Soundiron

Organetta is a portable vintage electronic organ made in the early 1970s by the esteemed German manufacturer Hohner.

The sound is nostalgically familiar: something in between a melodica, accordion, and analog synthesizer. The El Luxe 49P used colorful switches to effortlessly transition between tones, from mellow flutes to brilliant trumpet, warm strings to haunting oboe. It had internal speakers, and came with volume-adjustable drum loops to help you practice your gnarly organ chops.

To faithfully capture all of the character of this vintage gem, we meticulously recorded two microphone positions: up close in stereo, and direct line in. Soundiron’s Organetta comes with our favorite synth sustains, deep bass tones, staccatos, drum loops, and keystroke sound effects. Unleash its full potential by experimenting with our built-in FX rack, which offers amplifier emulation, reverb, delay, distortion, and so much more. We’ve also included 20 custom patches and sound-designed ambient synth pads created from the source to make this library extraordinarily playable and versatile. Whether you’re looking to create a massive video game sound, bold synth bass, or just shred a slick nasal brass solo, Organetta is ready to rock!

Contents

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• Sustains, Releases, Staccatos, Drum Loops, Keystrokes in two mic positions: Close stereo, Direct
• 20 ambient pads and evolving drones created from the source content
• 21 Powerful Kontakt .nki instrument presets
• 24 bit / 48 kHz uncompressed PCM wav samples
• 20 Custom Sound-Designed FX and Ambient presets
• 3,702 stereo samples
• 4.55 GB Installed
• Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
• Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

Quadral 2 is an imagination laboratory.

Randomize your way to your next favorite electronic score using 16 brand new groups of hand-crafted atmospheric synth pads. Combine quadrants to create layered leads, asteroid ambiences, or evolving textures using our Ouroboros modulation engine and tempo-synced XY pad. Each sound has been sculpted with care, allowing you to weave layers together into spectacular new presets with categories like Blurry, Electric, Icy, LoFi, Nature, and Zen. We’ve also included over 250 factory patches of Arps, Basses, Leads, FX, Pads, and Plucks to get you started on your interstellar journey through space and time.

Quadral 2 is a powerful sampled synthesis engine, ideal for film and game composers who need a fast workflow while maintaining their creative spark. Dive in to tweak and automate every parameter with total control, or just click Randomize to generate a virtually endless universe of fresh ideas. All systems go – Time to make one giant leap for mankind.

The main user interface is built around four separate quadrants, an assignable XY Pad, quick modulator + filter routing menus, and arpeggiator system to expand your creative potential. Each layer in Quadral 2 has fully independent sound-shaping options including Attack, Release, Offset, Pitch and Pan. Every quadrant has its own individual filter with 39 built-in filter types, as well as modulators using a variety of sources: LFO, ADSR and Velocity with 5 selectable targets: Volume, Pitch, Pan, Filter Frequency, Filter Resonance.

The central XY Pad can be used in a variety of ways but defaults as volume control between the 4 layers. Each axis can be customized to affect a different parameter and can be used to control filters or a select amount of FX options. Rhythmic motion can also be added to the XY Pad, automatically adjusting each axis in a tempo- syncable way. You can also limit the X and Y range to create new patterns and fluctuations in tone.

Quadral 2 ships with over 250 Factory Presets in 6 categories, each one lovingly crafted. They can be easily perused using the Preset Browser. You can also save new patches you’ve made using the browser, or share presets with other users. Finally, don’t forget to fire up the FX rack panel and load your synth up with dozens of DSP effects, including convolution reverb with over 100 of our custom real-world and special FX spaces to perfect your sound.

A Massive 3-Piece Drum Kit library built for Kontakt

Drums of St Paul was recorded in the massive sanctuary hall at historic Saint Paul’s in San Francisco, CA (the same location as our renowned Requiem Light Symphonic Choir). This powerful multi-sampled drum library captures a variety of kick, snare, and tom articulations from three different microphone positions for a crisp and lush natural reverb and open tone you can blend effortlessly to create an epic sound for any genre. The kick comes with high and low bass drum strikes, metal, rim, and side clicks. The snare was sampled with snares on and off, rimshots, and rim clicks, while the tom includes high and low strikes and rim clicks. We prioritized maximum clarity and presence for each instrument with a wide stereo image, up to 13 velocity layers and 16 round robin.

