Preamps

• Power supply or battery operation
• 1x Balanced XLR input
• 11-Stage amplification of 20-70dB
• Peak LED
• Phantom power +24 V switchable
• Microphone phase position switchable
• Lo-Cut 100 Hz, Hi-Cut 12 kHz, 12 dB/Oct. switchable
• Lo-Cut 100 Hz, Hi-Cut 12 kHz, 12 dB/Oct. switchable
• 1 Stereo line input
• 1 Stereo line output
• Level control and panorama control for mixing the microphone signal to the stereo line channel
• Frequency range: 20-20000 Hz
• Input sensitivity: 0.3-150 mV switchable
• Input Impedance: 2.2 Ohm (Mic), 10 kOhm (Line)
• Output signal: 1-12 V (line, balanced), 1-6 V (line, stereo)
• Output impedance: 100 Ohm
• Gain: 20-70 dB (Mic) 0 db (Line)
• Crossover frequency: 100 Hz/-3 dB, 12 dB/oct. (low cut), 12 kHz/-3 dB, 12 dB/oct. (high cut)
• Low Cut 100 Hz
• Signal-to-noise ratio > 66 dB, unweighted (Mic), 80 dB, unweighted (Line)
• Distortion factor
• Power supply via plug-in power supply unit or alternatively 4 x 9 V block
• Inputs: 1x XLR (Mic), 1x RCA L/R (Line)
• Outputs: 1x XLR (Preamp), 1x RCA L/R (Line)
• Dimensions: 116 x 55 x 125 mm
• Weight: 978 g
• Includes power supply

• Microphone preamp and DI box with compressor
• Two channel operation with crossfading
• Silk-circuit
• Microphone gain up to 66 dB
• DI-Gain up to 30 dB
• Balanced / unbalanced Hi-Z input
• 48 V Phantom power
• Phase reversal
• Threshold control in compressor
• Flexible adjustment via internal jumpers

• Up to 72 dB gain in 6 dB steps with +/- 6 dB trim
• Phase reversal
• 48 V phantom power
• Infinitely variable LoCut from 20 Hz to 250 Hz
• Silk mode with variable saturation adjustment
• Rupert Neve Custom transformer
• Eight-Segment LED Level Meter
• Inputs: 2x XLR
• Outputs: 2x XLR (Line Out), 2x XLR ( -6 dB Out)

• High-quality mobile mic preamp in effect pedal format
• Works with dynamic microphones as well as condensers and ribbon microphones with a maximum of 65 dB amplifier
• 48 V Phantom power
• Instrument inputs and balanced inputs for line signals
• AUX Input and output
• Outputs for guitar amps and headphones with separate volume control
• Effect loop for balanced or unbalanced signals, ideal for mixers or guitar effect pedal
• Balanced XLR output
• Mix control with 3 operation modes: 100% microphone and effects, mic / effect balance (effects mix), 100% FX (without microphone operation)
• FX Footswitch for holding or locking FX loops
• Power supply via 9V DC power supply (Article Nr 409939, not included) or 9V battery
• Dimensions (H x W x D): 91 x 67 x 38 mm
• Weight: 0.43 kg
• Includes power supply

Bundle offer comprising

• 2-Channel Tube Pre Amp with Class-A Technology

The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the sound character of acoustic instruments. Since even the differences of the used microphones are shown clearly up to the finest nuances, the Goldmike gives a lot of room to experiment.

The lively sound quality and extreme low noise predestine the Goldmike for digital recording. The dual-mono construction of the class A tube amp guarantees a perfect channel separation and thus enables high spatial imaging for stereo recordings from piano to choir.

With the Goldmike reinforcements up to 72 dB are possible. A full tube preamp can’t reach those values. The tube/ IC design of SPL, however, combines the tonal qualities of tubes (improved spatial imaging, high in detail, pleasant soft focus) with high, very linear amplification performance and excellent common mode rejection. Thus the Goldmike is the perfect pre amp, even for high-end HD recording, as the dynamic range of 111 dBu proves: This value is above the, in practice, achieved values of 24-bit recording.

Equipment: The FLAIR circuit enhances the presence and clarity of the signal and allows sound optimisation while recording in particular for voices.

In addition, the Goldmike has a high pass filter at 50 Hz, phase reverse switch, 30 dB pad, 48 V phantom power with separately filtered power supply, high quality Alps potentiometers, crackle-free switches, five LEDs for each channel, two illuminated VU meters, star point grounding for best sound quality, thick conductors for stable voltage supply, a complex filtered power supply (6000 µF in the main power supply, 400 µF in tube power supply), symmetrical XLR inputs and outputs as well as unbalanced jack outputs. The ground-lift circuit helps to avoid ground loops.

• Dynamic Range 111 dB
• Reinforcements to 72 dB
• Two separate mono pre amplifiers
• Suitable especially for HD recording
• 48V phantom power
• Phase reverse switch
• Pad function
• Low cut filter and "FLAIR" circuit
• Improved vocal presence
• Very clear, warm sound
• XLR Mic input
• XLR Line out symmetrical, 6.3 mm jack unbalanced line out
• 19" Rackmount 2U

• Studio large diaphragm microphone
• Polar pattern: Cardioid
• Frequency range: 20 - 18.000 Hz
• Sensitivity: 18 mV/Pa -36 +/-2 dB (0 dB=1V/Pa 1000 Hz)
• Equivalent sound pressure level: 18 dB (A weighted)
• Max. SPL for 0.5 % THD @1000 Hz: 126 dB
• External low cut and -10db pad switch
• Balanced transformer
• Requires 48V phantom power
• Connection: 3-pin XLR
• Dimensions (max. diameter x length): 50.5 x 190 mm
• Incl. Shock mount and PVC case

• Pop Filter
• Two widely spaced fabric layers (distance: 2.5 cm)
• Screw-on
• With 30 cm elastic arm
• Diameter: 15 cm (incl. Frame), 13 cm (nylon Schrim)

• Professional microphone cable
• Length: 6 m
• Black Yongsheng XLR plug (made by Neutrik)
• Incl. hook and loop fastener