Top Summing Mixer
Top Summing Mixer

Top 18 Summing Mixer 2021

We have collected for you the Summing Mixer

Equipment list navigation:

  1. SPL MixDream XP
  2. Heritage Audio MCM-32
  3. Dangerous Music 2 Bus LT Black
  4. Dangerous Music 2 Bus+
  5. AMS Neve 8816 Summing Mixer
  6. Pokket pokketmixer vol+
  7. Antelope Satori R4S Bundle
  8. Tegeler Audio Manufaktur TSM Tube Summing Mixer
  9. Pokket pokketmixer Black
  10. Pokket pokketmixer Silver
  11. Dangerous Music D-Box+
  12. Chandler Limited TG Serie Mini Rack Mixer
  13. SPL MixDream
  14. API Audio The Box II
  15. Dangerous Music Complete Mini
  16. Radial Engineering Space Heater
  17. Phoenix Audio Nicerizer 16MK2
  18. Sterling Modular Raised Base Option

1. SPL MixDream XP

SPL MixDream XP

High quality analog summation

The MixDream XP is exclusively for the high-quality summation of 16 to 2 channels. Without the elaborate insertions and processing steps of the big brother, the price and the space requirement (1 UU) are considerably reduced while the summing stages are identical. The fully discrete signal paths of the active summator run in Class A mode at 60V operating voltage. The maximum output voltage of +27 dBu as well as a noise voltage of -97 dB results in a dynamics gain of 124 dB.

The operating functions provide a mono circuit for all eight channel pairs, the output level can be processed either 1: 1 (unity gain) or adjusted via the output controller become. Two eight-channel SubD25 sockets are used as inputs, the parallel-connected master and monitor outputs, as well as the expansion output, are designed as XLR sockets.

  • Size 19 “rack format with only one RU
  • High-quality design with Class-A / 60V stages for the analog, active summation in the quality of the best analogue consoles
  • Summation of all analog tracks before A / D conversion
  • Latency-free listening
  • Channel number can be expanded as required by additional units
  • Own differential amplifiers for each input

2. Heritage Audio MCM-32

Heritage Audio MCM-32

Analog 32-channel totalizer

  • With four subgroups
  • Sub-D25 connectors symmetrical
  • 2 Master Insert Send and Return XLR (L / R)
  • VU meter
  • Encoders for panorama, level, insert on / off and mute switches per channel
  • Insert points per channel
  • 1073 Class-A output stage
  • Stereo mix and monitor output
  • External power supply
  • Construction: 19 “/ 4 U

3. Dangerous Music 2 Bus LT Black

Dangerous Music 2 Bus LT Black

Dangerous Music 2 Bus LT, 16 channel analog summing amplifier, 16 inputs 2 outputs, cascadeable and compatibel with 2-Bus, Frequency Response: 1 Hz-100kHz within 0.1 dB, Total Harmonic Distortion: 0.005% in audio band, Intermodulation Distortion: 0.006% IMD60 4:1, Crosstalk @ 1kHz -97dB, Noise floor: -83dBu total energy in audio band, Max leve:l +27dBu, Nominal operating level +4dBu (1.228 volts), Input impedance: 25 kohm balanced, Output impedance: 50 ohms (600 Ohms drive capable), inputs: 2x 25-pin D (2x 8 channels), outputs: 4x XLR bal. Main and Monitor, dimensions: 19″ 1 U


