Top Special Instrument Microphones
Top Special Instrument Microphones

Top 49 Special Instrument Microphones 2021

We have collected for you the Special Instrument Microphones

Equipment list navigation:

  1. Audio-Technica ATM350U
  2. Royer Labs R-121
  3. Audio-Technica AE2300
  4. beyerdynamic M201TG
  5. Drumport StompTech DCM-01 Cajon Microphone
  6. DPA 4099 Core Accordion
  7. Royer Labs R-122 MkII
  8. Audix Micro-HP
  9. Thomann ACM-01 Replacement Mic Treble
  10. PUR CBM-1 Cajon Microphone
  11. DPA 4099 Core Universal
  12. Shure 545 SD
  13. the t.bone Ovid System CC 100 RC EW
  14. AKG C 516 ML
  15. Myers Pickups The Grip Plus-6 with Bass Ext.
  16. Behringer B 906
  17. the t.bone Ovid System Complete Bundle
  18. the t.bone Ovid System CC 100 RC
  19. Meinl PA-CAJ Cajon Preamp
  20. AKG C 516 ML B-Stock
  21. Myers Pickups The Grip Plus 3″ Goosenecks
  22. the t.bone Ovid System CC 100
  23. Thomann ACM-01
  24. the t.bone Ovid System CC 100 RC Shure
  25. Royer Labs R-122V
  26. Myers Pickups The Grip Plus 6″ Goosenecks
  27. Meinl Percussion Microphone
  28. the t.bone Lucan System CC 200 RC
  29. beyerdynamic M201TG Stereo Bundle
  30. DPA 4099-DC-2
  31. Rumberger TA3000 X- L Descant
  32. the t.bone Lucan System Complete Bundle
  33. Rumberger TA3000eco L
  34. Royer Labs R-122 MKII-Live Matched Pair
  35. Rumberger TA3000eco M
  36. the t.bone Lucan System Multi Clip Bundle
  37. the t.bone Ovid System CC 100 RC B-Stock
  38. Rumberger TA3000 X- S Descant
  39. Rumberger TA3000eco S
  40. Rumberger TA3000 X- S Descant and Bass
  41. Rumberger TA3000 X- L Descant and Bass
  42. the t.bone Lucan System Stand Bundle
  43. Rumberger TA3000 X- M Descant
  44. Rumberger TA3000 X- M Descant and Bass
  45. Rumberger SG- 2- M Vocal Micro Medium
  46. Rumberger SG- 2- L Vocal Micro Long
  47. Rumberger SG- 2- S Vocal Micro Short
  48. the t.bone Ovid System CC 100 RC B-Stock
  49. Myers Pickups The Grip Plus-6 with B B-Stock

1. Audio-Technica ATM350U

Audio-Technica ATM350U

Condenser Microphone with Universal Clip-On Mounting

  • Suitable for a variety of instruments
  • Modular design offers a high degree of flexibility for different mounting options and capsules
  • Directional characteristic: Cardioid
  • Frequency response: 40 – 20,000 Hz
  • Switchable low-cut filter at 80 Hz
  • 200 Ohm
  • Max. SPL (sound pressure level): 159 dB
  • Open circuit sensitivity: -49 dB (3.5 mV) re 1V at 1 PA
  • 11 – 52 V phantom power necessary
  • Cable length: 4 m
  • Detachable XLR phantom adapter (HRS4M)
  • Capsule dimensions: 37.8 x 12.2 mm
  • Microphone weight: 14.5 g

15 Year manufacturer’s warranty when you register the product at audio-technica.com within 30 days after purchasing.

Included:

  • ATM350 Microphone
  • AT8490 Gooseneck
  • AT8491U Universal clip-on mount
  • AT8543 Power module
  • Hardcase
  • AT8468 Violin mount

