SPL

• 2 Outputs for connecting two pairs of speakers (A / B)
• Output A with additional subwoofer out
• Off switch for the monitor section
• 1 Stereo TRS jack input and 1 stereo TS jack input
• Stereo TS jack line output loops the selected signal through unchanged
• Three monitoring modes: stereo, mono and L / R> R / L (reverses the stereo image from L / R to R / L)
• Infinitely adjustable crossfeed function - crosstalk between the two stereo channels for a more realistic surround sound
• Stereo headphone output
• Frequency response of analog inputs and outputs: 10 - 200,000 Hz
• Max. Output power headphone output (600 ohms): 2x 190 mW
• Max. Output power headphone output (250 Ohm): 2x 330 mW
• Max. Output power headphone output (47 Ohm): 2x 400 mW
• Input level (max.): 22.5 dBu
• Dimensions: 210 x 49.6 x 220 mm
• Weight: 1.45 kg

• Powerful headphone amplifier for studio and hi-fi applications
• Unbalanced analog RCA inputs
• VOLTAiR - 120 volt technology
• Phonitor matrix with 2 presets (C1 / Off / C2)
• Headphone output: 6.3 mm stereo jack socket
• Frequency response headphone output: 10 - 300,000 Hz (-3 dB)
• Crosstalk at 1 kHz: -90 dB
• THD + N (10 Hz - 22 kHz, 0 dBu): 0.00091%
• Noise (A-weighted): -103 dB
• Dynamic range: 135.5 dB
• Max. Output power (600 O): 2 x 2.7 W.
• Max. Output power (250 O): 2 x 5 W
• Max. Output power (32 O): 2 x 1 W
• Dimensions (W x H x D): 278 x 57 x 330 mm
• Weight: 2.8 kg
• Colour: Black

Bundle offer comprising

• 2-Channel Tube Pre Amp with Class-A Technology

The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the sound character of acoustic instruments. Since even the differences of the used microphones are shown clearly up to the finest nuances, the Goldmike gives a lot of room to experiment.

The lively sound quality and extreme low noise predestine the Goldmike for digital recording. The dual-mono construction of the class A tube amp guarantees a perfect channel separation and thus enables high spatial imaging for stereo recordings from piano to choir.

With the Goldmike reinforcements up to 72 dB are possible. A full tube preamp can’t reach those values. The tube/ IC design of SPL, however, combines the tonal qualities of tubes (improved spatial imaging, high in detail, pleasant soft focus) with high, very linear amplification performance and excellent common mode rejection. Thus the Goldmike is the perfect pre amp, even for high-end HD recording, as the dynamic range of 111 dBu proves: This value is above the, in practice, achieved values of 24-bit recording.

Equipment: The FLAIR circuit enhances the presence and clarity of the signal and allows sound optimisation while recording in particular for voices.

In addition, the Goldmike has a high pass filter at 50 Hz, phase reverse switch, 30 dB pad, 48 V phantom power with separately filtered power supply, high quality Alps potentiometers, crackle-free switches, five LEDs for each channel, two illuminated VU meters, star point grounding for best sound quality, thick conductors for stable voltage supply, a complex filtered power supply (6000 µF in the main power supply, 400 µF in tube power supply), symmetrical XLR inputs and outputs as well as unbalanced jack outputs. The ground-lift circuit helps to avoid ground loops.

• Dynamic Range 111 dB
• Reinforcements to 72 dB
• Two separate mono pre amplifiers
• Suitable especially for HD recording
• 48V phantom power
• Phase reverse switch
• Pad function
• Low cut filter and "FLAIR" circuit
• Improved vocal presence
• Very clear, warm sound
• XLR Mic input
• XLR Line out symmetrical, 6.3 mm jack unbalanced line out
• 19" Rackmount 2U

• Studio large diaphragm microphone
• Polar pattern: Cardioid
• Frequency range: 20 - 18.000 Hz
• Sensitivity: 18 mV/Pa -36 +/-2 dB (0 dB=1V/Pa 1000 Hz)
• Equivalent sound pressure level: 18 dB (A weighted)
• Max. SPL for 0.5 % THD @1000 Hz: 126 dB
• External low cut and -10db pad switch
• Balanced transformer
• Requires 48V phantom power
• Connection: 3-pin XLR
• Dimensions (max. diameter x length): 50.5 x 190 mm
• Incl. Shock mount and PVC case

