Silverstein

• For saxophone mouthpieces made from metal
• Size #04: Metal medium/Eb clarinet
• Six times wrapped with the 2nd generation of the Silverstein string
• 4 Fine-adjusters for harmonious and better functionality
• With cord end to prevent displacement and deformation of the cord
• Colour: Rose gold, adorned by hand with crystals
• Includes mouthpiece cap, as well as anti-slip pad for quickly changing the ligature
• Handmade in the USA

Suitable for the Following Alto Saxophone Metal Mouthpieces:

• Otto Link: Tone Master
• Theo Wanne: Durga, Kali

Suitable for the Following Tenor Saxophone Metal Mouthpieces:

• Beechler: ARB
• Dukoff: Metal D5
• Jody Jazz: DV, DV NY, DV CHI
• Lebayle: Liebman, LR, diverse
• Otto Link: Tone Master
• Peter Ponzol: M2
• Ted Klum: FocusTone
• Theo Wanne: Brahama, Datta, Mantra
• Also suitable for Vandoren V16 Soprano Rubber Mouthpiece

• Strength: 3.0+
• Concert reed with round and warm sound
• Full timbre at any volume
• Perfect and clear altissimo
• Sounds like bamboo
• Absorbs 2 to 3% moisture
• Improves after 2 minutes of playing
• Breaks in like bamboo during the first 30 minutes
• During this process the inner structure of the tube is aligned with your mouthpiece and embouchure (first time only)
• Made with precise chemical technology that ensures a high consistency of all reeds
• The reed can be treated with a reed knife or sandpaper
• Made from environmentally friendly food grade material

• Thickness: 4.0
• Boehm System
• The cheapest synthetic reed of the 2nd generation
• Cut and profile similar to the PRIMO reed
• Has more mass than the VIVACE reed
• Well suited for pupils and students

• For bass clarinet mouthpieces (Boehm) made from plastic or rubber
• Size #11
• Six times wrapped with the 2nd generation of the Silverstein string
• 4 Fine-adjusters for harmonious and better functionality
• With cord end to prevent displacement and deformation of the cord
• Suitable for all Vandoren and Selmer (Boehm) bass clarinet mouthpieces made from rubber or plastic
• For the German bass clarinets, we recommend the small tenor ligature
• Colour: Rose gold, adorned by hand with crystals
• Includes mouthpiece cap, as well as anti-slip pad for quickly changing the ligature
• Handmade in the USA

• Strength: 2.5
• Alta Ambipoly PRIMO Series
• For advanced clarinetists
• Offers a reasonable amount of resistance with full harmonics in all registers
• Conventional reed tip for a clarinet
• Thicker heart
• Produces a warm sound with a strong core
• Good projection with a centred sound
• For solo performances and studio recordings
• Manufactured using environmentally-friendly food-grade materials

• Strength: 3.5
• Concert reed with round and warm sound
• Full timbre at any volume
• Perfect and clear altissimo
• Sounds like bamboo
• Absorbs 2 to 3% moisture
• Improves after 2 minutes of playing
• Breaks in like bamboo during the first 30 minutes
• During this process the inner structure of the tube is aligned with your mouthpiece and embouchure (first time only)
• Made with precise chemical technology that ensures a high consistency of all reeds
• The reed can be treated with a reed knife or sandpaper
• Made from environmentally friendly food grade material

• For clarinet mouthpieces - Boehm and German systems
• Size: #06: Clarinet small
• Six times wrapped with the 2nd generation of the Silverstein string
• 4 Fine-adjusters for harmonious and better functionality
• With cord end to prevent displacement and deformation of the cord
• Colour: Black, adorned by hand with crystals
• Includes mouthpiece cap, as well as anti-slip pad for quickly changing the ligature
• Handmade in the USA

Suitable for the Following Boehm Clarinet Mouthpieces:

