Reverb VST Plugins

C&S present another great sample based instrument for Native Instruments Reaktor including 100 presets. This one is playable via keyboard or any other MIDI input and makes morphing / modulating Atmo, Chord, Bass, FX and Lead sounds.

The morphing is controlled by an LFO and can be synced to your DAW. The instrument´s heart is a controllable granular sampler and features a spectral stereo equalizer plus two effects (Delay, Reverb).

So the presets can be changed in many ways though you instantly can start without any tweaking to easily produce music ranging from Deep House to Ambient right away.

Pack Contents:

• 1 NI Reaktor Instrument (Ensemble)
• 100 Presets (Atmo, Bass, Chord, FX, Lead)

Total Number Of Files:

• 1
• 379 MB

Software Requirements:

• NI Reaktor 6.1 & Higher Needed

The Culmination of More than 35 Years of Reverb R&D

9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. 

MAIN FEATURES

• Halls, Chambers, Rooms, Plates, and Ambience derived from Eventide’s flagship hardware processor, the H8000 UltraHarmonizer®
• Create acoustically natural or other-worldly environments
• Packed with over 300 killer presets for mixing, mastering, post production, and sound design
• Includes Artist Presets designed by top engineers and recording professionals
• Session compatible with Eventide Reverb HD/TDM from the Anthology II bundle
• Stereo Delays (pre or post reverb) with Tempo sync to lock delays in time with your session
• Compressor (pre or post reverb) with key input
• Pre-EQ, Post-EQ, Reverb EQ and Delay EQ – Four independent, three band parametric equalizers
• Reverb Tail Randomization based on the legendary H949 Harmonizer® Random setting
• Modulation Rate and Depth controls
• LoFi control for subtle grit or all out mangling

KR-Space is a modular multi-effect plug-in which can produce a multitude of different types of effects

From traditional echoes and reverbs, to very complex soundscapes, modulation and filtering effects, resonating echoes and reflections, saturation effects and other types of unusual effects.

To achieve this wide range of effect creation KR-Space uses a proprietary design and a flexible modular architecture where the different available modules can be switched on and off or routed in various combinations allowing more flexibility in effect design.

The modular architecture also allows more efficient CPU utilization since only the modules that are switched on contribute to the CPU overhead.

KR-Space introduces the Animated Object Space Emulator (AOSE) where the user has control over a number of spherical objects which are placed in the virtual environment and affect the sound output in a multitude of ways. These objects have various user controlled characteristics like size, resonance, oscillation frequency, reflection characteristics, etc. and can be animated (moved) in the virtual environment affecting the sound output.

Additionally, the main reverberation engine features separate damping controls for early and late reflections allowing more detail filtering control, thus expanding the total range of available effects. It also introduces KResearch’s Asymmetric Reflection Scheme for more realistic reverb and echoes creation.

Features

Animated Object Space Emulator (AOSE) Module:

• Proprietary Design/DSP engine for unique effect creation.
• Object Frequency and Frequency Variation controls.
• Object Size and Size Variation controls.
• Object Resonance and Resonance Variation controls.
• Object Size LFO Oscillation with amplitude controls.
• Object Distance positioning with Variation controls.
• Object Animation speed and traveling distance controls.
• Object inter-reflection feedback control.
• Room reflections control.
• Reflection Asymmetry control.
• Low Pass Filter (LPF).
• Limiter/Saturator with threshold control.
• Output Level control.
• Output Dry/Wet mix control.

Space (Reverberation) Module:

• Switch-able Pre-Delay sub-module with Delay time and stereo Balance controls.
• Switch-able Early Reflections sub-module with room Size, stereo Balance, Diffusion, Asymmetry and independent Damping adjustable filter controls.
• Switch-able Late Reflections sub-module with room Size, stereo Balance, Diffusion, Asymmetry, independent Damping adjustable filters, Decay.

Modulation Frequency and Amplitude controls:

• Master Equalizer (Low / High) +/-12db controls.
• Early / Late Reflections Mix control.
• Dry / Wet mix control.
• Output Level control.

Natural reverbs for surround and immersive formats

Create immersive surround environments with unrivalled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job.

