Ligatures and Caps

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For soprano saxophone mouthpieces made of rubber or plastic
• Ligature with cap
• Plated screw
• Fits for Otto Link, Rico Royal, Vandoren, Yamaha and Yanagisawa mouthpieces

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument.

Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• For Zinner BA 63 baritone saxophone mouthpieces
• Ligature with cap
• Gold-plated
• For mouthpieces from the folllowing manufacturers: Berg Larsen, Billhart, Otto Link, Meyer, Rico Royal, Yamaha, Vandoren, Yanagisawa, Zinner AS 77

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument

Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For B clarinet (German system)
• Ligature with cap nickel-plated
• Suitable for F. A. Uebel und Wurlitzer mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For Eb clarinet with German system
• Ligature with cap
• Nickel-plated screw

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument. Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• Ligature with cap
• Gold-plated screw
• Suitable for Britone, Lebayle, Selmer S80, Vandoren and Zinner AS 61B mouthpieces

• For German system bass clarinet and tenor saxophone rubber or plastic mouthpieces
• Ligature with nickel-plated cap
• Suitable for Wurlitzer and Zinner bass clarinet mouthpieces and Zinner TS 78, Keilwerth, Vandoren Java, Schreiber ESM tenor saxophone mouthpieces
• Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument
• Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed
• Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position
• A printed cross-hair on the belt facilitates the setting up of the reed

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For B clarinet (German system)
• Ligature with a cap
• Gold plated screw
• Suitable for mouthpieces by Schreiber, F.A. Uebel and Wurlitzer

Apart from the instrument itself, the ligature has the greatest influence on the sound and response of the instrument. Each ligature is adapted to the respective mouthpiece type like a tailor-made suit, and guarantees an optimal fit of the reed. Due to the sophisticated mechanism (left/right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that it remains in the set position. A printed crosshair on the strap simplifies the adjustment of the reed.

• For alto saxophone metal mouthpieces
• Ligature with cap
• Genuine gold-plated
• Suitable for Dave Guardala mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For Eb clarinet with Boehm system
• With capsule
• Nickel-plated screw

• For B flat Clarinet (German system)
• Suitable for Keilwerth, Willscher, Leitner & Kraus, Yamaha and Zinner No.22 mouthpieces
• Gold plated screw
• Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument.
• Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed.
• Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position.
• A printed cross-hair on the belt facilitates the setting up of the reed.

The ligature and reed have the largest influence on the sound and responsiveness of the instrument. Like a tailor-made suit, each ligature adapts to the respective mouthpiece type, and ensures optimum fit. A crosshair printed on the ribbon makes it easier to set up the reed, and thanks to the ingenious mechanism (left-hand and right-hand threading), a symmetrical pulling force is exerted on the reed when it is tightened, so that it remains in the set position.

• For tenor saxophones with rubber or plastic mouthpieces
• Ligature with cap
• Gold-plated
• Suitable for Zinner TS 78, Keilwerth, Vandoren Java, Schreiber ESM mouthpieces, and Berg Larsen baritone saxophone (rubber or plastic)

• For B- clarinet German system
• Ligature with cap
• Nickel-plated screw
• For Zinner Plexigum No. 100 mouthpieces
• Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument
• Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed
• Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position
• A printed cross-hair on the belt facilitates the setting up of the reed

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For soprano saxophone rubber or plastic mouthpieces
• Ligature with capsule
• Screw: Gold-plated
• Suitable for the following mouthpieces: Berg Larsen, Selmer and Zinner 60

Due to a sophisticated mechanism (left-/right-hand threads of the spindle), a symmetrical pull is applied to the reed, such that it remains in the configured position. An imprinted crosshair on the ligature facilitates the set up of the reed.

• For rubber or plastic mouthpieces
• Ligature with mouthpiece cap
• Nickel-plated
• For Berg Larsen, Billhart, Otto Link, Meyer, Rico Royal, Yamaha, Vandoren, Yanagisawa, and Zinner AS 77 mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For tenor saxophone rubber or plastic mouthpieces
• Ligature with cap
• Nickel screw
• Suitable for Billhart, Otto Link, Meyer, Selmer S80 / 200, Yamaha, Yanagisawa and Zinner TS 62B mouthpieces

Due to a sophisticated mechanism (left-/right-hand threads of the spindle), a symmetrical pull is applied to the reed, such that it remains in the configured position. An imprinted crosshair on the ligature facilitates the set up of the reed.

• For alto saxophone rubber or plastic mouthpieces or Boehm clarinet Pomarico glass mouthpieces
• Ligature with mouthpiece cap
• Nickel-plated
• Suitable for Britone, Lebayle, Selmer S80, Vandoren, and Zinner AS 61B mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For tenor saxophone metal mouthpieces
• Ligature with a cap
• Real gold plated
• Suitable for Vandoren Metal V16 mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For alto saxophone metal mouthpieces
• Includes cap
• Nickel-plated
• Suitable for Dave Guardala mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For baritone saxophone metal mouthpieces
• Ligature with cap
• Plated with real gold
• Suitable for Yanagisawa, Lawton mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For baritone saxophone rubber and plastic mouthpieces
• Ligature with a cap
• Real gold plated
• Suitable for Otto Link, Meyer mouthpieces