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D/A Converter/ Monitor Controller
- 211 kHz/ 32-bit Quantum D/A converter (identical to Crane song avocet 2A)
- Sample rates up to 192 kHz
- All incoming digital signals are up-sampled for jitter reduction
- Digital inputs: AES (XLR), S/P DIF (coaxial), S/P DIF (optical), USB
- Analogue outputs: 2x Stereo line output (output 1 = variable balanced output with reference level of +24 dB, adjustable via front panel gain potentiometer, output 2 = with fixed reference level of + 18dB)
- Stereo headphone-output 6.3 mm jack
- Body shape: 19"/ 1 U
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Price History: Crane Song Solaris
2,199.00 $ |
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RME M-32 AD Pro II; 32-channel high-end DA-converter AVB; 24-bit / 192 kHz; fully balanced circuit design; signal-to-noise ratio: 120 dBA; large, three-colour backlit channel display with peak / RMS Meter; 2" display with rotary knob for full device control; SyncCheck as well as ICC; 5 preset memories; channel label fields with magnetic cover; redundant power supply; connections: 32 analogue outputs via 4x Sub-D 25-pin connectors (up to +24 dBu), 2x RJ45 AVB interface, MADI input and output coaxial BNC (optional optical SFP module available), Word Clock input and output BNC, MIDI input and output (via adapter), USB 2.0 for optional remote control; design: 19" 1U; dimensions: approx. 483 x 44 mm (WxH)
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Price History: RME M-32 DA Pro II
3,399.00 $ |
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Crane Song Interstellar; standalone stereo AD converter; 32-bit / 192 kHz; HEDD Quantum DSP emulation for triode and pentode tubes as well as a tape emulation; LCD display; dither switchable 16-bit / 24-bit; USB mode; connections: 2x line input XLR, 8x word clock output BNC, digital output AES XLR, S/PDIF optical as well as coaxial, USB, S/PDIF output for USB DAC Playback (connection to Avocet, Solaris or other DAC's); design: 19" / 1U
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Price History: Crane Song Interstellar
3,222.00 $ |
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Network-Based Adapter
- To integrate SoundGrid servers into Pro Tools HD systems
- 64 digital inputs / outputs via DigiLink
- Connects Pro Tools HDX / HD Native to SoundGrid DSP servers in I / O mode, or connects DigiLink-compatible interfaces (such as AVID HD I / O, Apogee Symphony I / O, Lynx Aurora) to SoundGrid servers and ASIO CoreAudio applications (Steinberg Cubase / Nuendo, Ableton Live, etc.) in SGP mode
- 2 DigiLink connections
- 2 SoundGrid RJ45 network ports
- USB interface
- 2 BNC connectors for synchronization
- Type: 19 "/ 1U
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Price History: DiGiGrid DLI
742.00 $ |
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Klark Teknik Vnet2-Dante Bridge - VNET2 connection bridge for Dante audio source; converts Dante audio to analogue audio; 2 XLR Outputs; PoE; dimensions (HxWxD): 43x116x116 mm; weight 0,5 kg;
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Price History: Klark Teknik Vnet2-Dante Bridge
491.00 $ |
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2-Channel Converter
- To connect instrument and line level sources to Dante networks
- Automatically connects to most configured Dante receivers
- 96 kHz A/D conversion
- Large headroom
- Connection via standard CAT5e or CAT6 cable on most Dante receivers
- Power supply via Power over Ethernet (PoE) or via a power supply unit (24 V DC, 300 mA, center positive)
- Connections: 1x RJ45
- Analog Audio Inputs: 2x 6.3 mm Jack (balanced) and 2x RCA
- Maximum input level: +22 dBu (sensitivity 0 dBu)
- Sensitivity -20 to +20 dB
- LED indicators: Signal, Sync, Sys, On, PoE
- Frequency response: 20 - 20000 Hz (±0.1 dB)
- Signal-to-noise ratio: 97 dB
- Sample rate: 44.1, 48, 88.2, 96 kHz
- Protective rubber corners
- Aluminium casing
- Dimensions without rubber corners (H x W x D): 54 x 108 x 103 mm
- Dimensions with rubber corners (H x W x D): 63 x 118 x 112 mm
- Weight: 0.7 kg
- Includes floor and wall bracket
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Price History: Klark Teknik DN 30T
205.00 $ |
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2-channel AD converter
- 44.1 kHz - 192 kHz
- 24-bit
- 2 channel ADC
- Unique Burl BX1 Transformer input stage
- Discrete Class-A signal path
- High-resolution meter with peak and RMS representation
- XLR inputs
