discoDSP

discoDSP’s Discovery was one of the company’s first and finest efforts. Heavily inspired by Clavia’s Nord Lead series, Discovery earned a place on many a hard drive with its dual-oscillator architecture, resonant filter and built-in effects.

Borrowing the layers and morph abilities from the instrument that inspired it, Discovery was – and still is – a synth capable of blistering basses, lush pads and scorching solo sounds.

Discovery Pro ups the ante considerably – with more filter types, more oscillators and advanced features such as sample import – without exacting a prohibitive price.

Yes, it costs twice as much as its sibling, but it’s still hardly expensive and, as you’ll see, it offers a much wider palette than the initial version.

Discovery Pro is a 12 oscillator Virtual Analog Synthesizer featuring 4 layers, WAV and SoundFont (SF2) support, PADSynth, 2X oversampling / undersampling, built-in arpeggiator, sync, FM, 12 filter types, panning modulation, stereo delay and gate effects, graphic envelope modulation. Imports and exports Clavia Nord Lead 2 SysEx data.

Main features:

• Multi-sized GUI (400p, 600p, 800p) including Retina.
• 32 / 64-bit VST2 / VST3 / Audio Units / Standalone / AAX
• 128 voice polyphony.
• 128 Patch Memories per bank.
• Parameter Morphing using Modulation Wheel or MIDI velocity.
• 2x oversampling.
• 2x oversampled distortions.
• Nord Lead 2 modeled Unison.
• Nord Lead 2 modeled Zero Delay Feedback filters.
• Dual / Quad octave key split.
• Bank browser (by clicking arrows in display led and bank name).
• More than 5.000 presets in 60 banks (including a percussion one).
• Nord Lead 2 and 2X patch import and export.
• 4 Layers per Patch, each with:
  • 2 Oscillators (Sine, Saw, Triangle, PWM, Square, Parabolic, White and Pink Noise) with Ring modulation, Sync and Frequency Modulation.
  • 1 Wave Oscillator. Can load mono, stereo WAV and SoundFont 2 (SF2) files using high quality resampling interpolation.
  • PADsynth re-synthesis. User banks are easily added.
  • Resonant Filters (LowPass, HighPass, BandPass, BandReject, Formant, 8 taps phaser, X 12/24 dB and Y 12/24 dB are Moog modeled).
  • ADSR for Amp & Filter. Amplitude envelope can switch between linear and exponential curves.
  • 2 LFOs.
  • Modulation Envelope.
  • Graphical Modulation Envelope.
  • Arpeggiator.
  • Built-in Chorus, Phaser, Panning Delay and Gate effects.
  • Symmetric, Asymmetric and Asymmetric 2 Distortions.
  • Limiter.
  • Portamento.
  • Poly / Mono / Legato modes.
• MIDI CC control.

DiscoDSP Bundle Contains:

• Bliss sampler
• Corona VA + WAVE synth + Sound Expansion
• Discovery Pro VA + WAVE synth + Sound Expansion
• Vertigo additive + WAVE / bitmap re-synthesizer synth + X-Wave Bank
• OB-Xd synthesizer
• OPL FM synthesizer
• Phantom PM / FM synthesizer
• Scope visualizer
• ThrillMe spectral enhancer + compressor + limiter effect

Bliss sampler
discoDSP “Bliss” is a simple but powerful sampler with some extremely creative features. This easy to use plugin lets you take any sound and mangle it beyond all recognition to create your own signature sound!

Corona VA + WAVE synth + Sound Expansion
Corona by discoDSP is a Virtual Instrument Audio Plugin. Corona features 3 VA + WAVE oscillators, 16 oscillator combine modes, 32 steps arpeggiator with MIDI out, 8 destination matrix modulations, distortion, delay and limiter effects and so much more.

Discovery Pro VA + WAVE synth + Sound Expansion
Discovery Pro is a 12 oscillator Virtual Analog Synthesizer featuring 4 layers, built-in arpeggiator, 12 filter types, panning modulation, stereo delay and gate effects, graphic envelope modulation and more.

Vertigo additive + WAVE / bitmap re-synthesizer synth + X-Wave Bank
Vertigo is an additive synthesizer featuring up to 256 oscillators, re-synthesis and morphing with very high sound quality and built-in effects.