Impeccable reverb tone for ever-expanding audio environments

With the growing prevalence of immersive surround formats like Atmos, Auro, and beyond, there are more sonic possibilities for visual media than ever before. Stratus 3D is the perfect reverb engine for these new production formats. Aside from producing reflections with stunning clarity for up to 24-channel surround, Stratus 3D provides you with precise parameter controls to help you shape and refine the perfect spatial tone, channel by channel.

Uncompromising surround and 3D support

With support for up to 24 channels, including Atmos and Auro 3D, Stratus 3D is right at home in any multichannel workflow. Generate clean, articulate room feel, or capitalize on the 3D height expansion capabilities for wide, cavernous reflections.

Detailed gain and filter parameters

Independent input, early reflection, and reverb tail EQ filters let you decide which parts of the reflections are most present in the mix, so you control the resulting tone of your reverb on every level.

Channel-specific delay and level controls

By specifying the placement and timing of the separate vertical and horizontal reflections in each channel with the Balance module, Stratus 3D helps you craft the most enthralling, realistic sound environment for your audience.

Features

• Natural reverb support up to 24 channels, including Atmos, Auro 3D, NHK, and more
• Channel-specific Balance controls for top and main signals in Atmos and other immersive formats
• Advanced control of reverb tail and early reflections
• Pre-delay and reverb delay adjustable by tempo
• Warp controls with compression and overdrive
• 3D controls link multiple plug-in instances
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Lush reverb for surround and immersive formats

Our lush, colourful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.

The ultimate tool for lush, musical multichannel reverb

Symphony 3D is Exponential Audio’s flagship reverb offering. The character reverb engine of Symphony receives 24-channel surround support, making it perfect for crafting distinct, captivating spatial effects for any multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, no other reverb plug-in gives you this much control over your multichannel reflections.

Stretch time with Freeze

With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for generating drones and textural effects.

Overdrive and Compression modules via Warp

Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.

Expanded controls for creative precision

Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.

Features:

• Lush surround reverb algorithm
• Up to 24 channels, including Atmos, Auro 3D, NHK, and more
• Channel-specific Balance controls for top and main signals
• Advanced control of reverb tail and early reflections
• Channel-specific control over reverb delay and gain
• Freeze, chorus, and gate for musical effects
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Ducky Verb is a versatile reverb plugin that excels in a variety of use cases.

One of its primary strengths is vocal glueing, allowing you to apply smooth and transparent reverb to vocals without overwhelming the original sound, creating a cohesive and polished vocal mix.

Additionally, Ducky Verb is perfect for drum loop/drum one shot glueing, providing tight and controlled room ambience that enhances the groove of drums without compromising their punch and impact.

Main Features

• A versatile reverb unit with adjustable dry and wet mix controls, as well as adjustable parameters for room size, decay, pre-delay, stereo spread, damping, diffusion, and density.
• A powerful post-reverb compressor unit that utilises side-chain technology, with adjustable attach, release, threshold, and ratio controls.
• A comprehensive parametric equaliser with notch filter, low cut filter, high cut filter, low shelf filter, high shelf filter, and variable Q value controls.
• A simple and intuitive user interface that makes it easy to adjust and fine-tune your reverb and compression settings.
• A wide range of presets to help you get started quickly and easily.
• Compatibility with a variety of DAWs and plugin formats, making it easy to integrate Duckyverb into your existing workflow.
• High-quality sound processing algorithms that ensure your audio sounds clear and natural, without any unwanted artefacts.

The problem with many reverb plugins is that they can often muddy up the original mix, adding unwanted coloration and interfering with the clarity of the audio.

However, Ducky Verb’s dynamic ducker compression algorithm was designed from the ground up to clean up reverb tails as its main purpose, allowing the original sound to shine through without getting lost in a sea of reverb. This unique feature ensures that your mixes stay clean and transparent, while still benefiting from the lush and immersive reverb effects that Ducky Verb provides.

Say goodbye to muddiness and hello to pristine reverberation with Ducky Verb’s dynamic ducker, giving you the best of both worlds in your audio productions.

Furthermore, Ducky Verb is ideal for adding reverberation to organic instruments without washing away their natural tones. Its pristine and transparent reverb effects preserve the integrity of the instrument’s sound, enhancing its spatial dimension without coloring or masking its timbre.