2. Royer Labs R-121

Royer Labs R-121

Ribbon Microphone

  • Directional characteristic: Figure 8
  • Extremely low inherent noise
  • Ribbon element insensitive to heat and moisture
  • Ideal for guitar recordings, wind instruments, overheads and string instruments
  • Frequency range: 30 Hz – 15 kHz +/- 3 dB
  • Sensitivity: -54 dBv re. 1 V/pa +/- 1 dB
  • Output impedance: 300 Ohm @ 1 k (nominal)
  • Maximum SPL: > 135 dB
  • Length: 158 mm
  • Diameter: 25 mm
  • Weight: 245 g
  • Colour: Nickel
  • Incl. wooden box and protective cover

3. Audio-Technica AE2300

Audio-Technica AE2300

Dynamic Instrument Microphone

  • For guitar amplifiers, brass, drums and percussion
  • Directional characteristics: Cardioid
  • Frequency range: 60 – 20,000 Hz
  • Switchable high-cut filter at 6 KHz
  • Sensitivity: -57 DB (1.3 mV/Pa)
  • Impedance: 250 Ω
  • Robust metal chassis
  • Dimensions: 95.6 x 28 mm
  • Weight: 138 g
  • Incl. AT8471 microphone clamp, threaded adapter and bag

15-Year manufacturer’s warranty if registered within 30 days at audio-technica.com


4. beyerdynamic M201TG

beyerdynamic M201TG

Instrument Microphone

The dynamic moving coil microphone M 201 is suitable for professional use in radio, television and recording studios. Apart of that, it can equally well be used by orchestras and instrumentalists, if highest sound quality with optimal feedback suppression is desired.

The microphone is particularly suited for picking up drumming, acoustic guitar and banjo sounds. Many PA distributors opt for this microphone as a real “all-round” microphone, which can be used almost everywhere with success.

  • For drums, piano, and string instruments
  • Directional characteristic: Hyper-Cardioid
  • Frequency range: 40 – 18,000 Hz
  • Impedance: 200 Ω
  • Sensitivity: 1.2 mV/ Pa (-58 dBV)
  • Length: 160 mm
  • Diameter: 24 mm
  • Weight: 220 g
  • Including microphone holder (MKV8), Windscreen Ws 101 and bag

5. Drumport StompTech DCM-01 Cajon Microphone

Drumport StompTech DCM-01 Cajon Microphone

Drumport StompTech DCM-01 Cajon Microphone, body made of oiled solid beech, easy mount with neodymium magnets, cardioid characteristic, Impedance: 600 Ohms, frequency 50 Hz to 15 KHz, output: XLR male, including bag, made in Germany


6. DPA 4099 Core Accordion

DPA 4099 Core Accordion

Condenser Clip-On Microphones

  • Matched pair especially for the removal of accordion
  • Flexible gooseneck
  • Polar pattern: Supercardioid
  • Frequency range: 20 – 20,000 Hz with 2 dB soft boost at 10 – 12 kHz
  • Max. sound pressure level: 142 dB
  • Gooseneck length 140 mm (matching extension to 220 mm available under Art.294624)
  • Removable cable
  • Cable length 1.8 meters
  • Cable diameter: 1.6 mm (cable with 2.2 mm diameter available under Art.289926)
  • Improved microphone suspension for even less structure-borne noise
  • B + K plug
  • Includes accordion mount AC4099 and XLR phantom power adapter DAD 6001

7. Royer Labs R-122 MkII

Royer Labs R-122 MkII

Active Ribbon Microphone

  • For studio and live applications
  • Electrodynamic pressure gradient with active electronics
  • High output level
  • Frequency range: 30 Hz – 15 kHz (/ – 3dB)
  • Directivity: Figure 8
  • Replacement noise level: <18 dB
  • Sensitivity: -36 dB (Ref 1V / Pa / – 2dB)
  • Limit sound pressure level: 135 dB at 20 Hz
  • 15 dB pad as well as 100 Hz high pass filter can be switched
  • Requires 48 V phantom power
  • Gold plated XLR contacts
  • Dimensions (L x W): 206 x 25 mm
  • Weight: 309 g
  • Incl. Holder and wooden case