OB-Xd synthesizer
OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways; a number of things were added or altered to the original design. OPL FM synthesizer discoDSP has introduced OPL, a software synth that emulates a digital sound synthesis chip developed by Yamaha in the mid 1980s that was used in sound cards for PC, including the Ad Lib card and early Sound Blaster series.

Phantom PM / FM synthesizer
Phantom by discoDSP is a Virtual Instrument Audio Plugin for Windows. It functions as a VST Plugin. Phantom is an eight voice, four operator, PM/FM synthesizer with the ability to import Yamaha DX100, DX27 and DX21 SysEx data.

Scope visualizer
Scope uses a two-axis graph to give a visual representation of a waveform over time, with the horizontal axis representing time and the vertical axis representing the amplitude.

ThrillMe spectral enhancer + compressor + limiter effect
ThrillMe is a 32-bit multi-effects processor divided into 3 parts: a Spectral Enhancer, Compressor and a Limiter. Please Note: This is 32-bit Windows VST ONLY. Not compatible with MAC OS.

OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design.

OB-Xd was designed to sound as good and as rich as the original. It implements micro random detuning which is a big part of that sound.

However, it was not designed as a self-contained completely independent soft-synth. It needs to be contained within a VST framework where things like transposition, automation, layering, arpeggiation, etc., are available.

While not copying originals, some of the features were taken to a better point. Continuous blendable multimode filter (HP-Notch(BP)-HP in 12 dB mode and 4-1 pole in 24 dB mode).

Also, like many synths of the OB-X’s generation, the OB-Xd has no internal effects so its sounds and textures can be greatly enhanced by the use of additional processing like chorus, reverb, delay, etc.

discoDSP “Bliss” is a simple but powerful sampler with some extremely creative features.

Bliss’ VSTi Sampling feature can automatically create sampled instruments from patches on any VST instrument, which is a pretty useful feature if you’re working with CPU-hungry synth plugins that bog down your sessions.

But that’s not all Bliss has to offer. In addition to its highly customizable Envelopes, Filters and LFOs, it features a built-in Wave Editor for making powerful sample-level adjustments to your source material, 8 automatable Macro Controls, Parameter Morphing and 7 great Effects to add that final touch to your masterpiece!

The Ultimate Sampler & VSTi Recorder For Audio Manipulation Junkies!

“Bliss” is an incredibly sophisticated Sampler and VSTi recorder for Audio Units and VST hosts featuring a number of outstanding features for audio manipulation junkies:

• A scalable & theme-able GUI
• VSTi sampling
• 8 automatable Macro controls
• Dual zero delay feedback filters
• Sample editor
• 7 built-in effects
• Flexible modulation
• Parameter morphing
• Offline resampling quality using 512 points SINC algorithm
• Highest offline resampling quality using 512 points SINC algorithm

“Bliss” opens up a world of possibilities for audio manipulation and real-time granular effects control. Import any sound you like (including existing VSTis!) and mangle them beyond all recognition to create your own signature sound!

