Pitch Shift VST Plugins

AUDIO LAYERING WIZARD

SoundWeaver helps you design new sounds from existing audio material in less time. SoundWeaver opens up a highly inspirational sound design workflow. SoundWeaver explores the depths of your sound library.

CREATE MORE – SKIP THE BUSYWORK

Offering you an unlimited wealth of sound design power, SOUNDWEAVER is a standalone application that unlocks the full potential of your sound library. Easily add textures and complexity to your sounds while seamlessly blending different layers together. Create massive rumbles, bone-crunching organic thuds, falling impacts, hyper-complex futuristic effects, snarling creatures – with SOUNDWEAVER anything from your library can be magically morphed and layered into a new sound.

KEY FEATURES

• SoundWeaver automatically picks, slices, aligns and layers sounds
• Search by keywords, folders or drag’n’drop
• Pitch, offset, gain, shuffle and switch out individual sounds, groups or the whole project
• Each of the previous parameters can be randomized.
• Export: Drag’n’drop the project into your DAW
• Export as: Individual layers, groups or mixdown
• Export features: Generate variations using pitch, offset or random takes
• Take snapshots and return to your favorite combinations, parameter settings and sounds at will

USE CASES

• Produce more assets and increase productivity on tight schedules
• Set up your sound design session with ready-to-use sound combinations
• Generate variations with ease instead of manually tweaking everything
• Find new combinations, discover and create new flavors and variety within your library

WHAT DOES SOUNDWEAVER DO?

• SoundWeaver searches your sound library with the help of keywords or folder paths and picks matching sounds for your project.
• Sounds are automatically sorted, grouped, layered, aligned and split into regions (if files contain multiple variations).
• Now you can pitch, offset, gain, shuffle and randomize individual sounds, groups or the whole project. The possibilities are endless.
• Take snapshots of your favorite combinations and settings. Create as many snapshots as you like and return to them later in the process.
• Drag’n’drop the project into your DAW for further editing or export the final mix.
• SoundWeaver can generate countless variations from your project during export via pitch, offset and take randomization.

MORE VARIETY ON TIGHT SCHEDULES

We all know the situation: A client has asked for 100 new sound assets, 10 variations each, delivered as soon as possible. Creating variations in particular requires a lot of meticulous pitching, shifting and switching out elements within your original design.

With just a few commands, SoundWeaver will automate all of those time-consuming steps for you and generate as many suggestions as you like – so all that’s left for you to do is have a quick listen and keep the ones you like best.

Focus on your creative process while SoundWeaver takes care of the rest.

INSPIRATION THROUGH NEW COMBINATIONS

Speaking of creative process: Once your library has grown beyond a certain point, there is only so much experimenting you can do manually.

SoundWeaver’s powerful Randomize feature often generates combinations we’d never think of trying in the first place. This opens up a world of new possibilities and is a great way of starting a project. Already have an idea? Tell SoundWeaver to build on it and create different flavors.

Starting empty-handed? Let SoundWeaver set up your session by putting all layers in place.

Done, but missing that special something? Try out more unlikely sounds with just a few clicks.

Intuitive Compositions

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences.

With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values.

Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

MAIN FEATURES

Whether you are an electronic musician, singer/songwriter or guitarist, Quadravox has got you covered with more than 60 presets to breathe new life into your musical ideas.

• Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice
• Optimized for multiple instances and works great on monophonic synths, guitar and vocals
• MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. KeyLock does the same for the Key and Scale
• Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 4 voices
• Pitch-tracking ‘off’ mode allows it to shine on polyphonic and rhythmic sounds

UltraChannel

Professional Audio Engineering For All

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance but is also the most versatile channel strip available due to our exclusive FlexiPath™ routing, which allows processors to be ordered based on desired workflow.

The Secret Sauce of Mixing

UltraChannel shines in carving out space for any instrument or vocal to sit just right in the mix. There is an infinite number of ways to generate the exact tone, dynamics and frequency characteristics you’re seeking. Additionally, through its support for side-chaining, you can use an alternative audio source to colour the characteristics of your main signal. It wouldn’t be an Eventide if it didn’t also feature micro pitch functionality (from our flagship H8000 hardware) to thicken or increase the stereo spread of any instrument or vocal.

MAIN FEATURES

FlexiPath™

Allows drag and drop for reordering the signal path of the top-level components (O-Pressor, compressor/de-esser, EQ, Gate) for ultimate flexibility and experimentation.

Soft-Saturation and Transformer Emulation

The output module of UltraChannel contains a model of an analog transformer which can be driven into saturation. When subtly used, it provides distinction for signals of low-frequency content. When driven hard, it recreates classic transformer core saturation.

O-Pressor

Comes with two built-in compressors, one with de-essing and side-chaining, the other is the unique O-Pressor. Derived from of our legendary Omnipressor™, the O-Pressor adds character and extreme compression to your signal-processing arsenal.