8. Audix Micro-HP

Audix Micro-HP

Condenser Clip-On Microphone

  • Gooseneck for mounting directly onto hand percussion instruments for studio and live applications
  • Hyper-cardioid
  • Frequency range: 40 – 20,000 Hz
  • Impedance: 250 Ohm
  • 140 dB SPL max.
  • Mini XLR connector
  • Optional mounting brackets for various acoustic instruments
  • 48 V Phantom power required
  • Weight: 370 g
  • APS910 adapter to XLR Male and Audix D-Vice Rim clamp included

9. Thomann ACM-01 Replacement Mic Treble

Thomann ACM-01 Replacement Mic Treble

Replacement microphone

  • Treble Microphone for ACM-01
  • Long and short cable

10. PUR CBM-1 Cajon Microphone

PUR CBM-1 Cajon Microphone

Cajon Microphone

  • Boundary microphone with integrated active EQ for miking cajon or bass drum
  • With hook and loop fasteners for attaching
  • Attenuation switch -10dB
  • Semi-hypercardioid
  • Frequency range: 30 – 20,000 Hz
  • 24-48 V phantom power
  • Output: XLR male
  • Weight: 145 g
  • Dimensions (L x W x H): 75 x 50 x 25 mm

11. DPA 4099 Core Universal

DPA 4099 Core Universal

Condenser Clip-on Microphone with Universal Mount

  • Polar pattern: Super-cardioid
  • Frequency range: 20 – 20,000 Hz
  • With 2 dB soft boost at 10 – 12 kHz
  • Max. SPL: 142 dB
  • Gooseneck length: 140 mm (can be extended to 220 mm with Art. 294624 – not included)
  • Removable cable
  • Cable length 1.8 m
  • Cable diameter 1.6 mm (fitting cable with 2.2 mm: Art. 289926 – not included)
  • Improved microphone suspension for even less structure-borne noise
  • B + K plug
  • Including universal holder and phantom power adapter DAD 6001 XLR

12. Shure 545 SD

Shure 545 SD

Dynamic All-Round Microphone

  • Directional characteristic: Cardioid
  • Suitable for instrument and voice miking
  • Frequency range: 50 – 15,000 Hz
  • Impedance: 250 Ohm
  • With switch
  • Silver housing

13. the t.bone Ovid System CC 100 RC EW

the t.bone Ovid System CC 100 RC EW

Condenser Clip Microphone for the Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter
  • Removable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible goose neck for easy alignment on the instrument
  • Cable with Sennheiser EW connector for Sennheiser EW wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cable with Shure TQG plug and 3-pin TQG plug for the t.bone and AKG systems sold separately (not included)
  • Includes foam windscreen

14. AKG C 516 ML

AKG C 516 ML

Condenser Clip-On Microphone

  • Polar pattern: cardioid
  • Frequency range: 60 – 20,000 Hz
  • Impedance: 200 Ω
  • L connector
  • Operating with AKG bodypack transmitters or with B23L battery power supply (Art. 342666 – not included)
  • Especially for accordion
  • Length: 20 cm gooseneck
  • 1.5 m Cable
  • Colour: black
  • Incl. windscreen, case, rubber tile, A 400 adapter, screws and adhesive cement

15. Myers Pickups The Grip Plus-6 with Bass Ext.

Myers Pickups The Grip Plus-6 with Bass Ext.

Pickup with bass extension

  • Comes with an active preamplifier with suction grip
  • 2x 6” gooseneck microphones for the treble side
  • 1x 47″ flexible microphone gooseneck for the bass side
  • Saddle clip with cork and rubber padding 8″
  • Feather clip with rubber boot and bumper/ shock absorber
  • Mini suction cup
  • 3x Myers microphone windscreens

16. Behringer B 906

Behringer B 906

Dynamic Microphone

  • For instruments and vocals
  • Frequency response designed for guitar amplifiers, drums and brass
  • Super cardioid polar pattern minimises background noise and feedback
  • Switchable low cut
  • 2 Switchable frequency curves: Flat and treble boost
  • Flat construction is ideal for guitar combos and boxes
  • Frequency range: 50 – 18,000 Hz
  • Impedance: 600 ohms
  • Sensitivity: -54 DB ± 3 DB @ 1 kHz (1 V / PA)
  • Weight: 140 g
  • Includes Microphone stand adapter and carrying bag