• OVERVIEW
  • 32 / 64-bit VSTi / Audio Units compatibility.
  • Built-in VST host / VSTi sampling (freezing). Record your favorite VST without any sound quality loss!
  • Built-in wave editor.
  • Scalable and theme-able GUI.
  • Morphing (velocity-dependent parameter control) / automatable zone parameters.
  • 128 Programs with unlimited zones.
  • 32-bit floating point based wavetables.
  • Full MIDI Input triggering control.
• PLAYBACK ENGINE
  • Up to 64 voices polyphony (multilayered zone sampling engine).
  • Oversampling voice generation: up to 4x oversample factor.
  • Selectable interpolation engines: up to 512 points SINC interpolation.
  • Full mono / poly / legato operation.
  • Glide with auto-switch control.
  • 4 voices Unison with detuning.
• FILTERS
  • Dual Zero-Delay Feedback filters.
  • 24dB / Oct filter modes: Lowpass / Highpass / Bandpass 1 / Bandpass 2 / Notch /
  • Peaking / Disabled. Stepping-free Cutoff / Resonance and Drive parameters.
  • Velocity and Keyboard tracking to the Cutoff parameter.
• MODULATION
  • 8 assignable Macro knobs. Multiple controls can be assigned to each.
  • Independent amplitude / modulation envelope / LFO and filter settings.
  • 2 sync-able LFOs with configurable Phase.
  • Stepping-free modulation sends / pitch bend / modulation to morphing wheels.
  • ADSR amplitude and modulation envelope.
  • ADSR envelope filter / pitch assignable (both bipolar).
• EFFECTS
  • Wow effect: Rock Da Disco.
  • Soft clipper to tame the output.
  • Stereo rotation effect.
  • High quality chorus / delay / reverb.
    Selectable Pre Post Effects: Bit reducer, Phaser, Distortion.
  • Chorus / Delay / Reverb sends, settable for all or individual zones.
• SAMPLE EDITOR
  • Built-in wave editor with full undo history.
  • Zoom up to 1:1 resolution.
  • Selection of Left, Right or both channels for editing.
  • 7 Loop types (one shot / forward / bidirectional / backward / forward w/sustain /
  • crossfade / static).
  • Clipboard: Cut / copy / paste / mix paste / sample / trim.
  • Amplitude: Fade in / fade out / normalization / mute / insert silence.
  • Effects: Reverse / Invert polarity / Swap channels / Remove DC.
  • Cues / Loop edit / Auto-slice to tempo / transients.
  • Automatable zone parameters / cue / loop points.
  • Automatable start / end / loop points.
• IMPORT FORMATS
  • Auto / drum mapping when multiple files are opened at once.
  • Internal new program/bank formats with lossless encoding.
  • LUA scripting engine for program loading: add new file formats easily.
  • Samples: .WAV / .BWF / .AIFF / .AIF / .FLAC / .OGG / .MP2 / .AMR / .AC3 / .QT / .
  • ADTS / .MP3 / .M4R / .3GP / .MPA / .SD2 / .MPEG / .M4A / .MP4 / .MOV / .SND / .
  • AIFC / .CAF / .M4B / .3G2 / .MP1 / .AAC / .AU.
  • Programs: .AKP (AKAI S5000-S6000) / .EXS / .SFZ / .DLS / .SF2
  • (SoundFont2) / .XRNI (Renoise Instruments)
• EXPORT FORMATS
  • Programs: .SFZ / ZBP programs and ZBB banks (24-bit lossless FLAC) / Encrypted ZBP and ZBB for 3rd party soundware.
  • Samples: 16-bit WAV (24-bit when saved as SFZ)
  • The ultimate sampling tool that opens up a world of possibilities for sophisticated audio manipulation!

So What Can I Do With “Bliss”?

With it’s unparalleled flexibility “Bliss” opens up a whole new world of audio manipulation possibilities for your next track, thanks to it’s array of unique features including:

• A Comprehensive Sample Editor
• Multiple Envelopes, Filters & LFOs
• Flexible Morphing and Macro controls
• Multiple Effects
• The completely unique VSTi Recording capability.

This is an incredibly sophisticated, yet easy to use plugin that lets you take any sound and mangle it beyond all recognition to create your own signature sound!

The OPL is a digital sound synthesis chip developed by Yamaha in the mid 1980s. Among other products, it was used in sound cards for PC, including the Ad Lib card and early Sound Blaster series.

Overview
This instrument provides an emulated OPL sound chip. It provides all features of the OPL2, and some features of the OPL3.

What’s an OPL?

At a technical level: the emulator has channels comprised of 2 oscillators each. Each pair of oscillators is usually combined via phase modulation (basically frequency modulation).

Each oscillator can produce one of eight waveforms (sine, half sine, absolute sine, quarter sine, alternating sine, camel sine, square, logarithmic sawtooth), and has an ADSR envelope controlling its amplitude. The unusual waveforms give it a characteristic sound.

How do I use it?

Each instance of the plugin emulates an entire OPL chip, but with this plugin, essentially you are just working with two operators: the carrier and modulator.

SBI Files

SBI files are an instrument file format developed by Creative Labs back in the day for the Sound Blaster. Essentially they work as presets for this plugin. Just drag and drop them into the plugin window!

Percussion

Percussion mode is now supported! This mode is not very well documented, even in the original Yamaha documentation. Also, some much more detailed notes on percussion mode based on experimentation with real hardware!

• Bass drum: Uses both operators. Essentially just doubles output amplitude?
• Snare: Uses carrier settings. Abs-sine waveform recommended.
• Tom: Uses modulator settings. Sine waveform recommended.
• Cymbal: Uses carrier settings. Half-sine recommended.
• Hi-hat: Uses modulator settings. Half-sine recommended.
• Detailed Percussion Map here

Discovery is a virtual analog Nord Lead 2 inspired synthesizer featuring multi-layering, a morphing engine, high quality sound, and a simple interface.

