Preamps

• 2 RCA inputs and outputs
• Jack output
• Including power adapter

• Digitally controlled
• Integrated AVB and MADI connectivity
• SteadyClock FS
• Gain up to 75 dB for signals up to +18 dBu
• Signal-to-noise ratio 121.2 dB (A) on all channels
• integrated routing matrix
• LCD display
• Design: 19"/ 1 U

Connections:

• 4 x Microphone / line / instrument combo input XLR / jack 6.3 mm
• 8 x Microphone / line input XLR
• 3 x ADAT output
• MADI BNC input and output (MADI optical via optional SFP modules)
• 2 x Gigabit Ethernet (802.3 compliant)
• Word clock input and output
• 1 x Stereo headphone output 6.3 mm jack
• Connection for redundant power supply

• 4-Channel Class-A microphone preamplifier
• Switchable on each channel: 48V Phantom power, low cut filter and phase rotation
• Signal and clip LED per channel
• Connectors: 4x Mic / Line XLR input / 6.3 mm combo jack
• 4x 6.3 mm Line output jack
• Incl. power supply
• Optionally operable on battery power
• Format: 9.5" / 1 U

• Discrete Class A circuit
• Carnhill transformer
• 80 dB gain
• Incremented potentiometer
• Tone button for switching the input impedance
• Switch for phase reversal
• Low-cut filter 4-step switchable: 50, 80, 160, 300 Hz
• 3-Band induction coil EQ low-band Boost/Cut: 35, 60, 110, 220 Hz
• Mid-band Boost/Cut: 360, 700, 1600, 3200, 4800, 7200 Hz
• Treble-band Boost/Cut: 10, 12, 16 kHz
• Additional treble band EQ points
• LED meter
• 48V Phantom power
• Integrated 115 / 230V power supply
• Build: 19" / 2 U

Connections:

• 2 Microphone inputs: XLR
• 2 Line inputs: 6.3 mm jack
• 2 Instrument inputs: 6.3 mm jack
• 2 Insert inputs and outputs: 6.3 mm jack
• 2 Line outputs: XLR and 6.3 mm jack

Bundle offer comprising

• 2-Channel Tube Pre Amp with Class-A Technology

The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the sound character of acoustic instruments. Since even the differences of the used microphones are shown clearly up to the finest nuances, the Goldmike gives a lot of room to experiment.

The lively sound quality and extreme low noise predestine the Goldmike for digital recording. The dual-mono construction of the class A tube amp guarantees a perfect channel separation and thus enables high spatial imaging for stereo recordings from piano to choir.

With the Goldmike reinforcements up to 72 dB are possible. A full tube preamp can’t reach those values. The tube/ IC design of SPL, however, combines the tonal qualities of tubes (improved spatial imaging, high in detail, pleasant soft focus) with high, very linear amplification performance and excellent common mode rejection. Thus the Goldmike is the perfect pre amp, even for high-end HD recording, as the dynamic range of 111 dBu proves: This value is above the, in practice, achieved values of 24-bit recording.

Equipment: The FLAIR circuit enhances the presence and clarity of the signal and allows sound optimisation while recording in particular for voices.

In addition, the Goldmike has a high pass filter at 50 Hz, phase reverse switch, 30 dB pad, 48 V phantom power with separately filtered power supply, high quality Alps potentiometers, crackle-free switches, five LEDs for each channel, two illuminated VU meters, star point grounding for best sound quality, thick conductors for stable voltage supply, a complex filtered power supply (6000 µF in the main power supply, 400 µF in tube power supply), symmetrical XLR inputs and outputs as well as unbalanced jack outputs. The ground-lift circuit helps to avoid ground loops.

