Amp Microphones

• Housing is angled by 90° for space-saving positioning especially in drum sets
• Cardioid
• Frequency range 40-15,000 Hz
• Maximum level: 94 dB
• Sensitivity: -56.0 dBV/Pa
• For recording of percussion, drums, snare or electric guitar
• Dimensions: 157 x 32 mm
• Weight 335 g
• Incl. microphone bag, microphone clip, 3/8" thread adapter
• Suitable accessory (not included): Windshield Article Nr 264694, Substitute basket Article Nr 149561

• Ideal for snare and tom recordings
• Also suitable for brass and guitar amps
• Polar pattern: Super-cardioid
• Frequency range: 50 - 14,000 Hz
• Impedance: 600 Ohm
• Sensitivity: 2.2 mV/Pa (-53 dBV) ±3 dB
• Includes patented microphone holder MKV 87 for fixing to rim

• Suitable for electric guitar, percussion, wind instruments and drums
• Characteristics: Super-cardioid
• Frequency range: 40 / 15,000 Hz
• Impedance: 350 Ohm
• Sensitivity: 1.5 mV / Pa 1 kHz
• @Dimensions: 55 x 34 x 134 mm
• Weight: 140 g
• Incl. MZG 100 clip and bag

The Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments.

It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise.

The adjustable tripod adapter with integrated XLR connector simplifies the positioning of the microphone, especially when used inside the bass drum. At the same time the snap-in tripod adapter holds the Beta 52A securely in place even in hard shocks and strong vibrations. The basket made of hardened steel provides protection against the stresses of the rough stage.

• Super-cardioid
• Optimized frequency response especially for bass drum kick and low-frequency instrument pickup
• High feedback with minimal background noise
• Portable stand adapter with integrated XLR connector for easy installation, especially in the bass drum
• Basket made of hardened steel protects against wear and damage
• Air-sprung vibration absorber protects against impact sound and vibrations
• Neodymium magnet for high output levels
• Low sensitivity against different connection impedances
• Transmission range: 20 - 10,000 Hz
• Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated)
• Output Impedance: 45 Ohm
• Noise Sensitivity: -64 dBV / Pa (0.63 mV)
• Weight: 605 g
• Tripod mount
• Including bag

• Dynamic
• For snare/ tom
• Polar pattern: supercardioid
• Frequency range: 50 Hz - 16 kHz
• Max. SPL: 150 dB
• Impedance: 300 Ω
• Fixed microphone holder with 3/8" thread
• Weight: 165 g

The D6 is a dynamic microphone which is outstanding at reproducing especially low frequencies. Offering a frequency range from 30 Hz to 15 kHz, it is therefore ideally suited for recording kick drums, bass cabinets/combos and other similar instruments. Transformerless electronics as well as low impedance and balanced outputs guarantee an interference-free performance - even with the use of long cables.

• Professional dynamic large diaphragm microphone
• Also suitable for electric basses, etc
• Cardioid polar patten
• Frequency range: 30 - 15,000 Hz
• Impedance: 200 Ohm
• Max SPL: 144 dB
• Sensitivity: 0.8 mV/Pa @ 1 kHz
• Weight: 254 g

• Especially for instrument miking like drums, amps etc.
• Polar pattern: Cardioid
• Frequency response: 50 - 18.000 Hz
• Sound pressure level: 150 dB SPL
• Impedance: 300 Ohm
• Responsivity (mV/ Pa): 2
• Responsivity (dB re 1V/ Pa): -54.2
• Dimensions (Ø x L): 32 x 155 mm
• Weight: 250 g
• Colour: Black
• Incl. 6 m XLR microphone cable, microphone clamp and reduction thread from 5/8" to 3/8" in plastic case

With its compact design, the Beta 56 A is the ideal choice for use on drum sets and other instruments. The extremely uniform supercardioid pattern throughout the entire frequency range stands for high feedback safety with the greatest possible amplification and maximum suppression of auxiliary noises. The adjustable tripod adapter of the Beta 56 A with integrated XLR connector simplifies the installation and keeps the microphone even when hit by a drumstick. Typical applications of the Beta 56 A are the close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind instruments.The Beta 56 A is the ideal choice for use on the drum set and other instruments with its compact design. The extremely uniform supercardioid pattern throughout the entire frequency range is high gain at maximum gain and maximum suppression of noise. The adjustable stand adapter of the Beta 56 A with integrated XLR connector simplifies installation and keeps the microphone even sure yet if it is struck by a drumstick. Typical fields of application of the Beta 56 A for close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind.