5-Band Parametric EQ

Covers the entire audio spectrum allowing you to edit the Frequency, Gain, and Q of each of the 5 bands.

Over 200 Presets

Includes wide range of Factory Presets, many created by Eventide artists, tailored to signal sources such as guitar, bass, kick drum, snare, piano, strings, synths and vocals. They make exploiting UltraChannel’s enormous processing power easy to deploy.

Micro Pitch Shift & Stereo Delays

Apply Eventide’s patented pitch shifting to any source and control the panning and delay spread. Runs in parallel with a pair of delays that allow you to feed its signal back into any of the other modules.

Countless Applications

• Producers
  • UltraChannel can replace several plug-ins at once, allowing you to minimize CPU loading while still giving you full sonic control over every aspect of your tracks.
• Mix Engineers
  • Carve a unique space for each element of a song through selective EQ, gating, and tempo-synced delays.
• Sound Designers
  • Change the entire feel of an instrument through filtering, pitch shifting, delays, or aggressive compression.

DamiVoice is a pitch bending and mangling effect plugin that lets you transform any sound source into a new sonic adventure.

Whether you want to create subtle harmonies, dramatic pitch shifts, or futuristic soundscapes, DamiVoice gives you the power and flexibility to do it all.

DamiVoice works by delay buffer technic the incoming audio into small bits and playing them back at different speeds and pitches. You can control the shape, and density, as well as the direction of the pitch bending.

With DamiVoice, you can create surreal sounds, from natural to synthetic, from organic to alien. You can use DamiVoice as a creative tool, a sound design tool, or a fun toy. The possibilities are endless.

It is easy to use, yet powerful and versatile. If you are looking for a pitch bending audio plugin that can do it all, look no further than DamiVoice. Download it today and unleash your creativity.

Features

• Pitch shifting (+/-2 octave)
• 3modes (Iteration/Feedback/Ripple)
• Feedback signal amount control at Feebback mode
• Roughness control at Iteration mode

Instant Inspiration

Level up your composition skills with Octavox’s unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from our flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity.

Taming the Octopus

Octavox controls have been designed in the most intuitive way, allowing you to quickly adjust parameters or type in values. Each of the eight voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays. Octavox has also been updated with expanded MIDI functionality. Each voice interval can be set via MIDI note, voice shift amount by MIDI Pitch Bend, and “Randomize” by MIDI Modulation Wheel.

MAIN FEATURES

Is it Live?

Octavox has always allowed you set harmony intervals and reproduce voices in the key and scale you’re singing in.  Now new MIDI functionality allows you to change these intervals on the fly allowing you to add moving harmonies to your performance or recording.

8 VOICES

8-voice diatonic pitch shifter based on technology from Eventide’s flagship H8000 effects processor with panning, delay, detune, and feedback to create beautiful harmonies and sequences.

Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 8 voices.

70+ PRESETS

Whether you are an electronic musician, singer / songwriter, or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity with unheard melodies and rhythms. Great on monophonic synths, guitar, and vocals.

DIATONIC PITCH SHIFTER

New pitch-tracking “off” mode allows it to shine on polyphonic and rhythmic sounds. MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. Key Lock does the same for the Key and Scale.

Select Key and Scale

Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice.

The Best Time Stretching and Pitch Shifting

Pitch ‘n Time is a high quality time-stretching and pitch-shifting technology that premiered in 1998 to revolutionize the way we work with audio in the studio environment.

Pitch ‘n Time LE makes professional quality pitch-shifting and time-stretching more accessible than ever before. Pitch ‘n Time LE 3.0 is available for both Pro Tools and Logic Pro for use as an algorithm within Logic’s Time & Pitch Machine.

Pitch ‘n Time LE allows you to make dramatic alterations to a sample, or even to a completed mix, and produce a natural sounding result that you have to hear to believe. Pitch ‘n Time LE is simple to use and yet produces an accurate and professional quality result.

Why Pitch ‘n Time works so well

Why does Serato Pitch ‘n Time LE sound so good? Most time-stretching software has been designed using objective mathematical techniques that don’t take human hearing into account. Serato took a different approach and developed a sophisticated model of the human auditory system. Pitch ‘n Time software “listens” to your music and performs a thorough auditory scene analysis. Serato’s patented technique produces results that subjectively “sound” the same as the source, just faster or slower.

Serato Pitch ‘n Time LE 3.0 Features at a Glance:

• Modify original tempo from 1/2 to 2 x
• Pitch shift by +/- 12 semitones
• Integrates into Logic’s Time Machine
• Works with all versions of Pro Tools including Pro Tools HD, LE, and M-Powered
• iLok Key required, not included

Iconic H3000 Effect with Out-of-this-World Pitch, Delay & Reverb

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. 

