flanger

Top 10 Flanger VST plugins 2020

Loopmasters Best Seller Music Samples

We have collected for you the top 10 VST plugins Flanger according to PluginBoutique.

VST list navigation:

  1. Instant Flanger Mk II
  2. Antresol
  3. Flow
  4. Flanger Snapin
  5. Eternal
  6. EFEKTOR FL3606 Flanger
  7. MFlangerMB
  8. Fix Flanger and Doubler
  9. Dipole
  10. Space Invader + FREE Slappy

1. Instant Flanger Mk II

by Eventide

Instant Flanger Mk II

Classic Flanging for a Modern Mix

The Instant Flanger Mk II brings the great sound of vintage tape flanging to your plug-in toolbox. An authentic emulation of the original 1975 studio rackmount, the Instant Flanger was famously used on David Bowie’s “Ashes to Ashes” and Cyndi Lauper’s “Time After Time.” A truly versatile tool, engineers and producers have used it for stereo sweetening, subtle modulations, double-tracking, and extreme flanging effects.

Spread the Sound Around with Pseudo Stereo

Turn flat mono guitars into huge stereo leads or have your single-channel synthesizer fill out the sides of your mix with pseudo-stereo. The Instant Flanger Mk II has dual outputs that create three different sonic images – “Shallow”, “Deep”, and “Wide”. Combining “Wide” Mode with the “Low Cut” control is an easy way to place multiple harmonies behind the lead. Fine-tune the resonance of your flanging effect by using the “Depth” and “Feedback” controls.

True End-to-end Emulation

Tape machines use servo motors to run at a constant speed and when an engineer pressed a thumb on the flange and then suddenly let go, the capstan motor servo reacts – overshooting and undershooting as it seeks to recover proper speed. In other words, it ‘bounces’. The Instant Flanger convincingly mimicked this behaviour with its innovative “Bounce” control knob. Use this feature to add a real-world groove to your tracks.

Features

  • Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal
  • Three distinct flavours of flanging. Set the Mode switch for Shallow, Deep or Wide
  • Manual control allows you to control the ‘comb’ effect by turning the Big Knob
  • Oscillator drives the flanging at a user-defined rate
  • Envelope Follower drives the flanging based on the signal’s amplitude
  • Remote maps the flanging control to a mod wheel for tactile manipulation
  • Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer’s thumb was lifted from the tape reel flange
  • “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling
  • Exercise total control of the Oscillator with Sync and Retrig
  • Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control

Distinguishing Flanging from Phasing Since 1975

Instant Flanger Ad 1975The method of tape flanging was originally achieved by playing back a track on two separate tape machines and using your thumb to apply pressure to the “tape flange” thereby slightly slowing down one of the machines. In the tape era, before the introduction of electronic effects devices, the terms “phasing” and “flanging” were used interchangeably. Then, in 1971, Eventide released the Instant Phaser which was based on analog filters rather than delay.

When the Instant Flanger was released in 1975, the original hardware manual explained “Old model phasing units used analog circuitry to modify the frequency spectrum. Eventide’s Instant Flanger uses a true time delay circuit, producing many more nulls and thus a much deeper effect than previously available with an all-electronic unit.”

System Requirements

PC

  • Windows 7+ (32/64-bit)

Formats:

  • AAX 32/64-bit
  • VST2 32/64-bit

MAC

  • macOS 10.7+ (64-bit only)

Formats:

  • AAX 64-bit
  • AU 64-bit,
  • VST2 64-bit

Notes:

  • We test our desktop plugins in Ableton Live, Cubase, FL Studio, Logic Pro, Pro Tools, and Studio One. However, our plugins should work with any compatible host.
  • New 32-bit macOS installers are no longer being made for this product.
  • No iLok dongle is required to run this software – only a FREE iLok account/Manager is required for authorisation of this software.

2. Antresol

by D16 Group

Antresol

An incarnation of an iconic stompbox you will surely appreciate

A Legendary Flanger Resurrected

In bringing the classic stompbox back to life, D16 have created a must-have effect plugin that will appeal not only to performing guitarists but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, D16’s newest effect in the SilverLine Collection!