• Professional microphone cable
• Length: 6 m
• Black Yongsheng XLR plug (made by Neutrik)
• Incl. hook and loop fastener

• Suitable for headphones with a jack plug and balanced headphones with a 4-pin XLR plug
• 2 VU meters for left and right audio channels
• Laterality regulation for detailed balancing
• MODE switch for mono / stereo switching
• With Phonitor Matrix for fatigue-free listening
• Crossfeed control for level and frequency adjustment of the left and right audio channels
• Angle control for determining the interaural time difference
• Analog inputs: 2x XLR (female, balanced), 2x RCA (unbalanced)
• Headphone output: 1x TRS (6.3 mm jack), 1x XLR (4-pin RCA)
• Output power (TRS): 2x 5 W (at 250 Ohm)
• Dynamic range (TRS): 135.5 dB
• Output power (4-pin XLR): 2x 3.5 W (at 250 Ohm)
• Dynamic range (4-pin XLR): 130.5 dB
• Frequency range: 10Hz - 300kHz (-3dB)
• THD + N (10Hz - 22kHz, 0dBu): 0.00082%
• Linear power supply with toroidal transformer
• Power consumption: max. 40VA
• Stand-by power consumption:
• Dimensions (W x H x D): 278 x 100 x 300 mm
• Weight: 4.9 kg
• Colour: Black
• Made in Germany

• 120 V technology
• Fully parametric five-band equalizer
• Frequency range: 10 - 40,000 Hz
• Type: 19 "/ 4 U
• Dimensions (W x H x D): 482 x 177 x 311.5 mm
• Weight: 15.2 kg
• Colour: Black

• For studio and hi-fi applications
• Infinitely adjustable crossfeed function - crosstalk between the two stereo channels for more realistic surround sound
• Pre-amplification by 2 Burr-Brown OPA 2134 SoundPlus operational amplifiers for extremely low noise and minimal distortion
• THD + N (0 dBu, 10 Hz - 22 kHz, 600 O): 0.002%
• Max. Input level: +22.5 dBu
• Noise (A-weighted, 600 O): -97 dBu
• Max. Output power (600 O): 2x 190 mW
• Max. Output power (250 O): 2x 330 mW
• Max. Output power (47 O): 2x 400 mW
• Frequency response headphone output (- 3 dB): 10 - 200,000 Hz
• Two switchable stereo inputs: 6.3 mm balanced TRS jack and unbalanced RCA
• Headphone output: 6.3 mm stereo jack socket
• Dimensions (W x H x D): 210 x 49.6 x 220 mm
• Weight: 1.45 kg

SPL Pro-Fi Phonitor x silver & DAC768xs (USB, Coax, Optical), 120V rail headphone amplifier and preamplifier, Suited for all headphones with impedances >10 ohms; Balanced and unbalanced analog analog In- and Outputs (XLR, RCA); Laterality control: super-fine balance control; Mono switch function; Maximum output power: 2 x 3.7 W (into 120 ohms); Frequency response: 10 Hz - 300 kHz (-3 dB); THD+N: 0.00091 % (HP), 0.00085 % (Line); Dynamic range: 135.5 dB (HP), 136.3 dB (Line); Linear power supply with toroidal transformer; Power consumption: max 40 VA ; Stand-by power consumption: 0.7 W; Front and Lid made from aluminum, housing made from sheet metal; Made in Germany; Dimensions: (WxHxD) 278 x 100 x 335 mm (incl. feet), Weight: 4,3 kg, Colour: silver

• Input impedances
• Symmetrical via Sub-D: 50 kΩ
• Asymmetrical via RCA: 10 kΩ
• Output impedance symmetrical via stereo jack:
• THD + N @ 0 dB input level: 0.01 %
• Noise A-weighted: +98 dBu
• Dynamic range: 120 dB
• Frequency transmission bandwidth: 10 - 100,000 Hz
• Dimensions (H x W x D): 91 x 272 x 220 mm
• Weight: 1.80 kg

The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the sound character of acoustic instruments. Since even the differences of the used microphones are shown clearly up to the finest nuances, the Goldmike gives a lot of room to experiment.

