Audix

Audix A231 - Large diaphragm code-switch microphone, suitable for demanding studio applications, directional pattern: cardioid, 33mm condenser capsule with external bias, 25% larger effective diaphragm area, proprietary internal shock mount, low-noise preamplifier circuitry, aluminium housing with gold-plated brass band, includes heavy-duty nylon snap-on clip and zippered carrying case

• Directional characteristic: Half cardioid
• Frequency response: 50 - 18,000 Hz
• Maximum sound pressure level (SPL): 130 dB
• Sensitivity 9 mV / PA @ 1k
• Impedance: 250 Ohm
• For speaking, theatre and broadcast applications
• 3-Pin mini XLR connector
• 9-52 V phantom power operation
• Mini XLR cable with a length of approx. 65 cm
• Dimensions: 80 x 65 x 21 mm
• Weight: 143 g
• Colour: Black
• Incl. APS910 phantom power supply adapter, P1 bag and cable

• 1x D6 (bass drum)
• 1x D4 (Bass drum/floor tom)
• 2x D2 (Toms)
• 1x i-5 (Snare)
• 2x SCX1-c (overhead/hi-hat)
• 1x SCX 1-hc (hi-hat)
• 4x D-Vice microphone clamps with gooseneck

• 2 x XLR female input
• 2 x XLR male output

• With a special small and round shape
• For harmonica or hip hop
• Cardioid polar pattern
• Max. SPL 140 dB
• Frequency response: 50 Hz - 16 kHz
• Impedance: 150 Ohm
• Sensitivity: 1.9mV / Pascal

Consists of:

• 1x Audix D6 bass drum microphones
• 1x i5 snare mic
• 2x ADX51 overhead and hi-hat microphones
• With D-Vice rim clip and microphone case for up to 9 microphones
• 2x Windscreens for ADX51
• Microphone mounts for bass drum and overheads

• Characteristics: Hyper-Cardioid
• For highest SPL (140dB)
• Stable housing
• Low feedback
• Extremely clear voice reproduction
• Ideal for any pop/rock live gigs

• Cardioid polar pattern
• Frequency range: 50 - 18.000 Hz
• With on/off- and low-cut switch
• With transport bag P1 and 8" / 2.43 m cable for a mini XLR 3-Pin TA3F and battery phantom-powered adapter belt pack APS-911 with XLR-male output
• 1x Mignon/AA battery or 9 - 52 V phantom power
• For use with standard XLR micro cables, or alternatively without APS-911: For example, with the Audix wireless system (required phantom power: 1x Mignon battery/AA or 9-52 V)
• Incl. Clip for transverse flutes with structure-borne sound insulation and foam windshield

• 1x F-6 Bass drum microphone (Weight: 1 x 311 g)
• 3x Audix F-2 tom microphone (Weight per piece: 247 g)
• 1x Audix F-5 snare microphone (Weight: 283 g)
• 2x F-9 Overhead microphone (Weight per piece: 91 g)
• Incl. 3x D-Clip, 4x D-FlexClip microphone holder and case

• 1x F-6 Bass drum microphone
• 3x Audix F-2 tom microphone
• 1x Audix F-5 snare microphone
• Incl. 4x D-Clip, 4xD-Flex, 1x MC1 microphone holder and case

• Dynamic
• Cardioid
• 50 - 16,000 Hz
• 250 Ω
• Peaj 138 dB SPL
• Stable steel basket
• Enormously feedback resistant
• Very low handling noise
• Incl. Clip

• Hyper-cardioid
• Frequency range 50-16,000 Hz
• Sensitivity 140 dB SPL max.
• Impedance: 250 Ω
• Zinc metal housing
• XLR connector

• With gooseneck
• For drums and brass
• Hypercardioid
• 40 - 20,000 Hz
• 250 Ohm
• 140 dB max SPL
• Mini XLR connector
• Adaptor APS910 to XLR male included
• Included: Audix D-Vice rim clamp, optional mount for various acoustic instruments
• 48 Volt phantom power required
• Weight: 370 g

• For ADX 10, ADX20i, Micro-D, Micro-HP
• Colour: Black
• Package quantity: 5 pieces

• 48-52 V Phantom power needed
• For high SPL (138 dB)
• Frequency range: 40 Hz - 20 kHz
• Polar pattern: Cardioid
• Stable housing
• Low feedback
• Is used by the greats such as Sting, etc!
• Weight: 319 g

Bundle offer comprising

• Special microphone for bass drums

The D6 is a dynamic microphone which is outstanding at reproducing especially low frequencies. Offering a frequency range from 30 Hz to 15 kHz, it is therefore ideally suited for recording kick drums, bass cabinets/combos and other similar instruments. Transformerless electronics as well as low impedance and balanced outputs guarantee an interference-free performance - even with the use of long cables.

• Professional dynamic large diaphragm microphone
• Also suitable for electric basses, etc
• Cardioid polar patten
• Frequency range: 30 - 15,000 Hz
• Impedance: 200 Ohm
• Max SPL: 144 dB
• Sensitivity: 0.8 mV/Pa @ 1 kHz
• Weight: 254 g

• Micro Tripod For Bass Drum
• Special tripod for the positioning of the microphone in front of or in the bass drum
• Extendable
• Dimensions: 20 x 19 x 18 to 24.5 cm
• Colour: Black
• Included: Thread Adapter 3/8 "- 5/8"

• Pre-polarised 6mm condenser capsule
• Omnidirectional
• Transmission: 20 Hz - 25 kHz (+/- 2 dB)
• Max. SPL 140 dB
• For 18-52 V phantom power
• Output impedance: 200 Ohm
• Dynamic range: 112 dB
• Suitable for real time analyser, measurements, tests, room analysis software programs, ambient/room recording
• Housing made of precision machined nickel-plated brass housing
• Gold-plated XLR plug connector
• Length approx. 150 mm
• Incl. microphone clamp and carrying bag P-1
• Optional screw-on windshield TM-1-WS

• Pre-polarised 6mm condenser capsule
• Omnidirectional
• Transmission 20 Hz - 25 kHz (+/- 2 dB)
• Max SPL 140 dB
• For 18-52 V phantom power
• Output impedance 200 Ohm
• Dynamic range 112 dB
• Suitable for real time analyser, measurements, tests, room analysis software programs, ambient/room recording
• Housing made of precision machined nickel-plated brass housing
• Gold-plated XLR plug connector
• Length approx. 150 mm
• Elastic suspension (SMT-19)
• 1/2" Adapter for calibrator (TM1-CA) and individual sensitivity/calibration data file on CD
• Optional screw-on windshield (WS-TM1)

• Polar pattern: hypercardioid
• For high SPL (over 140 dB)
• Stable housing
• Extremely resistant to feedback
• For extremely loud stage/monitor applications

• Polar pattern: Cardioid
• Frequency range: 40 - 20,000 Hz
• Max. SPL:130 db
• 9-52 V Phantom power required
• Incl. Cable 9.1 m (mini XLR - XLR)
• Phantom power converter/electronics (APS910, mini XLR - XLR to XLR male)
• Wire hanger MC40 for the positioning of the suspended microphone
• Wind shield WS20
• Transport box
• Colour: Black