Golden Age Premier

• Suitable for microphone, line and instrument signals
• Discrete design
• No integrated circuits in the signal path
• Maximum input gain: Mic 80 dB, Line: -20 to +10 dB
• Switchable impedance: 1200 or 300 Ohm
• Switchable +48V phantom power
• Switchable polarity
• 2-Band LF and HF shelving EQ with 2 selectable frequencies
• Coil-based centre EQ with 3 selectable frequencies
• Combo input XLR/jack 6.3 mm
• Combo output XLR/jack 6.3 mm
• Design: 9.5", 1 U
• Includes power supply

Golden Age Premier PRE-73 Jr MKII; 1-channel microphone, line and instrument preamplifier; discrete design; Carnhill input and line output transformers; vintage style class-A electronics; gain control 20 - 70 dB; two-stage HF air boost equaliser (3 dB and 6 dB @ 30 kHz); two-stage HP filter 6 dB / octave (40 Hz and 170 Hz); +48V phantom power switchable; incl. external power supply; connections: 1x microphone / line input XLR / 6.3 mm jack combo, Hi-Z instrument input 6.3 mm jack, 1x line output XLR and 6.3 mm jack, 1x insert 6.3 mm jack; construction: desktop format

• 1-Channel Microphone/Line/Instrument Preamplifier in vintage style
• No circuits in the signal path, only discrete elements such as resistors, capacitors, and transistors
• Carnhill input and output transformers
• Max. gain: 80 dB (microphone)
• Gain range: -10 to +80 dB
• Impedance, switchable: 1200 / 300 Ohm
• High pass filter, switchable: 45 / 180 Hz
• AIR EQ: 6 dB boost at approx. 30 kHz
• Phase reversal switch
• +48 V phantom power, switchable
• DI instrument input 6.3 mm jack on the front
• Design: 500 Series module

• Polar pattern: Eight
• Frequency range: 30 - 18,000 Hz (+/- 3dB)
• Sensitivity: 40 dB (0 dB = 1V/Pa) @ 1 kHz
• Max. SPL (
• Output impedance: 200 Ohm balanced
• Recommended load impedance: > 1000 Ohm
• Highpass filter: -3dB @ 160Hz, 6 dB / octave
• Pad: -10 dB
• Requires a +48 V phantom power
• Dimensions: 69 x 185 mm
• Weight: 820 g

• Vintage style electronics
• No integrated circuits in the signal path
• 3 Bands
• Frequency selection with detented pots
• Frequency range: 20 to 24,000 Hz
• Control range +/- 18dB
• Bypass per frequency band
• Tantalum capacitors in signal path
• Burr Brown OPA 2602 IC for balanced output
• Carnhill coil in the midrange section
• Ground lift switch
• 1 Line input: combo XLR/6.3 mm jack
• Line output: XLR and jack 6.3 mm
• Insert: 6.3 mm jack
• Incl. external power supply

• Handmade in U-47 style
• Rogers board with a point-to-point wiring
• Polar pattern: cardioid and omnidirectional
• Frequency range: 20 - 20,000 Hz
• Max. SPL: 140 dB
• Equivalent noise level: 10 dB
• Impedance: 200 Ohm
• An integrated NOS Telefunken tube of the 800 series
• Incl. power supply with connection cable, spider and transport case

• No integrated circuits in the signal path
• Fully soldered, connectorless internal design
• Carnhill microphone input and line output transformers
• Classic 1073 style gain switch (23 positions)
• Switchable phantom power: +48 V
• AIR EQ (3/6 dB boost at approx. 30 kHz)
• High pass filter switchable (50, 80, 160, 300 Hz)
• Microphone / line / instrument combo input: XLR / jack 6.3 mm balanced
• Line output: XLR / jack 6.3 mm
• Insert: 6.3 mm jack
• Design: 9.5", 1U
• Incldues external power supply

• Pressure gradient transducer
• Switchable polar pattern: Omnidirectional, figure-of-eight, cardioid
• Frequency range: 20 Hz - 20 kHz
• Sensitivity: -34.5 dBV
• Max. SPL: 136 dB
• Output impedance: 200 Ohm
• K251D capsule
• EH6072A tube
• Dimensions (length x diameter): 220 x 52 mm
• Weight: 0.58 kg
• Incl. power supply and elastic microphone mount

• With active semiconductor cooling system
• Directional characteristic: Cardioid, omni-directional
• Frequency range: 20 - 20,000 Hz
• Max SPL: 137 dB (cardioid), 140 dB (omni-directional)
• Signal-to-Noise ratio: 76 dB
• Tube: 6AU6
• Sensitivity: -33 dB/Pa
• Low noise / distortion due to the integrated cooling system
• Colour: Black
• Includes microphone shock-mount Rycote USM-VB and power supply

• Discretely constructed
• Carnhill input and line output transformers
• Max. gain: 80 dB
• Rasterized Gain control with 23 positions in 5 dB steps - Gain range 20 to 80 dB for microphone
• Switchable impedance in microphone mode: 1200 or 300 Ωs
• Hi-Pass filter: 80 Hz and 200 Hz adjustable
• Switchable Air EQ boost function (3 or 6 dB at 30 kHz)
• Switchable 48V phantom power
• Phase reverse switch
• Microphone/Line combo input XLR/1/4"jack balanced
• Instrument input 6.3 mm jack
• Line output XLR and 1/4"jack balanced
• Design: Desktop
• Format: 9.5" / 1 RU
• External power adapter included

• Handmade capsule modelled after the M250 / M251 microphones
• "New Old Stock" Philips 5480W tube
• Rogers board with a point-to-point wiring
• Specially manufactured output transformer
• Switchable cardioid / omnidirectional polar pattern
• Frequency range: 20 - 20,000 Hz
• Max. sound pressure level: 136 dB
• Sensitivity: 16 mV / Pa
• Signal-to-noise ratio: 85 dBA
• Impedance:
• Capsule diameter: 34 mm
• Microphone dimensions (L x Ø): 250 x 50 mm
• Microphone weight: 600 g
• Dimensions of the power supply unit (W x H x D): 200 x 100 x 100 mm
• Weight of the power supply unit: 1.5 kg
• Incl. carrying case, microphone case, power supply unit, elastic suspension and XLR connection cable