- 1 SPDIF and 2 AES / EBU outputs
- 1 BNC input
- 2 Outputs with jitter suppression
- Frequency response at 48 kHz sample rate: 12 Hz - 22 kHz, +/- 0.1 dB
- Frequency response at 96 kHz sample rate: 15 Hz - 46kHz, +/- 0.1 dB
- Frequency response at 192 kHz sample rate: 18 Hz - 94kHz, +/- 0.1 dB
- 120 dB dynamic range (A-weighted)
- 117 dB (unweighted)
- -100 dB THD + N (+4 dBU = -15dBFs)
- -94dB THD + N (+ 18dBU = -1dBFs)
- Dimensions: 19" / 1 HE
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Price History: Burl Audio B2 Bomber ADC
2,999.00 $ |
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ADC with 8 Focusrite Mic Preamps for Dante Audio-over-IP Networks
- Up to 24-bit / 192 kHz
- AES67 Compliant
- Gain range: 10 dB to 65 dB in 1 dB increments
- Frequency range: 20 - 40,000 Hz (± 0.1dB)
- 20 dB pad
- 48V Phantom power
- HP Filter and phase reverse switchable per channel
- Remote controllable functions for Yamaha CL and QL consoles: Gain, phantom power and HP filters
- LED level meter and OLED display
- Two integrated power supplies for redundant power supply
- Type: 19" 1U
- Dimensions: 48.2 x 4.45 x 39.4 cm (W x H x D)
- Weight: 5.75 kg
Connections: - 8x XLR input
- 2x EtherCON NE8FBH-S (compatible with RJ45) for redundant network functionality
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Price History: Focusrite RedNet MP8R
3,399.00 $ |
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Professional Mixing and Mastering System
- Consists of Dangerous Music Convert-8, Convert AD+ and D-Box+
Convert-8 multi-channel DA converter - For highest mastering demands
- 4 Digital input formats: USB, AES, ADAT, Optical SPDIF (Toslink)
- Sampling frequencies from 44.1 to 192 kHz with automatic detection
- High-definition stereo reference monitoring for stereo or surround (up to 7.1), extremely low-jitter clock
- USB input for direct DAW connection
- Compatible with Monitor ST/SR for remote switching
- Loop-through of digital input for external level metering
Convert AD+ stereo AD converter: - 2 Selectable, discrete stereo input paths
- "Clip Guard" ensures that the red LEDs at the destination (e.g. DAW) no longer light up
- Custom-made digital display with normal and peak hold modes for precise visual feedback
- "Zoom View" for more accurate, magnified resolution
- Word Clock with three modes: Internal, External and Master
- X-FORMER
- EMPHASIS shelving EQ/compressor
- USB connection for Mac/PC
- Rich I/Os: 2 switchable stereo input paths, 2 AES outputs, ADAT optical output, SPDIF optical output, SPDIF COAX output
D-Box+ Combined summing and monitoring system: - Digitally controlled volume control with extremely precise L/R synchronisation and adjustable dim
- 5 Analogue and digital inputs directly accessible (Analogue Stereo, Analogue Sum, USB, AES/SPDIF, Bluetooth) - multiple selection possible
- 8-Channel analogue summing (channel 7+8 mono switchable)
- Built-in talkback microphone with push-button activation (on the unit or via app)
- 2 Headphone amplifiers with independent source selection and volume control
- 3 Independent speaker outputs (selectable on the unit or via app)
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Price History: Dangerous Music Producer Pack
9,899.00 $ |
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16-Channel AD/DA analog / Dante converter
- Up to 24-bit / 96 kHz
- Frequency range analog input to Dante output 44.1/48 kHz: 20 Hz to 20 kHz +0.1 dB / -0.5 dB
- Frequency range Analog input to Dante output 88.2/96 kHz: 20 Hz to 40 kHz, +0.1 dB / -0.5 dB
- Frequency range, Dante input to analog output 44.1/48 kHz: 20 Hz to 20 kHz, +0.1 dB / -0.5 dB
- Frequency range, Dante input to analog output 88.2/96 kHz: 20 Hz to 40 kHz, +0.1 dB / -1.0 dB
- Selectable input and output level (+24 dBu, +22 dBu, +20 dBu, +18 dBu, +15 dBu)
- Display for operating status and currently selected sampling rate
- Overdrive indicators for the analog input signals
- Flexible routing via Dante Controller software
- Supports AES67
- 2x Sub-D25 input
- 2x Sub-D25 output
- 2x RJ45 Gigabit ethernet
- Internal power supply AC 100-240 V, 50/60 Hz
- Design: 19" 1HE
- Dimensions (WxHxD): 483 x 45 x 304 mm
- Weight: 3.3 kg
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Price History: Tascam ML-16D
1,490.00 $ |
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32-Channel Pro Tools HD Dante bridge for audio over IP
- Up to 24 bits / 192 kHz
- Redundant network connection and redundant power supply
- AES67 compliant
- Remotely controllable via RedNet Control
