Schoeps

• Compatible with all existing MK capsules, active Colette accessories and passive accessories of the CCM series
• Supply voltage: 12 / 48 V
• Power consumption at 12 V: 3 mA
• Power consumption at 48 V: 2 mA
• Maximum cable length: 400 m
• Frequency range: 20 - 20000 Hz
• Maximum output voltage: 1.8 V (5 dbV), at 1 kOhm load
• Max sound pressure level: 135dB-SPL (48V)/131dB-SPL (12V)
• Length: 25.5 mm
• Diameter: 20 mm
• Weight: 28 g
• Colour: Matt grey
• Includes 5 m adapter cable K 5 LU and stand clamp SGC

• Suitable for the Schoeps Colette modular series
• Figure 8
• Frequency range: 40 - 16,000 Hz
• Max. SPL: 134 dB
• Bright, neutral sound
• Highly suitable dor MS stereo miking
• Colour: anthracite

• Open cardioid
• Low frequency dependence of directivity
• Pleasant, often described as warm sound
• Transmission range: 40 - 20,000 Hz
• Sensitivity: 10mV / Pa
• Replacement noise level: 14 dBA
• Noise level distance: 80 dBA
• Boundary sound pressure level (at 0.5% THD): 131 dB
• Colour: Grey

• Consists of 1x SCHOEPS CMC 1 U, microphone amplifier and 1x MK 41 capsule
• Polar pattern: Supercardioid
• Frequency range: 40 - 20.000 Hz
• Sensitivity: 13mV/Pa
• Max. sound pressure level: 135 dB
• Signal-to-noise ratio: 80dB-A
• Colour: Grey
• Includes 1x SG20 microphone clip, 1x B5 windscreen and 1x cable tie in an elegant wooden case

The basic idea in designing this capsule was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics. It has fuller and more extended low-frequency response than a cardioid, with less proximity effect, while picking up more room sound than a cardioid.

The polar diagram shows the directivity of the MK 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.

The polar diagram shows the directivity of the MK 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.

The MK 21’s orientation is less critical than with a cardioid, since direct sound arriving on axis and reverberant or other sounds off axis are both reproduced accurately. This lack of coloration in the off-axis pickup produces a “warm” and natural sonic impression.

The low directivity of this capsule type prevents it from generating large enough level differences for X/Y use, though M/S and near-coincident spacings are often successful.

Together with the cardioid and supercardioid, this is one of the most preferred types among our capsules.

• Especially consistent directionality throughout its frequency range
• Pleasant sonic impression, often described as “warm”
• Frequency response: 30 Hz - 20 kHz
• Sensitivity: 10mV / Pa
• Equivalent noise level: 16 dBA
• Signal-to-noise ratio: 78 dBA
• Maximum sound pressure level (at 0.5% THD): 134 dB
• Colour: Grey

This frequency response characteristic falls between that of the MK 2 and the MK 3, making the capsule suitable for a wide range of applications.

The MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. This model has become our most popular pressure transducer.

• Polar pattern: Omidirectional
• Slight high-frequency rise to compensate for losses at moderate recording distances
• For a very wide range of recording applications
• omnidirectional
• Frequency response: 20 Hz - 20 kHz
• Sensitivity: 12mV / Pa
• Equivalent noise level: 12 dBA
• Signal to noise ratio: 82dBA
• Max. sound pressure level (at 0.5% THD): 132 dB
• Colour: Grey

• At the front end: Lemo socket
• At the output end: Lemo plug for the existing adapter cable of the CCM_L
• With a swivel joint at the front end: Angle range: 0° (fully extended) to 120°
• Length: 700 mm
• Colour: Grey

It can operate on both 12V and 48V phantom power and has low output impedance (25 ohms to P12 and 35 ohms to P48, respectively). The current consumption is 8 mA (P12) or 4 mA (P48).

Externally, the CMC 6 xt differs from the standard version only in the engraving by an "xt" for "extended" on the back. But the essential thing is its CMC 6-based circuit, which has been extended to continue the high-frequency response up to 40kHz.

• With extended frequency response up to 40 kHz
• For capsules from the MK series
• Powered by 12V - 48V phantom power
• Especially low-impedance output, for long cable lengths (up to 100m)

• Exceptionally low sound discolouration
• Also exceptionally suitable for music recordings
• The sound remains unchanged when rotating the microphone along its longitudinal axis
• Three switchable active filters for high frequency boost from 10 kHz
• High slope low cut filter: 18 dB/oct. from 80 Hz
• Soft inserting low attenuator: 6 dB/oct. from 300 Hz
• Frequency range: 40 Hz - 20 khz
• 48V Phantom power required
• Colour: blue
• Incl. wooden case, windshield W 140 and stand clamp SG 20