Eventide

A Classic Modulated Tremolo

Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device.

Features

• Turn up the MIX to increase the dry/effect ratio
• Utilize multiple modulation waveform shapes and sources to alter the rhythmic feel
• Subtly finesse detuning of delays by using SPREAD
• Add FEEDBACK to accentuate delays or create infinite loops
• The Secondary LFO determines how fast the depth and speed modulation “wiggle” their targets
• Lock the tremolo to tempo using SYNC
• RETRIG at the top of the wavform for a more predictable effect
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
• SLOW/FAST button toggles on a “Slow LFO” mode. Holding it down to “BRAKE” temporarily slows down the LFOs at a constant rate until released
• Update the tremolo speed in real time using the TAP button
• Use MIDI to control the Ribbon (CC#1), Active/Bypass (CC#2), Slow/Fast (CC#3), or Tap (CC#4)
• Available for Mac and Windows as a VST, AAX, and AU plug-in

Energize Your Samples

Undulator excels at evolving pads, sync’d chops, and time-lapsing dreamy soundscapes. Combined with a multi-tap delay and powerful tremolo, Undulator’s controls give any sound sustain and shape. This is perfect for transforming ordinary synths, keys, guitars, and even vocals into evolving pads, tempo-synced production elements, or ethereal and fluctuant delays. Simply put, Undulator can make shorter sounds into longer layered effects, and give sustaining sounds shape and rhythmic character.

The Ribbon allows desktop users to plug in a MIDI keyboard and gain tactile control of Undulator via the mod wheel. Changing the rate and depth of your tremolo for a “ramping up” sweep or sequence becomes very simple with this intuitive performance macro. Use the Ribbon to morph tremolo patterns into vacillating and varying rhythmic territories. This can be effective for calling attention to synth pads and creating a state of flux or rarity which is otherwise arduous to achieve.

Intuitive Compositions

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences.

With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values.

Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

MAIN FEATURES

Whether you are an electronic musician, singer/songwriter or guitarist, Quadravox has got you covered with more than 60 presets to breathe new life into your musical ideas.

• Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice
• Optimized for multiple instances and works great on monophonic synths, guitar and vocals
• MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. KeyLock does the same for the Key and Scale
• Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 4 voices
• Pitch-tracking ‘off’ mode allows it to shine on polyphonic and rhythmic sounds

UltraChannel

Professional Audio Engineering For All

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance but is also the most versatile channel strip available due to our exclusive FlexiPath™ routing, which allows processors to be ordered based on desired workflow.

The Secret Sauce of Mixing

UltraChannel shines in carving out space for any instrument or vocal to sit just right in the mix. There is an infinite number of ways to generate the exact tone, dynamics and frequency characteristics you’re seeking. Additionally, through its support for side-chaining, you can use an alternative audio source to colour the characteristics of your main signal. It wouldn’t be an Eventide if it didn’t also feature micro pitch functionality (from our flagship H8000 hardware) to thicken or increase the stereo spread of any instrument or vocal.

MAIN FEATURES

FlexiPath™

Allows drag and drop for reordering the signal path of the top-level components (O-Pressor, compressor/de-esser, EQ, Gate) for ultimate flexibility and experimentation.

Soft-Saturation and Transformer Emulation

The output module of UltraChannel contains a model of an analog transformer which can be driven into saturation. When subtly used, it provides distinction for signals of low-frequency content. When driven hard, it recreates classic transformer core saturation.

O-Pressor

Comes with two built-in compressors, one with de-essing and side-chaining, the other is the unique O-Pressor. Derived from of our legendary Omnipressor™, the O-Pressor adds character and extreme compression to your signal-processing arsenal.

5-Band Parametric EQ

Covers the entire audio spectrum allowing you to edit the Frequency, Gain, and Q of each of the 5 bands.

Over 200 Presets

Includes wide range of Factory Presets, many created by Eventide artists, tailored to signal sources such as guitar, bass, kick drum, snare, piano, strings, synths and vocals. They make exploiting UltraChannel’s enormous processing power easy to deploy.

Micro Pitch Shift & Stereo Delays

Apply Eventide’s patented pitch shifting to any source and control the panning and delay spread. Runs in parallel with a pair of delays that allow you to feed its signal back into any of the other modules.

Countless Applications

• Producers
  • UltraChannel can replace several plug-ins at once, allowing you to minimize CPU loading while still giving you full sonic control over every aspect of your tracks.
• Mix Engineers
  • Carve a unique space for each element of a song through selective EQ, gating, and tempo-synced delays.
• Sound Designers
  • Change the entire feel of an instrument through filtering, pitch shifting, delays, or aggressive compression.

Unleash Your Creativity

Introducing the H9 Plug-in Series Bundle, an iconic collection of powerful effects from the H9 Harmonizer®. Built for the modern producer, the H9 Plug-in Series Bundle has everything you need to reverberate, modulate, delay, crush, pitch shift and saturate your audio. Valued at over $1100 if purchased separately, this collection has some of the most sought-after Eventide effects. It’s a must-have toolkit for all producers, engineers, sound designers and musicians who want to add expressive effects to their sound.