This open-format Kontakt library is perfect for light to “epic” cinematic drum arrangements, concert percussion, Pop or Rock drum tracks, drum replacement or layering. Each articulation provides natural and aggressively dynamic performances you can take even further using our arpeggiator and FX rack. We’ve also included 20 unique sound designed ambiences, atmospheres, and sustaining pads to provide tonal leads and background textures. They can be used with the drums or in any other music application you wish. Each one has been hand-crafted using the raw source recordings to create an ideal sonic companion to this library.

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

A Cinematic Toolkit & Sound-Design library built for Kontakt

Sonespheres is a series of uniquely sound-designed atmospheric synths, textural pads, evolving soundscapes, nuanced drones and tonal ambiences for Native Instruments Kontakt. Each volume explores film and tv composer and long-time Soundiron collaborator Blake Ewing’s unique creative vision, delving into deeper aesthetics, stylized niches and specialty production concepts. This volume was crafted using an array of acoustic and electronic instruments, with a full array of essential user controls to unlock virtually limitless creative potential.

Blake brings to his craft a brilliant ear for nuanced layering, rich detail, fluid textures and powerful emotional weight

Blake is an American composer with a concentrated interest in creating music for visual media. His compositions have been commissioned, licensed and well received by film directors, producers, videographers, sample developers, advertising firms, music supervisors and fans from around the world. He believes in music – and in its wonderful power to support and elevate storytelling.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time

You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

Chroma Bells is a collection of 12 tuned steel, brass and bronze hand bells from England, India, China and Tibet. Each one has a distinct brightly or darkly resonant character, providing an awesome variety to fit any arrangement. They’re great for creating full melodic compositions, accenting percussive arrangements or even as pure sound effects.

We recorded single-note rings, sustaining rolls and special muted articulations, each captured with extensive velocity-layering and round robin variations for exceptionally dynamic natural playability and beautiful acoustic realism. There are three stereo microphone positions that you can freely mix and layer. You’ll find our classic ultra-close pair of large-diaphragm studio mics for dry, crisp and strongly present tonality. There’s also a wide-spaced overhead pair of pencil omnis for a spacious room sound. Lastly, just for fun, we’ve used a pair of very rustic tin can microphones that offer a raw, yet somehow smooth mid-century vintage lofi flavor with a warm mid-range, dark tone and rounded transients.

Contents

Introducing Delphi Piano series, volume 2: Knightsen Boxgrand 

A marvelous musical rarity with an untamed spirit. In this series, we explore vintage and classic instruments as portals into new worlds of creative sound design possibility. This time, our focus is on massive, emotionally charged textures that overflow with bombast, while ornately enriched with intricate detail and a distinctive character. It’s not just another ordinary old piano; this one possesses a wild side that pushes the boundaries of sonic exploration outward a little further than we usually go.

In this library, we explore new forms of sonic pareidolia, simultaneously conjuring illusions and revealing the ghosts in the signal. Our goal is to preserve its beauty, flaws and deeper untapped potential in an eternally playable form. Next, we reshape the source recordings into new and complex evolving tones, textures, movements, patterns, abstractions and distortions. It is a collection of playable soundscapes, and transcendent leads, with a wide selection of custom presets and options to transform the sound in an endless variety of new ways that we’re sure will surprise and inspire you.

Contents

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• Box grand piano notes, releases, clusters, glisses, dead keys, pedal noises in two mic positions
• 11 multi-sampled ambient pads, evolving drones, impacts created from the source content
• 37 Powerful Kontakt .nki instrument presets
• 24 bit / 48 kHz uncompressed PCM wav samples
• 36 Custom Sound-Designed FX and Ambient presets
• 2,264 stereo samples
• 8.92 GB Installed
• Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
• Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

Handsome Dan is an experimental custom creation from the mind of master instrument inventor Bart Hopkin: A stringed Zither with a unique twist.

The key is a clever system for picking up and isolating the harmonic resonances in unplayed strings. This flat wooden sound box has 14 strings, with a center bridge dividing them into two segments. A magnetic pickup is placed on one side, but the strings are played primarily on the other side, usually with a slide or plectrum. When a frequency sounding on the played side matches any of the harmonics of the same string on the unplayed side, it sets up a sympathetic vibration in the unplayed segment. That’s the sound that comes through the pickup. The tone is dreamy and ethereal, with a floating, swelling presence.