• Dynamic Range 111 dB
• Reinforcements to 72 dB
• Two separate mono pre amplifiers
• Suitable especially for HD recording
• 48V phantom power
• Phase reverse switch
• Pad function
• Low cut filter and "FLAIR" circuit
• Improved vocal presence
• Very clear, warm sound
• XLR Mic input
• XLR Line out symmetrical, 6.3 mm jack unbalanced line out
• 19" Rackmount 2U

• Studio large diaphragm microphone
• Polar pattern: Cardioid
• Frequency range: 20 - 18.000 Hz
• Sensitivity: 18 mV/Pa -36 +/-2 dB (0 dB=1V/Pa 1000 Hz)
• Equivalent sound pressure level: 18 dB (A weighted)
• Max. SPL for 0.5 % THD @1000 Hz: 126 dB
• External low cut and -10db pad switch
• Balanced transformer
• Requires 48V phantom power
• Connection: 3-pin XLR
• Dimensions (max. diameter x length): 50.5 x 190 mm
• Incl. Shock mount and PVC case

• Professional microphone cable
• Length: 6 m
• Black Yongsheng XLR plug (made by Neutrik)
• Incl. hook and loop fastener

• Ultra High Quality Class A Frontend Version
• Two-channel
• Extremely low-noise microphone preamp with excellent sound characteristics and deluxe features
• Ideal addition to mixers with unsatisfactory preamps or for "direct to tape" recording

• Electronically balanced input via XLR
• Gain 0 ... +66 dB switchable in 12 steps of 6 dB
• Deactivatable gain fine adjustment with centre-lock potentiometer +/- 5 dB
• Deactivatable Lo-Cut, 12 dB / oct. with variable use 12 ... 250 Hz
• Noise -129 dB at 60 dB gain
• Pad switch for -12 dB pre-attenuation
• Programmable intelligent muting system
• Phantom power 48 V switchable
• Phase reversal switchable
• 16-Level fast level meter
• 0 ... -36 dBr on the front, calibrated
• Additional separate clip display
• 2x balanced outputs via XLR
• Option: Transformer balanced outputs
• Option: Option: GP-I/0 eg for mute control / red light

• 100% discrete, transformer-balanced circuit
• Altran USA Custom wrapped premium input and output transformers
• X520 operational amplifiers in each channel (exchangeable if required, as plugged on base)
• 65 dB gain
• Transmitter-balanced XLR and active instrument inputs
• Transformer-balanced XLR and jack outputs
• TONE switch changes the impedance of the microphone and instrument preamp from 600 to 150 ohms
• -20 dB pad (affects microphone and instrument preamps)
• +48 V phantom power
• LED metering
• Output-Trim control for precise volume control and saturation effects
• Internal power supply
• Format: 19 "/ 1U

• With digital out, stereo
• Based on the well-known Class A amplifiers
• Legendary Neve sound
• trafosym i/os
• With ADC up to 192 kHz and DSD
• Analogue insert point ahead of AD converter
• Size: 19" / 1 RU

• From the Scarlett series
• With integrated AD / DA converter 24-bit
• Up to 192 kHz
• Adjustable analogue soft knee compression per channel
• "More" switch to double the ratio
• 8x microphone / line combo input XLR / 6.3 mm jack
• Input 1 + 2 can be used as instrument inputs
• 8x line output 6.3 mm jack balanced
• 2x ADAT input and output
• BNC word clock input and output
• + 48V phantom power
• LED display
• Integrated power supply
• Type: 19 ", 1 U
• Weight: 3.38 kg

Hitmaker Expansion Plugins:

• Softube Marshall Silver Jubilee 2555 - Amp Sim
• XLN Audio Addictive Keys - Virtual Keyboard Instruments
• XLN Audio Addictive Drums 2: Studio Rock - Virtual Drum Library
• Brainworx bx_oberhausen - Polysynth
• Antares Auto-Tune Access - Vocal Tuning
• Brainworx Bx_console Focusrite SC - Channel Strip
• Focusrite Red 2 & 3 Plug-in Suite - EQ and Compressor
• Relab's LX480 Essentials - Reverb
• Brainworx bx_masterdesk - Mastering System

• Classic 312A preamplifier design
• Half rack housing
• Input and output transformer from Cinemag
• Hi-Z input on the front side
• Phase reversal and 18 dB pad switch
• Stepped gain control
• Switchable 48 V phantom power
• Inputs: 1x XLR (balanced), 1x jack (unbalanced)
• Output: 1x Jack (balanced)
• External power supply
• Height: 1 U
• Width: 9.5" (rack mount possible)
• Weight: 1.5 kg