17. the t.bone Ovid System Complete Bundle

the t.bone Ovid System Complete Bundle

Bundle offer comprising:

  • the t.bone Ovid System Case
  • the t.bone Ovid System CC 100
  • the t.bone Ovid System Piano Clip
  • the t.bone Ovid System Cello Clip
  • the t.bone Ovid System Bass Clip
  • the t.bone Ovid System Flute Clip
  • the t.bone Ovid System Sax Clip
  • the t.bone Ovid System Violin Clip
  • the t.bone Ovid System Guitar Clip

18. the t.bone Ovid System CC 100 RC

the t.bone Ovid System CC 100 RC

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible gooseneck for easy alignment on the instrument
  • 3-Pin mini XLR connector for operating with t.bone wireless systems – also suitable for AKG wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)
  • Foam windshield included

19. Meinl PA-CAJ Cajon Preamp

Meinl PA-CAJ Cajon Preamp

Cajon Preamp Set

  • Comprises preamp for clamping inside the soundhole and microphone for gluing
  • Fits most cajons
  • Volume and tone controls
  • Output: 6.3 mm mono jack
  • Includes 2 x CR2032 3 V coin cell battery

20. AKG C 516 ML B-Stock

AKG C 516 ML B-Stock

Condenser Clip-On Microphone

  • Polar pattern: cardioid
  • Frequency range: 60 – 20,000 Hz
  • Impedance: 200 Ω
  • L connector
  • Operating with AKG bodypack transmitters or with B23L battery power supply (Art. 342666 – not included)
  • Especially for accordion
  • Length: 20 cm gooseneck
  • 1.5 m Cable
  • Colour: black
  • Incl. windscreen, case, rubber tile, A 400 adapter, screws and adhesive cement

21. Myers Pickups The Grip Plus 3″ Goosenecks

Myers Pickups The Grip Plus 3" Goosenecks

Pickup with 3″ gooseneck

  • Specially developed for instruments such as the accordion to capture both the treble and bass sides of the instrument.
  • Two flexible 3″ goosenecks
  • Easy to install with a suction grip

22. the t.bone Ovid System CC 100

the t.bone Ovid System CC 100

Condenser Clip Microphone for the Ovid System

  • Cardioid
  • 20 – 20,000 Hz
  • Flexible gooseneck for simple appliance to instrument
  • 3-Pin mini XLR connector for operation with t.bone wireless systems (also suitable for AKG wireless systems)
  • Length of gooseneck: 130 mm
  • Length of cable: 2 m
  • Simple appliance with different instrument clamps (not included)
  • Incl. XLR phantom power adaptor and foam wind shield

23. Thomann ACM-01

Thomann ACM-01

Accordion Tone Pickup System

  • 2 Treble and bass condenser microphone 1
  • Polar pattern: Omnidirectional (for installation in the accordion)
  • Frequency response: 50 to 19,000 Hz
  • Max. SPL: 135 dB
  • Treble / bass controls
  • Jack-Out
  • Power adapter (9V)
  • Includng assembly instructions (Velcro strip is glued on the inside under the treble and bass top and the microphones – which also have hook and loop connection – attached) and feeding adapter (9V)

Note: The battery is not included


24. the t.bone Ovid System CC 100 RC Shure

the t.bone Ovid System CC 100 RC Shure

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible gooseneck for easy positioning on the instrument
  • 4-Pin mini XLR connector for operating Shure wireless systems
  • Length of the gooseneck: 130 mm
  • Cable length: 1.2 m
  • Suitable cables with Sennheiser EW and 3-pin TQG connector for the t.bone and AKG systems available separately (not included)
  • Foam windshield included

25. Royer Labs R-122V

Royer Labs R-122V

Royer Labs R-122V; Vacuum Tube Ribbon Microphone; high output capability; extremely low self-noise; Polar Pattern: Figure-8; Frequency Response: 30 Hz – 15 kHz (+/- 3dB,); max. SPL: >135dB SPL @ 20 Hz; Sensitivity: -36 dB (re. 1v/pa +/- 1 dB); Self-Noise: < 18 dB; incl. Protective wood case, RSM-1 shock mount, power supply, locking 25-foot microphone cable assembly; Dimensions: 206 x 25 mm (Length x Diameter); Weight: 300g; Finish: Dull Satin Nickel


