Tech 21

• Richie Kotzen signature model
• The same analogue SansAmp circuit, delay with tap-tempo, boost and the Richie Kotzen Signature OMG from the first version, plus some additional features, such as independent reverb with selectable room size, a rotary effect, compressor, fuzz, tuner, XLR output, a headphone jack, as well as a switchable speaker simulation
• Controls: Boost Level - OMG: Drive, Tone, Level - SansAmp: Drive, Low, Mid, High, Level - Reverb - Delay: Time, Drift, Repeats, Level
• Buttons: Comp, Fuzz, SansAmp, Reverb Size, Roto, Headphones, Ground Lift
• LED: Effect on
• Foot switch: Boost, OMG, Reverb/Tuner, Delay, Tap/Speed
• Input (6.3 mm jack)
• Output (6.3 mm jack)
• XLR out
• Power adapter connector (female connector 5.5 x 2.1 mm, negative pin inside)
• Current consumption: 200 mA
• Power supply with a DC power adapter (Auto-Switching power adapter for voltages of 110 V-240 V with replaceable international plug for EU, UK, Australia/New Zealand included)
• Dimensions (W x D x H): 318 x 64 x 32 mm
• Weight: 587 g

Note: Battery operation is not supported.

• New version of the popular MIDI Moose
• Offers additional features despite its compact size
• In addition to a 7-pin connection for an external phantom power, two independent inputs for continuous controllers are available for data exchange with other MIDI devices
• With only 5 foot switches, groups with 5 or 10 preset programs can be switched over in a flash
• With special page functions that allow you to set the numbers for the MIDI channel and the channel for the continuous controllers and to make a calibration
• Specially manufactured, particularly smooth-running controls
• Robust metal housing
• Large, anti-reflective LED display
• Power supply: either via phantom power, a (optionally available) 9 V alkaline battery or a separately available power supply (Tech 21 model # DC4)
• Dimensions (W x D x H): 29.2 x 6.3 x 3.3 cm

The Sans Amp came out at a time when Modeling Amps were still in the distance, and convinced with its really realistic sounds. But even now, the GT2 can still claim its place, because, despite its ease of operation, the GT2 is really extremely flexible, and every guitar player should probably be able to make his favorite sound for direct solutions.

• Selectable amp types: Tweed, British, California
• 3 Basic settings: Clean, Hi Gain, Hot Wired
• Additional drive control
• Adjustable simulated microphone position: Classic, Center, Off Axis
• Active EQ section
• Suitable power supply: Art.409939 (not included)

• Geddy Lee (Rush) signature model
• Two separate, completely analogue preamps: deep and drive
• Blend control
• Semi-parametric 3-band EQ (170 Hz to 3.0 kHz cut/ boost 12 dB) with Geddy Lee's preferred voicing
• Balanced and unbalanced outputs separately for both preamps
• Tuner output
• Effects loop
• Back inputs A and B with -20 dB input pad and A/B switch on th front panel

• Controls: Level, Blend, Treble, Presence, Drive, Mid & Bass
• Switch: Phantom and Ground Connect XLR
• Jack output: +10 db
• XLR: -20 db
• Shift 500 / 1000Hz and Shift 40 / 80Hz
• 6.3 mm jack input
• 6.3 mm jack output
• XLR output
• 6.3 mm parallel output
• Power supply possible via Phantom Power, 9 V battery or 9 V power supply (not included, suitable power supply available under Art.4099396)

• Steve Harris (Iron Maiden) signature pedal
• 2 Channel modes with independent gain and volume controls
• Completely analogue SansAmp technology
• Active 4-Band EQ
• ±18 dB boost or cut
• Integrated chromatic tuner
• Integrated speaker simulation
• Controls: 2x Volume, Blend, High, Low, Mid 2, Mid 1 Comp, 2x Gain
• Switch: XLR, Speaker Simulation, Bite (Boost)
• Foot switch: Channel 1/2, on and tuner
• XLR DI output
• Input: 6.3 mm jack with 4.7 MOhm
• Output: 6.3 mm jack with low impedance
• Sturdy metal housing, metal switch and socket
• Dimensions (L x W x H): 19.7 x 6.3 x 3.2 cm
• Includes 9 V DC universal power adapter #DC9 with automatic switchover to 100 V / 240 V, 200 mA