- Status LEDs
- Dimensions (WxHxD): 486.2 x 44.5 x 263 mm
- Weight: 3.9 kg
Connections: - Mini DigiLink
- Word Clock BNC input and output
- Loop Sync input and output
- 2 x etherCON NE8FBH-S connections
- 2 x IEC input for power supply
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Price History: Focusrite RedNet HD32R
2,159.00 $ |
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Madi-Interface for all Madi-enabled Consoles
- Up to 128 channels in/out at 48 kHz
- Up to 64 channels in/out at 96 kHz
- 0.8 MS Latency
- Powered by all current recording software
- Word clock, sync
- 1 SoundGrid RJ45 Ethernet port
- 2x Madi In/Out (BNC)
- For interfacing Waves Soundgrid or Record/Virtual Soundcheck
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Price History: DiGiGrid MGB - Madi BNC
1,475.00 $ |
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Avid Pro Tools MTRX II; modular interface and digital converter system for Pro Tools HD/HDX, HD Native and many other Pro Audio applications; high-quality and powerful studio centerpiece for professional studio setups featuring versatile input and output configurations as well as routing and monitoring options; flexible concept for up to eight optional analogue or digital I/O cards with up to 64 channels; separately available Thunderbolt 3 option for native DAW applications with up to 256 channels; 512 x 64 summing mixer with Monitor Groups, Fold Downs, Group Formats, allows to set up a full theatrical Dolby Atmos configuration for example; room calibration using built-in SPQ speaker processing with 256 filters on 16 channels and delay management adjustable up to 150 ms per channel; audio routing to any connected device with the 4096 x 4096 router; calibration and control of the MTRX II with the included DADman software and Pro | Mon Monitor Control; 64 channels of DigiLink I/O at all sample rates to integrate in Pro Tools HD / HDX systems; 64 channels of MADI I/O at 44.1/48 kHz, 32 channels at 88.2/96 kHz, or 12 channels at 176.4/192 kHz; 256 channels of Dante I/O at 44.1/48 kHz, 128 channels at 88.2/96 kHz, or 64 channels at 176.4/192 kHz (IP core); 128 channels of SPQ Speaker Processing; system Sync using Word Clock / Video Black Burst (VBB) I/O on BNC connectors, via Dante Sync, or digital inputs; supported sample rates 44.1 kHz - 384 kHz; dimensions (WxDxH): 485 x 360 x 90 mm; weight: 4 kg; scope of delivery: Pro Tools | MTRX II base unit, Pro | Mon 3 monitor control, DADman software, AC power cord
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Price History: Avid Pro Tools MTRX II
6,699.00 $ |
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Digital audio format and sample rate converter
- ADAT, AES/EBU and S/P-DIF interfaces in one device
- Format and sampling rate conversions of 32.0 to 192.0 kHz for all formats
- SMUX2 and SMUX4 support for ADAT conversions
- Signal improvement by audiophile optimised PLL synthesisers
- Extremely flexible synchronising options
- Separate AES11 reference clock input for e.g. broadcast use
- Converts standalone and bidirectionally with different clock rates: X-SRC
- 16-Channel sample rate conversion (SRC) for bidirectional conversions
- Continuous clock signal supply in absence of the reference audio or clock signal
- All SRC operation modes without external clock reference
- AES11
- Grade 1
- Internal ultra-low jitter reference clock (0.5 ppm)
- Word clock output can be used as a reference clock for the studio set-up
- All settings will be stored in FLASH memory after switched off
- Built-in international power supply
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Price History: Mutec MC-4
845.00 $ |
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RME M-32 AD Pro II-D; 32-channel high-end DA-converter DANTE; 24-bit / 192 kHz; fully balanced circuit design; signal-to-noise ratio: 120 dBA; large, three-colour backlit channel display with peak / RMS Meter; 2" display with rotary knob for full device control; SyncCheck as well as ICC; 5 preset memories; channel label fields with magnetic cover; redundant power supply; connections: 32 analogue outputs via 4x Sub-D 25-pin connectors (up to +24 dBu), 2x RJ45 DANTE interface, MADI input and output coaxial BNC (optional optical SFP module available), Word Clock input and output BNC, MIDI input and output (via adapter), USB 2.0 for optional remote control; design: 19" 1U; dimensions: approx. 483 x 44 mm (WxH)
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Price History: RME M-32 DA Pro II-D