Lastly, Ducky Verb is well-suited for natural synth Reverberation, allowing you to create immersive and realistic reverb spaces for synthetic sounds without muddying up the mix. With its versatile applications, Ducky Verb is a valuable tool for achieving clean, transparent, and professional-sounding reverbs in a wide range of audio production scenarios.

Creative Reverb Processor

ShineVerb is a creative tool specially designed for reverberation, spatialization and sound coloration purposes. This multi-device effects processor is composed by a set of modeled analogue gear and digital devices, arranged inside a rack-mount cabinet and accessible through a simple and easy to use interface.

In order to provide an extended degree of expressiveness and versatility for any sound design scenario, in addition to its beautiful resonator-based digital reverberation core, ShineVerb also includes a stereo image enhancer, an analogue preamplifier and a final, hybrid amplifier for further sound colorations.

Be free to design anything from small chambers up to endless, distorted echoes. With just a click of a button and a twist of a knob, ShineVerb will put all its magic and glow into any music production.

“More Than Just An Echo”

Playing the leading role in ShineVerb is the REEVERB XT device, a digital reverberation unit with an extended set of controls. It also features a special panorama enhancer engine, to finely adjust the stereo image width of the processed sound. Moreover, to unleash all the potential of its reverberation unit, ShineVerb also includes a set of additional devices in its signal processing chain.

Available at pre-processing stage, the PRE-AF24 unit is an analogue preamplifier featuring an input signal router, an analogue overdrive circuit and a multi-mode (low-pass or high-pass) analogue filter.

On the post-processing side, the MIX-DF42 unit is a hybrid amplifier made of two digital low-pass and high-pass filters, an analogue saturation circuit and a final mixer section.

More than a simple reverberation unit, ShineVerb is a complete, powerful tool with a simple, intuitive interface.

MAIN FEATURES

• Accurate modeling of analogue gears and digital devices, achieved by the adoption of the Advanced Component Simulation (ACS) approach
• Full 64-bit processing accuracy for every single aspect of the simulation
• An all-in-one complete setup : analogue preamplifier + digital reverb unit + hybrid amplifier
• Featuring PRE-AF24 Analogue Multichannel Router / Preamp
• Multi-mode input signal router with gain control (from -inf dB up to +6 dB)
• Analogue modeled overdrive circuit with gain control (from +0 dB up to +18 dB)
• Analogue modeled (topology-preserving transform) multi-mode filter (1-pole low-pass or high-pass)
• Featuring REEVERB XT Advanced Digital Resonator Reverb
• A beautiful, resonator-based reverb engine with an extended set of controls
• Pre-delay engine (up to 2 seconds)
• Panorama enhancer engine, to finely adjust the stereo image width of the processed sound
• Featuring MIX-DF42 Multisource Mixer / Amplifier
• Multi-mode (bypass / normal / inverted) digital filter block (2-pole low-pass and 2-pole high-pass)
• Analogue modeled saturation circuit with gain control (from +0 dB up to +15 dB)
• Final mixer section, with blend (dry / wet) and main volume (from -inf dB up to +6 dB) controls
• Including more than 30, multi-scenario factory presets
• Support for sample rates from 44.1 kHz up to 192 kHz
• Available in multi-size GUI resolutions

MReverbMB extends the possibilities well beyond that of standard quality reverbs by allowing you to process up to six distinct bands simultaneously.

This reverb plugin can provide everything from extremely realistic halls to unbelievable effects. Engage your distinct originality with our reverb.

Features

• Dual user interface – the plugin is not only extremely versatile, but also quick and easy-to-use thanks to 2 graphical user interfaces. First there is a simple default one with several predefined modes, but just a few controls, which lets you start quickly and easily without any knowledge. All you need to do is choose what you want and use a few knobs. And the plugins also has an advanced mode, which provides all the extreme features the plugin offers.
• Spatial positioning system – using a simple view you can easily drag the sound source and MReverbMB will set all required parameters to make it sound like it is in the specified room and position.
• Fully adjustable 3-band equalizer you can use to control the sound of the reverberation signal, hence the room sound. Each band can be configured to 7 different filter types, has harmonic control and much more.
• Fully algorithmic and true stereo reverb – it does not need separate plate, hall, and room algorithms. Instead it has a huge set of intuitive parameters that allow you to easily emulate any given reverb characteristic. Anything from small rooms to extremely large halls with almost infinite reverb tails…
• 1-6 fully configurable independent bands built on 3 perfectly transparent crossover algorithms (analog, linear-phase and hybrid) with fully adjustable limits and input gains. Includes peak meters for all bands and the master.
• Continuously adjustable oscillator shape – every oscillator in our plugins is defined by a mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), step-sequencer and several methods for algorithmic postprocessing. It is the most advanced approach for defining oscillator shapes.
• 4 global modulators – in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
• Integrated tube saturation gives the sound a great vintage analog feel.
• Full randomization – using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that’s too much, you can just hold ctrl and MReverbMB will only slightly modify existing settings.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• Automatic synchronization to host tempo – every oscillator and modulator in the plugin can automatically synchronize to the host providing as natural a sound as possible while not offending other tracks.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully automatable.

