Allround Microphones

• For speaking and singing applications
• Suitable for loud stage environments
• Characteristic: Cardioid
• Frequency range: 45 - 20,000 Hz
• Output Level: -59 dBV/Pa
• 153 dB SPL max.
• Weight: 72 g
• 4-Pin Shure TQG
• Colour: Black
• Incl. Foam windscreen

Bundle offer comprising

• Dynamic Vocal Microphone

In the tradition of the SM58, the dynamic Beta 58A has become the first choice among singers and professional sound engineers.

The Beta 58A is a dynamic, high-output vocals microphone designed for professional audio amplification and use in the recording studio. The supercardioid polar pattern extends over the entire transmission range and guarantees high, feedback resistant amplifications, maximum isolation from other sound sources and a minimum of off-axis sound. The contoured frequency response is ideal for close-up vocals.

Due to its robust construction, proven shock absorber system, and hardened steel windscreen, its outstanding performance is not compromised even with rough handling. Typical applications of the Beta 58A are lead vocals, backup vocals, and speech.

• Supercardioid polar pattern
• Optimised transmission range for excellent vocal quality in professional live use
• Offers the highest level of feedback safety with maximum gain and maximum suppression of background noise
• An air-sprung vibration absorber protects against impact sound and grip noise
• Frequency range: 50 - 16,000 Hz
• Maximum sound pressure level: 140.5 dB
• Output impedance: 290 Ohm
• Sensitivity: -51.5 dBV/Pa (2.66 mV)
• Dimensions (L x Ø): 160 x 50 mm
• Weight: 278 g
• Included: Clamp, 3/8" reduction thread and bag
• Suitable windscreen: Article nr 135783, matching spare basket: Article nr 148522 (both not included)

• Microphone stand Thomann Type I
• Plastic base
• Height is adjustable from 900 to 1600 mm
• Boom arm: 810 mm
• Weight: 2.3 kg
• Colour: Black

• Professional microphone cable
• Length: 10 m
• Black Yongsheng XLR plug (made by Neutrik)
• XLR male --> XLR female
• Incl. hook and loop fastener

Bundle offer comprising

• Dynamic Vocal Microphone
• Supercardioid
• 70 - 20,000 Hz
• High-pass filter 80 Hz
• 156 dB max. SPL
• 600 Ohm
• Laminate Varimotion membrane
• Elastic suspension of capsule for reduced noise from holding
• Black housing
• Weight: 340 g
• Bag, clamp and spare windshield included

• Microphone stand with boom arm
• Length: ca. 92 to 150 cm
• Boom arm length : 70 cm
• Thread: 3/8" and with a 5/8" adapter
• Weight: 2.2 kg
• Colour: Black

• Microphone Cable
• XLR 3-pin male XLR 3-pin female
• Length: 10 m
• Diameter: 6 mm
• Wire cross-section: 2 x 0.22 mm²
• Colour: Black

• Cardioid
• 50 / 17,000 Hz
• 600O
• Treble resonator to expand the transmission range upwards
• Special sound holes for increased feedback resistance
• Attuned volume behind the diaphragm for less restricted diaphragm vibrations and improved bass response
• Weight 270 g
• Incl. microphone clip
• Successor to the TG-X 48/58

• Length 167 mm
• Shaft diameter 23/35 mm
• Head diameter 54 mm

Similar to the CK 91 but reaches a greater attenuation of 120° off-axis sounds. The high directivity is optimized by the flat frequency curve.

• For AKG SE 300 B
• Very homogeneous hyper-cardioid polar pattern and good, frequency independent off-axis attenuation
• Directional characteristic: Hyper-Cardioid
• Frequency range: 20-20,000 Hz
• Open circuit sensitivity: 10 mV / Pa (-40 dBV)
• Peak SPL: 132/142 dB (k = 1%)
• Equivalent SPL (CCIR 468-3): 28 dB
• Equivalent SPL: 17 dB-A
• Signal / noise ratio (A-weighted): 77 dB
• Supply voltage via SE 300B
• Current consumption via SE 300B
• Connector: Bayonet
• Surface: Dark grey
• Dimensions: 19 Ø x 36/51 mm
• Net weight: 35 g
• Including windscreen

• Omni-directional
• Frequency range: 20 - 20,000 Hz
• Max. SPL: 140 dB
• 1000 Ohms
• Sensitivity: 5 mV / Pa + - 3.5 dB
• EW plug
• Cable length: 1.6 m
• Diameter: 4.8 mm
• Weight: 16 g
• Sweat-resistant
• Colour: Black
• Includes 1x clamp MZQ 02 and windscreen SL MZW

Bundle offer comprising

• Dynamic Microphone

The Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments.

