Audix

• Polar pattern: hypercardioid
• For high SPL (over 140 dB)
• Stable housing
• Extremely resistant to feedback
• For extremely loud stage/monitor applications

• Polar pattern: Cardioid
• Frequency range: 40 - 20,000 Hz
• Max. SPL:130 db
• 9-52 V Phantom power required
• Incl. Cable 9.1 m (mini XLR - XLR)
• Phantom power converter/electronics (APS910, mini XLR - XLR to XLR male)
• Wire hanger MC40 for the positioning of the suspended microphone
• Wind shield WS20
• Transport box
• Colour: Black

• With switch
• Hyper-cardioid
• Frequency range 50-16,000 Hz
• Sensitivity 140 dB SPL max.
• Impedance: 250 Ω
• Zinc metal housing
• XLR connector

• Super-cardioid polar pattern
• Frequency range: 40 - 16.500 Hz
• Impedance: 150 Ohm
• Sensitivity: 6.9 mV / Pa (ref 1 kHz)
• Switchable Low Cut at 150 Hz
• Switchable 10 dB pad
• 48 -52V Phantom power needed!
• For high SPL (140 dB max.)
• Stable housing
• Extremely low feedback

• In high-quality aluminium carrying case, consisting of:
• 1x D6 (bass drum)
• 1x D4 (bass drum / floor tom)
• 2x D2 (toms)
• 1x i-5 (snare)
• 1x SCX1-hc (overhead / hi-hat)
• 2x SCX 25-A (overheads)
• 4x D-Vice (gooseneck rim clips)
• 2x SMT 25 shock mounts for SCX25-A

• With short gooseneck holder, rubberized clamp and elastic micro-suspension for direct attachment e.g. to brass instruments
• Also suitable for double-bass bridge, tripods up to 6 mm or similar.
• Linear transmission of 40 to 20,000 Hz
• Polar pattern: Cardioid
• Peak SPL: 135 dB
• Especially suitable for: Saxophone, trumpet or trombone, double-bass, ambience for recording and broadcast
• Requires phantom power 9 - 52 V
• Prepolarised

Including:

• Microphone with 1.4 m cable on three-pin mini XLR connector
• Short gooseneck
• Voltage converter APS910 mini XLR to XLR male
• Windscreen
• Travelbag

• Successor to the legendary OM1
• VLM Design type B capsule
• Suitable for high sound pressure levels
• Very low feedback
• Hyper-cardioid
• 50 / 18,000 Hz
• 200 Ω
• 144 dB SPL max.
• Weight: 370 g
• Length: 179 mm
• Incl. MC1 microphone holder and P1 carrying bag

• For overhead recording
• Professional electret condenser microphone
• Polar pattern: cardioid
• Frequency range: 40 Hz - 18 kHz
• Impedance: 100 Ohm
• Max. SPL: 132 dB (142 dB with pad)
• Also suitable for flute, strings, etc.

• Polar pattern: Cardioid
• Frequency range: 40 - 20,000 Hz
• Max. SPL:130 db
• 9-52 V Phantom power required
• Incl. Cable 10 m (mini XLR - XLR)
• Phantom power converter/electronics (APS910, mini XLR - XLR to XLR male)
• Wire hanger MC40 for the positioning of the suspended microphone
• Wind shield WS20
• Transport box
• Colour: White

The D6 is a dynamic microphone which is outstanding at reproducing especially low frequencies. Offering a frequency range from 30 Hz to 15 kHz, it is therefore ideally suited for recording kick drums, bass cabinets/combos and other similar instruments. Transformerless electronics as well as low impedance and balanced outputs guarantee an interference-free performance - even with the use of long cables.

• Professional dynamic large diaphragm microphone
• Also suitable for electric basses, etc
• Cardioid polar patten
• Frequency range: 30 - 15,000 Hz
• Impedance: 200 Ohm
• Max SPL: 144 dB
• Sensitivity: 0.8 mV/Pa @ 1 kHz
• Weight: 254 g

• 1x D6 (bass drum)
• 1x D4 (bass drum/floor tom)
• 2x D2 (toms)
• 1x i-5 (snare)
• 2x ADX51 (overheads/hi-hat)
• 4x D-Vice (gooseneck rim clamp)

• In high-quality transport case
• Consists of:
• 1x i-5 (Snare)
• 2x D2 (Toms)
• 1x D4 (Floor tom)
• 1x D6 (Bass drum)
• 4x D-Vice microphone clamp with flexible gooseneck
• In aluminium road case

• For lead and backing vocals
• Suitable for live and recording applications
• Dynamic hypercardioid capsule provides a clear and clean source recording with high gain before feedback
• Impedance: 150 Ω
• Frequency response 40 Hz - 19 kHz
• Maximum SPL: 144dB
• Length 176 mm
• Weight 307 g
• Incl. Softbag and microphone clip

• Dynamic
• With on / off switch
• Polar pattern: Cardioid
• Frequency range: 50 - 16,000 Hz
• Impedance: 250 Ohm
• Maximum sound pressure level: 138 dB
• Solid steel mesh head
• Tremendously feedback-resistant
• Very low handling noise
• Affordable entry into the Audix microphone line
• Incl. clip

• Set of 3 pieces
• Dynamic microphones specifically for toms
• Suitable for conga, bongo, guitar, woodwinds/ brass, percussion etc.
• Polar pattern: hypercardioid
• Frequency range: 44 - 18,000 Hz
• Impedance: 250 Ω
• Max. SPL 144 dB
• Including D-vice: gooseneck mounts and transport bags

• Characteristic: Cardioid
• Frequency range: 40 - 20,000 Hz
• Impedance: 200 Ohm
• Max. sound pressure level: 137 dB
• 16 mm Capsule with gold diaphragm
• For overheads, hihat, cymbals, acoustic instruments
• Length: 111 mm
• Weight: 95 g
• Includes mic clip and soft bag

• Polar pattern: Cardioid
• Frequency range: 50 - 18,000 Hz
• Cable length: 90 cm
• Impedance: 800 Ohm
• 120 dB SPL max
• Sensitivity: 4.5 mV / Pa @ 1k
• Requires 9-52 V phantom power in conjunction with the optional APS910
• 3-Pin TQG female connector
• Incl. cravat clip and wind shield
• Colour: Black

• For floor toms and bass drums
• Professional dynamic microphone
• Hypercardioid polar pattern
• Frequency range: 38 - 19,000 Hz
• Impedance: 200 Ohm
• Maximum SPL: 144 dB
• Also suitable for electric bass guitars