26. Myers Pickups The Grip Plus 6″ Goosenecks

Myers Pickups The Grip Plus 6" Goosenecks

Pickup with 6″ gooseneck

  • Specially developed for instruments such as the accordion, when effectively capturing both the bass and treble sides of your instrument is a requirement
  • Two flexible 6″ goosenecks
  • Easy to install with a suction cup mount

27. Meinl Percussion Microphone

Meinl Percussion Microphone

Meinl Percussion Microphone, flat shaped condenser microphone with self-adhesive back, ideal for cajons, djembes or frame drums, 45cm cable with 6,3 mm jack adapter, condenser capsule: 20 – 20.000 Hz, frequency curve: wave (+/- 3 dB), max SPL 130db


28. the t.bone Lucan System CC 200 RC

the t.bone Lucan System CC 200 RC

the t.bone Lucan System CC 200 RC – Condenser Instrument Microphone; easy Installation with different holders for many instruments (optional); flexible gooseneck for easy positioning of microphone, incl. windscreen; removeable cable with screw terminal; 3 pin Mini XLR-plug for use with t.bone Wireless-Systems (works also with Sirus and AKG Wireless-Systems); Polar pattern: Cardioid; Frequency response; 30 – 20.000 Hz; Sensitivity: -38dB +/-2dB; Max SPL: 152dB; S/N ratio: 71dB; Impedance 100 Ohms; THD: <1%; incl. Phantompower Adapter (phantom power required) and Hardcase (space for one optional holder); length of gooseneck: 120 mm; cable length ca. 2m; Dimension of the Case (LxWxH): 26 x 13 x 7 cm


29. beyerdynamic M201TG Stereo Bundle

beyerdynamic M201TG Stereo Bundle

Bundle offer comprising:

  • 2 piece(s) beyerdynamic M201TG
  • Gravity MS STB 01 PRO

30. DPA 4099-DC-2

DPA 4099-DC-2

DPA 4099-DC-2, 4099 DPA Core Mic, Extreme SPL, condenser clip microphone, Supercardioid, 20 Hz – 20 kHz, max SPL 152 dB, Gooseneck length 145 mm, connectorr, Microphone diameter 5,4 mm, Microphone length 45 mm, Cable length 1,8 m ( Optional), weight 28 g, colour black


31. Rumberger TA3000 X- L Descant

Rumberger TA3000 X- L Descant

Rumberger TA3000 X- L. Descant microphone system for 120 bass- accordion and harmonica. elegant metal housing, power-on/off (mute) button, extremely low power consumption, ready for wireless operation, simplest usage uniform sound pickup, absolutely overload-proof, integrated filters (EQ’ s) for optimal sound, three separately adjustable, signals (treble, bass, vocals), input for optional vocal microphone,extremely low transmission of structure-borne sound,two-channel, configurable, output,battery status indicator. Powered by battery: 1,5 V Alkali AAA, Operating time: approx. 20-25 h. Polar pattern- descant: Sphere, Transmission range: 50 – 20.000 Hz, Output impedance: 600 Ohms, Output level: max. 0 dBu, Weight: 240 g, Length: TA3000X-L: 43,2 cm, Number of microphone capsules: TA3000X-L: 6.


32. the t.bone Lucan System Complete Bundle

the t.bone Lucan System Complete Bundle

Bundle offer comprising:

  • the t.bone Lucan System CC 200 BH
  • the t.bone Lucan System CC 200 SH
  • the t.bone Lucan System CC 200 MH
  • the t.bone Lucan System CC 200 PH
  • the t.bone Lucan System CC 200 CH
  • the t.bone Lucan System CC 200 VH
  • the t.bone Lucan System CC 200 GH
  • the t.bone Lucan System CC 200 RC