4. Dangerous Music 2 Bus+

Dangerous Music 2 Bus+

Cascadable 16-Channel Analog Summer

  • XLR and D-Sub connectors
  • 2 parallel stereo outputs: Main Monitor
  • Switchable sum insert: send return as XLR
  • Rastered volume control
  • Three different analog colouring options: “Harmonics”, “Paralimit” and “X-Former”
  • Easy to assign and add colouring options via elegant user interface
  • The ‘Harmonics’ processor generates harmonic distortions, which can be mixed with the original using the “STIMULATE” control
  • ‘Paralimit’ is an FET limiter (fixed), the controller of which is called “BLEND” for parallel mixing
  • Both processors can be applied to the stereo mix or to either the stereo input pair 13/14 or 15/16
  • ‘X-Former’ inserts two custom cinemag transducers in the stereo mix
  • The “SATURATE” control can be used to determine the degree of saturation
  • All three processors can work simultaneously
  • The order of distortion and limiter in the signal flow can be exchanged
  • Cascadable and compatible with 2-Bus LT
  • Exclusively audiophilic components in the signal path
  • Endless headroom
  • Crystal-clear sound and stereo image with outstanding 3-dimensionality
  • Frequency range: from 10 Hz to 50 kHz linear (<0.1dB)
  • Input resistance: 25K ohms balanced
  • Output resistance: 50 ohm balanced
  • Format: 19 “/ 2U

5. AMS Neve 8816 Summing Mixer

AMS Neve 8816 Summing Mixer

Mixer

  • 16 Channels with additional Aux inputs Cue
  • Level, Pan, Solo, and Mute switches
  • Settings are available on PC or Mac via USB
  • Typical Neve amplifier circuit
  • Different insert switching possibilities
  • Fixed insert point in the sum
  • Special centre and side signal – Insert Send Return
  • Solo In Place Function
  • Exclusive stereo track control (stereo width)
  • Separate monitor and cue controls
  • Connections: Main and old speaker outs, talkback mic and headphone output
  • Optional digital output card (Art.
  • Size: 2U rack with specially shielded power supply, trafosym. outputs

6. Pokket pokketmixer vol+

Pokket pokketmixer vol+

Passive 2-channel mixer

  • “Vol +” feature: 10 dB extra compared to Pocket-Mixer
  • 3-Band equalizer per channel
  • Easy transport and quick set-up
  • Front left / right
  • Crossfader
  • Adjustable master volume for music system
  • Adjustable headphone volume
  • HP ADJUST for headphone adjustment
  • 2x 3.5 mm stereo headphone inputs for headphone signals
  • 1x 3.5 mm stereo output for music system
  • 1x 3.5 mm headphone jack
  • Printed manual
  • Dimensions (W x W x H): 109 x 78 x 28 mm
  • Weight: 130 g
  • Including carrying case and 2 stereo cables (3.5 mm jack to 3.5 mm jack)

7. Antelope Satori R4S Bundle

Antelope Satori R4S Bundle

Monitor controller and analog summer in one device

  • Precise level relay volume control
  • Four independent headphone outputs with dedicated volume controls
  • Software Control & Talkback via PC, Tablet or Smartphone controllable
  • 1 LFE (subwoofer) output
  • Integrated talkback microphone and additional input for external talkback microphone
  • Flexible routing
  • Analogue sound with digital control
  • Switch for Mono
  • Dimming function and centre / side monitoring
  • User-friendly desktop application with presets available for Windows and OS X.
  • System requirement for desktop software: Mac OS X 10.8 or later, Windows 7 or later
  • Construction: 19 “/ 1U
  • Dimensions: 433 x 224 x 44 mm
  • Weight: 3.2 kg
  • Incl. R4S remote control and USB cable

16 Inputs:

  • 2x XLR
  • 6x 6.3 mm jack
  • 2x DB-25

8 Outputs:

  • 2x XLR (monitor)
  • 6x 6.3 mm jack (monitor)
  • 2x 6.3 mm jack (totalizer)
  • 4x headphone outputs with 6.3 mm jack