QUICK & HUGE

FrozenVerb is a versatile, huge, hyper stereo algorithmic reverb unit that delivers quick results with easy access to mission critical controls. It’s designed for getting very fast, powerful and high quality reverb sound. It’s alive, gentle, natural and convincingly real.

SIT IN THE MIX

FrozenVerb is providing richer, deeper or brighter tails that will sit beautifully in the mix. In addition to reverb engine, it has extra Stereo Widener and EQ units. You can control and automate all of the parameters. Especially we highly recommend making automation experiments on Freeze button.

“FREEZE” MAGIC

FrozenVerb has an extra-ordinary feature… “Freeze” button… “Freeze” button creates infinitively-continuous sustain reverb effect. That makes it very inspiring and slightly different from other reverb units. So, you can create unique, random, endless reverb effects in your mix with only a button!

WIDE RANGE OF USAGE

Extensive sentient dsp engine allows you to easily re-produce a wide range reverb characteristics, such as shining vocal reverbs, realistic room simulations, very long or even infinitive reverb tails, synth pad effects and everything inbetween.

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast & HD quality DSP Engine
• Real time Natural Sounding Algorithmic Reverb tails
• Extra-ordinary reverb freezing engine in order to create cool atmospheric effects
• Built in stereo widener
• 4 band Solid State equalizer
• Simplified controls, lot’s of possibilities

Fog Convolver 2 is a true stereo convolution reverb/processor plugin.

This new version has been rewritten and redesigned from scratch, and now features modulation, effects, an impulse response generator, and a lot of improvements.

You can now load 2 separate impulse responses (or one true stereo/quad channel impulse response) and have separate or linked controls for both.

There are 5 different routing modes to arrange the impulses: single, serial, parallel, parallel mix, and true stereo.

Each impulse can have: 2 LFOs, with 10 waveforms and 18 destinations, one dedicated multi-mode filter (with pre, IR, or post modes), and a 5-band graphic EQ.

Fog Convolver features 8 factory banks with more than 660 impulse responses made from spaces, analog and digital equipment, organic sources, and more.

Boundless reverb in stereo

Paragon ST is a true convolution reverb with the flexibility and control of a classic algorithmic reverb. We’ve used the same reverb technology as the original Paragon and packed it full of new controls for music producers, including modulation, stereo width and more.Via re-synthesis, Paragon ST offers full control of the decay, room size and brightness of reverbs modelled on recordings of real spaces. There’s no time-stretching, which means no artefacts.

Real spaces reimagined

Unlike a traditional convolution reverb, Paragon ST does not use a static Impulse Response, allowing a much wider scope for transformation. Paragon ST’s reverb decay and room size can be set significantly longer, larger, shorter and smaller than that of the original IR space, without introducing ugly artefacts as a result of stretching or removing samples.

Echoes Of The Past

Stardust 201 Tape Echo is a hot-rodded interpretation of the classic Roland “Space Echo” tape echo effects of the 70s and 80s.

Compared to earlier tape echoes, they represented a giant leap in reliability and sound quality. With solidly built tape-transport mechanisms and the inclusion of a spring reverb and chorus effects in some models, the Space Echo was truly groundbreaking with its fantastic variety of sound colors.

Stardust precisely recreates the limited fidelity and stability of audio tape, providing a natural rolloff of bass and treble frequencies for super-warm tonality and minor speed variances, lending an organic chorusing quality to repeats. Cranking the intensity knob overloads the circuit, generating the other-worldly runaway echoes and feedback that only a tape echo can.

