Ligatures and Caps

• Made of metal-gold lacquer

• For baritone saxophone and bass clarinet mouthpieces
• For bass clarinet with German system, the medium cap is a better fit
• Can be used with or without a reed
• Low noise
• Protects the mouthpiece tip and the reed
• Fits all types of ligatures including the Silverstein Prelude
• Easy to wash
• Colour: White

• For baritone saxophone and bass clarinet mouthpieces
• For bass clarinet with German system, the medium cap is a better fit
• Can be used with or without a reed
• Low noise
• Protects the mouthpiece tip and the reed
• Fits all types of ligatures including the Silverstein Prelude
• Easy to wash
• Colour: Black

• For baritone saxophone and bass clarinet mouthpieces
• For bass clarinet with German system, the medium cap is a better fit
• Can be used with or without a reed
• Low noise
• Protects the mouthpiece tip and the reed
• Fits all types of ligatures including the Silverstein Prelude
• Easy to wash
• Colour: Transparent

• For soprano saxophone rubber mouthpieces
• Wallflower

• Leather version

• Suitable for caoutchouc mouthpieces
• Silver-plated

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For Bb clarinet (German system)
• Ligature plated with cap
• For Keilwerth, Willscher, Yamaha and Zinner Nr.22 mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For B- clarinet Boehm and German system
• With cap
• Screw: nickel
• For Buffet, Orsi, Rico Royal, Selmer, Vandoren, Larry C. Woodwind, Yamaha and Zinner No. 36 Mouthpieces, Boehm Mouthpieces, German mouthpieces, Pomarico and glass mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• Tenor saxophone mouthpieces made of rubber or plastic
• Baritone saxophone mouthpieces of rubber and plastic
• Ligature with cap
• Plated screw
• Bill Hart, Otto Link, Meyer, Selmer S80 / 200, Yamaha, Yanagisawa and Zinner TS 62B Berg Larsen Mottled Eb, Rico Royal mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For soprano saxophone mouthpieces made of rubber or plastic
• Ligature with cap
• Plated screw
• Fits for Otto Link, Rico Royal, Vandoren, Yamaha and Yanagisawa mouthpieces

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument.

Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• For Zinner BA 63 baritone saxophone mouthpieces
• Ligature with cap
• Gold-plated
• For mouthpieces from the folllowing manufacturers: Berg Larsen, Billhart, Otto Link, Meyer, Rico Royal, Yamaha, Vandoren, Yanagisawa, Zinner AS 77

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument

Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For B clarinet (German system)
• Ligature with cap nickel-plated
• Suitable for F. A. Uebel und Wurlitzer mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For Eb clarinet with German system
• Ligature with cap
• Nickel-plated screw

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument. Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• Ligature with cap
• Gold-plated screw
• Suitable for Britone, Lebayle, Selmer S80, Vandoren and Zinner AS 61B mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For soprano saxophone rubber or plastic mouthpieces
• Ligature with capsule
• Screw: Gold-plated
• Suitable for the following mouthpieces: Berg Larsen, Selmer and Zinner 60

Due to a sophisticated mechanism (left-/right-hand threads of the spindle), a symmetrical pull is applied to the reed, such that it remains in the configured position. An imprinted crosshair on the ligature facilitates the set up of the reed.

• For rubber or plastic mouthpieces
• Ligature with mouthpiece cap
• Nickel-plated
• For Berg Larsen, Billhart, Otto Link, Meyer, Rico Royal, Yamaha, Vandoren, Yanagisawa, and Zinner AS 77 mouthpieces