Built for Experimentation 

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Features

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up.
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback.
• Reverb with 100 seconds of decay.
• Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents).
• Smooth out delay grains by applying up to 4 seconds of delay for each voice.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• FLEX shifts both voices up one octave at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.
• Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App.

Play the Ribbon

The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

Dumpster Fire is what its name sounds like, a preventable tragedy of arbitrary pitch rotation. Featuring the latest in anti-utility advancements, it is not meaningful or intuitive. This information will not help you.

Strike the eldritch match of transformation with Freakshow Industries, Dumpster Fire

FEATURES: This sentence could say literally anything and it wouldn’t matter or be completely true. Here is a list to please the hungry:

• Rotate the pitches. Hear them spill to all the wrong places. Pretend to understand the method and outcome
• Set an unreasonable and arbitrary number of bands in the least helpful way possible
• Use Aether to generate unspeakable hellscapes with discrete control of amount, pitch spread and time spread
• Understand none of this, it doesn’t matter.
• Please stop reading.

MHarmonizerMB is a pitch shifting and multi-voice harmonizing plugin that lets you play like many musicians at once. It widens or enhances recordings, adds bass drum subharmonics and much more.

With multiple harmonizing algorithms, up to 120 voices, formant adjustment and features such as strumming, MHarmonizerMB is the most versatile harmonizing effect on the market.

Features

Very fast, optimized for SSE and SSE2 processors.

• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully automatable.

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it’s legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to ‘play’. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of ‘life’ while you’re mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Play it Live

The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.

MicroPitch’s Proud Legacy

Eventide originated the micropitch effect by accident in the early 1970s with the introduction of the world’s first digital audio effects box, the H910 Harmonizer®. The design of the H910 predates large (and medium) scale integrated circuits, including analogue-to-digital converters, sample rate standards and digital signal processing algorithms. The H910’s system clock was not crystal-based but instead used an LC (inductor/capacitor) oscillator circuit which proved to be just a tad unstable. As a result, the pitch ratio would wiggle about. Early owners of the H910, especially studios that could afford two, discovered that setting the pitch ratio on one H910 to ‘flicker’ between 0.99 and 1.00, while adjusting another to flicker 1.00 and 1.01, resulted in a rich spread stereo effect. 

Eventide’s second Harmonizer, the H949, introduced in the mid-1970s, ‘fixed’ the randomness of the H910 by incorporating a rock-steady crystal oscillator. The H949 provided a number of new features made possible by digital audio – reverse effects, de-glitching and “u PC” -thereby formally introducing this new effect into the pro audio lexicon. The H949 was also an early digital audio device, 100% DSP/CPU-free, predominately analogue, and, to achieve small, precise, deviations of pitch it employed using a radio technique called Single Side Band modulation. 

With the introduction of the DSP-based Eventide H3000 Harmonizer®, an enhanced version of the MicroPitch effect was developed and the effect became a ‘go-to’ tool for audio pros and artists worldwide. Today’s MicroPitch continues the long tradition of offering ever-expanding capabilities to this fundamental effect.

MAIN FEATURES

• Two voices of pitch shifting, one from unison to -50 cents, the other from unison to +50 cents, each with up to 2 seconds of delay.
• Classic stereo-spreading effect.
• Slapback effects using longer delay times.
• TONE for fine-tuning the voices to fit perfectly in your mix.
• PITCH MIX for layering the two voices by setting the balance between each shifted delay.
• MOD DEPTH and RATE for a chorusing effect on each voice.
• FEEDBACK for pitch dive/rise effects.
• Intuitive UI for ease of use.
• Tempo for synchronized and unique delay effects.
• Presets based on iconic uses of the MicroPitch effect.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.

ProVocative—For alluring vocal tracks with just the right amount of sass

Micro pitch shifting is not a new effect. It is a trick that has been used for decades to thicken and widen vocals, synths and guitars (some people even use it on drums). So why did we make another one? Because we wanted one that was dead easy to use without sacrificing control.

ProVocative is so quick and easy to dial in. It’s also incredibly light on your CPU without sacrificing quality.

ProVocative—Just the Facts:

• Instant vocal, instrument, and track thickening
• Frequency-selectable micro pitch-shifting and width control
• Dual-function wet/dry mix or blend controls
• Easy to use without sacrificing versatility or control
• Uncompromising sound quality
• CPU resource-friendly

Band Limit

The ability to apply a low and high pass filter to your micro pitched tracks has proven to be incredibly valuable. Take off a bit of the high and low end of your pitch-shifted tracks to get a nice smooth subtle widening.

Mix Section

ProVocative gives you intuitive wet and dry knobs so that you can blend them together however you want. If you prefer mix style blending, you can enable the link button, and the wet and dry knobs act as mix knobs instead.