8. Tegeler Audio Manufaktur TSM Tube Summing Mixer

Tegeler Audio Manufaktur TSM Tube Summing Mixer

Analog Totalizer

  • 2x 16 balanced inputs via 4 sub-D sockets (XLR or jack via cable whip, Tascam assignment)
  • 2x 4 balanced inputs (Neutrik stereo)
  • Internal mixer bus with up to 22 dBu
  • Active tube-transformer output stage
  • Illuminated VU meter
  • Output Level switch
  • Frequency response: 20 – 40,000 Hz / – 1.5 dB
  • Dynamic:> 110 dB unaffected
  • Interpreting between two channels> 90 dB @ 1 kHz
  • Internal power supply (15 W) with high quality ring core transformer
  • Dimensions (wxhxd): 88 (2U) x 483x250mm

9. Pokket pokketmixer Black

Pokket pokketmixer Black

Mixeur portable 2 canaux

  • Sans pile, ni batterie, totalement passif !
  • Crossfader
  • EQ 3 bandes par canal
  • Bouton marche / arrêt
  • Fonction de pré-écoute gauche/droite
  • 2x entrées stéréo mini-jack (3,5 mm) pour signaux casque
  • Sortie ligne stéréo mini jack (3,5 mm)
  • Sortie casque stéréo mini jack (3,5 mm)
  • Contrôle du gain
  • Étui de transport, 2x câbles de raccordements mini-jack d’une longueur de 35 cm
  • Dimensions: 109 x 78 x 28 mm (LxlxH)
  • Poids sans accessoires: 130 g
  • Couleur: noir

10. Pokket pokketmixer Silver

Pokket pokketmixer Silver

Mixeur portable 2 canaux

  • Sans pile, ni batterie, totalement passif !
  • Crossfader
  • EQ 3 bandes par canal
  • Bouton marche / arrêt
  • Fonction de pré-écoute gauche/droite
  • 2x entrées stéréo mini-jack (3,5mm) pour signaux casque
  • Sortie ligne stéréo mini jack (3,5mm)
  • Sortie casque stéréo mini jack (3,5mm)
  • Contrôle du gain
  • Étui de transport, 2x câbles de raccordements mini-jack d’une longueur de 35 cm
  • Dimensions: 109 x 78 x 28 mm (LxlxH)
  • Poids sans accessoires: 130 g
  • Couleur: argenté

11. Dangerous Music D-Box+

Dangerous Music D-Box+

Système combiné sommateur et contrôleur de monitoring

  • Régulateur de volume à commande numérique avec synchronisation G/D extrêmement précise et gradation réglable
  • Cinq entrées analogiques et numériques directement accessibles (stéréo analogique, sommation analogique, USB, AES/SPDIF, Bluetooth) – sélection multiple possible
  • Bluetooth pour le streaming audio sans fil
  • Sommateur analogique 8 canaux (canaux 7+8 commutables mono)
  • Microphone Talkback intégré avec activation par bouton-poussoir (sur l’appareil ou via l’application)
  • Possibilité de Talkback via Smartphone (Bluetooth)
  • Deux amplificateurs de casque d’écoute avec sélection indépendante de la source et contrôle du volume
  • Trois sorties enceintes indépendantes (sélectionnables sur l’appareil ou via l’application)
  • Sélection programmable de l’enceinte, permet l’affectation d’une enceinte mono et/ou d’un caisson de basses à toutes les sorties (sur l’appareil ou via l’application)
  • Les sorties enceintes 2 et 3 peuvent être ajustées (Trim)
  • Convertisseurs NA pour entrées numériques de référence
  • Application D-BOX+ gratuite pour le contrôle à distance de toutes les fonctions essentielles (Volume, Dim, Talkback, sélection d’E/S et bien plus encore) pour iOS 10.2 ou supérieur et Android 5.0 ou supérieur
  • Connexion audio USB pour Mac OSX 10.10 ou supérieur et Win 7 ou supérieur
  • Dimensions (L x P x H) : 483 x 344 x 43 mm
  • Poids : 5,26 kg

12. Chandler Limited TG Serie Mini Rack Mixer

Chandler Limited TG Serie Mini Rack Mixer

Rack Mixer

  • TG series
  • 16:2 Rack mixer
  • Mini mixer with monitor section
  • PSU-2 power supply required (article nr

13. SPL MixDream

SPL MixDream

60V Analog AccumulatorThe MixDream allows both the central integration of analogue equipment into digital production environments as well as the stereo summation, i.e. the mixing together of the audio tracks on an analogue level.