All H9 Plug-in Series feature the groundbreaking RIBBON control, which lets you morph the effect between two different settings. This makes automation for sweeps, transitions, and effect throws much more gratifying and simplified. Use a MIDI keyboard and gain control of the Ribbon via the mod wheel for a tactile advantage. Additionally, many of the H9 Series plugins offer unique performance buttons, so be on the lookout for “Freeze”, “Flex”, “Swirl”, and the “Hot Switch.” 

CrushStation

Drive your Tone from Creamy Saturation to a Brutal Sonic Assault

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

MAIN FEATURES

• 35 PRESETS painstakingly tailored to cover all the bases.
• DRIVE from shallow subtle boost to deep overdrive distortion.
• GRIT and SUSTAIN push into fuzz territory.
• SAG was inspired by Eventide’s experience of the sound of dying analogue gear; the power rail sags and the amp starts sputtering, cutting out and sounding ‘broken’.
• MIX in higher and lower OCTAVES then turn up the DRIVE and SUSTAIN to crush them together to form massive new textures.
• GRIT for low-end, gritty, chugging sounds.
• 3-Band EQ to shape your tone.
• GATE your signal to tame an aggressive distortion output, or get aggressive with high threshold gating and dry MIX for parallel gated crunch.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• HOTSWITCH allows you to instantly switch between two different distinct settings within the same preset at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.

Crystals

Iconic H3000 Effect with Out-of-this-World Pitch, Delay & Reverb

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. 

Built for Experimentation 

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Features

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up.
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback.
• Reverb with 100 seconds of decay.
• Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents).
• Smooth out delay grains by applying up to 4 seconds of delay for each voice.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• FLEX shifts both voices up one octave at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.
• Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App.

Play the Ribbon

The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

Spring

The Classic Sound of a Spring Tank

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond.

Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! The added tube-amp-style tremolo can be routed before or after the spring resulting in an unrivalled ability to craft your own unique reverb sound. Alter the intensity by changing the tremolo depth and adjust the tremolo rate in Hz, or note value when tempo-synced to your project.

Want more control of your tone? Spring has controls to independently manipulate the damping frequency for both the Low and High end. Get even more ring from your spring by adjusting the amount of metallic Resonance present in the High Damping frequency. Guitarists love the revered surfer vibe but all creative musicians will find that Spring makes any synthesizer, drum, or vocal stand out in a mix.

Features

• Artist presets by Matt Lange, Nick Hook, and Nu-Trix.
• Tempo Sync reverb decay to your DAW
• Craft original sounds by changing the number of springs and damping frequency
• Alter overall resonance by selecting the size of the spring tank 
• Tube-amp-style tremolo that can be routed pre- or post-reverb
• Create chorus-like effects by altering Modulation Level
• The Ribbon controller allows for dynamic modification of several knobs at once to easily morph between settings
• Programmable Hotswitch provides ability to jump instantly to an alternate sound at the push of a button
• Mac/Windows plug-in version works as VST, AU, AAX

Artist Presets

Spring Reverb was designed to give you extensive control, allowing you to craft your own signature sounds. The plug-in comes with a carefully curated set of presets that serve as a launch pad for your explorations including some by Eventide artists covering a wide range of musical styles.

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation.

It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

This unique effect has been ported directly from the award-winning H9 Harmonizer. All of the H9 presets have been converted to work with the plug-in and have been included, as well as newly created factory and artist presets. Now you can use all the delays, reverbs, chorus and modulation effects that guitarists and synth players have grown to love. Best of all, The Ribbon has been optimized for live use with your favorite DAW.

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.
• Speed up or slow down the rhythmic space between taps using the Spread knob.
• Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms.
• Control the stereo image of taps to alternate between hard-panned and mono.
• Sync the Length and/or Chop LFO speed to the DAW session.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta control on the fly.

A Brief History of UltraTap

It all started in 1982 with the world’s first rack mount programmable audio processor, the Eventide SP2016, where a flexible 64 tap delay debuted as part of its Factory Program suite. By the late 80’s UltraTap had migrated to the legendary H3000 Harmonizer effects processor and then to the DSP4000 and H8000. Thanks to advances in technology, we were able to include UltraTap in a portable compact form factor, the H9 Harmonizer stompbox. And now UltraTap has come back to the studio via your DAW and FOH environment, where it all began 35 years ago!

Blackhole – Extraterrestrial Reverb

Most reverbs are earth-bound and constrained by the physics of the real world. Our Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

From the Extreme to the Sublime

While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. Whether you’re at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science. 

In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn’t enough.

The Secret Weapon

This famed, massive reverberator first saw the light of day as an algorithm in our rackmount DSP4000 and remained a favorite in the rackmount H8000FW. For decades studio engineers considered Blackhole their “secret weapon.” More recently, it was ported to our Space stompbox and became the go-to ambient effect for guitar and keyboard layers. With each new version the reverb has been refined and enhanced.

We’ve now perfected the galactic sounds of the Blackhole reverb in native plug-in form. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time.