Filter Section

ProVocative’s most unique addition to traditional pitch-shifting is its high- and low-pass filter section, which enables you to select the frequency range it applies micro-shifting to via slider. You can bypass or enable these filters by clicking on the HPF or LPF symbols.

These filters will only EQ the wet sound, leaving the dry sound unaffected. The main benefit of the filter section is that it enables to thicken or widen a specific frequency range while retaining an overall more natural sound—unless you want to go full robotic.

Width
As its name suggests, width controls widening of the pitch-shifted tracks. When set to positive 100%, the pitch-shifted track is panned to the right, while negative 100% pans the track to the left. When set to 0%, both tracks are panned to the center.

Pitch
The pitch control ranges from 1 to 20 cents. Once set, ProVocative makes two pitch-shifted tracks, one up and one down by the selected amount.

Delay
To create depth, this knob controls the delay between dry and pitch-shifted tracks. It ranges from 20ms to 150ms.

Note: Some slight modulations applied to the delay time in addition to the delay time set. This helps to give a more natural sound.

Like all Boz plug-ins, ProVocative comes with its own presets, shareable across formats, computers, and operating systems, along with an A/B bank that lets you compare settings without losing your settings.

The H910 Harmonizer was the world’s first digital effects processor.

With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

A powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. Use the H910’s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback.

H910-EKD

A number of enhancements have been added to this release including Keyboard and Envelope pitch control modes, Output 2 Delay Group and a Mixer. This H910-EKD (Envelope/Keyboard/Delay) as it is known, allows the plug-in to be even more responsive to your sound.

The recreation of the original piano-style keyboard remote control allows you to play musical pitch offsets and blend in a second delay line by using new mixer controls for added stereo sound. The new envelope follower uses the input signal to bend the pitch.

Two is Better than One

When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.

MAIN FEATURES

• NEW Keyboard and MIDI mapping – The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time
• NEW Envelope Follower – An envelope follower has also been implemented in this latest release. Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy
• NEW OUT2 Delay Group – adds inspiring attributes to your sound
• True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit
• Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback
• Anti-Feedback modulates the pitch around unity for a subtle or wild effect
• Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters pitch
• Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments
• Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos
• Create colorful, unique sound effects and drones through self-oscillation
• Individually control delay outputs and dry/wet mix
• Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant

BONUS: H910 Dual

• H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds
• H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios
• H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously

Presets

The H910 and H910 Dual feature hundreds of presets and include a number of artist presets.

• Chris Carter (Throbbing Gristle)
• Robin Finck (Nine Inch Nails)
• The Butcher Bros. (John Lennon, Bob Dylan)
• Joe Chiccarelli (Morrissey, Frank Zappa)
• Roy Hendrickson (Miles Davis, Frank Sinatra)
• Sasha (Madonna, Hot Chip)

The Glitch is Back

The original H910’s unique pitch change method introduced random ‘glitches’ into the audio and the word ‘glitch’ into the audio engineer’s vocabulary. Not surprisingly, artists found creative ways to use the glitch and, in fact, years later when the H949 was introduced with advanced de-glitching circuitry, some users were disappointed that the glitch was gone. In addition to the glitch, all of the quirkiness of the original H910 has been emulated.

The design predates the introduction of the CD and digital audio sample rate standards (e.g. 44.1 kHz) by nearly a decade. The system clocks at the heart of the design drifted and wobbled introducing a degree of randomness in the effect not found in later crystal-based, precise digital devices.

This was evident in the way that the display would flicker between pitch ratio readings. The combination of glitch, randomness and analog signal path, especially when the feedback control was turned up, added an ‘organic’ feel to the sound and that feeling comes through in the plug-in.

True End to End Emulation

Eventide has painstakingly modeled every section of the analog signal chain to recreate the sounds of the original H910.

The original H910 was a 100% software-free, analog and digital processor that predated the earliest practical ADC or DSP chips by several years.

It used simple digital logic gates and some of the earliest RAM memory chips but was, in large measure, an analog beast.

A custom analog-to-digital converter, companding, filtering and analog feedback combined to give the unit a distinctive sound which this plug-in faithfully re-creates. 

Join the Elite

H910 Hall of FameIn 2007, the H910 was inducted in the technology Hall of Fame. The list of famed producers, audio engineers and musicians that still use it to this day—either in hardware or plug-in form—is a veritable “who’s who” of the recording industry.

Thicken drums, create vocal harmonies and make your guitars fill up the track with the best of them. Just ask Tony Visconti (David Bowie, Thin Lizzy, ), Shelly Yakus (John Lennon, U2, Madonna), Tom Lord-Alge (Avril Lavigne, Blink 182, Santana), Tony Platt (AC/DC, Cheap Trick, Bob Marley), Laurie Anderson and Eddie Van Halen, to name a few.