Cherry Audio’s Stardust 201 Tape Echo includes features from the original RE-201 and RE-301 Space Echo units, and we’ve added some of our own to create a great-sounding, super-flexible, ideal tape echo effect that never breaks down and never needs demagnetizing, all for less than the price of a Space Echo replacement audio tape loop!

Stardust 201 Tape Echo Features:

• Authentically modeled vintage tape echo, including seven virtual tape head modes
• 4x extended echo time range
• LFO echo time mod section
• Sync to DAW master tempo
• Exclusive “motor kill” switch
• Lush, true-stereo modeled BBD chorus circuit
• Modeled input overdrive
• Independent stereo “tape head loops” for super-wide imaging
• Spring-style reverb
• Selectable mono/stereo modes
• Bass and treble EQ controls
• User-selectable color themes

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation.

It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

This unique effect has been ported directly from the award-winning H9 Harmonizer. All of the H9 presets have been converted to work with the plug-in and have been included, as well as newly created factory and artist presets. Now you can use all the delays, reverbs, chorus and modulation effects that guitarists and synth players have grown to love. Best of all, The Ribbon has been optimized for live use with your favorite DAW.

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.
• Speed up or slow down the rhythmic space between taps using the Spread knob.
• Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms.
• Control the stereo image of taps to alternate between hard-panned and mono.
• Sync the Length and/or Chop LFO speed to the DAW session.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta control on the fly.

A Brief History of UltraTap

It all started in 1982 with the world’s first rack mount programmable audio processor, the Eventide SP2016, where a flexible 64 tap delay debuted as part of its Factory Program suite. By the late 80’s UltraTap had migrated to the legendary H3000 Harmonizer effects processor and then to the DSP4000 and H8000. Thanks to advances in technology, we were able to include UltraTap in a portable compact form factor, the H9 Harmonizer stompbox. And now UltraTap has come back to the studio via your DAW and FOH environment, where it all began 35 years ago!

ALL SOUNDS GOOD NOW

Vocal Finalizer is designed for holding “Vintage & Modern Characters – Simplicity – Wide Usability Range – Time Saving” properties together. Carefully crafted pieces are used in this combination to give everything you need to reach a final ready to mix vocal sound from a raw vocal track.

BALANCED & POLISHED

Vocals are the most important element of any song. Maybe that’s why a mixing engineer / producer wastes most of the time on vocal tracks to make the vocals sound as much as “perfect” and “sit-in-the-mix” possible. You don’t need to worry about that anymore. Get gorgeous results with ultra simple controls…

ALL IN ONE TOP FAMOUS CLASSIC VOCAL EFFECTS

You will find different variations of top 7 most popular vocal effects on a single unit with right settings and right amounts.

• Compression (3 types)
• DeEsser (Vocal Specific Dynamic EQ)
• Delay (4 types)
• Reverb (5 types)
• Doubler (3 types)
• Solid State, EQP1A and 31102 Classic Analog EQ Collection with 3 frequency band sections
• Stereo Wider effects

QUICK, SIMPLE & ELITE

Quickly combining the vocal processing settings for all musical genres is just a few clicks away. So because of getting the amazing sound very easily, you won’t believe what you hear. Your vocals will turn into real records just like in your dreams.

REAL ANALOG MODELS

If you’re looking for a true high quality “Analog Character”, quick and all in one vocal tone solution, “Vocal Finalizer” will definitely be your ”go to” vocal fx processor”. It will finalize your vocal track from “a raw track to professional record” with it’s magical processing power.

Product Specifications:

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Simplified controls, lot’s of creative possibilities
• 3 types of Vocal Specific Compressor/Limiter unit
• 4 types of Vocal Specific Tempo sync stereo delay unit with customizable section
• 5 types of Vocal Specific High Definiton Reverb unit
• 3 types of Vocal Specific Stereo Doubler – Chorus modulation unit
• Vocal Specific Body and Treble (Solid State, EQP1A and 31102 Classic Analog EQ models with 3 frequency band sections)
• Analog High Pass & Low Pass Filters
• DeEsser (Dynamic Eq) module
• Simplified Vocal Noise Gate
• Advanced Stereo Enhancer algorithm
• Resizable GUI with Vectoral GUI elements
• “Stereo” and “Mono to Stereo” Channel support

Introducing Swole, the ultimate audio plugin that pumps up your sound like a seasoned bodybuilder.