MAIN FEATURES

• Incredibly easy to use with over 50 presets; many created by Eventide artists
• Ability to create extremely musical effects useful for highlighting key instruments
• Supernatural settings for abstract spatial effects and drones
• Subtle settings for ambient washes and track higlighting
• Unique “Gravity” control reverses the arrow of time by inverting the reverb’s decay
• Kill Switch mutes the input so you only hear the reverb. This makes for some incredible effects when automated
• Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
• Fully flexible mono and stereo options. Bring new realms of stereo imaging to mono instruments
• Innovative Ribbon and Hot Switch allow for changing any combination of parameters simultaneously
• Full support for the Native Instruments NKS Effects system.

Presets Make it Easy

Blackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Included with Blackhole is a carefully curated set of 50 presets that serve as a launch pad for your explorations. These presets cover spaces as small as a room and as large as space itself. 

Blackhole Plug-in Presets

Factory Presets

• Biggest Reverb Ever
• Dreamscape
• Drum Filter Toolbox
• H8000 Blackhole
• Quasar Trails
• Spaghettification

From Space Pedal

• Blackhole
• Darkmatter
• Nebula
• Neutrino
• Pulsar

Artist Presets

Flood & Alan Moulder

• Fishhole

John Agnello

•  Hey Honey

Jonsi & Alex from Sigur Ros

• Sigur Ros

Vernon Reid

• Dogstar
• Transfigured
• Vortex
• Centaurus
• Starcrater

Richard Devine

• Train Tracks
• Artic
• Automate
• Boxed In
• CargoShip
• Cathedral
• Circular Hall
• CombChamber
• Complete Drone
• DarkenHall
• DecayDrop
• Distantz
• Dome Ceilings
• Double Tap
• Drum Ringer
• EchoVerb
• Jumble Snares
• Metalizer
• MoveMeDelay
• Oil Drum
• Plexor
• PongSpace
• RacketDelay
• Reflex Tile
• Ring Decay
• Slushy
• Spectral Mesh
• Spiral Verb
• Stairway Delay
• Varse
• VoraxDecay

MicroPitch

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it’s legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to ‘play’. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of ‘life’ while you’re mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Play it Live

The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.

MicroPitch’s Proud Legacy

Eventide originated the micropitch effect by accident in the early 1970s with the introduction of the world’s first digital audio effects box, the H910 Harmonizer®. The design of the H910 predates large (and medium) scale integrated circuits, including analogue-to-digital converters, sample rate standards and digital signal processing algorithms. The H910’s system clock was not crystal-based but instead used an LC (inductor/capacitor) oscillator circuit which proved to be just a tad unstable. As a result, the pitch ratio would wiggle about. Early owners of the H910, especially studios that could afford two, discovered that setting the pitch ratio on one H910 to ‘flicker’ between 0.99 and 1.00, while adjusting another to flicker 1.00 and 1.01, resulted in a rich spread stereo effect. 

Eventide’s second Harmonizer, the H949, introduced in the mid-1970s, ‘fixed’ the randomness of the H910 by incorporating a rock-steady crystal oscillator. The H949 provided a number of new features made possible by digital audio – reverse effects, de-glitching and “u PC” -thereby formally introducing this new effect into the pro audio lexicon. The H949 was also an early digital audio device, 100% DSP/CPU-free, predominately analogue, and, to achieve small, precise, deviations of pitch it employed using a radio technique called Single Side Band modulation. 

With the introduction of the DSP-based Eventide H3000 Harmonizer®, an enhanced version of the MicroPitch effect was developed and the effect became a ‘go-to’ tool for audio pros and artists worldwide. Today’s MicroPitch continues the long tradition of offering ever-expanding capabilities to this fundamental effect.

MAIN FEATURES

• Two voices of pitch shifting, one from unison to -50 cents, the other from unison to +50 cents, each with up to 2 seconds of delay.
• Classic stereo-spreading effect.
• Slapback effects using longer delay times.
• TONE for fine-tuning the voices to fit perfectly in your mix.
• PITCH MIX for layering the two voices by setting the balance between each shifted delay.
• MOD DEPTH and RATE for a chorusing effect on each voice.
• FEEDBACK for pitch dive/rise effects.
• Intuitive UI for ease of use.
• Tempo for synchronized and unique delay effects.
• Presets based on iconic uses of the MicroPitch effect.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.

Rotary Mod

Swirly Leslie Cab Modulation

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation.

Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals.

Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. 

MAIN FEATURES

• Change the speed of the rotor and horn independently and adjust the mix of the two to produce pulsing effects and special vibratos
• Add frequency modulation to the rotor and horn speed using secondary LFO with selectable modulation source
• Choose cabinet size (Standard or Giant) to alter the sweetness of your tone
• Craft the exact sound you need with included Hi-cut control
• Use Tap Tempo to sync effect to the BPM of your song
• Incredibly easy to use with included presets
• Innovative Ribbon control allows for changing any combination of parameters simultaneously
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant
• Available as an Audio Units AUv3 plug-in and Standalone app

Play it Live

Rotary Mod comes equipped with performance-ready features. Using the RIBBON is a quick and easy way to set up an evolving effect on the fly. With this intuitive performance macro at your disposal, you can achieve numerous unique and effective sounds.

Try intensifying modulation depth for guitar or synth leads, blending between the Horn and Rotor for transitions, or simply changing the speed when you need to call attention to a synth pad or keyboard track.