We’ve faithfully sampled every interesting sound we could get out of this zither, with two stereo mic positions: Contact mics, and mixed mics. Plucks, Slides in a variety of intervals, and Glisses up and down are available in all four layers to easily mix and match. With up to 8x round robin and 6 velocity layers per note, you’ll be swimming in beautiful timbres in no time. We’ve also included a wide selection of custom FX presets and plenty of our signature sound-designed ambient content, crafted from the raw acoustic source to give you complete creative freedom.

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features:

• Zither Plucks, Slides, and Gliss articulations in two mic positions: Contact, Mixed
• 20 ambient pads and evolving drones created from the source content
• 21 Powerful Kontakt .nki instrument presets
• 6,838 stereo samples in unlocked .WAV format
• 17.1 GB Installed
• Made for the full retail version of Kontakt (version 6.2.2+)

A Bowed And Warped FX Cymbal  Library For Kontakt

Cymbology is a massive percussion effects library built around bowed cymbals and gongs. We captured 20 unique cymbals, in all shapes, sizes, alloys and varieties, from crashes and splashes to gongs, bells, trashes and even a stack of spent WWII Howitzer artillery shells. We explore the classic bowed cymbal effect in exquisite detail, with dozens of variations for each cymbal, from short stabs to long tortured wails and everything in between. These often sought-after dramatic scoring and sound design fundamentals are perfect for setting dark moods, striking bold transitions, building stingers, weaving soundscapes and manipulating in any number of ways to evoke sonic images both dark and light.

Not content to leave it there, we experiment with dry ice on the cymbal surfaces. The results are just as wildly varied as the bowed articulations, but these squeals, hisses, screeches, drones, screams, rumbles and wails are an entirely different flavor. We recorded both sets of sustaining and short cymbal effects in two wide microphone positions, up close for full detail, presence and clarity without room coloration and out in a large hall, for a rich, lush and naturally spacious reverb ideal for epic and orchestral scoring.

Next, we created a collection of extraordinary melodic tuned percussion instruments from the most tonally pure and musical raw material within the library. Each tuned percussion preset has a unique and complex sound, with flowing overtones, broad warmth, clear highs and massive low end, with flavors ranging from darkly harmonic to pure and crystalline. Lastly, we designed over 1 GB of ambient instruments. You’ll find a spectacular array of pads, drones, synths, swirling dreamscapes, nightmarish hellscapes and complex evolving textures.

We’ve programmed the library with obsessive attention to detail and unmatched playability. You’ll find our usual front panel controls with full automation support on all critical parameters, plus multi-effects chain controls and our custom convolution reverb system. The tuned percussion presets include our powerful Uberpeggiator system and several of the ambience presets also include our dual-layer selection and real-time cross-fading system to allow an endless range of creative possibilities.

Features:

• 5.77 GB installed (3.77 GB Download)
• 2,220 Samples (standard pcm wav)
• 285 Kontakt 3.5 .nki instrument presets (legacy)
• 289 Kontakt 4.2.4 .nki instrument presets
• 24 bit / 48kHz stereo PCM wav format
• Format(s): Kontakt 3.5/4.2.4 .nki and pcm .wav

A powerful compendium of sampled instruments, voices, ensembles, sound design and cinematic effects for Kontakt Player and NKS

Core Micro is a powerful compendium of sampled instruments, voices, ensembles, sound design and cinematic effects for Kontakt Player and NKS. It delivers the professional fidelity, playability and customization options you need, yet is fully optimized for efficiency, convenience and total ease-of-use. Core Micro is perfect for the seasoned composer who needs a wide variety of high-quality instruments at their fingertips for quick sketching and creative flow. The all-in-one design, intuitive controls and affordable price make this your ideal musical launching pad, whether you’re a pro or just starting out on your musical journey.

It includes a splendid selection of orchestral strings, symphonic choirs, solo vocalists, pianos, organs, synths, winds, tuned percussion, drums, video game SFX, cinematic effects, stingers, atmospheres and ambiences.

Create your own custom blends with 4 independent modular layers, assignable parameters, arpeggiation sequencing with scale/key locking, freely-assignable LFO and filters and a complete DSP effects rack. It’s easy to build entire arrangements in any musical genre with Core Micro. Whether you are a composer, producer, songwriter, student, teacher, working on the road with a laptop or discovering new sounds in your home studio, Core Micro is designed to unleash your creativity.