Discovery at a glance

Discovery’s architecture provides maximum flexibility when programming your own sounds. Start by selecting from the two oscillators, and then add one of the several types of filters, and then program the appropriate ADSR envelope for the sound.

Finally, the flexible modulation scheme and built-in effects allow you to color your sound to your liking and save it to one of the 128 patch memories in one of 40 banks offering more than 3,500 presets, including a dedicated electronic percussion section.

With support for 4 layers per patch, and morphing between layers, Discovery quickly becomes a remarkably expressive synth for any type of music.

MAIN FEATURES

• 128 Patch Memories.
• Bank browser (by clicking arrows in display LED).
• More than 3.500 presets in 40 banks (with a dedicated percussion one).
• Nord Lead 2 and 2X patch import.
• 4 Layers per Patch.
• Layer Morphing.
• 32 Voice Polyphony (One voice used per triggered layer).
• 2 Oscillators (Sine, Saw, Tri, PWM, Square, Noise) with Ring modulation, sync and anti-aliased Frequency Modulation.
• Zero-Delay Feedback Filters (HP, LP12, LP24, BP, HP12), Formant, 8 taps phaser.
• ADSR for Amp & Filter.
• 2 LFOs.
• AD Mod Envelope.
• Arpeggiator.
• Built-in Chorus, Phaser, Panning and Delay effects.
• Symmetric, Asymmetric and Asymmetric 2 Distortion Modes.
• Portamento.
• Poly/Mono/Legato modes.
• MIDI CC control.
• MIDI Out (hosts are able of doing MIDI learn).

Clavia’s Nord Lead best friend
Discovery has been highly inspired by one of Clavia’s synth masterpieces: the Nord Lead 2.

Discovery can import Nord Lead 2 and Nord Lead 2X Sysex patches directly, and 99% of their MIDI CC are bound to the original Nord Lead knobs, making your hardware synth the perfect friend for this plugin.

Efficient Workflow
Making music can be the most important part of a musician’s creative process and working efficiently is just as relevant for us. That’s why Discovery has been engineered with the best possible workflow in mind.

• Quickly navigate thru banks
• Enable and disable MIDI velocity to layer morphing
• Quickly navigate thru presets
• Configure Discovery
• Define your Pitch Bend Range
• Easily switch between Delay and Gate
• Sync or unsync Cross Delay to host tempo

ThrillMe is a 32-bit multi-effects processor divided into 3 parts.

Please Note: This is 32-bit Windows VST ONLY. Not compatible with MAC OS.

Spectral enhancer:

• 4 bands (Bipole shelving IIR filter – (1 x Low-shelf + 2 x Peaking + 1 x Hi-shelf) x 2 (stereo).
• Serial Routing.
• Auto Adjustment.

Dynamics processor:

• 3 bands.
• Splitting filter: Single-pole IIR/-6dB oct x 2 (stereo) x 3 (bands).
• Band range: 0-1kHz/1kHz-10kHz/10kHz-Inf (with -6dB/oct crossover roll off).
• Algorithm: VADP – Virtual Analog Dynamics Processing.
• Envelope: Attack / Release (Self adjusted).
• Ratio: from 1:1 to 1:128.
• Threshold range: -inf dB. to 0.0dB, exponential curve.

Limiter:

• Type: Mathematical waveshaping.

Please Note: This is 32-bit Windows VST ONLY. Not compatible with MAC OS.

Unleash your creativity with HighLife

 A performance sampler meticulously designed for the modern computer musician. HighLife is not just a sampler, it’s a comprehensive sound design tool that comes with a built-in wave editor, five integrated effects, and a flexible modulation route.

Unique morphable scheme

HighLife’s unique morphable scheme allows you to glide between different states, creating dynamic and expressive sounds that will breathe life into your music. The sampler’s 32-bit floating point based engine and 128 programs with unlimited zones open up a universe of sonic possibilities, allowing you to craft sounds that are truly your own.

HighLife supports a wide range of import formats including WAV, MP3, OGG, RAW, FLAC, SND (Akai MPC 2000) and even AKP (Akai S5000/S6000) and SFZ programs. This means you can easily integrate HighLife into your existing workflow and start creating immediately.

Sculpt your sound

With HighLife, you’re not just playing notes, you’re sculpting sound. Its advanced features like selectable interpolation engines, syncable LFO with configurable Phase, and stepping-free modulation sends, pitch bend and modulation to morphing wheels, give you unparalleled control over your sound. Whether you’re a producer looking for a powerful sampler, a composer in need of unique textures, or a sound designer seeking new sonic landscapes, HighLife is your gateway to audio exploration.