Desktop users can access the Ribbon with a MIDI mod wheel and play the effect into a production with tactile precision and human feel.

TriceraChorus

Classic Chorusing for the Modern Producer

TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, particularly the Dyno-My-Piano. It pairs rich BBD style tri-chorusing with another signature Eventide effect: micro-pitch detuning. This effect can be used to thicken the sound and widen the stereo field by detuning the left and right signals and pan them opposite directions.

The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds.
 
Explore the Depth

TriceraChorus has three chorus voices: Left, Center, and Right. A three-phase LFO modulates the delay times for these voices. This relation ensures that your modulation sounds always have interesting and pleasing movement across the stereo field.

For a classic chorus stompbox sound, set TriceraChorus to “Chorus” mode. If you need something with more complexity and depth, “Chorale” produces lush, swirling choruses inspired by classic rackmount tri-chorus units. For a more psychedelic aesthetic try out “Swirl.”

Performance Ready

TriceraChorus is designed for real time parameter manipulation, resulting in seamless and glitch-free parameter automation of any parameter. Use RIBBON to play or automate sweeps between different settings. Wielding this intuitive performance macro can be great for intensifying the depth of flange-like settings, changing the rate of modulation for transitional effects, or simply controlling the Mix parameters for momentary performance flourishes.

For added live benefit, jump immediately from one setting to another using HOTSWITCH. RIBBON and HOTSWITCH settings are saved per-preset providing great flexibility in exploring the range of possibilities with TriceraChorus.

Features

• Three voice, Bucket Brigade style stereo Tri-chorus.
• CHORUS Mode evokes the chorusing effect created by classic chorus stompboxes.
• CHORALE Mode produces lush, swirling choruses inspired by classic rackmount tri-chorus units.
• DEPTH controls the amount of modulation applied to the 3 voices from the LFO.
• DETUNE the left and right channels simultaneously by +/- 40 cents.
• DELAY sets the amount of delay for the chorusing effect; use it to thicken your signal, create a flange, or slap-back sound.
• SWIRL adds stereo frequency shifting for a psychedelic flange-like flavour.
• TONE for shaping the high and low end of your signal. Remove muddy low frequencies or roll of high frequencies for a darker sound.
• RIBBON lets you sweep the effect between two different settings.
• Available for Mac and PC as VST, AAX, and AU plug-in.

MangledVerb

Good Verb Gone Bad

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favourite DAW.

MangledVerb starts with a variable pre-delay which feeds a stereo reverb into a complex distortion effect. Sonically it can range from the light friction of a bow scraping a cello string to the mayhem of a caged beast being poked with a red hot flounder.

Tweak it Live

Like all the H9 Signature Series plug-ins, MangledVerb excels in live situations. The Ribbon is an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them. The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls brings you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

• Create out-of-this-world soundscapes by increasing the Size and Overdrive.
• Use it as Mono-In/Mono-Out, Mono-In/Stereo-Out or Stereo-In/Stereo-Out for ultimate flexibility.
• Smoothly move from Softclip distortion to Overdrive for ripping transitions.
• Use the Wobble control to create spooky detuning effects.
• Use The Ribbon control to easily manipulate multiple parameters in a live situation.
• Program the HotSwitch to instantly change multiple parameters at once.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta-control on the fly.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.

MangledVerb Artist Presets

MangledVerb includes over 180 presets from the H9 and artists like:

• Aaron Nevezie
• Chris Carter
• Christian Cassan
• Count
• Danny Gomez
• Drew of the Drew
• Headsnack
• Joel Hamilton Jordi Martinez
• Kerry Leva
• Lawson White
• Mikail Graham
• Richard Devine
• Symbion Project
• Vernon Reid

A Brief History of MangledVerb

MangledVerb started life as a popular effect algorithm in Eventide’s rack-mount Eclipse and is one of the key algorithms included in our Space and H9 stompboxes. The plug-in version has been optimized for anyone working ‘in the box’ and presets can be shared between Space, the H9 and the MangledVerb plug-in.

ShimmerVerb

Move Towards the Light

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire.

Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambiance to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. 

ShimmerVerb shines via its playable, performance-based parameters. THE RIBBON is an easy to program performance macro allowing users to morph between two settings with one control. Desktop users can plug in a MIDI keyboard and gain tactile command over this function via the modulation wheel. Ribbon mappings are great for Feedback swells, moving the Pitch knobs, or changing the Size for a massive detuning result.

ShimmerVerb also boasts a HOTSWITCH for calling up another state of parameters inside the same preset. Use this for changing octaves, turning off/on the pitch shifters, or simply turning the Mix up or down while crafting your performance. Finally, the FREEZE button allows you to make smeared textures out of single voices, full pads, or percussive elements resulting in metallic “shimmers.”

MAIN FEATURES

• Unique reverb plug-in with parallel pitch-shifters on the reverb tail.
• Easily pitch with perfect fourths, fifths, and octaves.
• MicroPitch tuning available around perfect intervals.
• Four octaves of pitch shifting (from two octaves down to two octaves up).
• Delay pitched signals up to one second or sync them to your DAW’s tempo.
• FEEDBACK determines how much delayed signal is fed back into the input of the reverb.
• Low, Mid, and High cross-over network determines which frequencies are fed back.
• FREEZE holds the current state of the reverb in a smeared texture.
• The RIBBON allows for real-time modification of several parameters at once.
• HOTSWITCH allows for instant switching between two sets of parameters within one preset.

