Moeck

• Stained maple
• Baroque fingering
• Double hole
• Includes a case, cleaning rod and cloth, and a fingering chart

• Renaissance fingering
• Stained maple, treated with linseed oil
• Comes in a hard case
• Includes care set

What is especially impressive about the Denner alto recorder is its extremely easy response and balanced tone in all registers . A slender and refined tone, characterised by a certain brilliance renders this an ideal recorder for solo playing. An agile instrument that can be easily used in all registers, but is particularly suitable for virtuoso music involving many fast notes, such as in the works of Georg Philipp Telemann. The Denner by Moeck is modelled on a recorder from the "Musikhistorisk Museum" in Copenhagen, considered to be by many renowned recorder makers as one of the best preserved instruments made by Denner.

• Made from blackwood
• Pitch: a1 = 415 Hz
• Includes a case, cleaning rod and cloth, joint grease, certificate, fingering chart and care set

• German fingering
• Made from pear tree wood
• Nylon bag (included)

• Baroque fingering
• Stained maple, treated with linseed oil
• Comes in a hard case
• Includes care set

The Flauto Rondo stands for a warm, balanced sound in all situations, which can be achieved even without perfect breathing techniques and mixes well in the ensemble.

• Baroque system
• With double holes
• Body made of maple
• A' = 442 Hz
• 2-piece
• Includes cotton bag with leather edge

The Hotteterre tenor has a uniform strong and warm sound across all registers. It is particularly suited to solo playing, especially since its range of 2 1/2 octaves makes transverse flute pieces available to it. Due to their long scale, these tenors can not be played without a key.

• Made from boxwood
• Tenor recorder based on the designs of Jean Hotteterre (Paris, after 1640)
• Pitch: 415 Hz
• Incl. case, cleaning rod and cloth, certificate, fingering chart and maintenance set

What is especially impressive about the Denner alto recorder is its extremely easy response and balanced tone in all registers . A slender and refined tone, characterised by a certain brilliance renders this an ideal recorder for solo playing. An agile instrument that can be easily used in all registers, but is particularly suitable for virtuoso music involving many fast notes, such as in the works of Georg Philipp Telemann. The Denner by Moeck is modelled on a recorder from the "Musikhistorisk Museum" in Copenhagen, considered to be by many renowned recorder makers one of the best preserved instruments made by Denner.

• Made from boxwood
• Pitch: a1 = 442 Hz
• Includes case box, cleaning rod and cloth, joint grease, certificate, fingering chart and care set

• Stained maple
• Baroque fingering
• Double holes
• Includes a case box, cleaning rod and cloth, and a fingering chart

• The school recorder
• Natural pearwood
• Baroque fingering
• With double holes (model with German fingering available under Article Nr 109924)
• Includes a nylon bag

• For soprano flutes
• Care oil and anti-condensation against water droplets in the wind canal

The Hotteterre tenor has a uniform strong and warm sound across all registers. It is particularly suited to solo playing, especially since its range of 2 1/2 octaves makes transverse flute pieces available to it. Due to their long scale, these tenors can not be played without a key.

• Made from boxwood
• Tenor recorder based on the designs of Jean Hotteterre (Paris, after 1640)
• Pitch: 442 Hz
• Incl. case, cleaning rod and cloth, certificate, fingering chart and maintenance set

• Natural boxwood
• Tuning: a1 = 415 Hz
• All Stanesby models are three-piece
• Baroque fingering, with double holes
• Includes case, wiper rod and cloth, certificate, fingering chart, and care set

• Material: Maple
• Baroque fingering
• Double holes
• Includes a case, cleaning rod and cloth, and a fingering chart

Like the violin, the classical recorder also dates from the Baroque period. The cultural centres of that period were Paris, London, Amsterdam, Nuremberg and Brussels. The famous recorder maker Friedrich von Huene has examined almost all the remaining originals from this period that are being kept in museums. From the sum of his data, the Moeck Rottenburgh baroque recorders in the style of the instruments by the recorder maker Jean-Hyacinth-Joseph Rottenburgh were created.

Characterised by their brilliant pitch and modern tuning, today they are the most frequently played Baroque solo recorders available, and have proven themselves to be an especially reliable instrument.

• Body: Maple
• Baroque fingering
• Double holes
• Instrument: 2-Part
• Includes a case, cleaning rod and cloth, certificate, and fingering chart

• Material: Rosewood (Dalbergia stevensonii)
• Baroque fingering
• With double hole
• Includes case, cleaning rod and cloth, certificate, fingering chart and care set

• Headpiece made of special plastic
• Lower joint made of maple
• Baroque fingering
• With double holes
• Colour: Royal blue
• Includes linen bag, joint grease and cleaning rod

• Boxwood
• With double key
• Incl. case, care kit, cleaning rod and cloth, certificate, and fingering chart

Like the violin, the classical recorder also dates from the Baroque period. The cultural centres of that period were Paris, London, Amsterdam, Nuremberg and Brussels. The renowned recorder maker Friedrich von Huene has examined almost all remaining original instruments from this period, which are being held today in museums. From the sum of his data, the Moeck Rottenburgh baroque recorders in the style of the instruments by the recorder maker Jean-Hyacinth-Joseph Rottenburgh were created.

Characterised by their brilliant pitch and modern tuning, today they are the most frequently played Baroque solo recorders available, which have proven themselves to be an especially reliable instrument.

• Made from rosewood
• Baroque fingering
• With double key
• Includes a case, cleaning rod and -cloth, certificate, fingering chart, maintenance set

This alto recorder is named after the recorder maker Thomas Stanesby Sr. (1668-1734) and is based on an original model from the collection of Frans Brüggen, Amsterdam. The model's remarkably warm and full tone is especially impressive, making it a very effective and expressive solo instrument owing to its beautiful sound, easy response and reliability.

• Boxwood, natural
• Pitch: a1 = 442 Hz
• All Stanesby models are three-piece instruments
• Baroque fingering with double holes
• Included: case, cleaning rod and -cloth, certificate, fingering chart, and a care kit