It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise.

The adjustable tripod adapter with integrated XLR connector simplifies the positioning of the microphone, especially when used inside the bass drum. At the same time the snap-in tripod adapter holds the Beta 52A securely in place even in hard shocks and strong vibrations. The basket made of hardened steel provides protection against the stresses of the rough stage.

• Super-cardioid
• Optimized frequency response especially for bass drum kick and low-frequency instrument pickup
• High feedback with minimal background noise
• Portable stand adapter with integrated XLR connector for easy installation, especially in the bass drum
• Basket made of hardened steel protects against wear and damage
• Air-sprung vibration absorber protects against impact sound and vibrations
• Neodymium magnet for high output levels
• Low sensitivity against different connection impedances
• Transmission range: 20 - 10,000 Hz
• Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated)
• Output Impedance: 45 Ohm
• Noise Sensitivity: -64 dBV / Pa (0.63 mV)
• Weight: 605 g
• Tripod mount
• Including bag

• Micro Tripod For Bass Drum
• Special tripod for the positioning of the microphone in front of or in the bass drum
• Extendable
• Dimensions: 20 x 19 x 18 to 24.5 cm
• Colour: Black
• Included: Thread Adapter 3/8 "- 5/8"

• Dynamic
• Directional characteristic: Super-cardioid
• Frequency range: 50 - 16,000 Hz
• Impedance: 300 Ω
• Sensitivity: -54 dBV/pa (2.0mV/pa)
• Peak SPL: 150dB
• Low-Mid Boost 60-240 Hz
• Flat mesh head
• Black body
• Also suitable for string and percussion instruments
• Incl. microphone clip

• Lockable switch
• Directional characteristics: Cardioid
• 50 - 17,000 Hz
• 600 Ohm
• Treble resonator to expand the transmission range upwards
• Special sound holes for increased
• Feedback resistance
• Attuned volume behind the diaphragm for less restricted diaphragm vibrations and improved bass response
• Successor to the TG-X 48/58
• Weight 270 g
• Microphone clip included

Dimensions

• Length: 167 mm
• Shaft diameter: 23 / 35 mm
• Head diameter: 54 mm

Bundle offer comprising

• Large diaphragm studio microphone
• With a 1.07" double diaphragm, switchable polar pattern (omnidirectional, cardioid, eight) and high-pass filter, the SC1100 is suitable for all studio situations.
• Switchable polar pattern: Omni-directional, figure-eight and cardioid
• Low cut switch
• Frequency response: 20 - 20.000 Hz
• Sound pressure limit: 123 dB
• Sensitivity: 39.4 mV/Pa
• Output impedance: 200 Ohm
• Distortion:
• Equivalent noise level [dB(A)]: 8.2 (ball)/ 6.8 (super-cardioid)/ 6.7 (eight)
• Power supply via phantom power 48 V (±4 V)
• Weight 941 g
• Includes aluminum case and new shock-mount

• Microphone stand Thomann Type I
• Plastic base
• Height is adjustable from 900 to 1600 mm
• Boom arm: 810 mm
• Weight: 2.3 kg
• Colour: Black

• Pop Filter
• Two widely spaced fabric layers (distance: 2.5 cm)
• Screw-on
• With 30 cm elastic arm
• Diameter: 15 cm (incl. Frame), 13 cm (nylon Schrim)

• Professional microphone cable
• Length: 6 m
• Black Yongsheng XLR plug (made by Neutrik)
• Incl. hook and loop fastener

• Polar Pattern: Cardioid
• Frequency range: 40 - 18,000 Hz
• Max. SPL: 146 dB
• Impedance: 370 Ohm
• Length: 10.8 cm
• Includes microphone holder

• Specifically for instrument and voice recording
• 30 - 20,000 Hz
• 250 Ω
• 137 dB SPL max.
• Battery powered with 1.5V AA or phantom power
• Dimensions (length/ diameter): 194.2 x 26 mm
• Incl. AT8405a stand clamp with 5/8"-27 thread, AT 8136 windshield

