Preamps

• Class-A circuit
• Phantom power
• Phase switch
• Impedance selection (Hi-Z, MID and Low)
• Input selector (microphone or instrument)
• 2-Digit LED display (DB Gain)
• Level meter display
• Gain control and low-cut
• Special feature: Tone can be changed by 3 settings - Speed ​​(how fast should the pre-amp react)
• Just harmonic distortion and odd harmonic distortion
• XLR input / output on the back
• Instrument input (jack) on the front
• Format: 19" / 1 U

• Based on the 1073
• Hand-wound Carnhill transformers
• Completely discreet, three-stage microphone preamp
• Amplification: 80 dB microphone and 50 dB line
• -20 dB pad
• LO-Z for switching the input impedance from 1200 to 300 Ohm
• HP filter at 80 Hz
• Completely discreet 3-Band vintage EQ with induction coils
• Hi-Shelf filter at 12 kHz
• Mid-band, switchable between six operating frequencies and OFF
• Lo-shelf filter, switchable between four operating frequencies and OFF
• Coil-based high-pass filter, switchable between four operating frequencies and OFF
• XLR Microphone input
• XLR line input
• XLR line output
• Instrument input 6.3 mm jack
• Switchable 48V phantom power
• Incl. external power supply
• Housing: 19" / 2 RU

• With 2 JFET instrument inputs
• 24-bit A/D and D/A conversion with up to 192 kHz sample rate
• Fully analogue relay-controlled "Air" circuitry in each preamp, to emulate the classic Focusrite ISA 110
• Dynamic range of 118 dB and 129 dBu ON
• Fully balanced signal path
• Eight dedicated channel inserts
• Phantom power: +48V , switchable in groups 1-4 and 5-8
• 8 LED level meters and channel clip LEDs
• Construction: 19" / 1U
• Dimensions (W x D x H): 482 x 286 x 44.5 mm
• Weight: 4.15 kg

Connections:

• 2 Microphone / instrument inputs: combo XLR/jack 6.3 mm
• 6 Microphone / line inputs: combo XLR/jack 6.3 mm
• 8 Insert connectors: 6.3 mm jack
• 1 Sub-D25 line output (8-channel)
• Word clock input and output: BNC
• 2 ADAT inputs and outputs

Incl. Software:

• Hitmaker Expansion Software Bundle (Ableton Live Lite, 3 months Splice Sounds membership and Plugin Bundle for songwriting, mixing and mastering).
• Hitmaker Expansion Plugins: Softube Marshall Silver Jubilee 2555 - Amp Sim
• XLN Audio Addictive Keys - Virtual Keyboard Instruments
• XLN Audio Addictive Drums 2: Studio Rock - Virtual Drum Library
• Brainworx bx_oberhausen - Polysynth
• Antares Auto-Tune Access - Vocal Tuning
• Brainworx Bx_console Focusrite SC - Channel Strip
• Focusrite Red 2 & 3 Plug-in Suite - EQ and Compressor
• Relab's LX480 Essentials - Reverb
• Brainworx bx_masterdesk - Mastering System

• Transformerless
• Low-cut switchable
• Monitor mix with volume control per channel
• 20 dB pad switch
• LED peak meter
• 2 Microphone inputs: XLR
• 2 Hi-Z instrument inputs: 6.3 mm jack
• 2 Line outputs: XLR
• Stereo headphone output: 6.3 mm jack
• Design: 19"/ 2 U
• Handmade in Germany

• 5 Switchable EQ bands
• Selectable HP and LP filters (18dB per octave)
• Separate 48V phantom powering
• Phase flip: 180°
• Solo button selects channel unbalanced output
• Microphone input: input impedance 300 or 1200 Ohms, gain +20dB to +80dB in 5dB steps
• Line input: input impedance 10 kOhm, gain -15dB to +20dB in 5dB steps
• Frequency response: 20Hz to 20kHz, -3dB @ 7Hz and 35kHz
• Dimensions: 278 x 274 x 45 mm
• Weight: 2.9 kg

Note: requires an optional AMS Neve 1081 3U Horizontal Rack (article no. 539570, not included in the delivery)

• Discrete structure
• Dual sound shaper
• Variable low cut filter
• Dynamics section
• LED display for level, gain, compression and clipping
• Gridded controls
• Desktop hosing
• Phantom power: +48 V
• 2 x Microphone inputs: XLR / 6.3 mm jack
• 2 x DI instrument inputs: 6.3 mm jack balanced
• 2 x Line outputs: XLR / 6.3 mm jack
• Includes power supply
• Made in Germany

• Mono
• Transformer-balanced inputs and outputs
• Based on the well-known Class A amplifier
• Legendary Neve sound
• Build: 1 U / 19"

• Based on the 1073
• Hand-wound Carnhill transformers
• Completely discreet, three-stage microphone preamp
• Amplification: 80 dB microphone and 50 dB line
• -20 dB pad
• LO-Z for switching the input impedance from 1200 to 300 Ohm
• HP filter at 80 Hz
• 2 XLR microphone inputs
• 2 XLR line inputs
• 2 XLR line outputs (L/R)
• 2 Instrument inputs. 6.3 mm jack
• Switchable 48V phantom power
• External power supply included
• Build: 19" / 1 U