Once you have the H910 in your arsenal, you’ll wonder how you ever lived without it.

The Creative Pitchbending Plugin.

Fluid pitch is an innovative next-generation Pitch bend system, which is not only free of existing constraints but a Revolutionary Leap Forward in Music expressions for all Musicians using any standard MIDI keyboard.

Fluid pitch introduces World’s First Scale-Locked-Pitch-Bend System powered by MIDI to MPE upscale engine. Now musicians no longer have to think about which scale or where they are using the pitch bend wheel, Fluid pitch always takes you to the right note!

Play any style of music with unparalleled ease and boost your confidence on stage, without the need to buy any new keyboard or going through a new learning curve.

Now Experience Fluid pitch bending, Polyphonic pitch bending, Access Mpe synths, Micro tune individual notes, and open new dimensions in creativity.

Scale Locked Pitch Bend System (SLPB)

Fluid pitch Introduces world’s first scale locked pitch bend system which can lock your keyboard’s pitch bend to any scale you want, giving you access to fluid pitch bending.

Realtime access to different pitch bend ranges

You can choose any range for your pitch bend wheel and change it in real time while performing.

MPE Upscale Technology

Upgrade your standard MIDI keyboard into an MPE (MIDI Polyphonic Expression) device and access MPE Synths without MPE hardware.

Polyphonic Pitch Bending

Introduce chord bending into your music powered by MPE Upscale Technology.

Microtuning

With Fluid Pitch, you can now tune any note in the scale up to 100 cents up or down giving you access to a whole new world of microtonal scales, melodies and harmonies. Access a new world of micro tuned scales in Indian ragas and Middle Eastern maqam’s.

Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.

HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Lead synths mutate into heavyweight EDM bass monsters. Plinky piano lines become haunting trap melodies. Percussion thickens, expanding to reveal new rhythmic possibilities.

Just add the plugin for an instant half-speed effect with zero setup. Or go in deep with powerful creative controls. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds.

The hands-on Power button makes it easy to fit HalfTime into your tracks — create a rapid switch or sink in slowly with smooth fades up to 16 bars.

Three speed Modes give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. Adjustable Loop length allows multi-bar slow-downs, funky syncopations and totally new grooves.

Slow only the lows, mids or highs with the Band split — generate deep bass movement, fatten midrange percussion, or flip your top-end on its head.

Key Features

• Instant setup : Add the plugin – get an instant half-speed effect with no setup.
• Power button : Punch the large central button to activate the effect – automate in your DAW.
• Fade In/Out : Introduce the effect instantly, or fade in across up to 16 bars.
• 3 speed Modes : 2x for the classic “half-speed” effect. 1.5x for perfect fifth harmonies and triplet rhythms. 4x speed for drugged-out quad-time playback.
• Band Split : Half-speed just the bass, treble or midrange for trippy effects.
• Band Solo : Hear just the slowed frequency range – use it to hone the effect, as a filter, or to blend using the Mix control.
• Dry/Wet Mix : Blend the original and slowed audio.
• Loop Length : Set the Loop from 1/16 up to 8 bars – keep the original timing, stretch it to half speed, or create catchy new rhythms.
• Smooth : Preserve transient punch with Percussive mode, and avoid clicks and pops on sustained material with Sustain mode. Or push it to extremes with creative FX and Swell options.

What’s new in 1.1?

• Cableguys quality: Best-in-class downpitching DSP algorithms. Great sound, low CPU, minimal aliasing.
• Window Scaling: From 75% to 200%, the crisp Retina-ready interface fits your screen size and workflow.

Immersed in Space

We designed MicroPitch Immersive from the ground up for immersive, Dolby Atmos, and surround workflows. With up to 12 channels of spatialized, detuned delays, plus modulation, EQ, and crossfeed controls, MicroPitch Immersive excels in creating an immersive space with boundaries that reflect, move, diffuse, and dissolve. Whether it be adding a touch of space or creating delayed, pitch diving chaos, MicroPitch Immersive will help you architect both real and unreal immersive realities.

Immersed in History

Eventide’s MicroPitch effect has long been crucial to packing a huge, detailed stereo production into just two speakers. The panned pitch and delay effect is essential for creating beautiful and wide stereo productions, often better than the real thing.

Starting out in the Eventide H910 in the mid-1970s, the MicroPitch effect has continuously evolved and advanced throughout the years, with notable appearances in the legendary H3000 and continuing to this day in the flagship H9000 and popular MicroPitch plugin. Now Eventide engineers have pushed the proven power of strategically decorrelated sound into 3 dimensions, taking your immersive mixes to a place never before possible.