Undulator

Magical Modulated Tremolo

Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device.

MAIN FEATURES

• Turn up the MIX to increase the dry/effect ratio
• Utilize multiple modulation waveform shapes and sources to alter the rhythmic feel
• Subtly finesse detuning of delays by using SPREAD
• Add FEEDBACK to accentuate delays or create infinite loops
• The Secondary LFO determines how fast the depth and speed modulation “wiggle” their targets
• Lock the tremolo to tempo using SYNC
• RETRIG at the top of the waveform for a more predictable effect
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
• SLOW/FAST button toggles on a “Slow LFO” mode. Holding it down to “BRAKE” temporarily slows down the LFOs at a constant rate until released
• Update the tremolo speed in real-time using the TAP button
• Use MIDI to control the Ribbon (CC#1), Active/Bypass (CC#2), Slow/Fast (CC#3), or Tap (CC#4)
• Available for Mac and Windows as a VST, AAX, and AU plug-in

Precision Time Align is a high precision, sub-sample delay that can slide a track forward or backward in time.

It will help you get perfectly synchronized double-tracked recordings and significantly eliminate timing anomalies and phase issues from your mix on multi-mic’d drums, vocals, and instruments.

Blowout Comb: Precision Time Align allows for synchronizing signals to microsecond accuracy, up to 1/64th of a sample.

Recording drums, an electric guitar cabinet, or vocals with more than one mic can be challenging. While the sound recorded from each microphone might sound good on its own, mixing them together can introduce phase anomalies like comb filtering (phased, hollow sound) or low frequency attenuation. Editing in your DAW can help with time-alignment on a sample level.

Precision Time Align gives you much, much finer control – 64x higher resolution, in fact. 

Features:

• Synchronize signals to microsecond accuracy, up to 1/64th of a sample
• Phase Invert button fixes mirror-image acoustical phasing
• Precise Coarse and Fine controls optimize time shift in recordings
• Perform negative delays, moving the track up in time relative to other tracks in the recording
• Four different methods for calibrating the signal to achieve perfect signal matching
• Precision Time Delay also included for use with DAWs lacking delay compensation
• Much faster and more accurate workflow than trying to manually align in your DAW

Whether you wish to combine multiple tracks of a single instrument, compensate for phasing from different mics on a kick drum, or align audio segments for a tracking-only session.

Precision Time Align is ideal for these critical engineering tasks.

Instant Inspiration

Level up your composition skills with Octavox’s unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from our flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity.

Taming the Octopus

Octavox controls have been designed in the most intuitive way, allowing you to quickly adjust parameters or type in values. Each of the eight voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays. Octavox has also been updated with expanded MIDI functionality. Each voice interval can be set via MIDI note, voice shift amount by MIDI Pitch Bend, and “Randomize” by MIDI Modulation Wheel.

MAIN FEATURES

Is it Live?

Octavox has always allowed you set harmony intervals and reproduce voices in the key and scale you’re singing in.  Now new MIDI functionality allows you to change these intervals on the fly allowing you to add moving harmonies to your performance or recording.

8 VOICES

8-voice diatonic pitch shifter based on technology from Eventide’s flagship H8000 effects processor with panning, delay, detune, and feedback to create beautiful harmonies and sequences.

Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 8 voices.

70+ PRESETS

Whether you are an electronic musician, singer / songwriter, or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity with unheard melodies and rhythms. Great on monophonic synths, guitar, and vocals.

DIATONIC PITCH SHIFTER

New pitch-tracking “off” mode allows it to shine on polyphonic and rhythmic sounds. MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. Key Lock does the same for the Key and Scale.

Select Key and Scale

Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice.

Iconic H3000 Effect with Out-of-this-World Pitch, Delay & Reverb

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. 

Built for Experimentation 

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Features

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up.
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback.
• Reverb with 100 seconds of decay.
• Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents).
• Smooth out delay grains by applying up to 4 seconds of delay for each voice.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• FLEX shifts both voices up one octave at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.
• Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App.

Play the Ribbon

The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

Classic Flanging for a Modern Mix

The Instant Flanger Mk II brings the great sound of vintage tape flanging to your plug-in toolbox. An authentic emulation of the original 1975 studio rackmount, the Instant Flanger was famously used on David Bowie’s “Ashes to Ashes” and Cyndi Lauper’s “Time After Time.” A truly versatile tool, engineers and producers have used it for stereo sweetening, subtle modulations, double-tracking, and extreme flanging effects.

Spread the Sound Around with Pseudo Stereo

Turn flat mono guitars into huge stereo leads or have your single-channel synthesizer fill out the sides of your mix with pseudo-stereo. The Instant Flanger Mk II has dual outputs that create three different sonic images – “Shallow”, “Deep”, and “Wide”. Combining “Wide” Mode with the “Low Cut” control is an easy way to place multiple harmonies behind the lead. Fine-tune the resonance of your flanging effect by using the “Depth” and “Feedback” controls.

