GF

• Maxima Gold Line
• For metal tenor saxophone
• Fits like a tailor-made suit for the various mouthpiece types: Dave Guardala, Berg Larsen, Meyer, Zinner, Christoph Heftrig, Selmer Jazz, Zinner TS111, Lebayle, LAW A.D. Buzzer, Zinner Ed Sperber, Yanagisawa, Vandoren V16 Metal, S. Rascher, Brillhart, Caravan, Lakey Jazz, Lawton, Dukoff, F. Gregory, Otto Link
• Optimal fit and free vibration behaviour
• Includes 6 vibrating rollers - the GF Maxima band can be extended by 12.5 mm, making the facing length adjustable for each individual mouthpiece
• Twofold way of playing: by applying vertical pressure on the reed through a stainless steel plate or contact pressure by the GF system band. The imprinted crosshair facilitates reed adjustments and symmetric placement of the ligature
• Incl. mouthpiece capsule, precision screwdriver to change the vibrating rollers, safety stickers to stick on the mouthpiece back (4 units), foam rubber glue dots to glue in the capsule (4 units)

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For soprano saxophone metal mouthpieces
• Ligature with cap, screw gold plated
• Suitable for Selmer Jazz mouthpieces

• Maxima Gold Line
• Fits like a tailor-made suit for the various mouthpiece types: Berg Larsen, Zinner, Selmer, Dave Guardala, Yanagisawa, Christoph Heftrig, Meyer, Vandoren V16, Zinner Ed Sperber, Otto Link
• Optimal fit and free vibration behaviour
• Includes 6 vibrating rollers - the GF Maxima band can be extended by 12.5 mm, making the facing length adjustable for each individual mouthpiece
• Twofold way of playing: by applying vertical pressure on the reed through a stainless steel plate or contact pressure by the GF system band. The imprinted crosshair facilitates reed adjustments and symmetric placement of the ligature
• Incl. mouthpiece capsule, precision screwdriver to change the vibrating rollers, safety stickers to stick on the mouthpiece back (4 units), foam rubber glue dots to glue in the capsule (4 units)

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• Suitable for Baritone saxophone Selmer rubber mouthpieces as well as for the bass clarinets with Boehm system
• Ligature with a cap
• Real gold plated
• Suitable for Vandoren, Selmer, Schreiber ESM mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For soprano saxophone mouthpieces made of rubber or plastic
• Ligature with cap
• Plated screw
• Fits for Otto Link, Rico Royal, Vandoren, Yamaha and Yanagisawa mouthpieces

Due to a sophisticated mechanism (left-/right-hand threads of the spindle), a symmetrical pull is applied to the reed, such that it remains in the configured position. An imprinted crosshair on the ligature facilitates the set up of the reed.

• For alto saxophone metal mouthpieces
• Includes cap
• Nickel-plated
• Suitable for Berg Larsen, Selmer Metall, Zinner Ed Sperber, and Yanagisawa mouthpieces

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument. Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• Ligature with cap
• Gold-plated screw
• Suitable for Britone, Lebayle, Selmer S80, Vandoren and Zinner AS 61B mouthpieces

• For baritone saxophone standard mouthpiece (rubber)

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument.

Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• For Zinner BA 63 baritone saxophone mouthpieces
• Ligature with cap
• Gold-plated
• For mouthpieces from the folllowing manufacturers: Berg Larsen, Billhart, Otto Link, Meyer, Rico Royal, Yamaha, Vandoren, Yanagisawa, Zinner AS 77

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For soprano saxophone metal mouthpieces
• Ligature with a cap
• Real gold plated
• Suitable for Dave Guardala, Otto Link mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For baritone saxophone metal mouthpieces
• Ligature with cap
• Plated with real gold
• Suitable for Yanagisawa, Lawton mouthpieces