The lively sound quality and extreme low noise predestine the Goldmike for digital recording. The dual-mono construction of the class A tube amp guarantees a perfect channel separation and thus enables high spatial imaging for stereo recordings from piano to choir.

With the Goldmike reinforcements up to 72 dB are possible. A full tube preamp can’t reach those values. The tube/ IC design of SPL, however, combines the tonal qualities of tubes (improved spatial imaging, high in detail, pleasant soft focus) with high, very linear amplification performance and excellent common mode rejection. Thus the Goldmike is the perfect pre amp, even for high-end HD recording, as the dynamic range of 111 dBu proves: This value is above the, in practice, achieved values of 24-bit recording.

Equipment: The FLAIR circuit enhances the presence and clarity of the signal and allows sound optimisation while recording in particular for voices.

In addition, the Goldmike has a high pass filter at 50 Hz, phase reverse switch, 30 dB pad, 48 V phantom power with separately filtered power supply, high quality Alps potentiometers, crackle-free switches, five LEDs for each channel, two illuminated VU meters, star point grounding for best sound quality, thick conductors for stable voltage supply, a complex filtered power supply (6000 µF in the main power supply, 400 µF in tube power supply), symmetrical XLR inputs and outputs as well as unbalanced jack outputs. The ground-lift circuit helps to avoid ground loops.

• Dynamic Range 111 dB
• Reinforcements to 72 dB
• Two separate mono pre amplifiers
• Suitable especially for HD recording
• 48V phantom power
• Phase reverse switch
• Pad function
• Low cut filter and "FLAIR" circuit
• Improved vocal presence
• Very clear, warm sound
• XLR Mic input
• XLR Line out symmetrical, 6.3 mm jack unbalanced line out
• 19" Rackmount 2U

• 4 Stereo inputs: 3x balanced, 1x cinch
• 3 Output pairs for stereo loudspeakers
• 1 Mono output for subwoofer
• 2 Audiophile headphone amplifiers with individual volume control
• Phonitor matrix
• Integrated talkback system
• Cue mix pay-in path for artist-monitor mix
• Monitoring modes: phase inversion, mono, M/S and LR swap
• Meter Out
• Dimensions (W x H x D): 272 x 91 x 275 mm
• Weight: 3 kg

• Microphone input transformer by Lundahl
• 60 V technology (125 dB dynamic at 30 dB gain)
• Separately controllable solid-state and tube preamps for seamless transition from cleaner transistor pre-amplification to tube saturation
• Peak limiter
• Switchable input impedances (200 Ohm, 1.2 kOhm and 10 kOhm)
• Adjustable high pass filter 12dB / 50Hz
• 48V phantom power
• Frequency response linear up to 200 kHz (!)
• Also ideal for mobile use

SPL DeEsser MKII; 2-channel de-esser; auto-dynamic function; S-Reduction LED indicator; female mode for matching vocal characteristics; frequency range: 10 Hz - 100 kHz (-3.0 dB); noise (A-weighted) -97 dB; dynamic range 118 dB; maximum input/output level 21 dBu; input impedance 22 kOhm; output impedance 100 Ohms; dimensions (WxHxD) 482 x 44 x 237 mm, weight 3.3 kg

• 44.1 to 192 kHz
• 36V analog technology
• +24 dBu output level
• MADI chaining
• Four selectable reference levels: 15/18/22/24
• Fanless and sound-free low-energy design
• 4x Sub-D DB25 connectors (TASCAM industry standard)
• 2 Power connections for redundant power supply
• USB
• Word clock
• 19" 1U

• Suitable for all headphones with impedances from 10 ohms
• Balanced and unbalanced analogue inputs and outputs (XLR, RCA)
• Laterality: Extreme fine balance control
• Mono / stereo selector switch
• Maximum output power: 2 x 3.7 W (at 120 ohms)
• Frequency range: 10 Hz to 300 kHz (-3 dB)
• Harmonic: 0.00091% (KH), 0.00085% (Line)
• Dynamic range: 135.5 dB (KH), 136.3 dB (line)
• Linear power supply with toroidal transformer
• Power consumption: max 40 VA
• Stand-by power exception: 0.7 W
• Front and cover made of aluminium
• Housing made of powder-coated sheet steel
• Dimensions: (W x H x D) 278 x 100 x 335 mm (with foot and volume controls)
• Weight: 4.3 kg
• Colour: Black
• Made in Germany