Neumann

• Connector: 3-Pin XLR female
• 48 V phantom power
• Colour: Nickel

The KMS 105 has been developed for the optimal transmission of the human voice, making it the first choice for demanding live applications. With its low inherent noise, discoloration-free and crosstalk behavior of the cardioid/ super-cardioid the KMS-105 is ideal for a solo singer on stage! Pop, wind and handling noises are largely avoided through innovative filters. With its high acoustic resolution and linear frequency response, the KMS 105 provides the musician with optimal control of his voice and his language on stage at any time.

• Acoustical operating principle: Pressure gradient transducer
• Polar pattern: super-cardioid
• Frequency range: 20 Hz - 20 kHz
• Sensitivity @ 1 kHz and 1 kO: 4.5 mV/Pa
• Nominal impedance: 50 O
• Rated load impedance: 1000 O
• Equivalent noise level: CCIR 468-3: 28 dB
• Signal to noise ratio CCIR 468-3: 66 dB
• Maximum output voltage: +12 dBu
• Dynamic range of the amplifier DIN/ IEC 651: 132 dB
• Supply voltage: 48 V ± 4 V
• Power consumption: 3.5 mA
• Connection: XLR 3F
• Weight: approx. 300g
• Diameter: 48 mm
• Length: 180 mm
• Nickel plated body
• Colour: nickel
• Delivery incl. neoprene sleeve and microphone clamp

Bundle offer comprising

• Active 2-Way Studio Nearfield Monitor
• 6.5" Woofer
• 1" Tweeter
• DSP-controlled electronics
• Room-adaptive calibration via Neumann's Automatic Monitor Alignment MA 1 (optional, not included in the delivery)
• Switch for a manual room correction
• Frequency response (±3 dB): 39 - 21,000 Hz
• Amplifier: 100 W / 145 W
• Electronic peak/thermo limiter protected circuit are separated for the tweeter and the woofer
• Bass reflex cabinet
• Integrated switching power supply 100-240V, 50/60 Hz
• Connections: 1x XLR line input
• S/PDIF coaxial
• Ethernet connection
• Dimensions (H x W x D): 345 x 225 x 273 mm
• Weight: 8 kg

• Decoupling Pad
• For acoustic decoupling of studio monitors
• An isolation pad consists of two components, which allows you to change the position of the monitor both horizontally and in 2 different angles (4° and 8°)
• Load-bearing capacity per pad: 16 kg
• Dimensions (W x H x D): 230 x 40 x 330 mm
• Colour: Anthracite
• Package quantity: 1 Pair

• Sennheiser/Neumann capsule for SKM 6000 / 9000, SKM 2000 and EW 300/500 G4 handheld transmitter
• Polar pattern: Supercardioid
• Very low transmission of grip and plop noises
• Colour: Nickel

• 6.5" Woofer
• 1" Tweeter
• DSP-controlled electronics
• Room-adaptive calibration via Neumann's Automatic Monitor Alignment MA 1 (optional, not included in the delivery)
• Switch for a manual room correction
• Frequency response (±3 dB): 39 - 21,000 Hz
• Amplifier: 100 W / 145 W
• Electronic peak/thermo limiter protected circuit are separated for the tweeter and the woofer
• Bass reflex cabinet
• Integrated switching power supply 100-240V, 50/60 Hz
• Connections: 1x XLR line input
• S/PDIF coaxial
• Ethernet connection
• Dimensions (H x W x D): 345 x 225 x 273 mm
• Weight: 8 kg

• For Neumann KH 120
• Mounting adapter with M8 hole spacing of 70 mm
• For mounting on the loudspeaker
• M8 hole spacing of 115 mm for mounting on LH 28, LH 29, LH 37, LH 47, LH 48 or K&M design stands as well as 3/8" internal thread for a microphone stand

The TLM 170 R was the first microphone with the now so successful fet-100 technology. It offers balanced, transformerless signal decoupling and highest controllability with extremely low inherent-noise.

Five directional characteristics can be selected with a rotary switch. In the sixth switch, position "R", the directional characteristics can be remotely switched using the N 248 network device without the need for a special cable.

The microphone also has a switchable 10 dB pre-attenuation for very high sound levels and a footfall filter with an operating frequency of 100 Hz.

Area of Application

The condenser microphone TLM 170 R is a switchable large-diaphragm microphone that is characterised by its transmission characteristics and various switching options. It is used in a wide variety of applications in broadcasting, film and television and also in the semi-professional field.