Features

• Unlimited zones.
• ADSR amplitude envelope.
• ADSR enveloped flter and pitch assignable (both bipolar)..
• Zero Delay Feedback 24dB/Oct flter modes: Lowpass / Hipass / Bandpass / Notch and disabled.
• Stepping-free Cutof and Resonance.
• High quality Chorus, delay and reverb.
• Wow factor effects: Daft and rock da disco.
• Full mono/poly and legato operation.
• Auto mapping when multiple fles are opened at once.
• Sample: .WAV, .MP3, .OGG, .RAW, .FLAC, .SND (compatible with Akai MPC 2000).
• Program Formats: .AKP (compatible with Akai S5000/S6000), SFZ.
• Zoom up to 1:1 resolution.
• Clipboard: Cut, copy, paste and sample trim.
• Amplitude: Fade in/out, normalization and DC removal.
• Efects: Reverse, rectifer, sin/tahn drive, enhance, smooth.
• Cues and loops editing.

Scope uses a two-axis graph to give a visual representation of a waveform over time, with the horizontal axis representing time and the vertical axis representing the amplitude.

Oscilloscopes are frequently used to assist dynamics processing and sound synthesis. It’s usually placed last in the signal chain, so that it analyses the cumulative effects of any plugins placed before it.

Like any analysis plugin, though, you can place it anywhere in the chain, to view the signal at that point.

Corona by discoDSP is a Virtual Instrument Audio Plugin for macOS and Windows. It functions as a VST Plugin and an Audio Units Plugin.

Corona is a virtual analog and wave synthesizer featuring 3 VA + WAVE oscillators, 16 oscillator combine modes, 32 steps arpeggiator with MIDI out, 8 destination matrix modulations, 4 LFOs, 4 ADSR envelopes, Roland JP8080 modeled SuperSaw unison, distortion, chorus, delay and limiter effects, high-quality sound and analog modeled dual zero-delay feedback filters.

MAIN FEATURES

Unique oscillator modes: Oscillators can be combined using operators. There are 10 for Phase mode or 16 for Detune mode (DT):

• Classic Additive.
• Subtractive.
• Multiplicative.
• Pythagorean.
• Sync.
• Ring Modulation.
• Phase Modulation.

Bitwise modes:

• AND.
• OR.
• XOR.
• ABS AND.
• ABS OR.
• ABD XOR.

Hundreds of waveforms: From classic VA saw, triangle, square, sine, parabola and noise to the included waveforms in two extra DWB banks with 300+ timbres from:

• Aeterphon.
• ARP 2600.
• Buchla Modular.
• Crumar Performer Elka Synthex.
• Eminent 310.
• EMS VCS-3.
• Fairlight CMI.
• Farfisa organ.
• Fender Rhodes.
• Hohner.
• Jen Bass Pedal.
• Korg Lambda.
• Korg MS-20.
• Korg Polysix.
• Mellotron.
• Memorymoog.
• Micromoog.
• Minikorg.
• Minimoog.
• Modulus Monowave.
• Moog MG-1.
• Moog Prodigy.
• Moog Rogue.
• Moog Taurus.
• Oberheim Matrix.
• Oberheim OB8.
• Oberheim Xpander.
• Odissey.
• Paia Fatman.
• Polymoog.
• Prophet 5.
• Prophet 600.
• Rhodes Chroma.
• Rhodes Polaris.
• Roland Alpha Juno.
• Roland Juno 60.
• Roland Juno 106.
• Roland Jupiter 4.
• Roland JX.
• Roland SH-101.
• Roland System 100.
• Theremin.
• Vox Jaguar.
• Waldorf Pulse.
• Yamaha CS80.

Custom SF2/WAV oscillators: Supports user provided SF2, WAV and proprietary DWB files for any of the three oscillators.

Arpeggiator: 32 steps, tempo sync, bipolar swing, 3 trigger types and up to 10 different modes.

Filters: 13 different filter types, 2-pole and 4-pole each with selectable tahn, poly, asym1, asym2, asym3, hardlimit, polywrap, asymwrap, quantize and asymquantize shapes. Includes filter positive and negative drive, keytracking, selectable pre-post volume envelope stage and zero delay feedback filter mode.