Bundle offer comprising

• Dynamic Large-Diaphragm Instrument Microphone
• Directional characteristic: Cardioid
• Frequency response: 20 - 16000 Hz
• Impedance: 350 Ohms
• Aluminium casing
• Tripod mount
• Dimensions 60 x 153 mm
• Weight 318 g
• Includes bag
• Ideal for bass drum, brass, double bass
• Lighter and improved version of the Sennheiser E 602

• Micro Tripod For Bass Drum
• Special tripod for the positioning of the microphone in front of or in the bass drum
• Extendable
• Dimensions: 20 x 19 x 18 to 24.5 cm
• Colour: Black
• Included: Thread Adapter 3/8 "- 5/8"

• Polar pattern: Cardioid
• Frequency response: 25 Hz - 20 kHz
• Impedance:
• Impedance:
• Equivalent sound pressure level: 16 dB-A
• Max SPL for 0.5% THD @ 1000Hz: 125 dB
• Power supply: Phantom power 48V
• Connection: 3-pin XLR
• Colour: Black
• Includes microphone clamp

• Supercardioid
• Frequency range: 80 - 12,000 Hz
• Impedance: 500 Ohm
• On/Off switch
• Colour: Blue/black
• Weight: 250 g
• Clamp included
• Set of 6

• Flexible earhook
• Solid and robust cable
• Directional characteristic: Omnidirectional
• Frequency range 20 - 20,000 Hz
• Peak SPL: 107 dB
• Connection: 4-Pole Shure TQG connector
• Weight: 19.76 g
• Colour: Black
• Incl. bag WA153, 3x windscreens and clip

• Frequency range: 50 Hz - 18 kHz
• Max. SPL: 145 dB
• Impedance: 600 Ohm
• -30 dB rear attenuation
• Wide and balanced frequency response with the typical HEIL pleasant sounding mids
• In combination with the high back and side attenuation an ideal allround microphone for stage and studio
• Very suitable for live vocals and snare drum
• Recommended applications: singing, speaking, snare drum, cymbals, piano, guitar and banjo
• Colour: Black

• Polar pattern: supercardioid
• Frequency range: 50 - 16000 Hz
• Impedance: 200 Ohm
• Max. 140 dB SPL
• Grey housing
• Incl. microphone holder

Bundle offer comprising

• Condenser instrument microphone
• Easy installation with various instrument holders for many different instruments (not included)
• Flexible gooseneck 120 mm for easy alignment on the instrument
• Detachable cable with screw contact
• 3-pin mini XLR plug for use with t.bone wireless systems (also suitable for Sirus and AKG wireless systems)
• Polar pattern: Cardioid
• Frequency range: 30 - 20.000 Hz
• Sensitivity: -38 dB +/- 2 dB
• Max. SPL: 130 dB
• Signal-to-noise ratio: 71 dB
• Impedance 100 Ohm
• Distortion factor:
• Cable length approx. 2 m
• Incl. Windscreen, phantom power adapter (phantom power required) and hard case (with space for an optional holder)
• Dimensions of the hard case (L x W x H): 26 x 13 x 7 cm

• Microphone Mount
• Guitar clip for the Lucan System CC 200 RC
• Suitable for clamping onto guitars or similar instruments with a thickness between 73 and 120 mm

• Hardcase
• For the Lucan System CC 200 RC
• With space for all system components (microphone, phantom adapter, cable, 1x holder each GH, VH,CH, PH,MH,SH)
• Dimensions (L x W x H): 33 x 22 x 7 cm

• Microphone Mount
• Violin clip for the Lucan System CC 200 RC
• Suitable for clamping to violins or similar instruments with a thickness of 35 to 55 mm

• Microphone Holder
• Clarinet-clip for the Lucan System CC 200 RC
• For fixing on clarinets or similar instruments with a strong hook-and-loop tape up to a diameter of 65 mm

• Microphone Mount
• Piano clip for the Lucan System CC 200 RC
• Suitable for fixing on pianos or similar instruments with strong magnets

• Microphone Mount
• Multi-Clip for the Lucan System CC 200 RC
• Suitable for clipping onto cello, saxophone, trombone, cornet or similar instruments with a thickness up to 23 mm

• Microphone Mount
• Tripod clip for the Lucan System CC 200 RC
• Suitable for screwing onto all stands with a standard 5/8" thread