Loaded with features way beyond the original

Antresol’s users can also enjoy absolute freedom of control over every aspect of the BBD-based delay line (including such nuances as calibration of the linearity of the clocking system or the number of analogue memory cells constituting the backbone of the BBD). Fashioning a flanger sound that is uniquely you yet retains all the richness and warmth afforded by the original, classic circuit design has never been easier!

In addition to the standard parameter knobs found on the face of the original unit, there is also a wide range of deeper parameters available to tweak, such the on-PCB trimpots which would normally be inaccessible without taking the stompbox apart. Some even go far beyond those you could find in common flanger-type effects: a fully controllable LFO (with adjustable phase and rate sync to a host application’s tempo); the ability to delink the stereo channels and control the most important parameters independently for left and right (or mid/side, depending on selected mode), and more. Try the demo today and see where your imagination takes you!

True BBD emulation with Total control

An exceptionally accurate emulation of an impulse-controlled, solid-state analogue delay line (a Bucket Brigade Device) is responsible for the impeccable sonic characteristics found in Antresol. Effects based on high-quality BBD emulations stand out with remarkable, even seductive warmth, and D16 have no doubt that the tremendous success of D16’s first foray into BBD delay line emulation, the chorus plugin Syntorus, has been directly attributable to this approach.

The key element around which Antresol is designed, an analogue BBD integrated circuit, proved to offer some unique challenges for a digital emulation of this type. In particular, the feedback parameter showed some weaknesses in the form of improper shapes of emerging peaks and notches in the frequency response, forcing us back to the drawing board. After much R&D, D16’s Eureka moment came in the form of a much-refined BBD emulation using quasi-analog signal representation throughout, guaranteeing behaviour much more akin to the original, physical circuit. While a bit chaotic, it includes all the benefits and subtleties the analogue domain can offer—unlike a deterministic, classically digital algorithm—and all this without any unwanted artefacts such as aliasing (something D16 always take great pains to minimize)… and all with the rock-solid stability only digital can offer!

Spectrum Comparison

Frequency responses comparison of Electric Mistress stompbox and Antresol for whole variety of feedback values. All tests were performed using white noise as source signal and calibrated spectral analysing software.

The figure below shows how faithful the emulation is by comparing the upper range of the spectrum, where usually all emulations fail. Look how both responses match even at the highest frequencies. The analysis was done for frequencies from 6 kHz up to a bit above 18 kHz.

Features

  • True emulation of BBD based analogue delay line
  • Optional independent parameter control for each stereo channel
  • Selectable L/R or M/S stereo processing modes
  • Mistress mode allows the whole unit to work the same as the classic flanger
  • LFO can be synchronized with your host application
  • 3 different LFO-to-BBD clock curves
  • Ultra-low-aliasing output
  • A highly musical and pleasant sound
  • Tag-based browser
  • Two alternative GUI sizes
  • MIDI-learn functionality throughout
  • 64bit internal processing

System Requirements

Windows PC

  • OS version Win 7, Win 8, Win 10
  • CPU 2.0 Ghz with SSE (Multicore system 2.3 Ghz recommended)
  • RAM 4 GB (8 GB Recommended)
  • Software VST / AAX compatible host application (32bit or 64bit)

Mac OS X

  • OS version 10.7 and later
  • CPU Intel based 2.0 Ghz (2.3 Ghz recommended)
  • RAM 4 GB (8 GB Recommended)
  • Software AU / VST / AAX compatible host application (32bit or 64bit)

Please note: This is not a standalone program – a host application (DAW) is required to use it.


3. Flow

by Sinevibes 

Flow

Animated Flanger/Phaser

Important note: This software is Mac compatible only (Audio Units) and will not function on PC computers.

Flow is plugin for creating animated flanger and phaser effects. Unlike a traditional flanger or phaser, Flow has a powerful tempo-synchronized sequencer that allows to set different effect frequency, envelope shape and modulation depth per each of its 32 steps. Although it can do classic sweeps and burbles too, it goes much beyond – stepped patterns, complex riffs, elaborate pulsations, random glitches are mere seconds away thanks to Flow’s simple editing tools and numerous utility functions. Both its rhythmic and spectral character is also widely tunable with multiple open parameters for the effect and the envelope sequencer.