MicroPitch, MetaParameters, MegaControl

The clean and intuitive interface seamlessly fits into your projects – whether it be mixing music, post-production for film, or sound design for games. This enhanced workflow empowers you to spread, tilt, and dynamically morph Micropitch across the width, depth, and height of your immersive mix.

• Tilt the Left/Right, Front/Back, and Top/Main Detune parameters for quick and easy asymmetrical detuning and space fine tuning
• EQ the Front, Top, and Rear speakers separately to sculpt the effect around the listener
• Morph between two distinct settings smoothly and seamlessly – great for sound design

Features

• Powerful and flexible detuning – widen sources in 3D space, or add Feedback and turn up Crossfeed for verb-like sheen
• Enhanced delay and modulation capability – create slapbacks, add movement with pitch modulation, or create exciting motion with patterned Loop Delay
• Supports LCR, Quadraphonic, 5.0 – 5.1.4, and 7.0 – 7.1.4 channel layouts
• Easy-to-use UI optimized for immersive workflows – same controls for all channel layouts, with no menu diving required
• Transparent signal processing – effect always sounds the same across all immersive formats, and always maintains incoming spatial image integrity
• Quickly set individual speaker levels using the integrated Levels section
• Kill Dry, Kill Wet, and Freeze controls are great for creating drastic effects
• Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
• Resizable GUI with Undo/Redo and A/B comparison
• Comprehensive Presets Library includes over 40 presets

This Bundle Contains These Plugins:

• Shaperbox 3
• Curve 2
• FilterShaper 3
• Halftime
• MidiShaper

Including Shaperbox3, with all-new versions of NINE powerful Cableguys effects:

• TimeShaper 3
• VolumeShaper 7
• FilterShaper Core 3
• PanShaper 4
• WidthShaper 3
• Crushshaper 2
• DriveShaper 2
• NoiseShaper 2
• LiquidShaper

Curve 2

For Experimentation & Detailed Tweaking

Curve 2 is a software synthesizer with an irresistible waveform editor, huge sound library and slick interface. Ideal for both experimentation and detailed tweaking at an excellent sound quality.

Feed Curve’s oscillators, LFOs and envelopes with custom waveforms. For anything rhythmic from wobbles to FX loops and evolving pads. For broad oscillator timbres from deep basses to shrill, aggressive snarls.

A huge library will get you started, with quality presets by well-known preset designers such as Michael Kastrup, Pluginguru, Myagi, Xenos Soundworks, Soundsdivine, and hidden pearls from the Curve community.

Curve 2 provides completely new possibilities for experimentation and detailed tweaking, with a simple to use, immediate, slick interface.

Sound Features – Curve features aliasing-free oscillators with custom waveforms, noise generation and broad FM options. Waveform crossfades provide for changing timbres; a comprehensive unison mode delivers fat lead sounds, wide pads and massive sound. Drawable LFOs deliver everything from melodic and rhythmic patterns to dubstep wobbles and punishing bit-crushing effects. Flexible filter routing, a feature-rich mono mode plus legato and glide, are all designed for great depth of control.

Preset Library – Curve’s preset library is a shared online database, providing a constant source of inspirational sound. Public preset sharing allows an ever-increasing number of great presets, public preset voting will help you manage the vast number of sounds, all from within the plugin. Curve ships with an excerpt of this ever-growing sound library. Macro knobs let you explore vast sound variations quickly, for quick access to those parameters that define the core of a sound.

Elegant Interface – Curve shows you everything important at a glance, featuring high contrasts and a fresh colour scheme. Inbuilt MIDI assignment allows you to set up external MIDI controllers quickly.

The Curve Community – Since the first beta of Curve 1.0, the Curve community has steered the synthesizer’s future by submitting feature requests, comments and bug reports, and by sharing presets. Curve 2 is the result of our users submitting wishes and uploading great sounds.

FilterShaper 3

A Detailed, Interconnected Toolbox for Shaping Your Sound

FilterShaper 3 takes a giant leap into unconventional sound design with two powerful filters, freely editable modulation curves, and an immensely flexible modulation framework.

The new Sallen-Key type filters deliver a rich, warm, intricate sound. Create complex, shifting, interweaving effects. Apply subtle nuances or giant wobbles. From filter sweeps and stereo tremolo to surgically-precise filter control and multiband sidechain effects.

Experiment and Explore – Start with two filters, running in serial or in parallel, plus a set of simple controls. Then set things in motion: All main controls have their own modulation section with two flexible LFOs and one envelope follower each. For advanced effects editing, each LFO in turn has its own speed and intensity control — each with its own LFO and envelope follower. And all LFOs can be MIDI triggered. Visual feedback on each control and oscilloscope views on each LFO keep you focused. And a community-powered, ever-growing library of presets provides starting points and inspiration for your own sounds.