Conceptually, the reduction to high-quality analog summation, without the use of panorama controllers and faders, offers the great advantage of being able to maintain the entire computer automation. A MixDream can add 16 audio tracks to a stereo signal. If more than 16 tracks are to be summed, as many MixDreams can be used together.

The MixDream is based on discrete Class-A technology at 60V (/ -30V). Newly developed circuits based on state-of-the-art analog components ensure tremendously high rise rates, a low noise level of -97 dBu (A-rated, 16 channels open) and a high dynamic range of over 125 dB. Thus the MixDream can easily reach the technical level of the best consoles.

  • High-quality analogue summation to only 2U
  • No mixing console required
  • High-quality design with Class-A / 60V stages for the analog, active summation in the quality of the best analogue consoles
  • 16 symmetrical insert paths for optimal integration of analog effects into the DAW
  • Reduction of the A / D conversion (14 A / D conversions less with fully loaded inserts), summation of all analog tracks before the A / D conversion
  • Channel settings and automation (level, panorama, etc.) are still made in the DAW – the digital comfort remains fully preserved
  • Lower processor utilization of the DAW
  • Easy re-sampling of individual tracks, latency-free listening
  • Surroundable (from 3 MixDream units)
  • Channel number can be expanded as required by additional units
  • Analogue peak limiter for powerful loudness gain
  • Sensitive and transparent stereo control
  • Master inserts and switchable output transformers
  • Optimized signal paths, all switching functions via relays
  • Separate differential amplifier for each input
  • Discretely built, low-noise power supply
  • Frequency range: <1Hz-220kHz (/ – 3dB)
  • THD N: -104 dB (20Hz-22kHz, input level 10dBu, all channels active)
  • Signal-to-noise ratio: -97 dBu (20Hz-22kHz, A-weighted, all channels active)
  • Max. Input level: 28 dBu (@ 1kHz)
  • Max. Output level: 28 dBu (@ 1kHz / THD N -95dB)
  • Dynamic capture: 125 dB (20Hz-22kHz, A-weighted, all channels active)
  • L / R: -97 dB @ 1 kHz
  • Common mode rejection: <70dB (@ 1kHz, input level 10dBu)
  • Input Impedance: 10 kOhm (for Input 1-16, Expansion, Insert Return)
  • Output Impedance: 82 Ohm (for master / monitor output without transformer, ins. Send)
  • Output impedance: 65 Ohm (for master / monitor output with transformer)
  • Power consumption: 75 W
  • 19 “rack format with 2U

14. API Audio The Box II

API Audio The Box II

Project Recording and Mixing Console

  • 8 Input channels with microphone preamps
  • 8 x 500 module module bays (one per input channel)
  • Direct Out on each input channel
  • Integrated stereo bus compressor assignable to the program bus or input channel 1-4
  • Instrument input to channel 1-4
  • Sum channels: 16 (24 during the mix)
  • 0dB bypass switch for each sum channel
  • 4-Segment LED meter on each summing channel
  • Two VU meters
  • Stereo program bus with masterfader
  • Insert and external input
  • 2 x Stereo and 2 x mono aux-sends / bus
  • Stereo cue send / bus as well as headphone system
  • PFL, AFL and solo-in-place mode with stereo solo bus
  • Monitor section supports two monitor systems
  • Talkback
  • Line input: max. +28 dBu (+34 dBu w / PAD)
  • Microphone input: +30 dB to +65 dB (+10 dB to +45 dB w / PAD)
  • Instrument input: +11 dB to +46 dB
  • Pad: 20 dB microphone, -6 dB line
  • Direct Out: max. +28 dBu, 20 Hz to 50 kHz + 0 / -0.5 dB
  • Output: max. +28 dBu, signal to noise ratio max. -118 dB, 20 Hz to 50 kHz +/- 0.5 dB
  • Balanced inputs and outputs
  • Integrated power supply
  • Dimensions (W x H x D): 82.5 x 67 x 33.5 cm
  • Weight: 40.8 kg

