GF

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• Suitable for Yamaha Boehm bass clarinet and Zinner Nr 39 mouthpieces
• Includes cap
• Nickel-plated

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For tenor saxophone metal mouthpieces
• Ligature with a cap
• Real gold plated
• Suitable for Berg Larsen, Lawton, Yanagisawa mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For Bb clarinet (German system)
• Ligature plated with cap
• For Keilwerth, Willscher, Yamaha and Zinner Nr.22 mouthpieces

Gewa by Korolia Violin Bridge Standard Supreme 4/4 41,0mm, raw bridge, that has to be adjusted, distance between the feet: 41,00mm, standard shape.

• Maxima Gold Line
• For soprano saxophone rubber / ebonite
• Fits like a bespoke suit for various mouthpiece types: ESM, Yamaha, RC-Meyer, G4-Meyer, Pomarico, Claude Lakey, Rico Royal, Vandoren, Yamaha Custom, Selmer SD-20, Selmer SD-80/S-90/200, Selmer Super Session, Pomarico Glas, ESM Jazz, Lebayle, Zinner AS 61B, Briton, Keilwerth, Vandoren Jumbo, Vandoren V5, Runyon, Francois Louis, Berg Larsen, Vandoren Ebonite V16, Zinner AS77, Brillhart, Meyer, Yanagisawa, Otto Link, Caravan, Lakey Jazz
• Optimal fit and free swinging behaviour
• Includes 6 oscillating rollers - this allows for the individual extension of the GF Maxima band by 12.5 mm, so that the correct facing length can be adjusted for each mouthpiece
• Double function: Vertical pressure of the reed by means of a stainless steel pressure plate or pressure by the GF system tape. The printed crosshair facilitates both the setting up of the reed and the symmetrical location of the ligature
• Includes mouthpiece cap, a watchmaker screwdriver for changing the oscillating rollers, safety stickers for sticking on the mouthpiece back (4 units), foam rubber glue sticks for sticking into the cap (4 units)

• Maxima Silver Line
• For B-Clarinet with German mouthpiece
• Optimal fit and free swinging behaviour
• Including 6 oscillating rollers - this allows for the individual extension of the GF Maxima band by 12.5 mm, so that the correct tracking distance can be adjusted for each mouthpiece
• Double play: vertical pressure of the reed by means of a stainless steel pressure plate or pressure by the GF system tape.
• The printed thread cross facilitates both the setting up of the reed and the symmetrical seat of the ligature
• Including Mouthpiece capsule, a watchmaker screwdriver for changing the oscillating rollers, Safety stickers for sticking on the mouthpiece back (4 units), foam rubber glue sticks for sticking into the capsule (4 units)

It is the perfect fit for any type of mouthpieces:

• ESM and ESM Jazz
• Yamaha and Yamaha Custom
• RC-Meyer
• G4-Meyer
• Pomarico and Pomarico Glas
• Claude Lakey
• Rico Royal
• Selmer SD-20, SD-80/S-90/200 and Super Session
• Lebayle
• Zinner AS 61B and AS 77
• Briton
• Keilwerth
• Vandoren Jumbo, V5 and Ebonite V16
• Runyon
• Francois Louis
• Berg Larsen
• Brillhart
• Yanagisawa
• Otto Link
• Caravan
• Lakey Jazz

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For baritone saxophone and plastic mouthpieces
• Ligature with a cap
• Gold plated screw
• Suitable for Yamaha (5C) mouthpieces

Gewa by Korolia Violin Bridge Economy 1/2, raw bridge, that has to be adjusted, standard shape.

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For baritone saxophone rubber and plastic mouthpieces
• Ligature with a cap
• Real gold plated
• Suitable for Schreiber ESM, Vandoren, Yanagisawa, Keilwerth and Selmer S80 mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For soprano saxophone metal mouthpieces
• Ligature with a cap
• Real gold plated
• Suitable for Yanagisawa mouthpieces

• Maxima Silver-Line
• For basset horn and Bb clarinets Böhm mouthpieces
• Custom-made for the various mouthpiece types ESM, Yamaha, RC-Meyer, G4-Meyer, Pomarico, Claude Lakey, Rico Royal, Vandoren, Yamaha Custom, Selmer SD 20, Selmer SD-80/S-90/200, Selmer Super Session, Pomarico glass, ESM Jazz, Lebayle, Zinner AS 61B, Briton, Keilwerth, Vandoren Jumbo, Vandoren V5, Runyon, Francois Louis, Berg Larsen, Vandoren Ebonite V16, Zinner AS77, Brillhart, Meyer, Yanagisawa, Otto Link, Caravan, Lakey Jazz
• Optimal fit and free vibration behaviour
• Including 6 vibrating rollers - the GF Maxima band can be extended by 12.5 mm, making the length adjustable to each individual mouthpiece
• Twofold way of playing: by applying vertical pressure on the reed through a stainless steel plate or contact pressure by the GF system band. The imprinted crosshair facilitates the setting of the reed, keeping the seat of the ligature symmetrical
• Incl. mouthpiece capsule, precision screwdriver to change the oscillating rollers, Safety stickers to stick on the mouthpiece back (4 units), foam rubber glue dots to glue in the capsule (4 units)