Total Precision Control – FilterShaper 3 excels at surgically precise control. For pinpoint tweaking of the modulation curve and a close-up oscilloscope view, open up the detail panel. Filter out a specific beat in a loop. Tame a booming kick. Or shape a tired sample into something lively and vibrant. You have two filters, 60 LFOs, and 50 envelope followers at your fingertips — a detailed, interconnected toolbox for shaping your sound.

Advanced Multiband Sidechain Effects – As well as pinpoint editing, pulsing rhythmic effects, and left-field, alien craziness, FilterShaper 3 can deliver flexible, precisely timed sidechain compression effects. For multiband sidechain, set up filter one to manage the lows and assign filter two to the highs. Duck out the bass when the kick hits, take out the highs to emphasize a snare — simply draw the curve for each as required. 

FilterShaper Core 2

28 Filter Types • Warm Sweeps • Rich Wobbles • Flexible LFOs

Experience all the richness, warmth and intricacy of a high-quality analogue filter with FilterShaper Core 2. Choose from warm Sallen-Key filters based on classic hardware designs, and Clean zero-delay feedback (ZDF) modes. Create amazing modulations and wild patterns in seconds with a drawable LFO and dynamic envelope follower on every band.

Features

• Redesigned interface with larger editing areas
• Retina/HiDPI support for crisper, clearer graphics
• Trigger Smoothing to reduce clicks when MIDI Triggering
• 1-click Quick Presets for Rhythm, Env. Follow and Build-up
• Dedicated selection tool for multinode editing
• 2x/3x button — double or triple patterns with a click
• Clean filters use zero-delay feedback design for more analogue-like response
• 8 Peak/Notch Phasers for giant swooshes
• Smoother, more accurate spectrum view
• Magnitude oscilloscope graph
• Clearer oscilloscope waveforms and smoother LFO editing

HalfTime

Instant Creative Half-Speed Effect

For Trap • EDM • Hip-Hop • Techno • House • And More

Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.

HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Lead synths mutate into heavyweight EDM bass monsters. Plinky piano lines become haunting trap melodies. Percussion thickens, expanding to reveal new rhythmic possibilities.

Just add the plugin for an instant half-speed effect with zero set-up, or go in deep with powerful creative controls. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds.

The hands-on ‘Power’ button makes it easy to fit HalfTime into your tracks – create a rapid switch or sink in slowly with smooth fades up to 16 bars.

Three-speed ‘Modes’ give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. Adjustable ‘Loop’ length allows multi-bar slow-downs, funky syncopations and totally new grooves.

Slow only the lows, mids or highs with the ‘Band’ split – generate deep bass movement, fatten midrange percussion, or flip your top-end on its head.

Features

• Instant setup: Add the plugin – get an instant half-speed effect with no further setup.
• Power button: Punch the large central button to activate the effect – automate in your DAW.
• Fade In/Out: Introduce the effect instantly, or fade in gradually, across up to 16 bars.
• 3-speed Modes: 2x for the classic “half-speed” effect. 1.5x for perfect fifth harmonies and triplet rhythms. 4x speed for drugged-out quad-time playback.
• Band Split: Half-speed just the bass, treble or midrange for trippy effects.
• Band Solo: Hear just the slowed frequency range – use it to hone the effect, as a filter, or to blend using the Mix control.
• Dry/Wet Mix: Blend the original and slowed audio.
• Loop Length: Set the Loop from 1/16 up to 8 bars – keep the original timing, stretch it to half speed, or create catchy new rhythms.
• Smooth: Preserve transient punch with ‘Percussive’ mode, and avoid clicks and pops on sustained material with ‘Sustain’ mode. Or push it to extremes with creative FX and Swell options.

MidiShaper

Bring The Flexibility Of Curve To Your Plugins & Hardware Synths

Powered by Curve’s unique modulations engine, MidiShaper brings Curve’s flexible yet powerful LFOs and envelopes to all your favourite synthesizers and effects.

Four LFOs and four envelope generators work together in a sophisticated modulations matrix that can be set up to output modulated pitch, mod-wheel, channel aftertouch or any MIDI control messages.

MidiShaper’s LFOs can run infinitely or be retriggered, synced to your DAW from a buzzy 1/128 to an expansive 32 bars, set to the played note, or run from 0.02 Hz up to the audible range and brain frequency. Like Curve, MidiShaper features completely editable waveforms for its LFOs.

If your plugin or DAW allows for MIDI control, you have a great tool at hand to create vivid, inspiring sounds and bring the flexibility of Curve to your favourite software plugins, hardware synthesizers, MIDI VJ tools, lighting consoles and 1980’s MIDI keyboards.

Routing MidiShaper – MidiShaper outputs MIDI data. Routing MidiShaper to external outboard equipment is simple to do via external MIDI ports.