• For condenser microphones
• Extremely low-noise Class A JFet amplifier
• XLR 3-pin female to XLR 3-pin male
• 18 dB gain (@3 kOhm load)
• 4 Coordinated JFets
• 48 V Phantom power
• Transfers phantom power to the microphone

• For ribbon and dynamic microphones
• Switchable gain (12/20 dB)
• Frequency range: 20 to 20000 Hz
• 48 V Phantom power supply
• Class-A input stage
• High-impedance XLR input and low-impedance XLR output XLR
• Dimensions (W x H x D): 51 x 41.3 x 92 mm
• Weight: 170 g

The device has germanium transistors, which enable a completely new, hitherto unknown variety of sound. Nowadays no other devices with the sound properties of germanium are produced. The incredibly soft sounding germanium transistors were also the basis of early transistor devices from Neve (1053, 1055, 1057), EMI (TG 12345 MK1), Telefunken and Fairchild.

People who are familiar with those classics can confirm the special sound of the germanium transistors. The germanium series has a very high headroom of + 34 dB. The sound is warm and soft, as with many vintage devices, you can, however, also achieve completely new sound characteristics with the preamp.

• New microphone preamplifier with germanium transistors
• Requires optional PSU-1 power supply

• Based on the circuit design of the legendary V76 preamp
• EF86/EF806 tubes
• 2 Cinemag input transformers for microphone- and line-inputs
• Cinemag output transformer (solid-state stage alternatively selectable)
• The input gain and output level are separately adjustable
• Up to +76 dB gain
• Phantom power: +48 V
• Pad switch: 10 dB
• DI input for instruments (input impedance: 3.9 MOhm)
• Phase reverse switch
• Switchable bass and treble boost (each with two levels)
• Input impedance switchable between 10 kOhm, 900 Ohm and 2400 Ohm
• Switchable high-pass filter (80 Hz or 160 Hz)
• Attenuator with -6 dB or -12 dB for the output stage available
• Frequency response: 10 Hz - 50 kHz (+/- 3 dB)
• Maximum output level: +32 dBu
• 2x Microphone input (XLR)
• 2x Line input (XLR)
• 2 x Line/instrument input (6.3 mm jack)
• 2x Line output (XLR)
• Ground lift switch
• Dimensions: 19" / 1 HE
• Weight: 7.29 kg

• 1 Channel
• Mic / Line / Instrument input
• Insert
• Line out / DI out
• Switchable impedance
• Headphone output with volume control
• VU meter
• High pass filter
• Switchable phantom power: 48V
• Optional AD converter: 192 kHz
• Dimensions (W x H x D top to bottom): 220 x 104 x 254 - 290 mm
• Weight: 3.9 kg

• '73 style Microphone preamplifier
• Equalizer in '81 style
• Max. gain: +80 dB
• Discrete class A technology with Carnhill and St. Ives input and output transformers
• Output control
• -20 dB pad
• Phase reverse switch
• Phantom power: +48 V
• Induction-based 4-band EQ
• Low-pass filter: 3.9 - 5.6 - 8.2 - 12 - 18 kHz
• High-pass filter: 27 - 47 - 82 - 150 - 270 kHz
• Low EQ (peak or shelving): 33 - 56 - 100 - 180 - 330 Hz
• Low-Mid EQ points (with Hi-Q): 220 - 270 - 330 - 390 - 470 - 560 - 680 - 820 - 1000 - 1200 Hz
• High-Mid EQ points (with Hi-Q): 1.5 - 1.8 - 2.2 - 2.7 - 3.3 - 3.9 - 4.7 - 5.6 - 6.8 - 8.2 kHz
• High EQ (peak or shelving): 3.3 - 4.7 - 6.8 - 10 - 15 kHz
• 1 Microphone input: XLR
• 1 Line input: XLR
• 1 DI input: 6,3 mm jack
• 1 Line output: XLR
• Format: 19" / 1 U