3,899.00 $ |
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32-Channel AD/DA Analog/Dante Converter
- Up to 24 Bit / 96 kHz
- Frequency range analogue input to Dante output at 44.1/48 kHz: 20 Hz to 20 kHz (+0.1 dB/-0.5 dB)
- Frequency range analog input to Dante output at 88.2/96 kHz: 20 Hz to 40 kHz (+0.1 dB/-0.5 dB)
- Frequency range Dante input to analogue output at 44.1/48 kHz: 20 Hz to 20 kHz (+0.1 dB/-0.5 dB)
- Frequency range Dante input to analogue output at 88.2/96 kHz: 20 Hz to 40 kHz (+0.1 dB/-1.0 dB)
- Selectable input and output level: +24/+22/+20/+18/+15 dBu
- Displays the operating status and currently selected sampling rate
- Override indicators for all analog input signals
- Flexible routing via computer application "Dante Controller
- Supports AES67
- 4x Sub-D25 inputs
- 4x Sub-D25 outputs
- 2x RJ45 Gigabit Ethernet
- Internal power supply AC 100-240 V, 50/60 Hz
- Design: 19" / 1 RU
- Dimensions (W x H x D): 483 x 45 x 304 mm
- Weight: 3.5 kg
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Price History: Tascam ML-32D
2,599.00 $ |
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DA Audio Converter and Headphone Amplifier
- With USB 2.0 port
- 24 Bit 96 kHz
- Headphone output: 6.3 mm jack
- Analogue stereo input: RCA
- Digital input: S/PDIF
- Digital stereo output: S/PDIF output
- Surround multichannel playback via S/PDIF output (AC3/DTS Decoder)
- For headphones from 32 to 600 Ohm
- Power supply via 15 V power supply unit
- Class compliant
- Includes USB cable and power adapter
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Price History: Swissonic HAD-1
105.00 $ |
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- Sample rates: 44.1 kHz up to 768 kHz
- High-resolution playback of PCM, DXD and DSD at up to 768 kHz
- SteadyClock FS
- LCD
- AutoDark function for lighting
- Signal-to-noise ratio (SNR) @ +7/+13/+19 dBu: 120 dB RMS
- Unweighted, 123 dBA
- IEM output with -120 dBu
- Class compliant mode
- Extended Remote Control (buttons for Standby On/Off, adjustment of volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off switching of loudness, bass/treble and EQ)
- SPDIF input signal can be recorded via USB
- 4-Stage hardware output level adjustment
- Desktop case
- Dimensions: 215 x 52 x 150 mm
- Weight: 1.0 kg
- Incl. MRC remote control, USB cable and power supply unit
Connections: - 1x S/PDIF input coaxial
- 1x ADAT or S/PDIF input optical
- 2x Line output RCA unbalanced (stereo L/R)
- 2x Line output XLR balanced (stereo L/R)
- Extreme power stereo headphone output 6.3 mm Jack
- Super Low Noise IEM output 3.5 mm mini jack
- USB 2.0 port (USB 3.0 compatible)
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Price History: RME ADI-2 DAC FS
1,069.00 $ |
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4-Channel AES / EBU Dante AES / EBU converter with DSP mixer
- Enables the transmission of audio signals over an Ethernet network
- Sample rate converter in the input - 32 - 192 kHz
- 4 Audio channels at 44.1 / 48 kHz, 16/24 bit, 2 audio channels at 88.2 / 96 kHz, 16/24 bit
- Signal displays for input and output signals
- Storable up to 50 presets
- 2 Different programs available for control (for Windows, Mac, iOS and Android devices): MX Connect for system installer, EZ Connect for end users
- Supports AES67
- Powerful DSP mixer with compressor and 4-band EQ at the input and 10-band EQ, delay, limiter at the output range
- 2 AES / EBU inputs and outputs XLR
- 2 Gigabit Ethernet 1000BASE-T RJ45 connectors
- Power supply via PoE or external power supply PS-P1220E (power supply not included)
- Dimensions (W x H x D): 214 x 45 x 136 mm
- Weight: 795 g
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Price History: Tascam AE-4D
555.00 $ |
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2-Channel digital converter
- 2-channel D / A converter (ES9028PRO)
- 24-bit / 192 kHz
- Hybrid Gain Control
- High-Headroom DSP
- UltraLock2 jitter
- Sample Rate and Word Length Display
- Mute and Dim function
- Bi-directional 12V trigger
- Including remote control
- Type: 9.5 "(1/2" rack) 1U
- Dimensions: 249 x 44.5 x 216 mm
- Colour: Black
Connections: - 2x S / PDIF digital input coaxial
- 2x S / PDIF digital input optical
- 1x S / PDIF digital output coaxial
- 2 stereo analog inputs (2 pairs unbalanced RCA)
- 3 stereo analogue outputs (1 pair balanced XLR and 2 unbalanced cinch)
- USB port
- Headphone output
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Price History: Benchmark DAC3 HGC/B
2,399.00 $ |