Using MidiShaper to control software instruments and effects can be relatively simple as in Reaper and Ableton Live, can be complex with pitfalls as in Apple Logic, or might require some special tricks as in Sonar. It all depends on how well the DAW of your choice handles internal MIDI routings and automation. Also please note that not all plugins support automation of their parameters.

If you succeed, you’ll get super-flexible LFOs and envelopes added to your favourite hardware devices, to your sequencer’s controls and to your software synthesizers and effects.

Features

• Enhance Synths and Effects
• Powerful LFOs and Envelopes
• Breathe Life into Static Sound

PanShaper 3

Multiband Panner • Haas Imager • Stereo Rhythm Generator

PanShaper 3 takes stereo control to a new level. With a drawable panning LFO and envelope follower on every band, you can design evolving, fluid pan patterns and make precise stereo edits in seconds. Blend regular panning with psychoacoustic Haas panning and make your mixes fill the speakers like never before.

New Features

• Redesigned interface with larger editing areas
• Retina/HiDPI support for crisper, clearer graphics
• Trigger Smoothing to reduce clicks when MIDI Triggering
• Dedicated selection tool for multinode editing
• 2x/3x button — double or triple patterns with a click
• 1-click Quick Presets for Basic, Haas and Build-up
• Adjustable Haas range, from 0-40ms, from subtle to extreme
• Smoother, more accurate spectrum view
• Magnitude oscilloscope graph
• Clearer oscilloscope waveforms and smoother LFO editing

Additional Features

• Built-in help — hover over any control for description
• Expandable LFO for detailed editing
• Set LFO loop length in beats and bars, or Hertz
• LFO loop length from 1/128 to 32 bars, with sample-accurate sync
• Audio-rate modulation up to 5.24kHz for extreme sound design
• Trigger LFO in any rhythm via MIDI
• Flip/resize/move/randomize wave or selection
• Copy/paste waves between any Shapers
• Unlimited undo/redo for LFO wave edits
• 42 Wave Presets covering all common uses
• 9 slots to store User Waves, saved with the patch
• Switch User Waves via MIDI
• Multiple panning modes (Balance 0/3/4.5/6dB and Stereo Combined) for deep control.
• Dry/wet mix for each band
• Solo bands for easy setup
• Large, precise oscilloscope view with Freeze option

The Best Time Stretching and Pitch Shifting

Important Note: This software is only compatible with Pro Tools.

Pitch ‘n Time Pro is a high quality time-stretching and pitch-shifting AudioSuite software plug-in for the Pro Tools platform. It works with all versions of Pro Tools including Pro Tools HD, LE, and M‑Powered.

Pitch ‘n Time Pro offers time compression and expansion from a ratio of 1/8 speed through to 8 x speed independent of pitch, and pitch shifting of up to 36 semitones independent of tempo.

The time-stretching and pitch-shifting functions each have three interchangeable panels, ranging from simple fixed ratios to complex tempo and pitch alterations that vary over time. You can even warp the timing of your samples just by placing markers and moving them around.

The tempo and pitch panels can be mixed and matched to suit your application, with real time previewing.

Pro Tools users may download a 30 day demo license of Pitch ‘n Time Pro or buy now from our online store.

Existing Pitch ‘n Time Pro users, with Pro Tools 10.3.5 or higher, can upgrade to Pitch ‘n Time Pro 3.0 from their Products page.

Features

• Perfect Pro Tools integration using the Pro Tools time trimmer tool
• Pitch ‘n Time Pro has a range of 1/8 speed and through to to 8 x speed, and pitch shifting of up to ±36 semitones
• Time stretch by tempo change, length change, target length, or target BPM
• Select pitch shift by frequency change or semitone shift
• Preview changes in real time

Note: In ‘Voice Mode’, range is limited to 50%-200% and +/- 12 semitones

MUnison is a unique combination of doubler/unison and smart harmonizer. It lets your vocals sound like an orchestra with automatically scaled harmonies, produces classic double-tracking effect and much more…

Up to 50 Virtual Voices

MUnison takes your audio, analyzes it, detects its pitch if needed and generates other voices. These can play the same pitch as the original and just fluctuate around it to get the realistic unison effect. Or they can play harmonies, following the scale you choose, useful even for live performances actually. Or they can sound very different, creating a whole orchestra of people singing/playing with whatever you want.

Modulation Heaven

The plugin sounds very “live” already, but if you want to introduce some additional creative changes, the plugin provides plenty. MUnison lets you modulate any parameter from sources such as an LFO, audio level follower, envelope generator, randomizer, or pitch detector. Your sound will never be static again.

MeldaProduction Goodies

Like always you’ll find the standard MeldaProduction features: M/S, surround support as well as other channel modes, A-H presets for easy comparisons, our easy to use integrated help system, automatic gain compensation and much more.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• 4 exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimised for newest AVX capable processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates