Large Diaphragm Microphones

• Gold-plated 1" capsule
• Directional characteristic: cardioid
• Extremely low noise circuit design
• Requires +48 V of phantom power
• Frequency range: 20 - 20,000 Hz
• Sensitivity:-34 dB (+/- 2 dB) at 1 kHz (0 dB)
• Inherent noise: 4.5 dB(A) SPL
• Maximum sound pressure level (SPL): 138 dB at 1 kHz (<1% THD)
• Signal-to noise ratio: 88.5 dB SPL at 1 kHz (according to IEC651)
• Output impedance: 100 ohm (+/- 30% at 1 kHz)
• Connection: 3-pin XLR
• Dimensions: 189 x 54 mm
• Weight: 354 g
• Includes a shock mount with integrated pop shield and a 6 m XLR microphone cable

• Suitable for Broadcasts, Podcasts, Studio etc.
• Cardioid polar pattern reduces feedback
• Built-in pop filter and shockmount for reducing vibration noise
• Shielded against electromagnetic noise
• Frequency range: 20 to 20000 Hz
• Sensitivity: -57 DB +/- 3 DB
• Output impedance: 320 ohms
• XLR 3-pin connection
• 5/8" Thread
• Dimensions without bracket: diameter 50 mm X length 140 mm
• Dimensions with bracket (L x B x H): 200 x 90 x 50 mm
• Weight: 450 g
• Colour: Black

Bundle offer comprising

• Large Diaphragm Condenser Microphone 
• Polar pattern: Cardioid 
• Signal-to-noise ratio: 90 dB (A)
• Max. sound pressure level: 136 dBSPL, 0 dB pre-attenuation
• Sensitivity: 41 mV / Pa, -28 dBV / Pa
• Pad switchable in three steps: 0 dB, -6 dB and -12 dB
• Low cut switchable in three steps: linear, 80 Hz (6 dB / octave) and 160 Hz (6 dB / octave)
• Dimensions: 158 x 52 x 36 mm
• Weight: 371 g

• Microphone Stand with Boom Arm
• Can be folded very compactly
• Length adjustable from approx. 0.68 - 1.56 m
• Boom arm length: 60 cm
• Boom arm joint can be fixed with only one screw
• 5/8" threads
• Weight: 2.1 kg
• Colour: Black

• Consisting of sE X1S microphone, sE RF-X acoustic screen, elastic suspension with pop screen and 3m microphone cable

Features sE X1S Microphone:

• Large-diaphragm condenser microphone
• Polar pattern: Cardioid
• Handmade capsule
• LoCut filter: 80 Hz, 160 Hz
• Pad: 0 dB, -10 dB, -20 dB
• Gold-plated XLR contacts
• Noise: 9 dB (A)
• Boundary sound pressure level: up to 160 dB (THD 0.5%)
• Requires 48V phantom power

Features sE RF-X Acoustic Screen:

• Acoustic screen to reduce the influence of the room in microphone recordings
• Effective multi-layer technology
• Due to its low weight it is compatible with almost any microphone stand
• Diameter / width: 41 cm
• Height: 31 cm
• Depth: 20 cm
• Weight with clamp: 1.6 kg
• Weight without clamp: 1.1 kg

Includes:

• 2 x TLM 103 (mt) large diaphragm microphones with cardioid polar pattern
• 2x EA1 (mt) Microphone suspension
• 1x Aluminium case - suitable for 2 microphones and 2 shock mounts

• Pattern: Cardioid, omnidirectional, figure 8, broad cardioid and supercardioid
• Via the POLARIZER plug-in (available on the manufacturer website), change the material you have already recorded dynamically by adjusting the polar pattern, add or subtract room, and even turn your microphone by 180°
• Gold-coated capsule
• Neutral frequency response
• 4 Low-cut and pre-attenuation settings
• Robust metal construction
• Frequency range: 20 - 20000 Hz
• Dynamic range: 121 dB-A
• Max SPL 0.5% THD: 132 dB
• Impedance:> 120 ohms
• Dimensions: 158 x 52 x 36 mm
• Weight: 425 g
• Includes transport hard case, LCT 40 SHx shock mount, LCT 40 Wx Windshield, LCT 50 PSx pop protection and DTP 40 Lb pouch

