Ligatures and Caps

• Suitable for Optimum ligature soprano and alto saxophone
• Plate No. 1: Great resonance with rich, sonorous tones, runs in the same direction as the fibres of the reed, giving it a very light response and incredibly easy articulation (especially with staccato)
• Plate No. 2: More compact, centred sound, soft balanced sound, very easy response
• Plate No. 3: The reed vibrates completely unaffected, creating a highly flexible sound for the greatest possible musical expression
• Colour: Gold-plated

• Suitable for Optimum ligature B- clarinet and Eb- alto clarinet
• Plate no. 1: Great resonance with rich, sonorous tones, runs in the same direction as the fibers of the reed, which results in a very easy response, incredibly easy articulation (especially in staccato)
• Plate no. 2: More compact centred tone, soft, balanced sound, exceptionally easy response
• Record no. 3: The reed vibrates completely uninfluenced and produces a highly flexible sound for the greatest possible musical expression
• Colour: Silver-plated

• Suitable for Optimum ligature tenor and tenor saxophone V16
• Plate No. 1: Great resonance with rich, sonorous tones, runs in the same direction as the fibres of the reed, giving it a very light response and incredibly easy articulation (especially with staccato)
• Plate No. 2: More compact, centred sound, soft balanced sound, very easy response
• Plate No. 3: The reed vibrates completely unaffected, creating a highly flexible sound for the greatest possible musical expression
• Colour: Gold-plated

• For alto saxophone rubber mouthpieces
• Gold varnish

• Suitable for rubber mouthpieces
• Painted with gold paint

• Soprano Saxophone
• Rubber and plastic mouthpieces
• Screw: Gold
• Incl. cap

• For tenor saxophone
• Suitable for rubber and plastic mouthpieces
• Screw colour: Gold
• Including cap

• Suitable for mouthpieces of rubber or plastics
• Screw colour: Gold
• Including cap

• Bb Clarinet
• Boehm-system
• Screw: Silver
• Incl. cap

• For bass clarinet
• Boehm system
• Ligature: Silver coloured
• Including cap

• Bb Clarinet
• German fingering
• Screw: Silver
• Incl. cap

• For alto saxophone and tenor saxophone (narrow)
• For metal mouthpieces
• Ligature: Silver-coloured
• Incl. cap

• For baritone saxophone
• For rubber and plastic mouthpieces
• Screw: Golden
• Includes capsule

• For tenor saxophone (wide) and baritone saxophone (tight)
• For metal mouthpieces
• Screw: Gold-coloured
• Cap included

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For Bb clarinet (German system)
• Ligature plated with cap
• For Keilwerth, Willscher, Yamaha and Zinner Nr.22 mouthpieces

Each ligature is adapted to the respective mouthpiece type like a tailor-made suit and guarantees the optimal fit of the reed. Due to the sophisticated mechanism (left/right thread of the spindle), a symmetrical tensile force is applied to the reed during tensioning, so that it remains in the set position. A printed crosshair on the strap makes it easier to set up the reed.

• For Bb clarinet Boehm system and German system
• Ligature with cap
• Gold-plated screw
• For Buffet, Orsi, Rico Royal, Selmer, Vandoren, Larry C. Wood Wind, Yamaha and Zinner No. 36 mouthpieces for Boehm mouthpieces and Pomarico glass mouthpieces for German mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For B- clarinet Boehm and German system
• With cap
• Screw: nickel
• For Buffet, Orsi, Rico Royal, Selmer, Vandoren, Larry C. Woodwind, Yamaha and Zinner No. 36 Mouthpieces, Boehm Mouthpieces, German mouthpieces, Pomarico and glass mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• Tenor saxophone mouthpieces made of rubber or plastic
• Baritone saxophone mouthpieces of rubber and plastic
• Ligature with cap
• Plated screw
• Bill Hart, Otto Link, Meyer, Selmer S80 / 200, Yamaha, Yanagisawa and Zinner TS 62B Berg Larsen Mottled Eb, Rico Royal mouthpieces