Fat, easy, mix-standing unison: Dedicated Unison unit to make sounds spread across the stereo mix with selectable octave spread, voices, detune knob and panning spread controls.

Use Super 7 Unison mode with saw, parabolic, square, triangle or sine waveforms to get the classic Roland JP8080 modeled SuperSaw sound.

Flexible ADR curves: Up to 5 different envelope curves for extended shaping.

Easy to use modulation matrix: Select the most relevant synth destinations to be modulated by:

• MIDI Note.
• MIDI Velocity.
• Pitch Wheel.
• MIDI CC#1 Modulation Wheel.
• MIDI Aftertouch.
• MIDI CC#4 Foot Controller.
• MIDI CC#11 Expression.
• MIDI CC#2 Breathe.
• Several random values.
• Modulation LFO.
• Modulation Envelope.
• Filter LFO.
• Filter Envelope.
• Vibrato LFO.
• Vibrato Envelope.

*WINDOWS PC ONLY – NOT COMPATIBLE WITH MAC!

Phantom by discoDSP is a Virtual Instrument Audio Plugin for Windows. It functions as a VST Plugin.

Phantom is an eight voice, four operator, PM/FM synthesizer with the ability to import Yamaha DX100, DX27 and DX21 SysEx data.

General:

• Eight voices
• Four operators phase
• Frequency modulation synthesizer

Operators:

• Key and velocity scaling.
• Initial phase (with free-run support).
• Phase modulation self-feedback amount.
• Tune (Frequency ratio).
• Octave shift.
• Amplitude LFO and AD1SD2R envelope.

Program:

• Eight Operator routing algorithms.
• Customizable pitch bend range.
• Global velocity modulation/amplitude sense.
• Glide with auto-on-legato mode.
• Full mono/legato/polyphonic operation.
• Pitch LFO and AD1SD2R envelope.
• 4-Pole resonant filter (Low pass, Hi pass, Band pass, Reject modes).
• Filter LFO and AD1SD2R envelope.
• Built-in stereo multi effects unit with chorus, delay and reverb.
• Pitch bend / Mod wheel controller.

Extras:

• Yamaha DX100/DX27/DX21 SysEx data import.
• Includes 128 presets.
• Lifetime free updates for registered users.

Vertigo is an additive synthesizer featuring up to 256 oscillators, Bitmap / Wave (WAV/AIFF/OGG/FLAC) re-synthesis and morphing with very high sound quality and built-in effects.

Vertigo boasts the following powerful feature set:

General:

• Up to 16 voices polyphony.

Envelope:

• 256 breakpoints parabolic envelopes with stage slope control.

Partials:

• Euler generated (Max: -120dB s/noise ratio) (no wavetables used).
• Up to 256 per voice.
• 2 Modulation sources with morphing.
• Phase.
• Amplitude.
• Note pitchshift amount.
• Frequency ratio.
• Frq/amp envelope (see Envelope above).

Synthesis options:

• Harmonize (Harmonic/Odd Harmonic vocoder).
• Phase smearing.
• Frequency smearing (ensemble).
• Classic waveform generator assistant (saw/sqr/tri/2xsaw/…).

Vertigo’s two filters can be used in parallel or in series, and offer the usual comb, low-pass, high-pass and band-pass modes, with either 12 or 24 dB/octave roll-off.

Filter:

• Low Pass/High Pass/Band Pass 12/Band Pass 24/Notch/Peak.
• Cutoff envelope.
• Wheel/Key/Velocity modulation amounts for cutoff.
• Wheel/Velo modulation amounts for resonance.

Voices:

• Two resonant filters (serial/parallel mode).
• Pitch envelope.
• Amplitude envelope.
• Pitchbend control.

Mono Effects:

• Distortion (8 times oversampled overdrive with softclip).
• Phaser (up to 128 taps).
• Flanger.
• Compressor.
• Equalizer (6 bands).

Stereo Effects:

• Chorus.
• Delay.
• Reverb.

Resynthesis and Sampling:

• WAV PCM analysis. Bitmap import.
• Method: Overlapped FFT windows/parabolic peak estimation.
• Partial amp/frq tracking.
• 1024, 2048, 4096, 8192 FFT framesizes.
• 4 Windows: Bartlett, Hamming, Hanning, Blackman.
• Peak level detection threshold control.
• Peak desestimation using ‘ATH’ (Absolute Hearing Threshold) and ‘Tone Masker’ psycho acoustic models.