15. Dangerous Music Complete Mini

Dangerous Music Complete Mini

Dangerous Music Complete Mini; professional mixing and mastering system; consisting of: Dangerous Music Convert-8, Convert AD+ and D-Box+; Convert-8: Multi-channel DA converter, for mastering demands, 4 digital input formats: USB, AES, ADAT, Optical SPDIF (Toslink), Sampling frequencies from 44.1 to 192 kHz with automatic detection, High Definition Stereo Reference Monitoring for Stereo or Surround (up to 7. 1), extremely low-jitter clock, USB input for direct DAW connection, compatible with monitor ST/SR for remote switching; Convert AD+: Stereo AD converter, two selectable, discrete stereo input paths, “Clip Guard” ensures that the red LEDs at the destination (e.g. DAW) no longer light up, custom-made digital display with normal and peak hold mode for precise optical feedback, “Zoom View” for a more accurate, enlarged resolution, Word Clock with three modes: Internal, External and Master, X-FORMER, EMPHASIS Shelving EQ/Compressor, USB connection for Mac/PC, I/Os: Two switchable stereo input paths, Two AES outputs, ADAT Optical Output, SPDIF Optical Output, SPDIF COAX Output; D-Box+: combined summing and monitoring system, digitally controlled volume control with extremely precise L/R synchronisation and adjustable dim, five analog and digital inputs directly accessible (Analog Stereo, Analog Sum, USB, AES/SPDIF, Bluetooth) – multiple selection possible 8-channel analog summing (channel 7+8 mono switchable), built-in talkback microphone with push button activation (on unit or via app), two headphone amplifiers with independent source selection and volume control, three independent speaker outputs (selectable on unit or via app)


16. Radial Engineering Space Heater

Radial Engineering Space Heater

Radial Engineering Space Heater, 8 channel tube summing mixer with 12AX7 tubes, switchable 35, 70 and 140 Volt, 8x +4dBu balanced Line-inputs and 25 Pin SubD, 8x jack Insert send/return, XLR LR out, 25 Pol Sub D Output 1-8, adjustable Tube Drive per channel, switchable HPF for each two channels, adjustable headphone out on the front, 19″ 1U


17. Phoenix Audio Nicerizer 16MK2

Phoenix Audio Nicerizer 16MK2

Phoenix Nicerizer 16MK2; 16 Channel DAW Summing Mixer; Class A, discrete, transformer balanced output stage (DSOP-2); individual detented pan control for each channel (16 x Pan pots); +8 dB Boost button on each channel; Master mix bus output level control; Stereo LED level monitoring; max. Output Level of +26 dB; Connectors: 16x Input XLR balanced, 2x mix busses (Stereo Mix Bus), 6.3 mm Jack unbalanced Insert sends on Busses (L + R Bus Insert points), 6.3 mm Jack unbalanced for Auxillary outputs with front panel level control, 2 Track stereo mono inputs 6.3 mm Jack balanced, Main Outputs XLR balanced; Housing: 19″ 2U


18. Sterling Modular Raised Base Option

Sterling Modular Raised Base Option

Height increase for face-up racks

  • Suitable for Face-Up Rack 1 & 2-Bay
  • Material: MDF
  • External dimensions of the face-up rack after heightening (W x D x H): 562 x 781 x 867 mm
  • Texture finish
  • Colour: Black

Write your review and rate this rating The Best 18 Summing Mixer

Top Summing Mixer
Top 18 Summing Mixer 2021
SOUND QUALITY
94
VALUE FOR MONEY
90
EASE OF USE
93
FEATURES
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