Ligatures and Caps

• For baritone saxophone and bass clarinet mouthpieces
• For bass clarinet with German system, the medium cap is a better fit
• Can be used with or without a reed
• Low noise
• Protects the mouthpiece tip and the reed
• Fits all types of ligatures including the Silverstein Prelude
• Easy to wash
• Colour: White

• For baritone saxophone and bass clarinet mouthpieces
• For bass clarinet with German system, the medium cap is a better fit
• Can be used with or without a reed
• Low noise
• Protects the mouthpiece tip and the reed
• Fits all types of ligatures including the Silverstein Prelude
• Easy to wash
• Colour: Black

• For baritone saxophone and bass clarinet mouthpieces
• For bass clarinet with German system, the medium cap is a better fit
• Can be used with or without a reed
• Low noise
• Protects the mouthpiece tip and the reed
• Fits all types of ligatures including the Silverstein Prelude
• Easy to wash
• Colour: Transparent

• For soprano saxophone rubber mouthpieces
• Wallflower

• Leather version

• Suitable for caoutchouc mouthpieces
• Silver-plated

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For Bb clarinet (German system)
• Ligature plated with cap
• For Keilwerth, Willscher, Yamaha and Zinner Nr.22 mouthpieces

Each ligature is adapted to the respective mouthpiece type like a tailor-made suit and guarantees the optimal fit of the reed. Due to the sophisticated mechanism (left/right thread of the spindle), a symmetrical tensile force is applied to the reed during tensioning, so that it remains in the set position. A printed crosshair on the strap makes it easier to set up the reed.

• For Bb clarinet Boehm system and German system
• Ligature with cap
• Gold-plated screw
• For Buffet, Orsi, Rico Royal, Selmer, Vandoren, Larry C. Wood Wind, Yamaha and Zinner No. 36 mouthpieces for Boehm mouthpieces and Pomarico glass mouthpieces for German mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For B- clarinet Boehm and German system
• With cap
• Screw: nickel
• For Buffet, Orsi, Rico Royal, Selmer, Vandoren, Larry C. Woodwind, Yamaha and Zinner No. 36 Mouthpieces, Boehm Mouthpieces, German mouthpieces, Pomarico and glass mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• Tenor saxophone mouthpieces made of rubber or plastic
• Baritone saxophone mouthpieces of rubber and plastic
• Ligature with cap
• Plated screw
• Bill Hart, Otto Link, Meyer, Selmer S80 / 200, Yamaha, Yanagisawa and Zinner TS 62B Berg Larsen Mottled Eb, Rico Royal mouthpieces

Aside from the instrument itself, the ligature and reed have the greatest influence on the sound and response of the wind instrument. Each ligature is like a tailor-made suit adapted to the mouthpiece type and guarantees the optimum position of the reed. The sophisticated mechanism (left / right-hand thread of the spindle) comes into play by clamping a symmetrical pulling force on the reed, so that it remains in the established position. An imprinted crosshairs on the tape facilitates the deployment of the reed.

• For soprano saxophone mouthpieces made of rubber or plastic
• Ligature with cap
• Plated screw
• Fits for Otto Link, Rico Royal, Vandoren, Yamaha and Yanagisawa mouthpieces

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument.

Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• For Zinner BA 63 baritone saxophone mouthpieces
• Ligature with cap
• Gold-plated
• For mouthpieces from the folllowing manufacturers: Berg Larsen, Billhart, Otto Link, Meyer, Rico Royal, Yamaha, Vandoren, Yanagisawa, Zinner AS 77

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument

Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For B clarinet (German system)
• Ligature with cap nickel-plated
• Suitable for F. A. Uebel und Wurlitzer mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For Eb clarinet with German system
• Ligature with cap
• Nickel-plated screw

Next to the instrument, the ligature and the reed have the biggest influence on the sound and response of the instrument. Each ligature is like a tailor-made suit made to fit the particular proportions of the mouthpiece and guarantee the optimal fit of the reed. A balanced tensile force is exerted onto the reed via the sophisticated mechanisms (left and right threads of the screw), so that it doesn't move from the desired position. Arrows printed onto the body of the ligature provide guidance for the positioning of the ligature.

• For rubber or plastic alto saxophone mouthpieces
• Ligature with cap
• Gold-plated screw
• Suitable for Britone, Lebayle, Selmer S80, Vandoren and Zinner AS 61B mouthpieces

• For German system bass clarinet and tenor saxophone rubber or plastic mouthpieces
• Ligature with nickel-plated cap
• Suitable for Wurlitzer and Zinner bass clarinet mouthpieces and Zinner TS 78, Keilwerth, Vandoren Java, Schreiber ESM tenor saxophone mouthpieces
• Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument
• Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed
• Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position
• A printed cross-hair on the belt facilitates the setting up of the reed

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For B clarinet (German system)
• Ligature with a cap
• Gold plated screw
• Suitable for mouthpieces by Schreiber, F.A. Uebel and Wurlitzer

Apart from the instrument itself, the ligature has the greatest influence on the sound and response of the instrument. Each ligature is adapted to the respective mouthpiece type like a tailor-made suit, and guarantees an optimal fit of the reed. Due to the sophisticated mechanism (left/right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that it remains in the set position. A printed crosshair on the strap simplifies the adjustment of the reed.

• For alto saxophone metal mouthpieces
• Ligature with cap
• Genuine gold-plated
• Suitable for Dave Guardala mouthpieces

Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument. Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed. Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position. A printed cross-hair on the belt facilitates the setting up of the reed.

• For Eb clarinet with Boehm system
• With capsule
• Nickel-plated screw

• For B flat Clarinet (German system)
• Suitable for Keilwerth, Willscher, Leitner & Kraus, Yamaha and Zinner No.22 mouthpieces
• Gold plated screw
• Other than the instrument itself, it is the ligature and the reed that have the greatest influence on the sound and response of the instrument.
• Each ligature is adapted to the particular type of mouthpiece and guarantees optimum fit of the reed.
• Due to the ingenious mechanism (left / right thread of the spindle), a symmetrical pulling force is applied to the reed during tensioning, so that this remains in the set position.
• A printed cross-hair on the belt facilitates the setting up of the reed.