Ligatures and Caps

• Suitable for all B clarinet mouthpieces
• With plastic cap
• For Böhm system and German system

• For bass clarinet
• For Boehm system
• Screw: silver coloured
• The MKIII is a first-class ligature which supports the wind instrument in every playing situation
• The tone gains in clarity and volume
• Including capsule (4RR)

• For soprano saxophone metal mouthpieces
• Suitable for Otto Link, Dave Guardala, and Yanagisawa mouthpieces
• Screw colour: Golden
• Model: Dark
• Warm, strong, centred, and deep tone
• The ideal all-around ligature
• Includes mouthpiece cap (8)

• For caoutchouk/plastic mouth pieces
• For tenor saxophone with plastic cap
• 1 plate made of metal for a compact, central sound
• 1 plate made of the same leather as the ligature
• Creates a slightly darker, very central compact sound
• 1 plate made of a softer leather for a more round sound
• Including 3 different pressure plates

• Perfect for difficult ligatures such as Theo Wanne

• Minimal contact between ligature, reed and mouthpiece
• Tightening a single, central ligature assures an even distribution of pressure onto the reed without dampening the natural vibrations of the reed
• Colour: Silver-plated
• Base material: Brass
• Plastic cap included
• Suitable for rubber mouthpieces e.g. by Selmer, Vandoren and Meyer

• Universal Jazz Model
• Made of steel
• Silver-plated
• Well suited for rubber mouthpieces
• Minimal contact with mouthpiece and reed thanks to the groove shape
• Wide, flexible sound through all registers

Note: Mouthpiece not included

• Suited for caoutchouc- or plastic-mouthpieces
• The MKIII is a first class ligature, which supports the instrument in every technical situation
• The sound gains clarity and volume
• Ligature: Gold coloured
• Including cap (7RR)

• Material: Waxed cotton
• Length: approx. 135 cm
• Colour: Black

• For alto saxophone rubber mouthpieces
• Silver-plated

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For soprano saxophone rubber or plastic mouthpieces
• Ligature with capsule
• Screw: Gold-plated
• Suitable for the following mouthpieces: Berg Larsen, Selmer and Zinner 60

• Suitable for Boehm and German systems
• Revolutionary ligature: Fast and precise setting of the reed and easy placement on the mouthpiece
• No vibration-inhibiting material on the mouthpiece
• Minimal blowing resistance
• Improved tone development in all octaves
• Direct response
• Simple and clear tone production
• Easy and intuitive playing
• Nickel-silver bracket
• Upper part made of Ebonite
• Colour: Night Blue
• Includes elegant protective cap made of metal
• Made in Germany

• Louis Pure Brass series
• Suitable for Böhm alto clarinet mouthpieces
• Minimal contact between ligature, reed and mouthpiece
• Tightening a single, central ligature assures an even distribution of pressure onto the reed without dampening the natural vibrations of the reed
• Solid brass pressure plate
• The pressure plates of Ultimate-Ligatures can be used as well
• Flat brass-braces
• Silver-plated
• Including plastic cap

• For B flat Clarinet (German system)
• Suitable for Keilwerth, Willscher, Leitner & Kraus, Yamaha and Zinner No.22 mouthpieces
• Gold plated screw
• Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument.
• Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed.
• Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position.
• A printed cross-hair on the belt facilitates the setting up of the reed.

• Model: Revelation (Red Cord)
• For bass clarinets in the Boehm system
• With brass insert
• "The" ligature for soloists
• Bright and clear sound
• Easy response
• Light staccato game

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For tenor saxophone rubber or plastic mouthpieces
• Ligature with cap
• Nickel screw
• Suitable for Billhart, Otto Link, Meyer, Selmer S80 / 200, Yamaha, Yanagisawa and Zinner TS 62B mouthpieces

• For Vandoren Optimum ligature suitable for tenor saxophone (Art. 241484 - not included in the delivery)
• Material: plastic