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• A collection of Choirs, Strings, Brass, Winds, Solo Vocals, Keys, Tuned/Untuned Percussion, Ambiences, SFX
• 2 Master Kontakt Player .nki instrument presets
• 56 Custom sound-designed Snapshots
• 24-bit, 48 kHz Stereo Lossless NCW Format.
• 2,629 stereo samples in locked .ncw format
• 4.8 GB Installed (9 GB Uncompressed)
• Made for the free Kontakt Player (version 6.2.2+), Komplete Kontrol, all S-
• Series Keyboards and NKS software and hardware by Native Instruments
• Works with the Kontakt “Libraries” browser and Native Access.

Angklung is a full-ranged traditional tuned percussion instrument originating from Indonesia, dating back to roughly the 7th Century AD.

Over the past thousand years, it has spread widely throughout Southeast Asia and Polynesia and can be heard in a variety of traditional and modern genres, from gamelan orchestras to pop bands and jazz ensembles. The Angklung is actually best thought of as a set of several individual single-note instruments, each one comprised of a pair of bamboo tubes in a higher/lower octave pair sounded by a loose rattle. The result is a uniquely full, clear but short-sustaining, dry note.

For this massive dedicated Angklung multi-sample library, we’ve recorded a set of 18 Angklung notes, tuned over a major scale spanning nearly 3 full octaves. We captured them up close in a dry studio and out in a large open hall with 3 mic positions (close, mid, far). We recorded each up and down stroke separately, with 48 round-robin variations per-velocity/per-note for the dry (24 up/24 down) and 16 round-robin variations per-velocity/per-note for the hall samples (8 up/8 down). We also recorded natural hand-played sustaining loops at different speeds and intensities, with smooth dynamic cross-fading between layers and adjustable release samples. And finally, we created a full collection of sustaining pads, ambiences and soundscapes from the raw bamboo Angklung recordings that complement the sonic flavor and soul of the library.

Contents

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• 18 bamboo tubes recorded dry and in a large hall with three microphone positions: Close, Mid, Far
• 12 ambient pads and evolving drones created from the source content
• 21 Powerful Kontakt .nki instrument presets
• 24 bit / 48 kHz uncompressed PCM wav samples
• 6,838 stereo samples
• 3.82 GB Installed
• Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
• Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

Sandy Creek Organ captures the last gasps of life from this well-worn vintage Thomas Monticello organ.

Bequeathed to us by a friendly neighbor, this gem had a story to tell. It seems that in the downtime between service as a musical instrument, this particular organ also served as a home to countless little critters who left their mark all over the interior. There it sat in our old Sand Creek studio until we got it working just long enough to unlock some of its musical mysteries.

In order to capture all of the character of this vintage treasure, we recorded two microphone positions: up close and room. Sandy Creek Organ includes six different sustain types (two of which feature a rotating Leslie speaker), each with round robin and releases, as well as a variety of sound effects. As always we have included a selection of carefully crafted ambiences and creative FX presets to help jumpstart your creative juices. The actual Thomas Monticello we recorded may have reached its last stop, but it will live on forever as our Sandy Creek Organ.

Contents

Ambius Prime is a unique and powerful compendium of our Ambius atmospheric synthesis series, offering a vast selection of hand-crafted sound-designed pads, ambiences, leads, pulses and acoustic textures. This library is made for the free Kontakt Player and works with Komplete Kontrol and all S-Series hardware by Native Instruments Each sound has been carefully sculpted from organic source recordings by our creative team. We’ve captured a wide spectrum of instruments, voices, environments and objects to create thousands of distinctly compelling and nuanced sonic flavors.

Everything you hear was built using only organic field and instrument recordings. In fact, no synthesizers were used in the creation of this library at all. And with our sophisticated Ouroboros modulation engine, you can weave sources together into stunningly dynamic, flexible and inspiring synth patches for any style or genre.

The main panel features an assignable XY Pad, quick modulator and filter routing menus and arpeggiator system to expand the already endless creative potential. Dive in to the Mod Panel and tweak and automate every parameter with total control over every detail, or just hit the Random button to instantly generate an infinite variety of new sound, parameter and dynamic modulator combinations. And fire up the FX rack panel and load your patch up with your choice of dozens of DSP effects, including convolution reverb with over 100 of our custom real-world and special FX spaces to perfect your sound.