• Specially designed for kick drum microphones
• Also suitable for picking up bass amplifiers, deep woodwinds and brass instruments etc.
• Frequency range: 20 - 20000 Hz
• Polar pattern: Cardioid
• Pad switch: 0dB, -15 dB
• Impedance:
• Equivalent noise level: 14 dB (A)
• Sensitivity: 6 mV / Pa
• Maximum SPL (0.5% THD @ 1000 Hz): 155 db (with 15 dB Pad)
• Requires 48V phantom power
• XLR connector
• Dimensions: 144 x 72 x 72 mm
• Weight: 804 g
• Includes microphone holder and aluminium case

Bundle offer comprising

• Dynamic Broadcast Microphone
• Suitable for Broadcasts, Podcasts, Studio etc.
• Cardioid polar pattern reduces feedback
• Built-in pop filter and shockmount for reducing vibration noise
• Shielded against electromagnetic noise
• Frequency range: 20 to 20000 Hz
• Sensitivity: -57 DB +/- 3 DB
• Output impedance: 320 ohms
• XLR 3-pin connection
• 5/8" Thread
• Dimensions without bracket: diameter 50 mm X length 140 mm
• Dimensions with bracket (L x B x H): 200 x 90 x 50 mm
• Weight: 450 g
• Colour: Black

• Microphone Preamplifier
• Extremely low-noise Class A JFet amplifier
• For dynamic and ribbon microphones
• 2 Matched JFet transistor pairs
• Input: Balanced 3-pin XLR female
• Output: Balanced 3-pol. XLR male
• Input impedance: 20 kOhm
• Gain: 28 dB (@ 3 kOhm source impedance)
• Frequency response: 10 - 50,000 Hz (+/- 1 dB)
• Requires phantom power: 24 - 48 V.
• Dimensions (L x W): 77 x 22 mm
• Weight: 35 g
• Developed and produced in Germany

Note: Does not allow phantom power to pass through to the microphone

Includes:

• 1 x TLM 103 (mt) large diaphragm microphone with cardioid polar pattern
• 1x EA1 (mt) Microphone suspension
• 1x Aluminium case - suitable for 2 microphones and 2 shock mounts

MXL V87; large-diaphragm FET condenser microphone; ideal for acoustic guitars, pianos, voice and vocal recording; 32mm capsule; frequency response: 20Hz - 20kHz; polar pattern: cardioid; impedance: 200Ohm; signal-to-noise ratio: 85.5dB (A-weighted); max. SPL at 0.5% THD: 136dB; power requirements: 48V phantom power; nickel-plated metal housing; included in delivery: pop filter (PF-005-SS), shock mount (USM -002) and hard mount (V6-H); dimensions (L x D): 190 x 47mm; weight: approx. 500g

• Includes Edge Real-Time Modelling software for classic studio microphone emulation
• Can be used with any microphone pre-amplifier and audio interface of your choice - for optimal results in terms of your sound, we recommend the Antelope Audio Interface with FPGA Real-Time Modeling
• Polar pattern: Cardioid
• Low-vibration housing
• Low-noise and low-distortion circuit design
• Requires 48 V phantom power
• Frequency response: 20 - 20000 Hz
• Sensitivity: -35 dB / 18 mV/Pa (-1 to +3 dB)
• THD+N: 116 dB
• Inherent noise: 19 dB (A)
• Signal-to-noise ratio: 75 dB (A)
• Output impedance: 50 Ohm @ 1kHz
• XLR connector
• Dimensions: 134 x 52 mm
• Weight: 320 g
• Microphone case and tripod holder included

Note: The software requires iLok USB Copy Protection Connector (article no. 401447 - not included) when operating without the Antelope Audio Interface.

