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Tube Microphone Preamplifier
- In the 500 module format
- Microphone and DI input for instruments
- Reinforcement: max. + 65 db
- +48 V phantom power can be switched on
- Switchable pad: 0 dB, -15 dB, -25 dB
- Selected 12AX7 double triode with "Dual Gain Stage" circuitry
- High-pass filter: at 90 Hz with 24 dB / octave slope
- Frequency response: 6 Hz to 80 kHz
- Input transformer: Lundahl LL1576 (Mu metal shielded)
- Output transformer: Lundahl LL1585 (Mu metal shielded)
- Power Consumption: 100 mA
- Automatically back-up fuse
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Price History: Crane Song Syren
1,385.00 $ |
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Fredenstein Bento 2 Pure Analog Extension; 2-slot extension for Bento 2 Pure Analog; 2-slot rack for modules of the API 500 system; reduced cabling effort as audio routing can be switched at the rear panel; compressor link switch; intelligent voltage distribution; energy efficient; power supply through base unit Bento 2 Pure Analog (optional, not included, item code 566203); connections: 2x XLR input, 2x XLR output, power link connection for power supply from Bento 2 Pure Analog; design: desktop - attention - requires Fredenstein Bento 2 Pure Analog!
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Price History: Fredenstein Bento 2 Pure Analog Extension
174.00 $ |
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Compressor / Limiter in the 500 rack format
- Uses the discrete operational amplifiers 2510 and 2520
- Controllable Threshold, Attack, Release, Ratio and Output
- 10 segement VU-Gain-Reductionpeak Meter
- LinkSwitch
- Switchable feed-forward or feedback compression
- THRUST switch for frequency dependent Sideschain
- Trafosym. exit
- Hardware bypass
- Requires API Lunchbox 500-6B or 500VPR 10 Slot Rack
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Price History: API Audio 527A Compressor Limiter
1,199.00 $ |
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Stereo mix bus VCA compressor
- 500 module
- Parallel compression
- Side-chain filter: OFF, 60, 90, 120, 180, 240 Hz
- 4 dB operating level
- Max. +21 dBu output
- Max. 20 dB gain
- Max. 20 dB gain reduction
- Noise level dBA: -102 dB
- Controls for threshold, out, mix, attack
- Side-chain HPF
- VU meter
- Design: 500 module
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Price History: IGS Audio S-Type 500 VU
652.00 $ |
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True Tape Emulator and Line-Driver
- API 500 Format
- Tape saturation emulator
- Trim control (+/-12 dB PreTape Level Control)
- Tape saturation effect can be set in a ·stepless manner
- Silk function (Silk Red & Silk Blue) can be set in a ·stepless manner
- Blend potentiometer determines the balance of Pre and Post-Tape signals
- The tape characteristic can be switched between 15 IPS and 30 IPS
- Drive Meter shows the Signal Level on the "Record Headf"
- Enclosure: API Serie 500 Rack Format
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Price History: Rupert Neve Designs 542
822.00 $ |
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Vintage 3-band EQ
- In the 500 series API format
- Two active Baxandall tone controls for the bass and treble band as a flat-band controller +/- 12 dB
- A half-parametric mid-band filter
- Switchable frequency range for high band 2k / off / 5k
- Switchable frequency range for bass band 80 Hz / off / 110 Hz
- Mid band filters from 155 Hz to 3500 Hz continuously adjustable, gain max +/- 10 dB
- Three-stage toggle switch for controlling the quality of the center band 1.5 / 0.7 / 0.4
- Construction: API 500 series
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Price History: Roger Schult W2395c
431.00 $ |
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Parametric EQ Module
- 4 Bands
- Completely discreet design with special Tonelux opamps
- Transformer output stage
- High Frequency Shelf button and selectable peaking bands
- Proportional "Q" or fixed 1/3 octave modes
- Format: Serie 500 (frame optionally available)
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Price History: Tonelux EQ5P
625.00 $ |
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Six Space 500 Series Rack
- 8 Channels I/O with XLR, jack and SubD/DB25 connectors
- LED Metering for electricity consumption monitoring
- 48V Phantom power available per channel
- +/- 16 VDC
- Channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from/to DB-25, XLR, and TRS connectors
- 3 Link jumpers can be set to allow linking on channels 1-2, 3-4 and 5-6
- Solid steel chassis
- Dimensions (L x W x H): 330 x 190 x 139 mm
- Weight: 4.31 kg
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Price History: Rupert Neve Designs R6
679.00 $ |
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AEA TRP 500; ribbon microphone amplifier in API 500 format; amplification 85 dB gain at 1kHz; adjustable between +7 dB and +65 dB in 12 steps; low noise preamp ON
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Price History: AEA TRP 500
719.00 $ |
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Empty housing
- For up to eight 500 modules
- 8-Channel AD-converter 24-bit / 192 kHz
- On Slot technology (power regulation for each individual slot)
- Link function (each channel can be linked to the next channel at the push of a button)
- 400 mA power supply per module
- Phantom power (140 mA max. total requirement)
- Independent status LEDs per slot
- 8 XLR inputs
- 2 Sub-D25 inputs
- 8 XLR outputs
- 1 Sub-D25 output
- 2 ADAT outputs (SMUX)
- Word clock input and output: BNC