This all-in-one plugin lets you add saturation, compression, limiting, reverb, and EQ to your tracks using just one macro dial.

Are you tired of weak, puny audio tracks? Ready to pump up your sound and make it MASSIVE? OKAY Audio are proud to introduce ‘Swole’, the ultimate audio plugin that allows you to add saturation, compression, limiting, reverb, and EQ to your tracks using just one dial.

Swole is the ideal audio plugin for music producers and audio engineers looking to get a professional sound, without the confusing interface. With Swole, you’ll be able to transform your sound into a beastly masterpiece, capable of crushing the competition.

So don’t wait any longer. Get Swole today and start flexing your audio muscles like never before.

A bullet list of features for the product:

• One macro control for ease of use
• Complex back end algorithms shaped to any audio input
• Animated, user responsive GUI
• Input and output gain control with corresponding RMS meters
• Reverb/width toggle
• VST and AU format
• Stereo and Mono capability
• Available on Windows and Mac
• M1 chip Native, Rosetta Ventura and Monterey supportive

Shake, Rattle, and Roll

A flexible spring reverb box-of-tricks. If you’re familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modeled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix.

It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

MAIN FEATURES

• Shakeable springs
• 3 different reverberation tanks, inspired by the most popular ones built in the guitar & instrument amps that made rock ‘n roll
• Tasty drive & tone stage for heating-up and colouring the sound
• Multi-mode filter, with variable type blend
• Four-flavours envelope stage, picking up the signal from either input, output or external sidechain
• LFO module, 8 different types & waveforms, variable time base & syncable
• Comprehensive modulation matrix, for realtime control of all the parameters
• Independent input and feedback routing options allow all possible stereo or mono combinations
• 76 factory presets, NKS-compatible
• UI instantly resizable from 70% to 200%
• Custom remote control via MIDI CC, 14-bit resolution option

As a faithful emulation of a mechanical device, Twangström needs to be handled well. Many of the technical parameters are user-adjustable in real time, and these can be controlled via MIDI or using the internal LFO and envelope generator.

With its multimode resonant filter, Twangström is a unique and powerful tool which can deliver highly unusual, evolving textures… especially when the signal is tossed around using the modulation matrix!

The Reverb Tank – What’s going on?!

Often referred to as a tank, spring-reverberation devices typically incorporate several metal springs suspended in a metal case. The springs are excited using electromagnetic transducers. The principle is similar to a loudspeaker, except with a spring instead of the membrane.

Sound waves travel across the spring to the opposite end, where another transducer converts the mechanical energy back into an electronic signal. A lot of the energy is reflected at both ends, but mechanical damping inherent in the system means that the the sound fades away naturally.

Several springs often share a transducer pair. In such cases, the transducer houses each spring’s cylindrical end-stop magnets, distributed evenly within the air gap (and enclosed by the laminated core, a stack of thin magnetic iron plates).

Sharing a transducer pair minimizes mechanical and electric complexity, but the signals can only be treated as a whole. Tanks that can be operated in stereo require multiple transducers, and are therefore quite rare Of course you have them in Twangström! Some stereo systems had two complete tanks.

A transmission spring follows a principle physicists call the spring-mass system, and you might recall classroom experiments in which a weight was attached to a hanging spring, making it oscillate at a certain frequency.

Apart from the external mass, the physical properties of the spring (material, length, wire gauge, number & diameter of coils) have a great effect on the vibration and transmission of sound. The longer the spring, the lower the frequency at which it oscillates. Longer springs also decay more slowly than short ones, as more windings result in more kinetic energy potentially stored.

Typically, reverb tanks with multiple springs are chosen for unequal delay times. Ratios based on prime numbers help in achieving dense reverb by strictly avoiding repetitive echo pattens. In a reverberation tank, the rigid suspension mounts at both ends act as a constant mass, thus damping the spring’s energy.

But upon vibration, some of the energy is transferred to the other parts. In a multiple-spring arrangement, all springs share a common mounting plate, so vibration becomes an interactive process. As a result, springs interchange their wave fronts and the sound becomes more washy with each reflection.

If there were no mechanical coupling involved, a minimum (static) density could be achieved by choosing suitable delay times, but there would be no buildup of echoic complexity. In real tanks a certain degree of coupling is always present, so we made it switchable in Twangström.