True End-to-end Emulation

Tape machines use servo motors to run at a constant speed and when an engineer pressed a thumb on the flange and then suddenly let go, the capstan motor servo reacts – overshooting and undershooting as it seeks to recover proper speed. In other words, it ‘bounces’. The Instant Flanger convincingly mimicked this behaviour with its innovative “Bounce” control knob. Use this feature to add a real-world groove to your tracks.

MAIN FEATURES

• Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal
• Three distinct flavours of flanging. Set the Mode switch for Shallow, Deep or Wide
• Manual control allows you to control the ‘comb’ effect by turning the Big Knob
• Oscillator drives the flanging at a user-defined rate
• Envelope Follower drives the flanging based on the signal’s amplitude
• Remote maps the flanging control to a mod wheel for tactile manipulation
• Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer’s thumb was lifted from the tape reel flange
• “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling
• Exercise total control of the Oscillator with Sync and Retrig
• Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control

Distinguishing Flanging from Phasing Since 1975

Instant Flanger Ad 1975The method of tape flanging was originally achieved by playing back a track on two separate tape machines and using your thumb to apply pressure to the “tape flange” thereby slightly slowing down one of the machines. In the tape era, before the introduction of electronic effects devices, the terms “phasing” and “flanging” were used interchangeably. Then, in 1971, Eventide released the Instant Phaser which was based on analog filters rather than delay.

When the Instant Flanger was released in 1975, the original hardware manual explained “Old model phasing units used analog circuitry to modify the frequency spectrum. Eventide’s Instant Flanger uses a true time delay circuit, producing many more nulls and thus a much deeper effect than previously available with an all-electronic unit.”

8 Iconic Plug-ins

Rewind time with an iconic collection of Eventide studio classics

In 1971, in a New York City basement, Eventide Clockworks revolutionized the audio industry by creating the world’s first studio effects processor–the Instant Phaser and pro audio’s first digital device, the Digital Delay Line. Over the course of the following decade, Eventide would release the world’s first Harmonizer®, the H910, along with the other industry firsts: Omnipressor®, Instant Flanger, H949, and SP2016.

Now, producers and engineers can evoke the classic effects heard on countless records from the last 50 years with the Clockworks Bundle. Painstakingly modelling every aspect of these hardware units was neither quick nor easy but now the must-have sonic beauty of these classic boxes is available for use with your favourite DAW live or in the studio.

Instant Phaser Mk II

The Instant Phaser was the world’s first studio phaser and the first rack mount effects unit, period. Originally intended to make the painstaking task of tape flanging quick and easy, engineers and producers would use it for smooth, transparent modulation and pleasing stereo decorrelation. It used analogue all-pass filters to mimic the effect achieved by time delay resulting in a modulation effect all its own. Experience all of its analogue charm with the Instant Phaser Mk II plugin and add “Age” to taste.

Features

• Add Age for component drift and electrical leakage in your phaser.
• Offers three different flavours of phasing with the Mode switch: Shallow, Deep, and Wide.
• Utilize one of four distinct methods to control the phasing.
• Depth allows you to combine the phased signal with the dry signal.
• Added Side Chain function allows you to trigger the Envelope Follower from a separate source in the mix for inter-track mingling.
• Exercise total control of the Oscillator with Sync and Retrig controls.
• Use Feedback control for a more pronounced sound.
• Includes standard gain input and output.

Instant Flanger Mk II

The Instant Flanger utilized newfangled bucket brigade ICs for swept delay resulting in a ‘true’, time-based, emulation of tape flanging. Whereas the Instant Phaser offered several methods of controlling modulation, the Instant Flanger allowed engineers to combine these controls. The result, more control layers and less predictable sweeps. Explore vintage modulation sweetness with the Instant Flanger Mk II.

Features

• Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal.
• Three distinct flavours of flanging. Set the Mode switch for Shallow, Deep or Wide.
• Manual control allows you to control the ‘comb’ effect by turning the Big Knob.
• Oscillator drives the flanging at a user-defined rate.
• Envelope Follower drives the flanging based on the signal’s amplitude.
• Remote maps the flanging control to a mod wheel for tactile manipulation.
• Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer’s thumb was lifted from the tape reel flange.
• “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling.
• Exercise total control of the Oscillator with Sync and Retrig.
• Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control.

Omnipressor

The Omnipressor, released in 1974, set the stage as the first dynamics effects processor, introducing the concepts of infinite compression, dynamic reversal, and side-chaining. The flexible nature makes the Omnipressor plugin a must-have, with options to control all aspects of dynamic modification.

Features

• Dynamics processing for creating otherworldly sounds.
• Gating, expansion, compression, limiting, and Dynamic Reversal.
• An intuitive interface makes it simple to operate with the use of a Function dial.

H910 Harmonizer

The H910 Harmonizer was the world’s first digital effects unit. With its unique combinations of pitch shifting, feedback, modulation and delay, it was a huge hit across studios worldwide. Thickening snares, guitars and vocals are H910’s bread and butter, but robot sounds and gritty octaves are just as easily dialed in. The bundle includes H910 Dual.