Included microphone emulations:

• Berlin 47 FT
• Berlin 49T
• Berlin 57
• Berlin 87
• Berlin 67
• Berlin M103
• Vienna 12
• Vienna 414
• Tokyo 800T
• Berlin V563 cardioid capsule
• Illinois 57
• Illinois 7B
• Minnesota 20
• Vienna 112
• Berlin K86
• Berlin 47 TU
• Berlin M251
• Hamburg 441
• The scope of the emulations is constantly being expanded

System requirements:

• At least Core 2 Duo CPU
• At least 4 GB RAM
• OS X 10.11, Windows 10 or higher

• the t.bone BC 500
• Thomann FetAmp

• Pressure gradient condenser
• Polar pattern: cardioid, omnidirectional and eight
• Capsule: TK51
• Frequency range: 20 - 20,000 Hz
• Sensitivity: 19 mV / Pa
• Impedance: 300 ohms
• Max. sound pressure level: 128 dB
• Tube: 6072A
• Custom Haufe transformer
• Dimensions: 200 x 46 mm (length x diameter)
• Weight: 0.62 kg
• Includes power supply, microphone shock mount and holder, 7-pin connection cable, dust cover and transport case

• Pressure gradient transducer
• Polar pattern: Cardioid
• Frequency response: 40 - 16,000 Hz
• Sensitivity at 1 kHz into 1 kOhm: 8 mV / Pa
• Rated impedance: 150 Ohm
• Rated load impedance: 1 kOhm
• Equivalent noise level, CCIR: 25 dB
• Equivalent noise level, A-weighted: 18 dB-A
• Signal-to-noise ratio, CCIR (rel. 94 dB SPL.): 69 dB
• Signal-to-noise ratio, A-rated (rel. 94 dB SPL.): 76 dB
• SPL for THD
• With preattenuation: 147 dB
• Maximum output voltage for THD
• Requires 48 V phantom power
• XLR connector
• Weight: 710 g
• Diameter: 63 mm
• Length: 160 mm
• Incl. wooden case and certificate

• Double-large diaphragm capsule: 31.25 mm
• Switchable polar pattern: cardioid, omnidirectional and figure eight
• Gain switch +10 dB
• Attenuation switch-10 dB
• Low-noise FET circuit
• Capacitors with high resolution
• Output transformer hand wound
• Circuit Design: Solid-State Low-Noise FET
• Type: Pressure gradient condenser microphone
• Frequency response: 25 - 20000 Hz
• Dynamic range: 120 dB minimum
• Impedance:
• Max. SPL: 0.5% THD @ 1000Hz: 130 dB
• Noise:
• Sensitivity: 16 mV / Pa OR -36 ± 2 dB 0 dB = 1 V / Pa 1000 Hz
• Requires 48 V phantom power
• Includes shock mount and wooden storage box

Bundle offer comprising

• Large-diaphragm condenser microphone
• 8 Directional characteristics to choose from
• 5 Front characteristics: omnidirectional, wide cardioid, cardioid, supercardioid, and figure-8
• Gold-plated 25.4 mm capsule
• Dynamic range: 134 dBA
• Max. SPL (sound pressure level) (0.5% THD): 140 dB
• Robust zinc diecast housing
• Gold-coated 3-pin XLR plug
• Dimensions: 138 x 52 x 36 mm
• Weight: 310 g
• Incl. DTP 40 Lb leather case, LCT 40 SH microphone shock mount, LCT 40 PSx of magnetic pop filter, LCT40 Ws windshield

• Pop Filter with 3D Arm
• Exclusive Thomann Edition
• Lightweight and space-saving
• Perfect for travelling
• Multiple ball joints for flexible adjustment
• Solid clamp with wide clamping range from 15 to 35 mm
• High-quality pop filter with double-covered nylon and large screen diameter of 15.7 cm
• The 360° rotation possibilities of the three joints offer the option to mount the pop filter in any position
• Arm length: 62.5 cm
• Weight: 377 g