Flow displays a live sound waveform and aligns its sequencer graphics with it – exactly in the same way it’s done by the sound engine, for true “what you see is what you get” operation. Every element in its user interface is color-coded and features subtle animations, making your workflow unusually easy and enjoyable. Plus, all this goodness is rendered right on the graphics adapter meaning fast response and no extra load on the main processor, regardless of how new or old your Mac is.

Features

Sound Engine:

  • Sequencer with up to 32 steps, variable duration, division and swing ratio
  • Four flanger and phaser algorithms with ultra-wide frequency range (20 Hz to 10 kHz)
  • Envelope matrix offering 10 envelope shapes; adjustable time, curve and lag
  • Eight parameter snapshots in each preset for real-time switching or automation
  • Host transport synchronization with support for tempo and time signature changes

Graphic Interface:

  • Color-coded control elements with animated transitions between settings
  • Multiple utility functions for randomizing, cloning and time-shifting sequences
  • Fully hardware-accelerated rendering with support for Retina screen resolution

Added Features:

  • Redesigned user interface with improved contrast, new color scheme and more legible fonts
  • All-new, much more efficient DSP algorithms for step sequencer, multi-envelope generator, parameter slew and modulation lag
  • Added live input waveform display visually aligned with the envelope sequence
  • Added 4- and 8-stage feedback phaser effect options
  • Added new controls for min/max modulation range and effect output level
  • Added new “triple ramp” envelope shape
  • Added envelope curve control (logarithmic to linear to exponential)
  • Added utility functions to “evolve” the sequence or time-shift the sequence by +/- one step or one beat
  • Added shift-click and drag to relatively adjust all steps, control-click and drag to snap steps to 10 fixed values
  • Added support for mono-to-stereo channel configuration
  • Waveform analysis is only performed when the user interface is open

System Requirements

  • Supports OS X 10.6 or later, running on 32 or 64-bit Intel Macs
  • Works with any application that supports Audio Unit (AU) effect plugins

Important Notes: 

  • This software is Mac compatible only (Audio Units) 
  • An Audio Units (AU) compatible DAW is also required to run this software
  • This software will not function on PC computers

4. Flanger Snapin

by kiloHearts

Flanger Snapin

Create weirdly cyclic motion in your sound with Flanger. It’s sort of similar to a sweeping comb filter.

Creates a flanging effect by mixing the audio with a slightly delayed version of itself. The length of the delay can be adjusted manually and modulated. Optionally, this effect can also add a phase shift between the dry and wet signals to create an infinte barberpole-style flanging effect upwards or downwards.

Features

  • Delay: Adjusts the minimum delay.
  • Depth: Depth of delay modulation. Added on top of the minimum delay set by the delay knob.
  • Rate: Rate of delay modulation.
  • Scroll: Enables the phase offset and motion functions of the effect.
  • Offset: Phase offset between dry and wet signals.
  • Motion: Rate of modulation for the phase offset.
  • Spread: Stereo spread between left and right channels. Affects delay modulation and phase offset.
  • Feedback: Feedback of the wet signal back into the delay line.
  • Mix: The dry/wet mix of this effect. A lower value will let some of the unmodified signal through.
  • Settings panel: Whenever you have your mouse cursor over a snapin there is a small arrow at the top right corner (not visible in screenshot). It opens a settings panel where you handle presets. It also has a “randomize” button that can be useful. I guess…
  • Enabled checkbox: The small checkbox to the left of the plugin name is a checkbox that bypasses the effect when disabled.
  • Resize handle: The bottom right corner of all Kilohearts plugins is a resize handle for scaling the UI to any size. This allows you to get a good view of the controls whatever the screen resolution, and also comes in handy if you need big controls, e.g. when using Flanger as a real-time effect on a touchscreen monitor during a live set. (This is not available when the snapin is used inside a snapin host.)

Flanger is a snapin

Kilohearts plugins work great together, and all the snapins can work double duty as modular components inside our snapin hosts. There are several different hosts that allow you to apply any number of snapins in various contexts, like to each individual band in the band-splitter Multipass, or add your full effects chain right inside the preset of the synth Phase Plant.

System Requirements

These are the minimum recommended system requirements for running snapins.

CPU:

  • 2 GHz or faster

Memory:

  • 1 GB or more

Operating System:

  • Windows (7 or newer) or Mac OS X (10.7 or newer)

Software:

  • A VST / Audio Unit / AAX compatible DAW

Supported formats:

  • AAX
  • AU
  • VST2
  • Snapin

Please note: If you use a lot of snapins at the same time in your patch the CPU usage willincrease accordingly. Thus, we cannot guarantee that the snapins will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.


5. Eternal

by Sinevibes

Loopcloud Music App from Loopmasters.com

Eternal

Barber-Pole Flanger

Important note: This software is Mac compatible only (Audio Units) and will not function on PC computers.

Eternal by Sinevibes is a barber-pole flanger effect. Unlike a traditional flanger which typically has its tone repeatedly go up and down, this is a flanger that goes upwards or downwards in a seemingly endless fashion. To accomplish this unique “barber-pole” effect, Eternal uses an array of three stereo flangers and six bespoke, thoroughly calibrated low-frequency oscillators. And since these oscillators have a “through-zero” design, it allows Eternal to seamlessly go from downwards to upwards motion and back at your fancy. With two distinct flanger tones thanks to positive or negative feedback, this plugin puts a whole arsenal of unique airy, bubbly and even psychedelic effects in your hands.

Eternal has an intuitive user interface wholly built with color-coded graphics and subtle animations. Together with carefully tuned parameters, this highly musical effect also gives you an enjoyable and inspiring user experience.

Features

  • Three stereo flangers with negative or positive feedback.
  • Six through-zero oscillators for creating endless upwards or downwards “barber-pole” motion.
  • Stereo modulation phase shift for variable stereo field widening.
  • Color-coded controls with lightly animated transitions.
  • Fully hardware-accelerated rendering with support for Retina screen resolution.

System Requirements

  • Supports OS X 10.6 or later, running on 32 or 64-bit Intel Macs
  • Works with any application that supports Audio Unit (AU) effect plugins
  • Supports Retina screen resolution

Compatibility

Hologram works with Logic, GarageBand, Live, MainStage, ReNoise, Reaper, Studio One, Digital Performer, Tracktion and other software that supports Audio Unit effect plugins. It comes in 32/64 bit format for Intel Macs running OS X 10.6 or later, and supports Retina screen resolution.

Important Notes: 

  • This software is Mac compatible only (Audio Units) 
  • An Audio Units (AU) compatible DAW is also required to run this software
  • This software will not function on PC computers

6. EFEKTOR FL3606 Flanger

by Kuassa

EFEKTOR FL3606 Flanger

Flanger FX Engine

Howling, Swirly and Flanging Tone

Note: Also available in the EFEKTOR Modulation Bundle

Originated from manipulating tape recorders by slowing down one of its flange (hence the ‘flanger’ name), this effect creates a swooshing sound dubbed as the ‘jet engine’ effect:

Royal Flanger:

  • The “Vintage” Flanging Effect.

Jet Flanger:

  • Supersonic Jet Howl or Cool Spacey Stereo Image.

Electro Flanger:

  • Darker, Swirly, Chorusy, and Trippy Sound.

Key Features:

  • Three Models of Modulation in Every Unit.
  • A/B Compare Buttons.
  • BPM Sync.
  • Mono or Stereo Mode.

System Requirements

Windows:

  • XP, Vista, 7, or Later (32/64-bit)

Mac OS X:

  • Mac OS 10.5 or later (32/64-bit)

Plugin Formats:

  • VST, VST3, Audio Units or AAX compatible Host Software

Please Note: This product is a plugin, a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software.


7. MFlangerMB

by MeldaProduction

MFlangerMB

MFlangerMB is a powerful multiband flanger that allows you to fully adjust its shape. Where other flangers end, this flanger only begins. It processes anything from guitar tracks to complete mixes with outstanding audio quality, and includes an extensive set of features.

Features

  • Dual user interface – the plugin is not only extremely versatile, but also quick and easy-to-use thanks to 2 graphical user interfaces. First there is a simple default one with several predefined modes, but just a few controls, which lets you start quickly and easily without any knowledge. All you need to do is choose what you want and use a few knobs. And the plugins also has an advanced mode, which provides all the extreme features the plugin offers.
  • 1-6 fully configurable independent bands built on 3 perfectly transparent crossover algorithms (analog, linear-phase and hybrid) with fully adjustable limits and input gains. Includes peak meters for all bands and the master.
  • Continuously adjustable oscillator shape – every oscillator in our plugins is defined by a mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), step-sequencer and several methods for algorithmic postprocessing. It is the most advanced approach for defining oscillator shapes.
  • 4 global modulators – in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
  • Integrated tube saturation gives the sound a great vintage analog feel.
  • Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
  • Full randomization – using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that’s too much, you can just hold ctrl and MFlangerMB will only slightly modify existing settings.
  • Sync interpolation and high-quality upsampling – MFlangerMB implements the most advanced technologies to provide the best audio quality.
  • Adjustable up-sampling 1x-16x to minimize aliasing and get an even clearer sound.
  • Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
  • Automatic synchronization to host tempo – every oscillator and modulator in the plugin can automatically synchronize to the host providing as natural a sound as possible while not offending other tracks.
  • MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
  • Very fast, optimized for SSE and SSE2 processors.
  • Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
  • Fully Automatable.

System Requirements

Windows

  • Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
  • VST / VST3 / AAX compatible host (32-bit or 64-bit)
  • Intel/AMD processor with SSE2 support

Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
 
64-bit plugins can’t work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
 
Mac OS X

  • Mac OS X (10.7 and newer, 32-bit or 64-bit)
  • VST / VST3 / AU / AAX compatible host (32-bit or 64-bit)
  • Intel/AMD processor with SSE2 support

Note: Please check your product PDF documentation for more information and installation instructions.


8. Fix Flanger and Doubler

by Softube

Fix Flanger and Doubler

From the mind of legendary audio equipment designer Paul Wolff comes the new Fix Flanger and Fix Doubler. They take the legacy and sound of classic flanging and vocal doubling of the 1960s, but with all the benefits of the digital world.

In 1979, Paul Wolff formalized a vision which was turned into an exclusive limited edition hardware, that became loved among musicians and sound engineers. In 2015, the Fix Flanger and Doubler is the reincarnation of this vision—a plug-in package that handles hands-on flanging with unique stereo widening methods, as well as vocal doubling with lush chorus and rich textures.

Classic Flanging Reimagined 

The Fix Flanger is versatility personified—this flanger is capable of both classic guitar pedal style flanging with a automatically swept flange as well as direct interaction in the manual mode. A VSO mode features unprecedented hands-on control with emulated servo motor bounce and true cross zero flanging, just like a tape machine. Added features such as tap tempo sweep, unique stereo widening methods and selectable delay polarity makes the Fix Flanger the swiss army knife of flangers.

Doubling Made Simple 

The Fix Doubler delivers texture and extraordinary richness to vocals and polyphonic instruments. The algorithms of the Fix Flanger, combined with a streamlined interface and Paul Wolff’s unique Auto Double algorithm, makes it easier than ever to get lush chorus and rich layers to your vocal track. With Auto Double, you can get smooth doubling without flanging at delays as low as 3 ms, which no one has ever been able to do before.

Features

  • Fix Flanger delivers the sound of classic flanging, with extreme control and flexibility
  • Unprecedented hands-on VSO flange control, with servo motor bounce emulation
  • Fix Doubler provides lush chorus and rich textures to your vocals
  • ‘Auto Double’ uses a unique method of accurate phase-cancellation to make a natural sounding doubler effect
  • No USB iLok key required

System Requirements

  • Mac OS X 10.12 or newer (older OS versions may work but are not tested (64-bit only).
  • Windows 64-bit, versions 7, 8 or 10 (64-bit only).
  • Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
  • Screen resolution 1280×800 or larger.
  • Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
  • 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
  • A Softube account is required to register and install the software.
  • An iLok account is required for authorisation of the software.
  • Internet access for downloading installer and managing licenses.
  • iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
  • In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
  • The most recent maintenance release of the DAW application is recommended.

However, due to plug-in host differences between DAWs – and our own rigorous testing standards – we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.

Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com​


9. Dipole

by Sinevibes

Dipole

Through-Zero Flanger

Important note: This software is Mac compatible only (Audio Units) and will not function on PC computers.

Dipole by Sinevibes is a through-zero flanger effect. It employs two separate playback timelines for input audio, one of them being able to run earlier or later in time in relation to another – plus a trick feedback loop. And the actual magic happens when you adjust this time difference and go through the zero point. With positive feedback, Dipole produces that coveted spectral “swoosh” effect of a jet plane fly-by; and with negative feedback, the output warps and eventually cancels itself out. In the old days, such effects were created “offline” using two tape machines – but now Dipole lets you have those charismatic sounds inside your DAW, and with much higher fidelity.

Dipole has an intuitive user interface wholly built with colour-coded graphics and subtle animations. Together with carefully tuned parameters, this highly musical effect also gives you an enjoyable and inspiring user experience.

Sound Engine:

  • Stereo flanger with bipolar feedback and through-zero time capability.
  • Low-frequency modulation generator with sine, triangle and trapezoid waveforms.
  • Stereo modulation phase shift for variable stereo field widening.

Interface:

  • Colour-coded controls with lightly animated transitions.
  • Fully hardware-accelerated rendering with support for Retina screen resolution.

System Requirements

  • Supports OS X 10.6 or later, running on 32 or 64-bit Intel Macs
  • Works with any application that supports Audio Unit (AU) effect plugins

Important Notes: 

  • This software is Mac compatible only (Audio Units) 
  • An Audio Units (AU) compatible DAW is also required to run this software
  • This software will not function on PC computers

10. Space Invader + FREE Slappy

by denise

Space Invader + FREE Slappy

Buy denise God Mode & receive a FREE denise Slappy delay unit.

(Note: The 100% off Slappy coupon is attached to the serial) 

(Offer Ends June 1st)

Fresh and creative flanging. Be a space invader and start your jet engine!

Features

  • Control the groove: create tempo synced flanging effects that rhythmically lock to your track.
  • Extremely easy to create precisely timed risers and built-ups that span multiple bars.
  • Re-trigger the effect to create any flanging rhythm you like even on of-the-grid recordings.
  • Introduce analog flutter and a 90 degrees phase offset for a wide stereo effect that throws you back to the 60’s

The denise Space Invader is a versatile flanger you can sync to your host project, allowing you to to create rhythmical host-synced flanging effects or precisely timed risers that span multiple bars. When in sync-mode you can set the flanging speed from 1/32-bar to 32-bars, including strange, triplet and dotted feel. When not in sync mode you can set the flanging speed in hertz and use the trigger-button to reset the flanger’s internal lfo, allowing you to control the flanger’s start point using automation. In addition you can choose between three different lfo shapes, and have the option to introduce flutter and a 90 degrees lfo offset for a wide stereo effect. The denise Space Invader gives you full rhythmical control over the flanging effect, allowing for all kinds of creative
flanging effects.

Use Cases

1. “You are trying to use a flanger on a guitar or synth part, but there is no way to get the flanging effect to rhythmically lock with your track”. Regular flanger plugins don’t give you any options to sync the flanging effect to your tracks. The denise Space Invader let’s you sync the flanging effect to the host tempo and bar position, allowing you to create rhythmical flanging effects that lock to your track.

2. “You want to use a slow evolving flanger to spice up a built-up section that spans multiple bars, but you can’t get the flanging effect’s timing right”. Regular flanger plugins just start randomly, and don’t give you control over the lfo phase. The denise Space Invader lets you sync the flanging effect to the host for fixed BPM productions – spanning multiple bars – but also let’s you reset the flanger’s lfo phase, allowing you to start the flanging effect at any point in time.

3. “You like the sound of a flanger, but find the effect too linear and repetitive to use in your mix”. Most flangers create very predictable movement, and can get boring quite fast. The denise Space Invader lets you re-trigger the lfo start-phase, allowing you to create any flanging rhythm you like using automation. Combined with the additional flip, split and flutter functions, this gives you unlimited options to create fresh and exciting flanging effects.

System Requirements

  • OSX: VST, VST3, AU, AAX
  • Windows: VST, VST3, AAX
Top 10 Flanger VST plugins 2020
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