Schoeps

This frequency response characteristic falls between that of the MK 2 and the MK 3, making the capsule suitable for a wide range of applications.

The MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. This model has become our most popular pressure transducer.

• Polar pattern: Omidirectional
• Slight high-frequency rise to compensate for losses at moderate recording distances
• For a very wide range of recording applications
• omnidirectional
• Frequency response: 20 Hz - 20 kHz
• Sensitivity: 12mV / Pa
• Equivalent noise level: 12 dBA
• Signal to noise ratio: 82dBA
• Max. sound pressure level (at 0.5% THD): 132 dB
• Colour: Grey

• With the highest quality
• Figure-8 dipole diaphragm
• Frequency range: 40 - 16,000 Hz
• Impedance: 90 Ohm
• Sound pressure level: 134 dB max.
• 48 Volt phantom
• Length: 46 - 58 mm
• Diameter: 20 mm
• Weight: 43 grams
• Colour: Grey
• Incl. connection cable and storage box

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS microphone type (a loudspeaker should not be located directly along the rear axis of the microphone, however).

Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the capsule produces a very natural sound pickup. This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies.

The CCM 41 is a surprisingly effective, space-saving alternative to shotgun microphones – and being small, it can often be placed closer to the sound source.

An M/S microphone arrangement can be set up at quite some distance from the sound source if an CCM 41 is used for the “M“ channel.

• The highest quality
• Super-cardioid
• High directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies
• Highly consistent directionality throughout its frequency range
• Frequency range: 40 Hz - 20 kHz
• Sensitivity: 14 mV/Pa
• Equivalent noise level (A-weighted): 15 dB-A
• Equivalent noise level (CCIR): 24 dB
• Signal-to-noise ratio (A-weighted): 79 dB-A
• Maximum sound pressure level at 0.5% THD 132 dB-SPL
• Length: 46 - 58 mm
• Weight: 43g
• Includes connection cable
• Surface: Matte grey

• Consists of 2x paired SCHOEPS CMC 6 microphone amplifiers and 2x MK 2 near-field omni capsules
• Includes 2x SG20 microphone clips and 2x B5D windshields in an elegant wooden case

• Of the highest quality
• Cardioid
• Frequency range: 40 - 20,000 Hz
• Impedance: 90 Ohm
• 48 Volt phantom power required
• Dimensions: Length 46-58 mm, diameter 20 mm
• Weight: 43 grams
• Colour: Grey
• Connection cable and protective box included

• Consisting of wind shield R1 and W 20 R Wind protection basket W 20 R
• Wind noise attenuation at 18 km / h with balls 43 dB-A, with a supercardioid 51 dB-A
• Diameter: 90 mm
• Colour: grey

• Consisting of 2 paired SCHOEPS CMC 6 microphone amplifiers and 2 MK 4 cardioid capsules
• Includes 2x SG20 microphone clamps and 2x B5D windscreen in elegant wooden case

More info

• Battery supply: No
• Directional microphone: No
• Stereo pair: Yes
• Switchable lowcut: No
• Switchable pad: No
• Kidney profile

• Dimensions: 70 mm × Ø 45 mm (max)
• Colour: grey (standard)

• compatible with all existing MK capsules, active Colette accessories and passive accessories of the CCM series
• Supply voltage: 12 / 48 V
• Current consumption at 12 V: 3 mA
• Current consumption at 48 V: 2 mA
• Maximum cable length: 400 m
• Frequency range: 20 - 20000 Hz
• Maximum output voltage: 1.8 V (5 dbV), at 1 kOhm load
• Max sound pressure level: 135dB-SPL (48V)/131dB-SPL (12V)
• Length: 25.5 mm
• Diameter: 20 mm
• Weight: 28 g
• Colour: Matt grey
• Includes 5 m adapter cable K 5 LU and stand clamp SGC

• Suitable for the Schoeps Colette modular series
• Figure 8
• Frequency range: 40 - 16,000 Hz
• Max. SPL: 134 dB
• Bright, neutral sound
• Highly suitable dor MS stereo miking
• Colour: anthracite

• Suitable for CMIT 5
• Wind noise attenuation at 18 km / h 18 dB-A
• Length: 140 mm
• Diameter: 41 - 50 mm
• Colour: Anthracite

• Exceptionally low sound discolouration
• Also exceptionally suitable for music recordings
• The sound remains unchanged when rotating the microphone along its longitudinal axis
• Three switchable active filters for high frequency boost from 10 kHz
• High slope low cut filter: 18 dB/oct. from 80 Hz
• Soft inserting low attenuator: 6 dB/oct. from 300 Hz
• Frequency range: 40 Hz - 20 khz
• 48V Phantom power required
• Colour: blue
• Incl. wooden case, windshield W 140 and stand clamp SG 20

• At the front end: Lemo socket
• At the output end: Lemo plug for the existing adapter cable of the CCM_L
• With a swivel joint at the front end: Angle range: 0° (fully extended) to 120°
• Length: 700 mm
• Colour: Grey

• 2 x Paired SCHOEPS CMC 6 microphone amplifiers
• 2 x MK 5 capsule, switchable polar pattern
• Includes 2 x SG20 microphone clip
• Includes 2 x B5D windscreen
• Comes in an elegant wooden case

• Switchable characteristic between omnidirectional/ cardioid
• 20 (40) - 20000 Hz
• 133 (132) dB SPL max.
• Suitable for CMC 6 pre-amp
• Matt grey housing

The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).

Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without colouration. Consequently, even distant placement of the capsule produces a very natural sound pickup. This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Thus the MK 41 are surprisingly effective, space-saving alternatives to shotgun microphones – and being small, they can often be placed closer to the sound source.

An M/S microphone arrangement can be set up at quite some distance from the sound source if an MK 41 is used for the “M“ channel.

• Super-cardioid
• High directivity, comparable to mid frequencies with standard (short) shotguns
• High frequency independence of the polar diagram
• Frequency range: 40 Hz - 20 kHz
• Sensitivity: 13mV/Pa
• Equivalent noise: A-weighted: 16 dB-A
• CCIR: 24 dB
• Noise ratio, A-weighted: 78 dB A
• SPL (at 0.5% THD): 132 dB
• Surface: Matte grey
• Suitable for CMC 6 Pre-Amp