33. Rumberger TA3000eco L

Rumberger TA3000eco L

Descant Microphone System

  • For 120 bass accordion
  • Elegant metal housing
  • Push-button for Power-On/Off (mute)
  • Very low power consumption
  • Can be operated wirelessly
  • Output: 6.3 mm jack
  • Volume and tone control on the microphone
  • Easy operation
  • Uniform sound pickup
  • Absolutely overload-proof
  • Integrated filters (EQ’ s) for optimal sound
  • Battery status display
  • Extremely low transmission of structure-borne sound
  • Powered by battery: 1.5V alkaline AAA
  • Operating time: approx. 30 hours
  • Directional characteristic microphones: Cardioid
  • Frequency range microphones: 80 – 20,000 Hz
  • Output Impedance: 600 Ohm
  • Output level: Max. 0 dBu
  • Weight: 220 g
  • Length TA3000eco-L: 43.2 cm
  • Number of microphone capsules: 6
  • Including AAA alkaline battery, mounting kit (2 x mounting plates, 4 x screws) and operating instructions

34. Royer Labs R-122 MKII-Live Matched Pair

Royer Labs R-122 MKII-Live Matched Pair

Active ribbon microphone pair for live applications

  • Electrodynamic pressure gradient with active electronics
  • Directivity: Figure-8
  • Frequency range: 30 – 15000 Hz ± 3 dB
  • Requires 48 V phantom power
  • Sensitivity: -36 dB (1v/pa ± 1 dB)
  • -15 dB pad switch
  • 100 Hz low cut switchable
  • Inherent-noise: <18 dB
  • Output impedance: 200 Ohms
  • Max. sound pressure level: 135 dB (30 Hz)
  • Dimensions per microphone (L x W): 206 x 25 mm
  • Weight per microphone : 0.3 kg
  • Incl. transport case

35. Rumberger TA3000eco M

Rumberger TA3000eco M

Descant Microphone System

  • For 96 bass accordion
  • Elegant metal housing
  • Push-button for Power-On/Off (mute)
  • Very low power consumption
  • Can be operated wirelessly
  • Output: 6.3 mm jack
  • Volume and tone control on the microphone
  • Easy operation
  • Uniform sound pickup
  • Absolutely overload-proof
  • Integrated filters (EQ’ s) for optimal sound
  • Battery status display
  • Extremely low transmission of structure-borne sound
  • Powered by battery: 1.5V alkaline AAA
  • Operating time: approx. 30 hours
  • Directional characteristic microphones: Cardioid
  • Frequency range microphones: 80 – 20,000 Hz
  • Output Impedance: 600 Ohm
  • Output level: Max. 0 dBu
  • Weight: 195 g
  • Length TA3000eco-M: 37.1 cm
  • Number of microphone capsules: 5
  • Including AAA alkaline battery, mounting kit (2 x mounting plates, 4 x screws) and operating instructions

36. the t.bone Lucan System Multi Clip Bundle

the t.bone Lucan System Multi Clip Bundle

Bundle offer comprising:

  • the t.bone Lucan System CC 200 MH
  • the t.bone Lucan System CC 200 RC

37. the t.bone Ovid System CC 100 RC B-Stock

the t.bone Ovid System CC 100 RC B-Stock

Condenser Clip Microphone for the Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter
  • Removable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible goose neck for easy alignment on the instrument
  • Cable with Sennheiser EW connector for Sennheiser EW wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cable with Shure TQG plug and 3-pin TQG plug for the t.bone and AKG systems sold separately (not included)
  • Includes foam windscreen

38. Rumberger TA3000 X- S Descant

Rumberger TA3000 X- S Descant

Rumberger TA3000 X- S. Descant- microphone system for 72 bass- accordion and harmonica. elegant metal housing, power-on/off (mute) button, extremely low power consumption, ready for wireless operation, simplest usage, uniform sound pickup, absolutely overload-proof, integrated filters (EQ’ s) for optimal sound, three separately adjustable, signals (treble, bass, vocals), input for optional vocal microphone,extremely low transmission of structure-borne sound,two-channel, configurable, output,battery status indicator. Powered by battery: 1,5 V Alkali AAA, Operating time: approx. 20-25 h. Polar pattern- descant: Cardioid, Transmission range: 50 – 20.000 Hz, Output impedance: 600 Ohms, Output level: max. 0 dBu, Weight: 190 g, Length: TA3000X-S: 30,9 cm, Number of microphone capsules: TA3000X-S: 4.


