Ligatures and Caps

• Revelation Jazz model
• Well suited for metal mouthpieces
• Insert made of brass
• Bright clear sound, as the reed only comes into contact with the metal plate
• Easy articulation

Note: Mouthpiece not included

• For Boehm clarinets
• Unique design with partial cover
• Rubber-coated rails on the inside ensure optimum adjustment of the cap
• Colour: Black

Due to a sophisticated mechanism (left-/right-hand threads of the spindle), a symmetrical pull is applied to the reed, such that it remains in the configured position. An imprinted crosshair on the ligature facilitates the set up of the reed.

• For alto saxophone metal mouthpieces
• Includes cap
• Nickel-plated
• Suitable for Berg Larsen, Selmer Metall, Zinner Ed Sperber, and Yanagisawa mouthpieces

• Precise and fast fixing
• Easily fixed to the mouthpiece
• No lateral pressure on ligature
• Gold-plated
• Includes 3 different pressure plates and plastic cap

• Minimal contact between ligature, reed and mouthpiece
• Tightening a single, central ligature assures an even distribution of pressure onto the reed without dampening the natural vibrations of the reed
• Brass, clear lacquer finished
• Base material: Brass
• Including plastic cap
• Fitting for metal- mouth pieces e.g. by Otto Link, Berg Larsen and Dukoff

• Louis Pure Brass series
• Suitable for narrow tenor saxophone rubber mouthpieces
• Minimal contact between ligature, reed and mouthpiece
• The tightening by a single central screw ensures an even distribution of the pressure on the reed and allows the reed to vibrate freely without damping the natural vibration of the mouthpiece
• Solid brass pressure plate
• The pressure plates of Ultimate-Ligatures can be used as well
• Flat brass braces
• Brass
• Includes plastic cap

• For alto saxophone
• Rubber mouthpieces
• Gold varnish

• For tenor saxophone
• For caoutchouc and plastic mouth pieces
• Ligature: Gold coloured
• Rovners first ligature completely made of metal
• Including cap (5)

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• Suitable for Baritone saxophone Selmer rubber mouthpieces as well as for the bass clarinets with Boehm system
• Ligature with a cap
• Real gold plated
• Suitable for Vandoren, Selmer, Schreiber ESM mouthpieces

• Maxima Gold Line
• For metal tenor saxophone
• Fits like a tailor-made suit for the various mouthpiece types: Dave Guardala, Berg Larsen, Meyer, Zinner, Christoph Heftrig, Selmer Jazz, Zinner TS111, Lebayle, LAW A.D. Buzzer, Zinner Ed Sperber, Yanagisawa, Vandoren V16 Metal, S. Rascher, Brillhart, Caravan, Lakey Jazz, Lawton, Dukoff, F. Gregory, Otto Link
• Optimal fit and free vibration behaviour
• Includes 6 vibrating rollers - the GF Maxima band can be extended by 12.5 mm, making the facing length adjustable for each individual mouthpiece
• Twofold way of playing: by applying vertical pressure on the reed through a stainless steel plate or contact pressure by the GF system band. The imprinted crosshair facilitates reed adjustments and symmetric placement of the ligature
• Incl. mouthpiece capsule, precision screwdriver to change the vibrating rollers, safety stickers to stick on the mouthpiece back (4 units), foam rubber glue dots to glue in the capsule (4 units)

• For BG ligature
• Suitable for metal tenor and alto saxophone mouthpieces and rubber soprano saxophone mouthpieces (BG LFB, LFB9, L2, L3, L39, L8, L8R, L8SR, LFGB, L14, L14SR, LDS, LDS1, LDS0, LDS9, L10, L11, L17, L19, L21RJ)

• Revolutionary reed placement: exact and quick setting of the reed and thus easy to attach to the mouthpiece
• No vibration-inhibiting materials on the mouthpiece
• Minimal blowing resistance
• Improved tone development in all octaves
• Direct response
• Simple and clear tone generation
• Easy and intuitive playing
• Brass bracket
• Upper portion made of ebonite
• Colour: Night blue
• Includes elegant protective cap made of metal
• Made in Germany

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For baritone saxophone metal mouthpieces
• Ligature with cap
• Real gold plated
• Suitable for Berg Larsen mouthpieces

• Suitable for Optimum ligature soprano and alto saxophone
• Plate No. 1: Great resonance with rich, sonorous tones, runs in the same direction as the fibres of the reed, giving it a very light response and incredibly easy articulation (especially with staccato)
• Plate No. 2: More compact, centred sound, soft balanced sound, very easy response
• Plate No. 3: The reed vibrates completely unaffected, creating a highly flexible sound for the greatest possible musical expression
• Colour: Gold-plated