Alto Saxophone Mouthpieces

• For alto saxophones
• Material: Rubber
• Medium bore
• Medium facing length
• Tip opening: 8
• Includes a cap and ligature
• Meyer mouthpieces always combine an easy response with a full and round tone

• Tip opening: 2.06 mm
• Brighter sound and stronger projection than the Rousseau Studio Jazz series
• Features a unique wedge-shaped baffle that balances a stable sound with greater power, sharpness and projection
• Good response and even tuning in all registers
• Full sounding mouthpiece with enough sharpness to be present, yet enough warmth for sensitive ballads

• Tip opening: 2.1 mm (.083")
• Facing length: 20 mm
• Material: Ebonite
• Low baffle model in the traditional "Berg Larsen style"
• Warm, soft but also crisp sound
• Manufactured with the highest precision for best response and control
• Also suitable for players who have no experience with high baffle mouthpieces
• Handmade
• Includes hand-sewn kimono bag
• Made in Japan

• For alto saxophone
• Caoutchouc
• Tip opening narrow-medium
• Classic soft sound
• Easy response
• Homogeneous sound in all registers
• Easily manageable intonation

• Size: 5
• Tip opening: 1.72 mm
• Combines traditional materials with the latest technology and is suitable for classical and jazz
• Each mouthpiece has a serial number for security and personalisation

• For alto saxophone
• Caoutchouc
• Tip opening narrow-medium
• Classic soft sound
• Easy response
• Homogeneous sound in all registers
• Easily controllable intonation

• Tip opening (1/100 mm): 204
• Medium chamber
• Medium facing length
• Very comfortable
• Very easy response and articulation
• Ligature and cap are not included

• Tip opening: 2.18 mm
• Made of polycarbonate
• Ideal for rock, funk, blues, reggae, hip hop and also as lead alto saxophone in a big band
• Includes mouthpiece pouch

• Material: Rubber
• Tip opening: 7
• Combines an easy response with a full and round tone
• Includes a cap and ligature

The S+ chamber is a development of the S chamber and offers a full and warm tone while maintaining an easy response and good projection. The S+ chamber accommodates more air and provides the player greater flexibility and an extended sound spectrum.

• Tip opening 1/100mm: 196
• Narrow chamber
• Medium facing length
• Ligature and cap are not included

• For alto saxophone
• Caoutchouc
• Easy response
• Great sound volume
• Square chamber
• Tip opening narrow-medium

• Rubber
• With ligature and capsule

• Tip: 6
• Material: Rubber
• With ligature and cap

• Material: Mixture of silicone and hard rubber
• Tip opening: 1.7 mm

• Tip opening: 2.11 mm
• The darkest sounding hard rubber mouthpiece in the JodyJazz series
• With rounded side walls and a large, open and round chamber
• Still delivers a surprising amount of projection in the altissimo
• The free blowing resistance is due to an improved tip opening and an expertly handcrafted rest, baffle and table, CNC-machined from solid bar stock
• With gold-plated metal ring on the shaft of the mouthpiece
• Incl. Mouthpiece bag

• Tip opening: 2.1 mm (.083")
• Facing length: 20 mm
• Material: Ebonite
• Low baffle model in the traditional "Meyer style"
• Warm, soft but also crisp sound
• Manufactured with the highest precision for best response and control
• Perfect all-rounder for everyone
• Handmade
• Includes hand-sewn kimono bag
• Made in Japan

• Material: Rubber
• Tip opening: 5
• Includes a cap and ligature
• Meyer mouthpieces always combine an easy response with a full and round tone

• Tip opening: 7 (2.05 mm / 0.081 inch)
• From a selected synthetic resin mixture with a medium-sized chamber
• The warmest vintage sound in a modern mouthpiece
• Each individual mouthpiece is played and perfected for final control
• 100% handmade in Italy

• Facing length 3
• For classical music
• Made of plastic
• Incl. ligature and capsule

• Tip opening: 1.68 mm
• Original E. Rousseau design (first introduced in 1972)
• Developed for the needs of the classical performer
• Warm, centred tone
• Positive response
• Powerful projection with medium resistance and solid control