39. Rumberger TA3000eco S

Rumberger TA3000eco S

Descant Microphone System

  • Suitable for 72 bass accordion and Styrian harmonica
  • Elegant metal housing
  • Push-button for Power-On/Off (mute)
  • Very low power consumption
  • Can be operated wirelessly
  • Output: 6.3 mm jack
  • Volume and tone control on the microphone
  • Easy operation
  • Uniform sound pickup
  • Absolutely overload-proof
  • Integrated filters (EQ’ s) for optimal sound
  • Battery status display
  • Extremely low transmission of structure-borne sound
  • Powered by battery: 1.5V alkaline AAA
  • Operating time: approx. 30 hours
  • Directional characteristic microphones: Cardioid
  • Frequency range microphones: 80 – 20,000 Hz
  • Output Impedance: 600 Ohm
  • Output level: Max. 0 dBu
  • Weight: 165 g
  • Length TA3000eco-S: 30.9 cm
  • Number of microphone capsules: 4
  • Including AAA alkaline battery, mounting kit (2 x mounting plates, 4 x screws) and operating instructions

40. Rumberger TA3000 X- S Descant and Bass

Rumberger TA3000 X- S Descant and Bass

Rumberger TA3000 X- S. Descant and SBS- 2 bass microphone system for 72 bass- accordion and harmonica. elegant metal housing, power-on/off (mute) button, extremely low power consumption, ready for wireless operation, simplest usage, uniform sound pickup, absolutely overload-proof, integrated filters (EQ’ s) for optimal sound, three separately adjustable, signals (treble, bass, vocals), input for optional vocal microphone,extremely low transmission of structure-borne sound,two-channel, configurable, output,battery status indicator. Powered by battery: 1,5 V Alkali AAA, Operating time: approx. 20-25 h. Polar pattern- descant: Cardioid, Polar pattern- bass: Sphere, Transmission range: 50 – 20.000 Hz, Output impedance: 600 Ohms, Output level: max. 0 dBu, Weight: 190 g, Length: TA3000X-S: 30,9 cm, Number of microphone capsules: TA3000X-S: 4. The “30-days Money-Back” guarantee (extended returns policy) for this special order is void.


41. Rumberger TA3000 X- L Descant and Bass

Rumberger TA3000 X- L Descant and Bass

Rumberger TA3000 X- L. Descant and SBS- 2 bass microphone system for 120 bass- accordion and harmonica. elegant metal housing, power-on/off (mute) button, extremely low power consumption, ready for wireless operation, simplest usage uniform sound pickup, absolutely overload-proof, integrated filters (EQ’ s) for optimal sound, three separately adjustable, signals (treble, bass, vocals), input for optional vocal microphone,extremely low transmission of structure-borne sound,two-channel, configurable, output,battery status indicator. Powered by battery: 1,5 V Alkali AAA, Operating time: approx. 20-25 h. Polar pattern- descant: Cardioid, Transmission range: 50 – 20.000 Hz, Output impedance: 600 Ohms, Output level: max. 0 dBu, Weight: 240 g, Length: TA3000X-L: 43,2 cm, Number of microphone capsules: TA3000X-L: 6.


42. the t.bone Lucan System Stand Bundle

the t.bone Lucan System Stand Bundle

Bundle offer comprising:

  • the t.bone Lucan System CC 200 SH
  • the t.bone Lucan System CC 200 RC

43. Rumberger TA3000 X- M Descant

Rumberger TA3000 X- M Descant

Rumberger TA3000 X- M. Descant microphone system for 96 bass- accordion. Elegant metal housing, power-on/off (mute) button, extremely low power consumption, ready for wireless operation, simplest usage uniform sound pickup, absolutely overload-proof, integrated filters (EQ’ s) for optimal sound, three separately adjustable, input for optional vocal microphone, signals (treble, bass, vocals), extremely low transmission of structure-borne sound,two-channel, configurable, output,battery status indicator. Powered by battery: 1,5 V Alkali AAA, Operating time: approx. 20-25 h. Polar pattern- descant: Sphere, Transmission range: 50 – 20.000 Hz, Output impedance: 600 Ohms, Output level: max. 0 dBu, Weight: 215 g, Length: TA3000X-S: 37,1 cm, Number of microphone capsules: TA3000X-M: 5. The “30-days Money-Back” guarantee (extended returns policy) for this special order is void.