Ambius Prime includes all of the content from Ambius 1: Transmissions and Ambius 2 Systematik, as well as the exclusive new Ambius 3: Expanse, a huge selection of over 1000 brand new sound sources that are only available here in Ambius Prime.

It’s the perfect atmospheric texture farm for film and game composers and sound designers, and an extraordinarily powerful synthesis engine for electronic music producers and synth junkies. 

A Deep User Interface

• Powerful Custom User Interface with CC and host automation support for all major DAWs and Komplete Kontrol hardware and software.
• X-Y Pad with that can be animated and assigned to layer mix routing and FX parameters.
• Each layer has its own primary controls for Volume, Attack, Release, Offset, Pitch, Pan, Modulation routing and Filter settings.
• The Mod Panel lets you create custom parameter routing and modulation chains for a full suite of layer and filter parameters, plus convenient Delay, Distortion, EQ and Convolution effects that can be controlled with the X-Y pad.
• Intelligent “Random” button instantly generates new presets for inspiration on the fly.
• Our FX Rack comes equipped with 18 powerful effect modules, each with configurable controls and customizable routing and chain saving/loading.
• 119 integrated custom convolution reverb IR samples in 10 distinct categories (Cathedral, Chamber, Large Room, Small Room, Hallways, Underground, Outdoors, Long FX and Short FX)

Product Specs

• Product Version 1.0
• 3,107 Samples
• 9.15 GB installed (12.2 GB wav source)
• 3 nki Kontakt instrument Banks
• Thousands of unique sound source presets, each one a unique and fully-playable ambient synth patch by itself.
• 100 Factory Master Presets, plus an intelligent randomizer to generate an endless variety of new presets instantly.
• 24 bit / 48kHz lossless compressed NCW samples
• Works with the free Kontakt Player (version 5.6.8+), Komplete Kontrol and all S-Series Keyboards

FATTY 311 honors the tonal legacy of the Conn Prelude 311 organ.

 Our lovely Prelude had a real spring reverb unit, two 44 key keyboards, a Min-O-Matic rhythm machine, and tons of emulated sounds of clarinet, trombone, violin, guitar tremolo, and more.

FATTY 311 honors the tonal legacy of the Conn Prelude 311 organ. C.G. Conn Ltd., sometimes called Conn Instruments or commonly just Conn, was an American manufacturer incorporated in 1915. Its early business was based primarily on brass instruments manufactured in Elkhart, Indiana. During the 1950s, its best seller became the electric organ. After the household organ craze died down (50-70), Conn went bankrupt and was eventually bought by Steinway in 2000.

Charles G. Conn was a Civil War veteran of the U.S. Army who established a grocery and baking business in Elkhart, Indiana after the war. He also played cornet in the local community band. He started out inventing cornet mouthpieces, and by 1905, Conn had the world’s largest musical instrument factory producing a full line of wind instruments, strings, percussion, and a portable organ.

Our lovely Prelude has a real spring reverb unit, two 44 key keyboards, a Min-O-Matic rhythm machine, and tons of emulated sounds of clarinet, trombone, violin, guitar tremolo, and more. The instrument’s classic wooden body echoes the popular aesthetics of the 1970s and its beefy, warm analog sound can cut through any mix. We sampled its best sustains, staccatos, and effects in three microphone positions to bring your midi to life. You can easily use vibrato and a special “Octave” knob, which spices up your tone by smoothly rolling in lower and higher octaves. We’ve also included tons of custom FX patches and sound-designed ambient synth pads created from the source to make this library extraordinarily playable and versatile. Whether you’re looking to recreate an old video game sound, huge synth bass tone or play straight from the hymnal, Fatty 311 can get you there!

Contents

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• Electro Organ Sustains, Releases, Staccatos, SFX in three microphone positions: Close, Mid, Far
• Synth Clarinet, Trombone, Violin, Guitar Tremolo, Diapson, Flute, Reed, Major Bass, and more
• 21 Powerful Kontakt .nki instrument presets
• 24 bit / 48 kHz uncompressed PCM wav samples
• 20 Custom Sound-Designed FX and Ambient presets
• 8,700 stereo samples
• 6.17 GB Installed
• Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
• Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

Hyperion Strings Ensemble is an orchestral string scoring library with brilliant sound, expressive control, and adaptive performance features.

