Tenor Recorders (Baroque)

• Baroque fingering
• Material: Cherry wood
• Pitch: A' = 442 Hz
• The Studio tenor recorder is well suited to playing in an ensemble either as a medium voice, or as the first in a low quartet (tenor to sub-bass). The recorder is gaining more and more in popularity these days, simply because of the pleasant sounds it produces.
• This key-less tenor is relatively easy to get to grips with, in particular for the little finger at the bottom
• Range: 2 octaves and a minor third
• Produces an elegant sound
• Length: 60.8 cm
• Has been impregnated internally with paraffin
• Inside and outside have been oiled

• Made from rosewood
• The Mollenhauer Comfort Tenor makes playing easy
• Two additional keys reduces how much the hand needs to strectch
• The G-key means that the left ring finger no longer needs to be strained.
• The F-key reduces the amount that the right index finger needs to stretch, leaving the entire hand
• The C/C#-double key is ergonomically designed and easy to operate, relieving the little finger of any strain when playing the lowest notes
• Included: thumb rest, carrying strap, case, cleaning rod, cork grease, oil to maintain care of the instrument, fingering chart and care instructions

• Natural pearwood
• Baroque fingering
• Double holes without key
• Includes a cotton bag

• Baroque fingering
• Material: Rosewood
• extended range: B0 to E4
• Pitch = 442 Hz
• The tuning slide allows a secure intonation within a bigger pitch range
• The innovative tenor recorder from the family of harmonic recorders is a high-end version for the most demanding standards
• Based on the design of Dutch recorder maker Maarten Helder, the instrument was completely reworked in the Mollenhauer workshop in cooperation with recorder player Susanne Fröhlich
• Includes a case, 3 windway platelets, screwdriver, cleaning rod, cork grease, fingering chart and care instructions

• Material: Rosewood
• Baroque fingering
• 3-Piece instrument
• Double key
• Wide bore
• Produces a powerful sound, full of character
• Includes a case and accessories

The Hotteterre tenor has a uniform strong and warm sound across all registers. It is particularly suited to solo playing, especially since its range of 2 1/2 octaves makes transverse flute pieces available to it. Due to their long scale, these tenors can not be played without a key.

• Made from boxwood
• Tenor recorder based on the designs of Jean Hotteterre (Paris, after 1640)
• Pitch: 415 Hz
• Incl. case, cleaning rod and cloth, certificate, fingering chart and maintenance set

• Made from Castello boxwood
• The Mollenhauer Comfort Tenor makes playing easy
• Two additional keys reduce strain on the hands
• G-key: The left ring finger no longer needs to be strained.
• F-key: The right index finger stretches less, making the entire hand relaxed.
• C / C# double key
• The ergonomically designed and easy to operate key mechanism relieves the little finger of any strain when playing the lowest notes.
• Scope of supply: Instrument, thumb rest, carrying strap, case, cleaning rod, joint grease, oil maintenance, fingering chart and care instructions

• Material: Castello boxwood
• Baroque fingering
• Double hole without keys
• Three-piece
• Narrow scale
• Easy to grip
• Slim, elegant tone
• Includes cotton bag

The Hotteterre tenor has a uniform strong and warm sound across all registers. It is particularly suited to solo playing, especially since its range of 2 1/2 octaves makes transverse flute pieces available to it. Due to their long scale, these tenors can not be played without a key.

• Made from boxwood
• Tenor recorder based on the designs of Jean Hotteterre (Paris, after 1640)
• Pitch: 442 Hz
• Incl. case, cleaning rod and cloth, certificate, fingering chart and maintenance set

• Made from maple wood
• With key
• Characterised by a full, strong yet open Renaissance sound and a good amount of stability in the lower notes
• The fingering is similar to baroque
• Includes bag

• Baroque fingering
• Material: Pearwood
• Pitch: A' = 442 Hz
• The Studio tenor recorder is well suited to playing in an ensemble either as a medium voice, or as the first in a low quartet (tenor to sub-bass). The knick recorder is gaining more and more in popularity these days, simply because of the pleasant sounds it produces.
• This key-less tenor is relatively easy to get to grips with, in particular for the little finger at the bottom
• Range: 2 octaves and a minor third
• Produces a dark and warm sound
• Length: 60.8 cm
• Impregnated with paraffin
• Oiled inside and outside

• Boxwood
• With double key
• Incl. case, care kit, cleaning rod and cloth, certificate, and fingering chart

Like the violin, the classical recorder also dates from the Baroque period. The cultural centres of that period were Paris, London, Amsterdam, Nuremberg and Brussels. The renowned recorder maker Friedrich von Huene has examined almost all remaining original instruments from this period, which are being held today in museums. From the sum of his data, the Moeck Rottenburgh baroque recorders in the style of the instruments by the recorder maker Jean-Hyacinth-Joseph Rottenburgh were created.

Characterised by their brilliant pitch and modern tuning, today they are the most frequently played Baroque solo recorders available, which have proven themselves to be an especially reliable instrument.

• Made from rosewood
• Baroque fingering
• With double key
• Includes a case, cleaning rod and -cloth, certificate, fingering chart, maintenance set

• Baroque fingering
• Material: Stained maple
• a1 = 442 Hz
• 3-Part instrument
• F and G key
• Includes a case and care accessories

• Material: Light-coloured pearwood
• Baroque fingering
• Double hole without key
• 3-Piece instrument
• Adjustable foot
• Oiled surface
• Easy to get to grips with
• Narrow bore
• Produces a slim and elegant tone
• Includes a cotton bag

• Material: Rosewood (Dalbergia stevensonii)
• Baroque fingering
• Double hole without key
• 3-Piece
• Narrow scale
• Easy to grip
• Thin and elegant in tone
• Includes cotton carrying bag and accessories

• Plum wood
• Fundamental tuning, open Renaissance sound with lots of character and exceptional stability in the lower register
• Fingering similar to the baroque
• Incl. bag

• Rottenburgh Series
• Material: Maple, natural
• Baroque fingering
• Double holes for c / c# and d / d#
• Pitch: A' = 442 Hz
• Incl. Leather case, cleaning rod and cloth and fingering chart

The Flauto Rondo stands for a warm sound that remains balanced under all playing situations, one that can be achieved even without perfect breathing techniques at the same time as mixing well in ensembles.

• Model: Flauto Rondo
• Baroque fingering
• Double key
• Stained maple
• Pitch: A' = 442 Hz
• Model comes in three parts
• Incl. cotton bag with leather trim