• High-quality channel strip / preamp for acoustic instruments or bass
• 3 different operational modes
• A very high impedance input handles piezos as well as low impedance signals equally well
• The XLR output is capable of driving power amps and can be lowered to 20 dB to, ex., accommodate mic inputs on mixers
• Jack output can be increased by 10 dB to drive power amps or tube amplifiers
• Phantom power via XLR
• Controls for: volume, low, mid 1, mid 2, high, shift 1, shift 2
• Input: 6.3 mm jack
• Output: 6.3 mm jack or XLR with phantom power
• HPF suppresses unwanted frequencies which can occur with direct connections
• LPF can be used as a speaker simulation
• Power supply via 9V battery or AC adapter (not included)
• Robust metal housing
• Suitable power supply: Thomann NT 0910 art. 409939 (not included)

• Paul Lander's (Rammstein) Signature Model
• 2-Channel SansAmp Fly Rig section
• Active 3-band EQ in the "Fire" channel with switchable mids
• Bite switch
• 2-Band EQ and compressor in the "water" channel
• Switchable dual mode boost
• Optionally up to +6 db or -10 db
• Integrated tuner
• Original TECH 21 DLA Delay with Tap Tempo function
• Vibrato effect with tap tempo
• Ambiance effect with two room simulations in studio quality
• Guitar input
• XLR Out incl. Ground Lift Switch
• Headphone output
• Dimensions: 32 x 6.5 x 3.2 cm
• Weight: approx. 525 g
• Includes auto-switching AC adapter for voltages of 110 - 240 V.

• 2Modes: SansAmp Bass Driver DI and VT Bass DI
• 3-Band EQ
• Compressor
• Chorus
• Octaver
• Fuzz
• Tuner
• Switchable speaker simulation
• 4.7 MO jack input for untrimmed playback of piezo systems
• Input attenuation for active basses
• Low impedance jack output
• Robust all-metal housing
• Solid metal footswitches and jacks
• Input: 6.3 mm jack
• Output: 6.3 mm jack
• Send: 6.3 mm jack
• Return: 6.3 mm jack
• XLR output
• Power supply connection: Barrel connector 5.5 x 2.1 mm, negative polarity inside
• Power supply with a 9 V DC 250 mA 100 - 240 V universal mains adapter (included in delivery)
• Dimensions (W x D x H): 318 x 64 x 32 mm
• Weight: 587 g

Note: Battery operation is not supported

Bass Preamp and Recording Amp - the rack version of Bass Driver D.I. and a little more

Like the little brother, the SansAmp RBI provides a vast range of traditional and modern Bassampsounds, including pushing overdrive sounds that you would not expect from a bass preamp. Find several useful presets like SVT®-style, Bassman®-style, Kings X-Style, and Crimson-style (to name just a few) in the RBI's users manual - to get you started immediately.

Most of the parameters are identical to those of the SansAmp Bass Driver D.I.:

Drive and Presence we need not explain here. Blend allows stepless transition between the dry signal and the SansAmp tube amp emulation. With the active bass and treble controls the respective frequency band can be boost or cut by 12 dB.

Key features of the SansAmp RBI:

The SansAmp RBI has a mid controller and one level pot for the XLR and jack output each in order to provide an optimal signal in parallel to both the bass amplifier on stage as well as the PA system. The integrated effects loop can be toggled between serial and parallel operation with the Mix 50/50 - switch button. The "uneffected" XLR and TRS outputs provide a dry signal for connection to two RBIs or one RBI with another bass amp. Last but not least the footswitch input for remote control of the RBI and the Foot Switch output to hook up multiple RBIs.

With the SansAmp RBI you have a whole truck-load of bass-amp-sounds in a single 19" housing. If you are looking for a substantial sound foundation you will no longer need heavy equipment in the future.

• In any studio in the world with the RBI in hand luggage you are ready to go on the spot. Enter the console, adjust sound, done!
• On live events, the SansAmp RBI can be connected to a Bass amp with box (e.g. TECH-21 Bass PowerWedge 60) and the P.A. system in parallel.

For those who need 2 channels: The remote control of the RBI can be coupled with another RBI. Who prefers a programmable preamp should take a look at the SansAmp PSA-1, which was not only developed for the guitar. The PSA-1 already includes 10 pre-programmed Bass presets and 49 additional program slots are available for free assignement.

• Extended rack version of the Bass Driver D.I.
• Parallel/serial switchable effects loop
• Adjustable XLR and jack output
• 19"/ 1U