It’s loaded with a massive array of dynamic long and short articulations, fingered true legato and portamento, emotive dynamic expressions, tremolo, runs, trills, flautando, ponticello, harmonics, chromatic and aleatoric effects, and creative sound-design elements. It’s a complete string scoring solution right at your fingertips, with everything you’ll need to shape your own sound, from the intimate to the astral.

Whether you want human realism and detail or vast ambient textures, Hyperion Strings Ensemble offers total flexibility to fit any style and arrangement, wrapped in a wide, intuitive interface that lets you dive right in. This 30-piece string ensemble has compact sections with 8 1st Violins, 7 2nd Violins, 6 Violas, 5 Cellos and 4 Double Basses to produce natural divisi arrangements, with a 12-layer slot system that lets you quickly build huge symphonic groupings. Create your own mix with 4 distinctive microphone distances. The ultra-close Stage mix has intense character and clarity. The newly remastered Close position delivers modern tone with relaxed processing. The wide Mid Hall blend offers velvety warmth with a rounded top end. The lush Far Hall has a classic atmospheric sound.

Contents

The Legato deftly weaves vibrato and clean sustains with fingered and glissando legato transitions across the dynamic range, with adaptive speed response that seamlessly transitions from quick slurred runs to smooth melodies. Craft dramatic passages with naturally emotively bowed sustains, fast & slow interval trills, tremolo, ponticello, harmonic, flautando and other effect sustains.

From the delicate to the bombastic, our dynamic expressions bring a score to life. You’ll find dozens of variations to fit every mood, with smart dynamic release-triggering, tempo-sync and time-stretching. Combine them with our A-B system, Offset, Attack, and Release controls to create truly expressive moments. Do it live with Performance mode and effortlessly switch between sustains and shorts as you play. Take it easy with adaptive legato response, natural vibrato-clean blending and auto-bowing.

The Shorts include long & dotted 8th-note staccatos, 16th & 32nd-note short staccatos, 32nd & 64th-note spiccatos and loose & tight pizzicato plucks, with up to 8 round-robins, velocity/swell control, and auto speed-switching for realism and precision. You’ll also find fx shorts like loose & tight Bartok pitz snaps and Col Legno bow taps, tremolo and trill stacs, and many other specialized variations. Explore a broad selection of crescendos, decrescendos, vibrato-clean transition, hairpins, sforzandos, and swells to create nuanced and realistic movements.

Each section includes plenty of long and short chromatic and aleatoric effects, including runs, bridge bowing and plucks, runs, slides, clusters, tension beds, cacophonies, stabs, stingers, risers, falls, percussion and more. The 1st Violins also feature a wide selection of long and short Sordino articulations, expressions and effects, including true legato & portamento.

Fly seamlessly between grouped articulation layers with instant key-switch assignment, A-B grouping, velocity stacking and cross-fade control. Dial in your ideal Swell range with the Niente attenuator. Sequence as you go with the Arpeggio editor and keep it in key with Play-Assist. Shape your tone, body, dynamic response and sound-stage positioning and acoustic environment on the Effects and Space panels. Create the perfect articulation maps with handy macros and convenient preset menus at the top of each panel, making it easy to save time and share templates and settings across the library

Each carefully balanced mic position captures a distinct aesthetic style. The Stage mix places the mics on each player for intense presence, detail and transparency to bring each instrument into focus, making it the perfect choice for adding definition and personality to any arrangement. The Close position delivers a modern, bold cinematic tone that also forms the basis for our Micro and Elements editions, but we’ve dialed back the processing in this Ensemble edition to achieve a more natural quality, letting it breathe and move freely. The Mid Hall blend is a wide omni array with velvety character, relaxed dynamics, and soft highs that falls easily into place in classic movie soundtracks. The Far Hall has a lush, vintage quality with a deep, dark concert hall sound that harkens back to golden age mid-century classical recordings.