In certain setups the echo-density buildup has another cause: the division of the spring into shorter segments. For instance, at first glance the popular Accutronics Type 4 tank appears to be two springs, but is actually four: Each sub-system comprises two springs with a small joint in between.

What happens there is pretty much the same as at the suspension end of normal systems: Waves are partially reflected while most of the wavefront is passed on to the next spring. These joints seldom divide the two springs perfectly, and this fact helps spread the echos around, making the reverb tail more diffuse.

Shakeable Springs

Hitting your computer won’t make Twangström shatter, so we added a twang control. This is used to shake the springs, either manually or through modulation and automation.

You might think this is a gimmick for which you have no further use (apart from waking up the neighbours), but if you modulate it slightly, everything comes to life!

Tank Controls

Twangström’s reverb is based on physical modelling. As opposed to plug-ins based on impulse responses (IR), our approach mimics the physics of mechanical reverberation. By simulating the wavefront travelling through a medium, we can include all the aspects of excitation, reflection, dispersion, interference, and other audio properties.

Twangström does not mimic the sonic result, but simulates the physical device. This means that all dimensions of the device are controllable in realtime, on a per-sample-basis – which all boils down to quite some power at your fingertips!

Envelope

The envelope in Twangström features 4 different modes and can pick up the signal from either input, output or external sidechain. You can select between Envelope Follower, Attack and Decay, Attack and Release, or Cyclic modes. The last one is similar to a 2-stage LFO. Shown controls will adapt to the selected mode, with Threshold not appearing while in Envelope Follower mode.

Modulation Matrix

The modulation matrix has three general purpose modulation slots, and yes, you can select shake as one of many targets to modulate the Twang control!

Low Frequency Oscillator

The LFO features different time bases, including a non-synchronized one measured in seconds. Synchronized options include both dotted times and triplets. There are 8 different waveforms to choose from, with 2 of them being stepped or glide random shapes.

smart:reverb

Get reverb that fits. smart:reverb is a powerful audio plug-in for audio engineers and beginners. Speed up your workflow by finding your sound efficiently.

smart:reverb delivers custom-tailored reverb by adjusting its processing to the individual characteristics of the input material and creates a navigable range of styles from scratch.

MAIN FEATURES

• Custom-tailored reverb in just a few seconds
• Reverb matrix with a wide spectrum of different styles
• Interactive representation of the reverb’s anatomy

Reverb that meets the uniqueness of every creation

No disturbing resonances or muddy tails
Reverb that truly fits – powered by A.I.

With just one click, smart:reverb analyzes the source material quickly to create every reverb from scratch. By custom-fitting the reverb to the spectral and temporal characteristics of the input signal, typical problems such as disturbing resonances or muddy reverb tails are avoided from the very beginning.

Our smart:engine, an A.I.-based, content-aware system designed on the basis of psychoacoustic principles as well as extensive hands-on mixing experience, powers the inner workings of smart:reverb. Just like our smart:comp and smart:EQ 2, this intelligent plug-in comes equipped with profiles for different audio sources to prime the processing of the smart:engine to the input signal.

Rich, artificial, intimate, natural – and every style in between
Explore characteristics, not presets

smart:reverb creates reverb based on the source signal rather than working with presets or pre-recorded impulse responses. To find the reverb style you envision, browse through its reverb matrix, in which all possibilities fit to your input signal. Guided by descriptive properties, you’ll find what you are looking for – intuitively and efficiently.

The best of both worlds – Stay in control

For maximum control, smart:reverb provides you with an interactive view of the reverb’s anatomy. Its detailed interface makes it easy for you to manipulate the deep-structure of the reverb by modifying its frequency and time-dependent decay rate as well as the reverb’s spread or density evolvement over time.

smart:reverb is a hybrid plug-in that combines the flexibility of a fully parametrizable reverb with the transparency and sonic integrity of convolution reverbs. The audio plug-in offers options to change the reverb time and pre-delay, to expand the reverb’s width, increase its clarity and to change the color. Additionally, smart:reverb contains sound layering features for sound design.

Play your music inside the most unusual acoustic spaces
How would your music sound like if played inside the Batcave from the original 1960s TV show? Or in the stream bed beneath Byron Glacier? Or in the Cathedral Room of Shasta Lake Caverns?