The directional characteristics can be switched both directly on the microphone, as well as by remote control via a dedicated network device.

Acoustic Properties

The double diaphragm capsule in the wire mesh basket of the microphone has particularly even frequency responses for all adjustable directional characteristics. This applies not only, as in many cases, to the sound coming from the front, but also to sound coming laterally within an angular range of more than ±100°.

Therefore, the diffuse field frequency responses up to 10 kHz run parallel to the 0° curves. In practice, this concerns the sound components arriving indirectly via reflections in the recording room to the microphone.

As a result, reverberations around the microphone that is to be recorded is not changed in its tonal character. Since no resonance effects are used to achieve the said microphone characteristics, the impulse response of the microphone is excellent. It is thus able to transmit all balancing processes in music and speech without distortion. The capsule is elastically mounted to protect against structure-borne sound transmission.

Directional Characteristics

In addition to the sphere, cardioid and figure-of-eight directional patterns, the hypercardioid and wide cardioid characteristics are also available. The hypercardioid enables - better than the cardioid - hiding sound sources placed to the right and left of the object to be recorded, while the wide cardioid is best used for transmitting widespread sound sources.

Remote Control

The remote control of the directional characteristics with the help of the network device N 248 is carried out by varying the phantom voltage in the range 48 V ± 3 V (the corresponding standard allows a range of ± 4 V).

In the switch position "R" (= Remote control), the TLM 170 R microphone evaluates the absolute level of the phantom voltage and adjusts itself to the corresponding directional characteristic. As with conventional operation, the normal 3-pin microphone cable is used, cable lengths up to 300 m are permitted.

Electrical Properties

The letters TLM stand for "transformerless microphone". The otherwise commonly used output transformer is replaced in the TLM 170 R by an electronic circuit, which - as a transformer - ensures good damping of unbalance. Therefore, interfering signals that act on the balanced modulation line, as usual suppressed.

Tripod Operation

The TLM 170 R has a side-mounted swivel bracket for mounting on a tripod, which effectively protects the microphone against low-frequency, mechanical vibrations by means of integrated rubber elements. It can be removed as needed or mounted on the other side of the microphone.

To use the IC 4 cable (e.g. to hang the microphone from the ceiling in conjunction with the tilting device MNV 87), the swivel bracket with its support must be removed from the microphone. Then. a thread for screwing the cable in place is freed at the connector of the microphone.

Filter and Pre-attenuation

In order to prevent overloading of the downstream amplifier input, a pre-attenuation of 10 dB can be switched on at the rear.

Another switch allows the reduction of the frequency response below 100 Hz for hiding low-frequency interference.

Operational Safety

The surface of the capsule including the membranes is at ground potential and is therefore insensitive to electrical and atmospheric influences as well as to dirt.

• 5 Directional characteristics: Sphere, cardioid, figure-of-eight, hypercardioid and wide kidney
• Remotely switchable with N 48 R-2
• Colour: Nickel

• Input: 3.5 mm mini jack
• Output: XLR
• Requires 48 V phantom power
• Dimensions (length x diameter): 77 x 22 mm
• Weight: 96 g

• Pressure gradient transducer
• Directional characteristic: omnidirectional, cardioid, figure-8
• Switchable 10 dB attenuation
• Universally applicable: Vocal, speaker, overhead or wind instruments
• Nominal impedance 200 Ohm
• Frequency range 20 Hz...20 kHz
• Peak SPL for K
• 48 V ± 4 V Phantom power required
• Diameter 56 mm
• Length 200 mm
• Weight 500 g
• Including shock mount EA87 and wooden case
• Colour: Nickel

• 3 Way System
• Maximum sound neutrality and transient response
• Uniform directivity
• Precise bass reproduction down to 34 Hz
• LF input with extremely low distortion electronically-balanced input stage
• Magnetically shielded
• Variable adaptation within three frequency ranges

Technical data:

• Peak power: 210 W (Woofer), 90 W (Midrange), 90 W (Tweeter)
• Continuous power: 150 W (Woofer), 70 W (Midrange), 70 W (Tweeter)
• Free-field frequency response: 34 Hz - 21 kHz, +/- 3 dB
• Total harmonic distortion (THD)
• Sound pressure level: 120.2 dB SPL at 1 meter in half space at 3% THD
• Membrane dimensions: Woofer 8 1/4", Midrange: 3", Tweeter: 1"
• Controller-Technology: Analog, active
• Crossover: Crossover frequency 650 Hz/2 kHz
• 24 dB/Oct
• Equalization: Bass: 0..-7.5 dB, Midrange: 0..-4.5 dB, Treble: 1..-2 dB, each adjustable in 4 steps
• Audio input (analog): XLR> 10K ohms electronically balanced
• Dimensions: 253 x 383 x 292 mm
• Weight: 13.0 kg
• Mounting option: 2 x M8 side
• Colour (standard): anthracite (RAL 7021)
• 1 Piece: Right speaker (Optional: Left speaker Article Nr: 304990)

• Condensor
• Polar pattern: Wide cardioid
• System connector
• Colour: Nickel

• Equipped with: 2x 10" Woofer
• Built-in 7.1 bass management with 80 Hz filters (4th order)
• 7 Balanced high-pass outputs and bass sum output
• Switchable low-cut filter and phase
• Parametric EQ
• Remote control of volume for the complete system via optional wired remote control
• Remote electronics operation possible with optional kit and cable
• Network remote circuit input
• Tripod sleeve (35 mm) on the top

Technical data:

• Peak power: 400 W
• Continuous power: 320 W
• Free field frequency response: (18 - 300 Hz) +/-3 dB
• Membrane dimensions: 2x Woofer 10"
• Magnetically shielded
• Controller-technology: Analogue, active
• Crossover: Crossover frequency 80 Hz, 24 dB / oct
• Equalisation: Low Cut: 40 Hz
• Parametric EQ: 20-120 Hz, +4...- 12 dB, Q1...8
• Input (analogue): 8x XLR electronically balanced, 3 kOhm
• Output (analogue): 8x XLR electronically balanced
• Dimensions: 735 x 330 x 645 mm
• Weight: 47.1 kg
• Colour: Anthracite (RAL 7021)

• Sennheiser/Neumann capsule for 2000/6000/9000, EW G4 300/500 and EW-D
• Polar pattern: Cardioid
• Very low transmission of grip and plop noises
• Colour: Black

• Special edition limited to 500 pieces
• Capsule design based on the legendary U 87
• Cardioid pattern
• Frequency response: 20 - 20,000 Hz
• Transfer factor at 1 kHz at 1 kOhm: 23 mV/Pa
• Nominal impedance: 50 Ohm
• Supply voltage (P48, IEC 61938): 48 V
• Weight: 450 g
• Incl. elastic mount EA4 BK, one pair of black gloves and aluminium case

• Cardioid
• Pressure gradient transducer
• Successor of KM 84
• Very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence.
• Frequency response: 20-20000 Hz
• Nominal Impedance: 50 Ohm
• Rated load impedance: 1000 ohms
• Max. output voltage 2540 mV
• Weight: 80 g
• Diameter: 22 mm
• Length: 107 mm
• Includes WNS 100 windscreen and SG 21/17 stand mount swivel

• 2 Condenser miniature microphones KM 183
• Polar pattern: Hypercardioid
• Frequency range 20 Hz ... 20 kHz
• Open circuit voltage: 1 kHz at 1 kOhm: 10 mV/Pa ± 1 dB
• Sensitivity 12mV/Pa
• Required phantom power 48 V +/- 4 V
• Sound pressure level for k
• Equivalent noise level
• A-weighted: 15 dB-A
• Weight: each approx. 80 g
• Incl. 2 x WNS 100 windshields and 2x SG 21 stand joints
• Dimensions per microphone (length x diameter): 107 x 22 mm
• Colour: Black

• For O 410
• Colour: Black (RAL 9005)

Bundle offer comprising

• Microphone Stereo Set
• 2x Smal condenser microphones KM 184 (with continual serial number)
• Cardioid
• 2x WNS 100 Windscreen
• 2x SG 21 Stand joint
• Colour: Matte black

• Professional microphone cable
• Length: 10 m
• Black Yongsheng XLR plug (made by Neutrik)
• XLR male --> XLR female
• Incl. hook and loop fastener

Neumann MCM 114 Set Guitar; Set Neumann MCM System for Guitar, ukulele, dobro, acoustic bass, cello; consisting of 1x KK 14 capsule, SH 150 gooseneck, AC 31 connection cable 3.5 mm mini jack 1.8 m, WS 110 windscreen, MCM 100 output stage, MC 9 mounting clip and bag