Features

• Multi-dynamic sustains, with smooth real-time control over natural vibrato/clean and dynamic transitions.
• An extensive collection of specialized sustains, including expressive bowing, tremolo, flautando, ponticello, harmonics, bridge bow, fast trills, slow trills w/ tempo sync, and more.
• A wide variety of Short strokes in a variety of dynamics and styles, with up to 8x round-robin per dynamic/key, including staccatos, spiccatos, pizzicatos, Bartoks, Col Legno, trills, tremolo, ponticello, flautando, harmonic, bridge, runs, etc.
• A comprehensive suite of Expressions in a variety of lengths, timings and dynamics, including crescendos, decrescendos, sforzandos and swells, with time-stretching, tempo-synching and automatic release.
• 1st Violin Sordino with dynamic sustains, finger & gliss legato, multiple staccato and spiccato types, expressions & effects.
• Sound-designed atmospheres, pads and ambient textures for underscoring and soundscape creation.
• Flexible and intuitive wide-format user interface with pro features, deep customizability and simple workflow.
• Free soundstage positioning for each section within dozens of custom rooms, halls, chambers and FX environments, including both convolution and algorythmic reverb modes.
• Full Ensemble presets to allow instant unison scoring.
• Optimized Multi-instrument banks (.nkm) for efficient DAW templating.
• Multi-microphone position presets to allow custom mixing and convenient output routing.
• Adaptive Play Assist and Arpeggio panels for instant inspiration.

A Horror Instrument & Sound FX Library For Kontakt

Sick Volume 2 was designed with horror sound-design in mind. This library is a one stop shop for eerie and disturbing paranormal sound-design, including subterranean clanks, booms, thuds, cracks, drags, stomps, steps, creaks and thumps in the dark- ness; demonic creature howls, moans, breaths and growls; hellish and twisted sound- scapes, pads, drones and ambiences; and a variety of terrifyingly vivid EVP recordings (some of them quite real).

To capture the raw materials for this sonic descent, We explored the bowels of an abandoned Civil War/World War I-era naval artillery bunker (mind you, not the same bunker that we visited in Rust II – I guess you could say we love us some abandoned bunkers.) and a World War II/Cold War-era decommissioned warship. All in all, you get over 200 Grade-A production-quality horror sound effects and sound beds for about the price of a pound of raw hamburger. Delicious!

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. We’ve also included 20 unique sound-designed custom FX presets to give you lots of creative options.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 18 different DSP effect modules that you can assign in any of 10 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features:

An Experimental 12 Stringed Instrument & Sound-Design library built for Kontakt

Aeolian Fan Harp is a unique hand-made instrument created by Dust Bowl Guitars. Based on the concept of a traditional ancient Greek wind harp, this 12-stringed non- fretted hollow body instrument incorporates a 120mm PC fan under the strings near the bridge to produce its own wind! And rather than nylon strings, it uses steel-wound strings and electric guitar pickups.

When plucked while the fan is off, it has a sound similar to a baritone electric guitar. Powering up the fan generates a lush steady drone, but the real magic begins when you bow, scrape, gliss or excite the strings and set off extraordinary cinematic clusters, sound effects and undulating drones. This experiment was built over three long months and sampled in outstanding detail by Soundiron contributor John Valasis and Konstantinos Sakkas.

This nearly 14GB library includes a close stereo microphone position as well as a direct stereo pickup line out, so you can dial in an electric or acoustic sound just the way you like it with the help of our handy modular FX rack, full of amp and speaker simulators, multi-FX and custom convolution reverb impulses.

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. We’ve also included 20 unique sound-designed custom FX presets to give you lots of creative options.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

Features:

• One master NKI instrument bank in open Kontakt format
• Steel string Sustains, E-bow, Mutes, Harmonics with fan on+off, SFX in close stereo and direct line in
• 20 Ambience patches created from the source content
• 24bit/48kHz uncompressed PCM wav samples
• 20 Custom Sound-Designed FX and Ambient presets
• 3,411stereosamples
• 13.8GBInstalled
• Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
• Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

Alpha Organ is a beautifully sampled pair of pipe organs recorded at St. Paul’s Church in SF.

They offer lush sound, powerful bass, a huge variety of organ presets, sound design, mic positions, tonal options, custom FX and very intuitive and flexible GUI control features.

The “lower” organ, built by Kilgen Church Organ Company of Saint Louis, MO, was originally water-powered, but has since been converted to an electric blower-driven system. The console is in the south isle near the side entrance and its pipes are hidden behind the altar with the blower and machinery under the floor of the Apse, allowing the lowest pedal notes to resonate through the floor, seeming to shake the very foundation.