• Super-cardioid
• Ideal instrument controlling eg for toms, snare, percussion
• Integrated, adjustable stand adapter with integral XLR connector for easy installation and maximum flexibility.
• Uniform supercardioid polar pattern for high gain before feedback with maximum gain and maximum suppression of noise.
• Compact design saves space on stage.
• Hardened steel mesh grille that resists wear and damage.
• Neodymium magnet for high output levels with minimal noise.
• Pneumatic shock mount protects against impact noise and vibration.
• Frequency response: 50 Hz - 16 kHz
• Output impedance: 290 O
• Open circuit sensitivity: -51 dBV / Pa (2.8 mV)
• Weight: 468 g
• Bag included

• Especially for amp and wind instrument miking
• Super-cardioid
• 80 / 16,000 Hz
• 200 Ohm
• 150 dB SPL max.
• Black housing
• Incl. microphone holder and a bag

• For floor toms and bass drums
• Professional dynamic microphone
• Hypercardioid polar pattern
• Frequency range: 38 - 19,000 Hz
• Impedance: 200 Ohm
• Maximum SPL: 144 dB
• Also suitable for electric bass guitars

• With hypercardioid directional characteristic
• No phantom power required
• Pop-screen protection and elastic suspension are already integrated
• Frequency range: 20 Hz - 20 kHz
• Sensitivity: 1.7 mV / Pa = -55.4 dB ± 1 dB
• Impedance: 200 Ohm
• Equivalent noise level: 18 dB-A

• Ideal for drums, vocals and guitar recordings
• Polar pattern: Supercardioid
• Includes a switch
• Incl. 3 m XLR / jack cable, plastic microphone holder, and threaded adapter

Bundle offer comprising

• Dynamic microphone

The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.

• Suitable for voice, guitar, wind instruments and drums
• Very tough
• Polar pattern: Cardioid
• 5-Stage switch Bass
• Good feedback rejection
• Transparent sound reproduction
• Frequency response: 30-17000 Hz
• Free field, no circuit sensitivity (1kHz): 2 mV / Pa (- 3 dB)
• Nominal impedance: 200 Ohm
• Min load impedance:. 200 Ohm
• Dimensions: 215 x 46 x 49 mm
• Weight: approx 385 g
• Incl. microphone clamp for 3/8" thread

• Professional Microphone Cable
• Length: 9 m
• Original Neutrik NC 3 FXX-BAG + NC 3 MXX-BAG XLR plugs
• Cable type: CME 220 Black
• Thomann hook & loop cable tie included
• Colour: Black

Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.

• Cardioid
• Contoured frequency response for clear instrumental and sonorous vocal recordings
• Decrease of percussion, drums and instruments amplifiers in professional quality
• Cardioid for isolated signal source and reduces distracting background noise
• Pneumatic shock minimizes handling noise
• Holds even heavy use in stage use was
• Frequency response: 40-15000 Hz
• Output Impedance: 310 Ohm
• Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV)
• Dimensions (L x Ø): 157 x 32 mm
• Weight: 284 g
• Incl. clamp, 3/8"Thread Adapter and Bag
• Matching windscreen: Art. 264694 Substitute basket: Article 149561 (both not included)

• Directional characteristic: Cardioid
• Frequency range: 20 - 18,000 Hz
• Sensitivity: 6.7 mV/Pa
• Self-noise: 21 dB SPL (A)
• Max. SPL: 151 dB (>160 dB SPL with pad)
• HP filter: 80 Hz (2nd order) or 120 Hz (2nd order) switchable
• Switchable preattenuation: -10 dB
• Requires 48 V phantom power
• Dimensions: 147 x 82 x 54 mm
• Weight: 265 g

The I-5 has been designed to meet the needs of users and retailers for a universal, high-quality and cost-effective instrument microphone. In recent years, Audix has successfully produced a wide range of application-specific microphones for e.g. Drums and percussion produced. I-5 is a synthesis of the experiences of these developments. Audix is the leading U.S. Manufacturer of high quality microphones for the event and studio market.

Although the I-5 is manufactured in large numbers for a broad audience, the high quality specifications and quality control standards, as with all other products, are retained as trademarks of Audix.

The I-5 is designed with a cardioid polar pattern that allows the microphone to be transmitted to the stage without crosstalk from other instruments or sounds. With a smooth, even frequency response of 50 Hz - 16 kHz and the sound pressure processing of more than 140 dB, the I-5 is an all purpose microphone suitable for all musical styles.

Each model with the current Audix instrument microphone technology is made of durable cast zinc alloy in a slim housing with a unique basket design and laser-etched model and serial number.

• Micing from above and below possible
• Professional dynamic microphone
• Polar pattern: Cardioid
• Frequency response 50 - 16 kHz
• Impedance 150 ohms
• Max. SPL 140 dB
• Also suitable for wind instruments such as trumpet, trombone etc.!
• Includes carrying bag, microphone clip and thread adapter