Features

• NEW Keyboard and MIDI mapping – The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.
• NEW Envelope Follower – An envelope follower has also been implemented in this latest release. Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy.
• NEW OUT2 Delay Group – adds inspiring attributes to your sound.
• True analogue modelling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit.
• Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.
• Anti-Feedback modulates the pitch around unity for a subtle or wild effect.
• Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters the pitch.
• Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.
• Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.
• Create colourful, unique sound effects and drones through self-oscillation.
• Individually control delay outputs and dry/wet mix.
• Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.

BONUS: H910 Dual

• H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds.
• H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios.
• H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.

SP2016 Reverb

In 1981, the SP2016 was released and was the world’s first programmable effects processor featuring ROM chips that “plugged in” under the hood making it possible to add new effects in the field. While it was not a Clockworks effects unit, the SP2016 earned its spot on this roster as it marks the opening chapter of modern Eventide effects processors, with the H9000 its current incarnation. The SP2016 Reverb plug-in includes modern and vintage versions of its signature Stereo Room, Room, and Hi-Density Plate.

Features

• Room – Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes.
• Stereo Room – Recreates the ambience of a large concert hall, with very clear, natural reverberation. It’s characteristically natural and shines on instruments where a natural sound is a desire – like vocals, drums, acoustic guitar, strings, and horns
• Hi-Density Plate – Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are.
• Control the structure of the reverb by fine-tuning the controls – including PreDelay, Decay, Position and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The low filter can be used to cut OR boost at the specified frequency.
• Boasts a variety of artist presets including some by Dave Pensado, Richard Devine, Joe Chiccarelli, Sasha, George Massenberg, The Butcher Bros., Buda and Grandz, and more.

H949 Harmonizer

In 1977, Eventide released the H949, standing on the shoulders of the H910 as the second in Eventide’s family of Harmonizers. It introduced a formal micro pitch-shifting mode, which is a great sound for lead guitar virtuosos. It also had the first Reverse delays and introduced a Random pitch mode, which works great as an automatic double-track for guitars and vocals. And, the H949 conquered the ‘glitch’ by using advanced autocorrelation techniques. The bundle includes H949 Dual.

Drive your Tone from Creamy Saturation to a Brutal Sonic Assault

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control.

Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

Fix, Fit & Feature

CrushStation’s combination of ingredients creates a plugin that excels at the three broad ways distortion effects can be deployed. FX expert and author, Alex Case, refers to them as the “3Fs”: FIT, FIX and FEATURE:

• FIX” a weak snare track by adding just a bit of Grit & Compression.
• “FIT” finesse the lead into your mix by adding a bit of warmth and bottom.
• “FEATURE” the lead by crushing it ‘til it hurts.

Features

• 35 PRESETS painstakingly tailored to cover all the bases.
• DRIVE from shallow subtle boost to deep overdrive distortion.
• GRIT and SUSTAIN push into fuzz territory.
• SAG was inspired by Eventide’s experience of the sound of dying analogue gear; the power rail sags and the amp starts sputtering, cutting out and sounding ‘broken’.
• MIX in higher and lower OCTAVES then turn up the DRIVE and SUSTAIN to crush them together to form massive new textures.
• GRIT for low-end, gritty, chugging sounds.
• 3-Band EQ to shape your tone.
• GATE your signal to tame an aggressive distortion output, or get aggressive with high threshold gating and dry MIX for parallel gated crunch.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• HOTSWITCH allows you to instantly switch between two different distinct settings within the same preset at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.

Play It Live

Originally developed for the Eventide H9 Harmonizer® pedal, CrushStation has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. Like all H9 series plug-ins, CrushStation is designed to ‘play’. The Ribbon lets you sweep the effect between two completely different settings. On one end you can have a gritty dark EQ, and on the other a wall of sound using heavy Compression, Sag, and Octaves during a solo or intense transition. Even a dramatic effect can become boring if it remains static throughout a track. Use the Ribbon to add a bit of ‘life’ while you’re mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile and nuanced morphs and sweeps.

Presets Make It Easy

The plug-in comes loaded with 35 Factory Presets that cover the many ways that you’ll want to use it. Presets capable of adding spice, flair, crude and crunch to suit a variety of production styles. Get guitars, bass and synth to sit perfectly in the mix by dialling in warmth and depth with “PunkRock Lobster.” The Grit control in “Fat n Snappy” adds preamp-style distortion that can help bring out kicks in the mix with. “Big Pop Octaves” adds subtle distortion and lower octaves for unique pitch blending vocal effects. Further fine-tune your sound using the three-band EQ to tame cymbals and vocal sibilance. 

Move Towards the Light

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire.

Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambiance to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. 

ShimmerVerb shines via its playable, performance-based parameters. THE RIBBON is an easy to program performance macro allowing users to morph between two settings with one control. Desktop users can plug in a MIDI keyboard and gain tactile command over this function via the modulation wheel. Ribbon mappings are great for Feedback swells, moving the Pitch knobs, or changing the Size for a massive detuning result.

ShimmerVerb also boasts a HOTSWITCH for calling up another state of parameters inside the same preset. Use this for changing octaves, turning off/on the pitch shifters, or simply turning the Mix up or down while crafting your performance. Finally, the FREEZE button allows you to make smeared textures out of single voices, full pads, or percussive elements resulting in metallic “shimmers.”

