Bass Recorders

• Baroque fingering
• Tuning: a' = 442 Hz
• Developed by the passionate recorder maker, Geri Bollinger
• The delivery of the first instrument was preceded by at least a year of research and development
• For fifteen years, many hundreds of instruments have been sent all over the world and enrich countless ensembles with their sound
• Pitch: Two octaves and a fifth
• Robust, warm and strong sound
• Length: 89.7 cm
• Weight approx. 1200 g
• Good lower register and a clear high register
• Extremely versatile (ensemble and solo)
• The knick gives the instrument excellent acoustics, which would would not be possible via a crook
• Material: Cherry wood
• Impregnated with paraffin
• Inside and outside finished with oil

• Material: Pearwood
• Colour: Natural
• Baroque fingering
• Double hole with 4 keys
• The outer form: Medieval recorders recreated, the inner bore according to van Eyck recorders
• The sound: a renaissance recorder with full, powerful and strong sound, but with 2 octaves range with normal baroque fingering
• Includes shaped case

• Made of cherry tree wood with double key and 4 keys to reduce the necessary hold span
• Baroque fingering
• Tonal range: f - b2
• Specially designed bass key with blowpipe
• Different sound variations possible by turning the cap slightly
• Blowpipe ergonomically adjustable
• Easy response
• Warm and deep sound
• Case and accessories included

In contrast to the originals, Moeck have provided the head and subpiece with pins and connected them with a brass ring. The basic tuning is 440 Hz (deviating from the original tuning of approx. 460 Hz.) and can easily be corrected by the spigot connection.

The fingering differs in part from the usual "baroque" form. Moeck explicitly recommends the original (R), but alternatively offers the baroque (B). In addition, Moeck can also tune the instruments to each other in the medium tone, which, in combination with the original feel, greatly facilitates ensemble play. The middle-toned mood supports, if necessary also by special grips, the purity of the thirds.

When tuning, Moeck pays attention to the fact that the individual flutes mix well and no one falls out of the ensemble due to sound or volume. The range is one octave and one sixth.

MOECK Renaissance Consort recorders are made of dark-stained maple and treated with linseed oil. Early on, frequent oiling of the inner bore is necessary until saturation of the wood is reached.

• Renaissance fingering
• In a hard case

• Bass Renaissance Series
• Baroque fingering
• Maple stained and treated with linseed oil
• Case, incl. care set

• Dream Edition
• Plum with ornamental rings from maple
• Baroque double hole
• 4 Keys
• A1 = 442 Hz
• Includes thumb rest, case, adjustable strap, highly absorbent micro fibre mop, joint grease, fingering chart and maintenance instructions
• Due to their characteristic wide bore and full, round sound the Dream-Edition is ideally suited to the exceptional demands of the recorder’s repertoire both in ensemble and as a soloist.
• The individually matched instruments in European plumwood with maple decorative rings combine a richness of tone colour with stability
• Baroque fingering and double holes provide for surprising agility.

• Fontanelle and dovetail key
• Maple wood
• Toned, open Renaissance sound with a lot of character and particular stability in the lower register
• Grip similar to baroque grips
• Dark stained

• Baroque fingering
• Made entirely of maple
• Stained dark
• 6 Keys
• 2 Supporting legs

The Flauto Rondo stands for a balanced sound in all situations, which can be achieved even without a perfect breathing technique and mixes well in the ensemble.

• Baroque fingering
• Keys
• 4-piece
• Stained maple
• A' = 442 Hz
• Incl. Case

The Flauto Rondo stands for a balanced sound in all situations, which can be achieved even without a perfect breathing technique and mixes well in the ensemble.

• Baroque handle
• Key
• 4-piece
• Maple
• A' = 442 Hz
• Incl. Case

• Master series
• 3-Part cranked bass recorder
• In f, a '= 442 Hz
• Chromatically playable over 2 octaves
• Square design
• Size: 79 cm
• Height of the air column: About 85 cm
• Birch plywood
• 2 Tuning shims
• Is normally played while seated by placing it in front of you on the seat
• Includes case

• Material: Dark stained pear wood
• Baroque fingering
• Elegant, stable sound: a strong low register with light, clearly focused high notes
• The fast and accurate response makes this great bass a reliable partner
• The low air consumption allows free play without effort: a great bass that plays like a tenor
• Comfortable grip, narrower than with an alto recorder
• Includes recorder case with many extras. Saves an incredible amount of space with the two-part middle joint with integrated instrument stand for placing the instrument, a note compartment, and adjustable support strap for comfortable play
• Scope of delivery: instrument, case, support strap, adjustable support spike, thumb rest, highly absorbent micro fibre mop, joint grease, fingering chart and maintenance instructions

• With key
• Maple wood
• Fundamental, open Renaissance sound with a lot of character and particularly stable in the lower register
• Grip similar to baroques

• Baroque fingering
• Tuning: a' = 442 Hz
• A powerful instrument, cleverly thought out with many technical details
• If the sound in the upper register is too noisy, the reason is usually the blowing technique
• Pitch range: Two octaves and one fourth
• Full, warm and dark sound
• Length: 115 cm
• Weight: approx. 1800 g
• Strong low register, absolutely clear high register
• Extremely versatile (ensemble and solo)
• Strong F# thanks to ring key
• Material: Stained maple
• Impregnated with paraffin
• Inside treated with oil
• Outside with lacquer finish

• In c
• From dark stained pearwood
• With additional G # and Eb key and crook
• A rich sound that also carries well
• Due to the straight head joint, the sound is projected directly to the audience
• The low air consumption allows cantabile play and longer passages
• G# and Eb- keys enable larger finger holes and thus an especially stable sound
• Includes flute case with integrated recorder stand and note compartment, with adjustable support strap for comfortable play while standing
• Scope of delivery: Instrument, case, support strap, adjustable support spike, thumb rest, highly absorbent micro fibre mop, joint grease, fingering chart and maintenance instructions

• 3-Piece cranked great bass recorder
• Master series
• Includes pin
• In C
• a '= 442 Hz
• Over 2 octaves chromatically playable
• Square design
• Size without pin: 110 cm
• Approximate height of the air column: 118 cm
• Birch plywood
• 2 Pitch plates
• Played in a sitting position
• Includes case

• Baroque fingering
• Sub bass key set
• Material: Stained maple
• a '= 442 Hz
• Includes endpin and brace
• Includes case with 2 castors

• Master series
• 3-piece, cranked double bass recorder (sub-bass recorder)
• Tuning: F
• a = 442 Hz
• Over 2 octaves chromatically playable
• Square design
• Size: 152 cm
• Height of the air column: approx. 175 cm
• Material: Birch plywood
• 2 Pitch plates
• Is played while sitting
• Includes case

• Baroque fingering
• Tuning: a' = 442 Hz
• Probably the most extensive project of the Küng Flute manufactory
• For several years, the instrument has been very successful in the market and far more than 500 pieces have been sold
• Pitch: Two octaves and one second
• Great fundamental tone
• Strong low register
• Light high register
• Length: 200 cm
• Weight: approx. 6 kg
• Strong low register and a clear high register, thus very versatile (ensemble, solo)
• Material: Stained maple
• Impregnated with paraffin
• Inside treated with oil
• Outside with lacquer finish