Small Diaphragm Condenser Microphones

• Omnidirectional
• P48
• Prepolarized 5.4 mm membrane
• Ideal for recording instruments live or in the studio
• Frequency range: 20 Hz - 20 kHz
• Maximum sound pressure level: 134 dB SPL
• Sensitivity: 20 mV/Pa; -34 dB re. 1 V/Pa
• Equivalent noise level A-weighted: Type. 23 dB(A) re. 20 µPa (max. 26 dB(A))
• Length: 120 mm
• Characteristic: Ball

• Polar pattern: Supercardioid / Lobar
• Frequency response: 20 Hz - 20 kHz
• Requires 48V phantom power
• Connection: XLR
• Interference pressure gradient transducer
• Excellent off-axis (lateral and rear) attenuation
• 45° Opening angle
• Switchable filter or pre-attenuation functions
• Diameter: 21 mm
• Length: 395 mm
• Weight: 250 g
• Colour: Black

This high-quality, universally applicable condensation microphone impresses with an ideal price / performance ratio. The characteristics of the MC 930 are the large transmission range of 40-20,000 Hz and a noise voltage separation of 71 dB. The MC 930 is ideal for recording choral, orchestral and solo instruments. Due to the switchable pre-attenuation of 15 dB, it is also ideally suited for use at very high sound pressure levels.

The switchable depth reduction with 6 dB / octave at 250 Hz compensates the close-up effect. Together with the WS101 windscreen, the MC 930 can be used as a microphone for vocal applications and as a microphone. The MC 930 works on a phantom power of 11 - 52 V and can therefore also be used in live as well as in installations. Due to its frequency-independent cardioid characteristics, the MC 930 has an excellent directivity in conjunction with high backward cancellation. Not only does it become a first-rate tool in the studio, it also makes it possible to use it with sound reinforcement, where excellent sound and maximum feedback safety are essential. With an MC 930 microphone pair, ideal stereo recordings can be used in the XY or ORTF method. Therefore, the MC 930 is also available as a stereo set with two matching microphones and useful accessories in a sturdy plastic case

• For choir, overhead and instrument pickup
• Characteristics: Cardioid
• Frequency response: 40 - 20000 Hz
• Sound pressure Max 125 dB (140 dB with pre-attenuation)
• Switchable pre-attenuation - 15 dB
• Switchable low-cut 250 Hz
• Including microphone clamp
• Optional WS 53 draft shield

This frequency response characteristic falls between that of the MK 2 and the MK 3, making the capsule suitable for a wide range of applications.

The MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. This model has become our most popular pressure transducer.

• Polar pattern: Omidirectional
• Slight high-frequency rise to compensate for losses at moderate recording distances
• For a very wide range of recording applications
• omnidirectional
• Frequency response: 20 Hz - 20 kHz
• Sensitivity: 12mV / Pa
• Equivalent noise level: 12 dBA
• Signal to noise ratio: 82dBA
• Max. sound pressure level (at 0.5% THD): 132 dB
• Colour: Grey

• Especially suitable for choir and orchestra performances
• Characteristic: Ball
• Frequency range: 15 - 20.000 Hz
• Limit sound pressure level: 126 dB max
• Impedance: 200 Ohm
• 22 to 48 V Phantom power
• Size: 21 x 85 mm
• Colour: Black
• Includes clamp

DPA 4098-DC-G-B01-045, condenser hanging and podium microhone, super-cardioid, 100 - 15.000 Hz, Sensitivity 16 mV/Pa (+- 2dB), 133 dB SPL max, 48V Phantom power necessary, 47 cm boom arm, XLR connector, colour black

• With the highest quality
• Figure-8 dipole diaphragm
• Frequency range: 40 - 16,000 Hz
• Impedance: 90 Ohm
• Sound pressure level: 134 dB max.
• 48 Volt phantom
• Length: 46 - 58 mm
• Diameter: 20 mm
• Weight: 43 grams
• Colour: Grey
• Incl. connection cable and storage box

• Specially designed for double bass
• Directional characteristic: Supercardioid
• Frequency response: 20 - 20,000 Hz with 2 dB soft boost at 10 - 12 kHz
• SPL (sound pressure level): 142 dB
• Gooseneck length: 140 mm (suitable extension element for extensions of up to 220 mm available under Article Nr 294624)
• Detachable cable
• Cable length: 1.8 m
• Cable diameter: 1.6 mm (cable with 2.2 mm diameter available under Article Nr 289926)
• Improved microphone installation for even less structure-borne noise
• B+K connector
• Includes a special mounting system for double basses and the DAD 6001 XLR phantom power adapter
• Matching case available under Article Nr 489538 (not included)

• Especially well suited for use with instruments
• Directional characteristic: Supercardioid
• Frequency response: 20 - 20,000 Hz
• With 2 dB soft boost at 10 - 12 kHz
• SPL (sound pressure level): 142 dB
• Gooseneck length: 140 mm (suitable extension element for extensions of up to 220 mm available under Article Nr 294624 (not included))
• Detachable cable
• Cable length: 1.8 m
• Cable diameter: 1.6 mm (cable with 2.2 mm diameter available under Article Nr 289926 (not included))
• Improved microphone installation for reduced structure-borne noise
• B+K connector
• Includes a stand mount with a 3/8" thread for microphone stands, and an XLR DAD 6001 phantom power adapter

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS microphone type (a loudspeaker should not be located directly along the rear axis of the microphone, however).

Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the capsule produces a very natural sound pickup. This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies.

The CCM 41 is a surprisingly effective, space-saving alternative to shotgun microphones – and being small, it can often be placed closer to the sound source.

An M/S microphone arrangement can be set up at quite some distance from the sound source if an CCM 41 is used for the “M“ channel.

• The highest quality
• Super-cardioid
• High directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies
• Highly consistent directionality throughout its frequency range
• Frequency range: 40 Hz - 20 kHz
• Sensitivity: 14 mV/Pa
• Equivalent noise level (A-weighted): 15 dB-A
• Equivalent noise level (CCIR): 24 dB
• Signal-to-noise ratio (A-weighted): 79 dB-A
• Maximum sound pressure level at 0.5% THD 132 dB-SPL
• Length: 46 - 58 mm
• Weight: 43g
• Includes connection cable
• Surface: Matte grey

• Polar pattern: cardioid
• Frequency range: 20 - 20,000 Hz
• 3-Step pad
• 3-Step low cut
• Suitable for high sound pressure levels
• Especially for acoustic instruments, choir, overhead
• Incl. clamp, wind shield and bag
• Dimensions: 24 x 157 mm
• Weight: 198 Gramm

Bundle offer comprising

• Small Membrane Condenser Microphone
• Polar pattern: cardioid
• Frequency range: 20 - 20,000 Hz
• 3-Step pad
• 3-Step low cut
• Suitable for high sound pressure levels
• Especially for acoustic instruments, choir, overhead
• Incl. clamp, wind shield and bag
• Dimensions: 24 x 157 mm
• Weight: 198 Gramm

• Stereo Bar
• For 2 microphones
• Screwed onto stands with 3/8 " thread
• 2 Captive 3/8 " screws spaced between 60 and 172 mm
• Material: Anodised aluminium
• Colour: Black
• Length: 200 mm
• Shipping weight: 0.06kg

Bundle offer comprising

• Matched Microphone Pair
• True condenser microphone with gold sputtered 1/2” capsule
• Cardiod characteristic
• Frequency range: 20 - 20.000 Hz
• Output impedance: 100 Ohm
• Maximum SPL: 143 dB
• Max. output level: +13.9 dBu
• Very low noise
• Requires 48V phantom power
• Dimensions (H x W x D): 118 x 20 x 20 mm
• Weight of each mic: 101 g
• Finish: Satin nickel
• Incl. 2 x foam windscreen WS5
• 2 x RM5 stand adapter and ZP1 carrying case

• Microphone Stand Set
• Consists of microphone stand and microphone cable
• 10 m Microphone cable with 3-pin XLR connectors
• High quality flexible cable
• Microphone stand with boom
• Plastic tripod base
• Maximum usable height of the stand including boom: 190 cm
• Adjustable height of centre column 75 - 130 cm
• Length of boom: 65 cm
• Diameter of stand: 64 cm
• Transport length of tripod: 74 cm
• Thread 3/8" with 5/8" adapter
• Weight of stand: 1.46 kg
• Includes clamp for cable routing

• Pre-polarised double diaphragm
• Directional characteristics: Omnidirectional
• Frequency range: 20 - 20,000 Hz
• Dynamic range: 114 dB
• Phantom power: 48 V
• Nominal sensitivity: ± 2 dB at 1 kHz: 40 mV / Pa; -28 dB re. 1 V / Pa
• Equivalent noise level, A-weighted: Typ. 16 dB (A) re. 20 μPa (max 18 dB (A))
• Housing: Black matte
• Successor to the d.DPA 4006

• With independent condenser elements for cardioid or figure-of-eight focus, in M-S arrangement
• Switchable matrix
• Frequency response: 30 - 20,000 Hz
• Switchable Low-Cut: 80 Hz
• Impedance: 200 Ohm
• Peak SPL 123 dB
• Dimensions: 380 x 21 mm
• Phantom Power: 11 - 52 V
• Weight: 142 g
• Included: AT8405a Tripod clamp for tripods with 5/8" thread, AT8135 windshield, plastic case

• Consists of 2x paired SCHOEPS CMC 6 microphone amplifiers and 2x MK 2 near-field omni capsules
• Includes 2x SG20 microphone clips and 2x B5D windshields in an elegant wooden case

• Capsule: 0.5"
• Cardioid
• Frequency range: 20 - 20,000 Hz
• Impedance: 200 Ohm
• Switchable pad: -20
• Requires 48 V phantom power
• Robust metal chassis
• Max. SPL: 135/ 155 dB
• XLR connector
• Diameter: 22 mm
• Length: 160 mm
• Weight: 130 gramms
• Colour: black
• Incl. tripod adapter

Bundle offer comprising

• Condenser Microphone
• Cardioid/ hyper cardioid (changeable with PPC)
• Operates with 48V phantom power or 2x 1.5 V AA battery
• Switch with battery LED
• Plug on HF shelf with PB-1000
• Frequency range: 50 Hz - 20 kHz
• Electric impedance: 200 Ohm
• Sensitivity: 6 mV/ Pa (-44 dBV)
• Max. SPL: 137 dB
• Diameter: 34 mm
• Length: 220 mm
• Weight: 275 g
• Colour: black
• Incl. transport bag, wind shield and clamp

• Microphone stand Thomann Type I
• Plastic base
• Height is adjustable from 900 to 1600 mm
• Boom arm: 810 mm
• Weight: 2.3 kg
• Colour: Black