MAIN FEATURES

• Unique reverb plug-in with parallel pitch-shifters on the reverb tail.
• Easily pitch with perfect fourths, fifths, and octaves.
• MicroPitch tuning available around perfect intervals.
• Four octaves of pitch shifting (from two octaves down to two octaves up).
• Delay pitched signals up to one second or sync them to your DAW’s tempo.
• FEEDBACK determines how much delayed signal is fed back into the input of the reverb.
• Low, Mid, and High cross-over network determines which frequencies are fed back.
• FREEZE holds the current state of the reverb in a smeared texture.
• The RIBBON allows for real-time modification of several parameters at once.
• HOTSWITCH allows for instant switching between two sets of parameters within one preset.

Swirly Leslie Cab Modulation

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation.

Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals.

Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. 

MAIN FEATURES

• Change the speed of the rotor and horn independently and adjust the mix of the two to produce pulsing effects and special vibratos
• Add frequency modulation to the rotor and horn speed using secondary LFO with selectable modulation source
• Choose cabinet size (Standard or Giant) to alter the sweetness of your tone
• Craft the exact sound you need with included Hi-cut control
• Use Tap Tempo to sync effect to the BPM of your song
• Incredibly easy to use with included presets
• Innovative Ribbon control allows for changing any combination of parameters simultaneously
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant
• Available as an Audio Units AUv3 plug-in and Standalone app

Play it Live

Rotary Mod comes equipped with performance-ready features. Using the RIBBON is a quick and easy way to set up an evolving effect on the fly. With this intuitive performance macro at your disposal, you can achieve numerous unique and effective sounds.

Try intensifying modulation depth for guitar or synth leads, blending between the Horn and Rotor for transitions, or simply changing the speed when you need to call attention to a synth pad or keyboard track.

Desktop users can access the Ribbon with a MIDI mod wheel and play the effect into a production with tactile precision and human feel.

The Culmination of More than 35 Years of Reverb R&D

9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. 

MAIN FEATURES

• Halls, Chambers, Rooms, Plates, and Ambience derived from Eventide’s flagship hardware processor, the H8000 UltraHarmonizer®
• Create acoustically natural or other-worldly environments
• Packed with over 300 killer presets for mixing, mastering, post production, and sound design
• Includes Artist Presets designed by top engineers and recording professionals
• Session compatible with Eventide Reverb HD/TDM from the Anthology II bundle
• Stereo Delays (pre or post reverb) with Tempo sync to lock delays in time with your session
• Compressor (pre or post reverb) with key input
• Pre-EQ, Post-EQ, Reverb EQ and Delay EQ – Four independent, three band parametric equalizers
• Reverb Tail Randomization based on the legendary H949 Harmonizer® Random setting
• Modulation Rate and Depth controls
• LoFi control for subtle grit or all out mangling

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it’s legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to ‘play’. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of ‘life’ while you’re mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Play it Live

The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.

MicroPitch’s Proud Legacy

Eventide originated the micropitch effect by accident in the early 1970s with the introduction of the world’s first digital audio effects box, the H910 Harmonizer®. The design of the H910 predates large (and medium) scale integrated circuits, including analogue-to-digital converters, sample rate standards and digital signal processing algorithms. The H910’s system clock was not crystal-based but instead used an LC (inductor/capacitor) oscillator circuit which proved to be just a tad unstable. As a result, the pitch ratio would wiggle about. Early owners of the H910, especially studios that could afford two, discovered that setting the pitch ratio on one H910 to ‘flicker’ between 0.99 and 1.00, while adjusting another to flicker 1.00 and 1.01, resulted in a rich spread stereo effect. 

Eventide’s second Harmonizer, the H949, introduced in the mid-1970s, ‘fixed’ the randomness of the H910 by incorporating a rock-steady crystal oscillator. The H949 provided a number of new features made possible by digital audio – reverse effects, de-glitching and “u PC” -thereby formally introducing this new effect into the pro audio lexicon. The H949 was also an early digital audio device, 100% DSP/CPU-free, predominately analogue, and, to achieve small, precise, deviations of pitch it employed using a radio technique called Single Side Band modulation. 

With the introduction of the DSP-based Eventide H3000 Harmonizer®, an enhanced version of the MicroPitch effect was developed and the effect became a ‘go-to’ tool for audio pros and artists worldwide. Today’s MicroPitch continues the long tradition of offering ever-expanding capabilities to this fundamental effect.

MAIN FEATURES

• Two voices of pitch shifting, one from unison to -50 cents, the other from unison to +50 cents, each with up to 2 seconds of delay.
• Classic stereo-spreading effect.
• Slapback effects using longer delay times.
• TONE for fine-tuning the voices to fit perfectly in your mix.
• PITCH MIX for layering the two voices by setting the balance between each shifted delay.
• MOD DEPTH and RATE for a chorusing effect on each voice.
• FEEDBACK for pitch dive/rise effects.
• Intuitive UI for ease of use.
• Tempo for synchronized and unique delay effects.
• Presets based on iconic uses of the MicroPitch effect.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.