The upper organ, far larger and more elaborate, was built by the Felix F. Shoenstein & Sons Organ company of San Francisco. It is arrayed high above the portcullis and Narthex in a mezzanine between the two bell towers. Where the first organ – our “Alpha” Organ – is sweet and silky in its tone, the second – our “Omega” Organ – is thunderous and mighty in its body and energy, with a more powerful blower, larger console and many more pipes.

We feel that this space has extraordinary acoustic properties bordering on the mystical. Each time we’ve recorded there, we’ve experienced waves of strange synchronicities. The entire hall seems to sing as if one great living instrument. To honor the high strangeness that the space seems to evoke, we’ve enriched this library with a very wide selection of sound designed ambiences, leads, pads, drones and custom effect presets, delving deeply into psychoacoustic and metaphysical aesthetics. The church was built by its own perishoners over a period of two decades, starting in 1897, delayed by the 1906 San Francisco earthquake and finally completed in 1911, using stone salvaged from the ruined city itself. It has a lush, pristine quality full of spacious airiness and crystal clarity, without a hint of cloudiness or oversaturation. This reverberant hall is one of our very favorite recording locations, home to our acclaimed Requiem Light Symphonic Choir, the Native Instruments Symphony Series Brass Ensemble and Solo collections and many other classic Soundiron libraries.

We’ve packed the user interface with powerful sound-shaping controls to give you complete flexibility. Controls for volume swell, attack and release time, sample start offset, vibrato, and sound bank selection are included in all presets. The main preset also features a microphone mixer and an octave effect. The Layered preset includes 4 independent sound layers, each with a full set of parameters that can be linked, automated and customized. The first three layers are the Close (Mic 1), Mid (Mic 2) and Far (Mic 3) microphone positions. The fourth layer is the Ambiences layer. We used various sound-design tricks to morph the sounds from our journey into 30 different tonal and dissonant pads, synth-tones and ambient dreamscapes. They can be played by themselves, or used to add texture and body to the primary sounds.

In the advanced settings pull-down window, you’ll also find an adaptable per-layer LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 13 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, mod-wheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator features a built-in velocity sequencer table and control over arp direction, note timing, swing, randomization and duration. The built-in modular FX rack window offers 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phase, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes 99 of our own convolution reverb impulse presets. We’ve captured a huge variety of different rooms, halls, chambers and outdoor environments, along with 139 unique, strange and creative special effect impulses to completely transform the sound and open up whole new worlds of musical possibility.

Features:

• Product Version 2.0
• Two deeply sampled pipe organs with three microphone positions: Close, Mid, Far
• 12 stops in Alpha organ, 20 stops in Omega organ, 3 stops in Unity organ, Pedal tones + SFX
• 16,671 Samples
• 17.7 GB installed (29 GB wav source)
• 24-bit, 48 kHz Stereo Lossless NCW Format.
• Flexible and intuitive user interface with pro features, deep customizability and simple workflow.
• Made for the free Kontakt Player (version 6.2.2+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments
• Works with the Kontakt “Libraries” browser and Native Access.

Aquaalt is an experimental custom creation from the mind of master instrument inventor Bart Hopkin: A unique Lute with a steel bowl resonator.

This handcrafted contraption’s bridge delivers the string vibrations directly to the bowl’s flat bottom. As the strings sound, a small amount of water moves in the bowl, causing ever-changing resonances and creating unusual, dreamy sounds. Made of wood and metal, Aquaalt has a richly acoustic essence that resounds brightly through each note. With the body mounted on a swaying stand, the player can rock the lute to keep the water in the bowl moving. It can be played by plucking or bowing, occasionally with a slide to vary the string pitches.

We’ve faithfully sampled every interesting sound we could get out of this water lute, with two stereo mic positions: Close, and direct line in. Plucks, Bow Long, Bow Short, Bow Sul Ponticello, and Glisses up and down are available in all four layers to easily mix and match. With up to 8x round robin and 6 velocity layers per note, you’ll be swimming in beautiful timbres in no time. We’ve also included a wide selection of custom FX presets and plenty of our signature sound-designed ambient content, crafted from the raw acoustic source to give you complete creative freedom.

Contents

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• Water Lute Plucks, Bowed, and Gliss articulations in two mic positions: Close, Direct line in
• 20 ambient pads and evolving drones created from the source content
• 21 Powerful Kontakt .nki instrument presets
• 5,820 stereo samples in unlocked .WAV format
• 15 GB Installed
• Made for the full retail version of Kontakt (version 6.2.2+)