• Beechler: Diamond Inlay
• Buffet: Buffet Crampon
• D'Addario (Rico): Reserve XO
• Otto Link: Tone Edge
• Theo Wanne: Gaia
• Yamaha: 4C
• Zinner Blank

• For alto saxophone mouthpieces made of plastic or rubber
• Size #08: Alto medium
• This reed screw combines the free sound of a string winding with the easy handling of a leather reed screw
• 6 Black and white string windings
• Completely new patented rocking bridge for better fit and adjustment
• Cord end angle to prevent cord deformation and fraying
• Scratch-resistant rubber feet
• 50% Lighter - adds no mass to the mouthpiece
• Offers fastest tone response, great tonal flexibility, colour and control
• Incl. OmniCap II, replaceable rubber feet for bridge, instruction manual with warranty card (10 years)
• Handmade in the USA

Suitable for the following alto saxophone mouthpieces made of rubber or plastic:

• Beechler: Diamond Inlay, Jazz
• Brilhart: Ebolin
• Drake: Contemporary
• Johnston-Selmer: New York Model 37
• Jody Jazz: HR, JET 10
• MacSax: D-Jazz
• M.C.Gregory: Mickey Gilette
• Meliphone Special: Steel Ebonite
• Meyer: Vintage Hard Rubber
• Otto Link: Reso Chamber
• Primo: Alto 7
• Selmer: Alto C
• Ted Klum: VeriTone Acoustimax

Also fits the following tenor saxophone mouthpieces:

• AW Reeds Rubber Tenor Advance
• Morgan Rubber Tenor 6C

• For soprano saxophone mouthpieces made from plastic or rubber
• Size #03: Soprano medium
• Six times wrapped with the 2nd generation of the Silverstein string
• 4 Fine-adjusters for harmonious and better functionality
• With cord end to prevent displacement and deformation of the cord
• Colour: Rose gold, adorned by hand with crystals
• Includes mouthpiece cap, as well as anti-slip pad for quickly changing the ligature
• Handmade in the USA

Suitable for the Following Soprano Saxophone Mouthpieces:

• Drake: D. Liebman, Son of Slant
• MacSax: D-Jazz
• Meyer: Hard Rubber
• Otto Link: Tone Edge
• Selmer: Soloist

• Thickness: 2.0
• Concert reed with round and warm sound
• Full timbre at any volume
• Perfect and clear altissimo
• Sounds like bamboo
• Absorbs 2 to 3% moisture
• Improves after 2 minutes of playing
• Breaks in like bamboo during the first 30 minutes
• During this process the inner structure of the tube is aligned with its mouthpiece and embouchure (first time only)
• Manufactured with precise chemical technique that ensures high consistency of all reeds
• The reed can be processed with a reed knife or sandpaper
• Made from food grade environmentally friendly material.

• Strength: 4.0
• German system
• Developed for the player who prefers conventional reeds
• Can be played almost in the same way as reeds made of cane
• With sufficient resistance
• Lots of tone in all registers, soft and beautiful tones in the high register
• The strengths have been made according to conventional German reeds
• The core of the reeds is more pronounced, resulting in a very good projection
• Suitable for solo performance and studio recordings

• Strength: 2.0
• Alta Ambipoly VIVACE Series
• Next generation
• Allows flexible and creative playing with free blowing and full harmony in all registers
• Wider tip
• Normal heart
• Round sound with faster response
• Unprecedented projection with wider range
• For orchestral and chamber music
• Made from environmentally friendly food-grade material

• For saxophone mouthpieces made from metal
• Size: #04: Metal Medium/ Eb Clarinet
• Six times wrapped with the 2nd generation of the Silverstein string
• 4 Fine-adjusters for harmonious and better functionality
• With cord end to prevent displacement and deformation of the cord
• Colour: Black, adorned by hand with crystals
• Includes mouthpiece cap, as well as anti-slip pad for quickly changing the ligature
• Handmade in the USA

Suitable for the Following Alto Saxophone Metal Mouthpieces:

• Otto Link: Tone Master
• Theo Wanne: Durga, Kali

Suitable for the Following Tenor Saxophone Metal Mouthpieces:

• Beechler: ARB
• Dukoff: Metal D5
• Jody Jazz: DV, DV NY, DV CHI
• Lebayle: Liebman, LR, various others
• Otto Link: Tone Master
• Peter Ponzol: M2
• Ted Klum: FocusTone
• Theo Wanne: Brahama, Datta, Mantra
• Also suitable for the Vandoren V16 Soprano Rubber Mouthpiece

• Strength: 3.0
• Concert grade reed with a round and warm sound
• Rich harmonics at any volume
• Perfect and clear altissimo
• Resembles the sound produced by cane reeds
• Absorbs 2-3% of moisture
• In order to reach a better sound, around 2 minutes of playing in is recommended
• Similar to cane reeds, the reed breaks in during the first 30 minutes
• Break-in is required only when using the reed for the first time. During this process, the internal structure of the reed will realign to your mouthpiece and embouchure.
• Manufactured using precision chemical engineering, providing a high degree of consistency across all reeds
• Reed can be modified with a reed knife or sandpaper
• Manufactured using environmentally friendly food-grade materials

• Strength: 2.5+
• Concert grade reed with a round and warm sound
• Rich harmonics at any volume
• Perfect and clear altissimo
• Resembles the sound produced by cane reeds
• Absorbs 2-3% moisture
• In order to reach a better sound, around 2 minutes of playing in is recommended
• Similar to cane reeds, the reed breaks in during the first 30 minutes
• The break-in is required only when using the reed for the first time. During this process, the internal structure of the reed will realign to your mouthpiece and embouchure.
• Manufactured using precision chemical engineering, providing a high degree of consistency across all reeds
• Reed can be modified with a reed knife or sandpaper
• Manufactured using environmentally friendly food-grade materials

• Strength: 1.5+
• With round and warm sound
• Full timbre at any volume
• Perfect and clear altissimo
• Sounds like bamboo
• Absorbs 2 to 3% moisture
• Improves after 2 minutes of playing
• Breaks in like bamboo during the first 30 minutes
• During this process the inner structure of the tube is aligned with your mouthpiece and embouchure (first time only)
• Made with precise chemical technology that ensures a high consistency of all reeds
• Can be treated with a reed knife or sandpaper
• Made from environmentally friendly food grade material

• Strength 3.5
• Concert reed with round and warm sound
• Full timbre at any volume
• Perfect and clear altissimo
• Sounds like bamboo
• Absorbs 2 to 3% moisture
• Improves after 2 minutes of playing
• Breaks in like bamboo during the first 30 minutes
• During this process the inner structure of the tube is aligned with your mouthpiece and embouchure (first time only)
• Made with precise chemical technology that ensures a high consistency of all reeds
• The reed can be treated with a reed knife or sandpaper
• Made from environmentally friendly food grade material

• Strength: 4.5+
• German system
• Developed for the player who prefers conventional reeds
• Can be played almost in the same way as reeds made of cane
• Sufficient resistance
• Lots of tone in all registers, soft and beautiful tones in the high register
• The strengths have been made according to conventional German reeds
• The core of the reeds is more pronounced, resulting in a very good projection
• Suitable for solo performance and studio recordings

• For saxophone mouthpieces made of metal
• Size #02: Metal small
• Six times wrapped with the 2nd generation of the Silverstein string
• 4 Fine-adjusters for harmonious and better functionality
• With cord end to prevent displacement and deformation of the cord
• Colour: Rose gold, adorned by hand with crystals
• Includes mouthpiece cap, as well as anti-slip pad for quickly changing the ligature
• Handmade in the USA

Suitable for the Following Saxophone Mouthpieces:

• Berg Larson: Tenor
• Guardala: Tenor (King, MBII, Studio)
• Jody Jazz: Alto (DV, DV NY)
• Lebayle: Alto (Jazz Chamber)
• Yanagisawa: Alto