• Hand-selected 12 AX7A tube
• OPL (integrated output limiter)
• Up to 70 dB gain
• Analogue VU meter
• 48V phantom power
• Phase reversal switch
• Different tube voicings adjustable
• +20 dB gain switch
• Balanced connections: Microphone input XLR, Hi-Z instrument input 6.3 mm jack and line output XLR and 6.3 mm jack
• Dimensions (W x H x D): approx. 14 x 5.08 x 12.7 cm
• Weight: 680 g
• Colour: Black
• Incl. External 9V power supply

• Characterful vintage sound
• Discretely constructed OPA2 operational amplifier
• American output transformer
• +48 V Phantom power
• Switchable phase reversal
• -20 dB pad
• Low Cut
• Switchable input impedance, 1500 ohm to 300 ohm (LZ)
• LED meter
• XLR microphone input
• Hi-Z instrument input for guitar / bass on the front side
• Line output: 6.3 mm XLR and jack
• Insert: 6.3 mm jack
• Headphone: 6.3 mm jack
• Integrated power supply
• Power switch on the back
• Desktop format
• Design: 9.5" / 1U

• 8 Combo socket Microphone / Line / Instrument inputs on the front
• Separate Sub-D25 line and mic inputs on the back
• 8 Line outputs Sub-D25
• Remote control software for easy access to all parameters and recall functionality
• Per channel: 48 V phantom power, 25 dB pad, switchable input impedance (300/1300 ohms), 80 Hz low cut
• Phase inversion
• Separate stereo monitor path with independent level control
• imensions: 19"/ 2U

• +25 dB for dynamic or passive ribbon microphones
• To be used in conjunction with a microphone amplifier with standard phantom power on mixers/preamplifiers/audio interfaces with mic input
• Requires phantom power
• 2 x XLR input and output
• Metal casing
• Band for fixing to microphone stand included

• Based on the well-known Class A amplifier
• Legendary Neve sound
• trafosym i/os
• Size: 19" / 1 RU

• Based on the 1073
• Hand-wound Carnhill transformers
• Completely discreet, three-stage microphone preamp
• Amplification: 80 dB microphone and 50 dB line
• -20 dB pad
• LO-Z for switching the input impedance from 1200 to 300 Ohm
• HP filter at 80 Hz
• Connections: XLR Microphone input
• XLR line input
• XLR line output
• Instrument input: 6.3 mm jack
• Switchable 48V phantom power
• External power supply included
• Build: 19" / 1 RU

• All-rounder for detailed pictures, e.g. Vocals, drums, guitar etc.
• Clear and full of sound
• Channels 1 and 2 with additional DI input
• Switchable 48 V phantom power per channel
• Maximum input level Mic In: +1 dBu / DI In: +18 dBu
• Frequency range: 10 Hz - 30 kHz
• Gain Mic In: 0 to 65 dB / DI In: +14 to 65 dB
• Infinitely variable
• Switchable pad Mic In: -10 dB / DI In: -13 dB
• Switchable phase reversal
• THD + N Mic In: 0.027% / DI In: 0.11% (+ 40dB Gain, +4 dBu Output)
• ON Mic In: -108 dB / DI In: -82 dB
• Input impedance Mic In: 6 kOhm / DI In: 1.1 Mohm (unbalanced)
• Maximum output level: +26 dBu
• Output impedance: 600 Ohms
• Inputs: 4x XLR (balanced), 2x jack (balanced)
• Outputs: 4x XLR and jack (balanced)
• Power supply: 24 VAC external
• Format: 19" / 1 HE
• Depth: 195 mm
• Weight: 2.8 kg

Avid Pro Tools Carbon Pre; eight-channel preamplifier with additional 16 digital inputs and outputs in ADAT format; especially suitable as an AVB extension of an exisiting Avid Pro Tools Carbon interface; up to two Carbon Pre can be operated in combination with one Carbon base unit; integrated control through Pro Tools software; can also be used as a conventional preamp / converter combination together with older Pro Tools HD systems as well as other interfaces; audio resolution up to 32-bit/192kHz; inputs: 8x combo input (XLR/jack, balanced) with Variable Z (input 5-8), dynamic range: 126 dB (A-weighted), THD+N: – 105 dB (0,00056 %), frequency range: 20 Hz bis 20 kHz, ± 0,1 dB, EIN: –129 dB (A-weighted); 8x line input (25-pin D-sub, balanced), dynamic range: 125 dB (A-weighted), THD+N: -106 dB (0,0005 %), frequency range: 20 Hz bis 20 kHz, ± 0,1 dB; 2x Variable Z instrument input on front (6.3mm jack, unbalanced), dynamic range: 125 dB (A-weighted), THD+N: -103 dB (0,0007 %), frequency range: 20 Hz bis 20 kHz, ± 0,1 dB; outputs: 8x line output (25-pin D-sub, balanced), dynamic range: 120dB (A-weighted), THD+N: -110dB (0.0003%), frequency range: 20Hz - 20kHz, ±0.1dB, Word Clock In/Out, included in delivery: Power cord, Ethernet cable, rack screws, rubber feet

• For live and broadcast applications
• Enables signal transmission over long cable lengths up to 3000 m
• For dynamic and condenser microphones
• Extremely low-noise Class A JFet amplifier
• 25 dB gain
• XLR 3-pole female to XLR 3-pole male
• Lets phantom power go to the microphone
• Protection against over-voltage
• Protection against reverse polarity

• Optical compressor
• Variable attack and release
• Ratio of 1.5:1 to 10:1
• Equaliser band filter with 12 frequencies
• Adjustable gain from +20 dB to +70 dB
• Phantom Power
• Low cut filter