Bundle offer comprising

• Tube condenser microphone
• Pressure gradient transducer with the same large diaphragm capsule of the legendary U 47 and M 49
• Directional characteristics: cardioid
• Frequency range: 20 - 20,000 kHz
• Max. sound pressure level: 114 dB for K
• Max. 8 dBu output voltage
• Nominal impedance: 50 Ohm
• Nominal load impedance: 1 kOhm
• Dimensions (diameter x length): 57 x 142 mm
• Weight: 460g
• Incl. swivel mount, N 149 A universal power supply with mains cable and aluminium case

• Elastic Microphone Shock Mount
• For M147, TLM 103, TLM 193
• Colour: White

• Polar pattern: Cardioid
• Frequency range: 20 - 18.000 Hz
• Sensitivity: 18 mV/Pa -36 +/-2 dB (0 dB=1V/Pa 1000 Hz)
• Equivalent sound pressure level: 18 dB (A weighted)
• Max. SPL for 0.5 % THD @1000 Hz: 126 dB
• External low cut and -10db pad switch
• Balanced transformer
• Requires 48V phantom power
• Connection: 3-pin XLR
• Dimensions (max. diameter x length): 50.5 x 190 mm
• Incl. Shock mount and PVC case

With nine different directional characteristics, the M 149 Tube can be adapted to very different acoustic recording situations. Like its ancestors, it is particularly suitable for speech and song. This is not only due to its capsule, but also the particularly low replacement noise level of its modern circuit technology.

The M 149 tube is discussed from the side. Its front side is marked by the company nameplate and the directivity switch. Below the capsule, a dome ensures dispersion of sound from the upper half-space, so there is no disturbing interference with the direct sound components. To protect against structure-borne sound, the capsule is elastically mounted. The capsule is surrounded by the large microphone basket of the old M 49, which is now acoustically more open and behaves sound-neutral.

There are nine characteristics to choose from: Omnidirectional, wide cardioid, cardioid, hyper cardioid and figure eight, each with an intermediate position.

Unlike other tube microphones, the M 149 Tube combines a specially selected tube (triode) with state-of-the-art circuitry. The aim of the development was to use the special transmission characteristics of a tube and to bring the hereby amplified capsule signal controlled, unadulterated and feedback-free to the microphone output. Therefore, the usual in tube microphones output transformer is not used. Instead, to drive the different output loads, a particularly suitable for audio signals integrated amplifier with very low distortion (THD

On the back of the microphone is another slide switch. It operates a high-pass filter whose cut-off frequency (3 dB) can be selected in half-octave steps between 20 Hz and 160 Hz. In this way disturbances of air conditioners or impact sound can be faded out in a very targeted manner. In addition, e.g. the volume of a voice can be flexibly measured using the proximity effect.

The M 149 Tube is powered by an 8-core cable from its special N 149 power supply. At its output, the microphone signal is on a 3-pin XLR connector. The microphone is supplied in an aluminium case as a set together with the 8-pin microphone cable, the power supply N 149 and the elastic suspension EA 170.

• Acoustic operation Pressure gradient receiver
• Polar pattern: Omnidirectional, cardioid, wide cardioid, hyper cardioid, figure eight and one intermediate position each
• Transmission range: 20 Hz ... 20 kHz
• Field transmission factor at 1 kHz at 1 kOhm: 34/47/62 mV / Pa (Omnidirectional, / cardioid / figure eight)
• Nominal impedance: 50 ohms
• Nominal load impedance: 1000 ohms
• Replacement noise level CCIR468-3: 28/25/23 dB (omnidirectional / cardioid / figure eight)
• Replacement noise level DIN / IEC651: 16/13/11 dB-A
• Noise level CCIR 468-3: 66/69/71 dB
• Noise level DIN / IEC651: 78/81/83 dB
• Limit sound pressure level (tube characteristic) for K
• Maximum output voltage 18 dBu
• Dynamic range of the amplifier DIN / IEC651 for K
• Power Supply Power Supply N 149
• Weight 730 g
• Diameter 70 mm length 201 mm
• Including aluminium case, 8-pin microphone cable, power supply N 149 A, elastic suspension EA 170, dust bag