- Sheet steel housing with aluminium front panel
- Construction: 19" / 3U
- Dimensions (W x H x D): 482 x 134 x 200 mm
- Weight: 4.7 kg
- Includes external power supply unit
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Price History: Heritage Audio OST-8 ADAT
988.00 $ |
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Microphone Preamplifier
- 1 Channel Mic preaamp with 500 Module formfactor
- +48V Phantom power can switched On and Off
- 8 Segment LED Level-Meter
- High Pass Filter can be set, 20 - 250 Hz
- Trim and Gain-Control
- Polarity is reversible/can be switched
- Silk Mode
- Formfactor: 500 Module
- Required voltage/power: +/-16VDC 100 mA
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Price History: Rupert Neve Designs 511
688.00 $ |
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Microphone Preamplifier
- 500 Series module
- Discrete operational amplifier OPA2
- High impedance 2 MOhm instrument input
- Switchable input impedance from 1500 Ohm to 300 Ohm
- Switchable 48V phantom power
- -20dB Pad
- Colour function can be added to the original signal
- Gain control GAIN from 20dB to 65 dB
- LED Display for output peak level (+20 dB) and signal
- LED Display for output level (>-30 dB)
- LED Display for colour function
- POL switch to invert the phase
- Design: 500 Series module
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Price History: Fredenstein Artistic Mic Pre Plus
197.00 $ |
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3-Slot Rack for 500 Series Module
- Up to 800 mA load per rack
- Gold-plated XLR inputs and outputs
- Built-in universal power supply 90-250 V
- Short circuit and overload protection
- Light aluminium housing
- Includes a carrying bag
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Price History: Lindell Audio 503 Power
282.00 $ |
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1-Channel Opto Compressor in 500 Format
- Two characteristics: Sharp and rounded
- Stepless controls for input / output level, attack and release
- Gain reduction display
- Hardware bypass
- Power supply: +16 V / 110 mA (max.), -16 V / 80 mA (max.)
- Dimensions (WxHxD): 76 x 133 x 153 mm (two 500-rack bays)
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Price History: Chandler Limited TG Opto Compressor
1,333.00 $ |
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500 Module
- 1-Channel 500 module version of the Really Nice Compressor
- Balanced input and output
- Link function for stereo operation (with second RNC 500)
- Max. input and output levels +28 dBu
- 24-Bit arithmetic
- SuperNice & Normal modes
- Gain reduction LED meter
- Aluminium buttons
- Integrated overcurrent protection
- Housing format: 500 module
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Price History: FMR Audio RNC 500
294.00 $ |
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3-band EQ in the classic 1073 design
- Mono EQ in the 500 series API format
- Gain indicator with signal LED
- Bypass switch
- Electronically balanced inputs / outputs
- Audio processing Insert Design: in connection with the 1073 LB Preamp, allows the use in the insertion path of the signal chain
- Fully shielded housing for max. Shielding against electromagnetic influences
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Price History: AMS Neve 1073LBEQ Module 500er API
859.00 $ |
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6-Slot Rack for 500 Series Module
- Up to 400 mA load per module
- Gold-plated XLR and D-Sub inputs and outputs
- Each module has a feed switch for forwarding the output signal to the adjacent module
- External universal power supply unit 100-250 V
- Short circuit and overload protection
- Light aluminium housing
- Includes a carrying bag
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Price History: Lindell Audio 506 Power MKII
419.00 $ |
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Compressor with Gate in 500 Format
- Compressor threshold adjustable from +10 to -30
- Ratio: 1.5: 1 to 8: 1
- Compressor Release: 0.1 Sec to 3 sec or auto function
- Fast switch: Switches the attack time from 15ms to 1ms
- Make-up gain: Up to +15 dB (post-gate)
- Gate threshold adjustable from +10 to -40
- Release: From 0.1 sec to 2 sec
- External input (TT Bantam plug)
- Type: 500 Module
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Price History: Phoenix Audio N90-DRC/500
799.00 $ |
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Stereo saturator
- 100% discrete class-A topology
- Dual mono / stereo link
- Integrated M / S-matrix
- Mastering-grade saturation
- Tube-inspired distortion
- Glorious destruction
- Unique colour filter
- Increment marked potentiometers
- Continuous ground shielding
- Frequency range:
- Noise floor: (20 Hz - 20 kHz) -81 to -91 dBu
- Dynamic range: 20 Hz - 22 kHz, 112 dB
- Maximum level input / output: +21 dBu
- Input impedance: 10 kOhm
- Output impedance: 68 Ohm
- Incl. in order: karacter 500 module without frame
- Design: API series 500 format
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Price History: Elysia karacter 500
733.00 $ |
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Microphone Preamplifier
- BURL custom BX3 input transformer
- BURL custom BX4 iron output transformer
- Audiophile
- Discrete class-A signal path
- Rasterized gain poti
- Independent output level control
- 70 dB gain
- Impedance selector
- 6.3 mm DI input
- 30 dB Pad for high-level signals and line inputs
- 48V Phantom power
- Phase reverse switch
- Three-colour level indicator
- Construction: API Series 500 Rack Format
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Price History: Burl Audio B1D Mic Pre
1,069.00 $ |