44. Rumberger TA3000 X- M Descant and Bass

Rumberger TA3000 X- M Descant and Bass

Rumberger TA3000 X- M. Descant and SBS- 2 bass microphone system for 96 bass- accordion. Elegant metal housing, power-on/off (mute) button, extremely low power consumption, ready for wireless operation, simplest usage uniform sound pickup, absolutely overload-proof, integrated filters (EQ’ s) for optimal sound, three separately adjustable, input for optional vocal microphone, signals (treble, bass, vocals), extremely low transmission of structure-borne sound,two-channel, configurable, output,battery status indicator. Powered by battery: 1,5 V Alkali AAA, Operating time: approx. 20-25 h. Polar pattern- descant: Cardioid, Polar pattern- bass: Sphere, Transmission range: 50 – 20.000 Hz, Output impedance: 600 Ohms, Output level: max. 0 dBu, Weight: 215 g, Length: TA3000X-S: 37,1 cm, Number of microphone capsules: TA3000X-M: 5. The “30-days Money-Back” guarantee (extended returns policy) for this special order is void.


45. Rumberger SG- 2- M Vocal Micro Medium

Rumberger SG- 2- M Vocal Micro Medium

Rumberger SG- 2- M. The SG-2 can be attached to the top of the TA3000X and fastened. The condenser microphone convinces with its impressive sound and allows the musician a lot of freedom of movement on stage. The integrated equalizer makes the microphone sound very powerful and clear. Polar pattern: Cardioid, Microphontype: Condenser (Back-Elektret). Length: 23,5 cm


46. Rumberger SG- 2- L Vocal Micro Long

Rumberger SG- 2- L Vocal Micro Long

Rumberger SG- 2- L. The SG-2 can be attached to the top of the TA3000X and fastened. The condenser microphone convinces with its impressive sound and allows the musician a lot of freedom of movement on stage. The integrated equalizer makes the microphone sound very powerful and clear. Polar pattern: Cardioid, Microphontype: Condenser (Back-Elektret). Length: 28,5 cm


47. Rumberger SG- 2- S Vocal Micro Short

Rumberger SG- 2- S Vocal Micro Short

Rumberger SG- 2- S. The SG-2 can be attached to the top of the TA3000X and fastened. The condenser microphone convinces with its impressive sound and allows the musician a lot of freedom of movement on stage. The integrated equalizer makes the microphone sound very powerful and clear. Polar pattern: Cardioid, Microphontype: Condenser (Back-Elektret). Length: 18,5 cm


48. the t.bone Ovid System CC 100 RC B-Stock

the t.bone Ovid System CC 100 RC B-Stock

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional – not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 – 20,000 Hz
  • Flexible gooseneck for easy alignment on the instrument
  • 3-Pin mini XLR connector for operating with t.bone wireless systems – also suitable for AKG wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)
  • Foam windshield included

49. Myers Pickups The Grip Plus-6 with B B-Stock

Myers Pickups The Grip Plus-6 with B B-Stock

Pickup with bass extension

  • Comes with an active preamplifier with suction grip
  • 2x 6” gooseneck microphones for the treble side
  • 1x 47″ flexible microphone gooseneck for the bass side
  • Saddle clip with cork and rubber padding 8″
  • Feather clip with rubber boot and bumper/ shock absorber
  • Mini suction cup
  • 3x Myers microphone windscreens

Write your review and rate this rating The Best 49 Special Instrument Microphones

Top Special Instrument Microphones
Top 49 Special Instrument Microphones 2021
SOUND QUALITY
98
VALUE FOR MONEY
93
EASE OF USE
91
FEATURES
93
Reader Rating0 Votes
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94

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