5/8″ adapter
  • Weight: 1 kg
  • Colour: Black

96. the t.bone Lucan System Complete Bundle

the t.bone Lucan System Complete Bundle

Bundle offer comprising:

  • the t.bone Lucan System CC 200 BH
  • the t.bone Lucan System CC 200 SH
  • the t.bone Lucan System CC 200 MH
  • the t.bone Lucan System CC 200 PH
  • the t.bone Lucan System CC 200 CH
  • the t.bone Lucan System CC 200 VH
  • the t.bone Lucan System CC 200 GH
  • the t.bone Lucan System CC 200 RC

97. the t.bone free solo 863 Ovid Sax Set

the t.bone free solo 863 Ovid Sax Set

Bundle offer comprising:

  • the t.bone free solo PT 863 MHz
  • the t.bone Ovid System CC 100
  • the t.bone Ovid System Sax Clip

98. Rumberger AFK-X Cable f. Wireless Sennh.

Rumberger AFK-X Cable f. Wireless Sennh.

Cable for Radio Operation

  • With mini-jack for Sennheiser radio systems
  • Length: 1.05 m

99. DPA 4099 Core Classic Kit 10M

DPA 4099 Core Classic Kit 10M

Microphone Set with Csae

Set consists of:

  • 10x Core 4099 instrument microphones
  • 10x Microdot adapters
  • 10x Miniature microphone cables
  • 8x Clips for violin
  • 3x Clips for cello
  • 2x Clips for piano
  • 4x Clips for guitar
  • 2x Clips for saxophone / trumpet
  • 2x Universal clips
  • 2x Clips for bass
  • 2x Clips for drums
  • 1x Peli Case

100. Lewitt LCT 140 Air Bundle

Lewitt LCT 140 Air Bundle

Bundle offer comprising

Lewitt LCT 140 AIR

  • Small Diaphragm Condenser Microphone
  • Pressure gradient transducer
  • Polar pattern: Cardioid
  • Externally polarised 17 mm capsule
  • Dynamic range: 115 dB
  • Max. sound pressure level: 135 dB
  • Switchable EQ Preset: Flat / Air
  • Switchable pre-attenuation: 0 dB / 12 dB
  • Switchable low-cut filter: linear / 80 Hz @ 12 dB / octave
  • Transformerless output balancing
  • Includes bag, microphone clip and windscreen

Roadworx Slim Line Mic Stand

  • Microphone Stand with Boom Arm
  • Can be folded very compactly
  • Length adjustable from approx. 0.68 – 1.56 m
  • Boom arm length: 60 cm
  • Boom arm joint can be fixed with only one screw
  • 5/8″ threads
  • Weight: 2.1 kg
  • Colour: Black

101. the t.bone Lucan System Multi Clip Bundle

the t.bone Lucan System Multi Clip Bundle

Bundle offer comprising:

  • the t.bone Lucan System CC 200 MH
  • the t.bone Lucan System CC 200 RC

102. the t.bone GigA Pro Wind Mic

the t.bone GigA Pro Wind Mic

Gooseneck Microphone

  • Clip-on microphone for brass and woodwind instruments
  • For use with the t.bone GigA Pro GT (Article Nr. 453986, not included) or for expansion of an already existing GigA Pro system
  • Condenser capsule (10 mm)
  • Cardioid characteristic
  • Frequency range: 65 – 20000 Hz
  • Sensitivity: -52 dB
  • Maximum sound pressure level: 142 dB (SPL)
  • Output: 3.5 mm mini jack socket with thread
  • Dimensions (Ø x L): 10 x 197 mm
  • Weight: Approximately 57 g
  • Colour: Black

103. the t.bone Ovid System CC 100 RC B-Stock

the t.bone Ovid System CC 100 RC B-Stock

Condenser Clip Microphone for the Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter
  • Removable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible goose neck for easy alignment on the instrument
  • Cable with Sennheiser EW connector for Sennheiser EW wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cable with Shure TQG plug and 3-pin TQG plug for the t.bone and AKG systems sold separately (not included)
  • Includes foam windscreen

104. Rumberger WP-1X Replacement Mic

Rumberger WP-1X Replacement Mic

Miniature Mouthpiece Pickup for Woodwind Instruments

  • Also for saxophones (with neck)
  • Only single pickup

105. Rumberger AFK-X Cable for Wireless Shure

Rumberger AFK-X Cable for Wireless Shure

Cable for Radio Operation

  • With 4-pin mini XLR for Shure radio systems
  • Length: 1.05 m

106. the t.bone Ovid System CC 100 RC B-Stock

the t.bone Ovid System CC 100 RC B-Stock

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible gooseneck for easy alignment on the instrument
  • 3-Pin mini XLR connector for operating with t.bone wireless systems – also suitable for AKG wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)
  • Foam windshield included

107. Lewitt LCT 140 Air B-Stock

Lewitt LCT 140 Air B-Stock

Small Diaphragm Condenser Microphone

  • Pressure gradient transducer
  • Polar pattern: Cardioid
  • Externally polarised 17 mm capsule
  • Dynamic range: 115 dB
  • Max. sound pressure level: 135 dB
  • Switchable EQ Preset: Flat / Air
  • Switchable pre-attenuation: 0 dB / 12 dB
  • Switchable low-cut filter: linear / 80 Hz @ 12 dB / octave
  • Transformerless output balancing
  • Includes bag, microphone clip and windscreen

Write your review and rate this rating The Best 107 Microphones for Saxophone

Top Microphones for Saxophone
Top 107 Microphones for Saxophone 2021
SOUND QUALITY
85
VALUE FOR MONEY
97
EASE OF USE
92
FEATURES
90
Reader Rating0 Votes
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91

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