What is EchoThief?
EchoThief is a real-time reverb convolution plugin built around the use of the EchoThief impulse response library. This library was created using custom, state-of-the-art signal processing technology that enables the recording of impulse responses in acoustic spaces too noisy to capture using other methods.

Gain access to previously inaccessible places
From typical convolution reverb standbys such as concert halls to previously inaccessible spaces such as the Batcave from the original 1960s TV show, this plugin will give you an unprecedented range of acoustic spaces to play in.

Stagecraft’s EchoThief also features wet/dry mix, signal pre-delay, and a compressor and EQ to enhance the space.

See the space you’re in through the plugin’s image display
The philosophy behind Stagecraft’s design principles is that the software should show you visually what it does.

Stagecraft’s EchoThief has an intuitive interface that integrates beautiful high-resolution and wide-angle images of each space available in the library. You can now see the space your music is placed in allowing you to have a better understanding of why the space sounds the way it does. This level of visual feedback is unprecedented.

Features

• Real-time convolution
• Wet / dry mix
• High-res wide-angle images of the spaces
• IR Compressor to bring out the reverb
• EQ to limit the echo effect to bands

Blackhole – Extraterrestrial Reverb

Most reverbs are earth-bound and constrained by the physics of the real world. Our Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

From the Extreme to the Sublime

While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. Whether you’re at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science. 

In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn’t enough.

The Secret Weapon

This famed, massive reverberator first saw the light of day as an algorithm in our rackmount DSP4000 and remained a favorite in the rackmount H8000FW. For decades studio engineers considered Blackhole their “secret weapon.” More recently, it was ported to our Space stompbox and became the go-to ambient effect for guitar and keyboard layers. With each new version the reverb has been refined and enhanced.

We’ve now perfected the galactic sounds of the Blackhole reverb in native plug-in form. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time.

MAIN FEATURES

• Incredibly easy to use with over 50 presets; many created by Eventide artists
• Ability to create extremely musical effects useful for highlighting key instruments
• Supernatural settings for abstract spatial effects and drones
• Subtle settings for ambient washes and track higlighting
• Unique “Gravity” control reverses the arrow of time by inverting the reverb’s decay
• Kill Switch mutes the input so you only hear the reverb. This makes for some incredible effects when automated
• Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
• Fully flexible mono and stereo options. Bring new realms of stereo imaging to mono instruments
• Innovative Ribbon and Hot Switch allow for changing any combination of parameters simultaneously
• Full support for the Native Instruments NKS Effects system.

Presets Make it Easy

Blackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Included with Blackhole is a carefully curated set of 50 presets that serve as a launch pad for your explorations. These presets cover spaces as small as a room and as large as space itself. 

Blackhole Plug-in Presets

Factory Presets

• Biggest Reverb Ever
• Dreamscape
• Drum Filter Toolbox
• H8000 Blackhole
• Quasar Trails
• Spaghettification

From Space Pedal

• Blackhole
• Darkmatter
• Nebula
• Neutrino
• Pulsar

Artist Presets

Flood & Alan Moulder

• Fishhole

John Agnello

•  Hey Honey

Jonsi & Alex from Sigur Ros

• Sigur Ros

Vernon Reid

• Dogstar
• Transfigured
• Vortex
• Centaurus
• Starcrater

Richard Devine

• Train Tracks
• Artic
• Automate
• Boxed In
• CargoShip
• Cathedral
• Circular Hall
• CombChamber
• Complete Drone
• DarkenHall
• DecayDrop
• Distantz
• Dome Ceilings
• Double Tap
• Drum Ringer
• EchoVerb
• Jumble Snares
• Metalizer
• MoveMeDelay
• Oil Drum
• Plexor
• PongSpace
• RacketDelay
• Reflex Tile
• Ring Decay
• Slushy
• Spectral Mesh
• Spiral Verb
• Stairway Delay
• Varse
• VoraxDecay

PSP SpringBox is an emulation of a hardware spring reverberator.

It recreates several features typical of a spring reverb such as the characteristic “boing” on transients, and a repeatable resonating musical character with an adjustable presence.

A selection of configurations from two to six springs is provided, as well as the ability to set stereo spread and pan/balance configured to suit various mix setups – from a typical guitar reverb to creative uses as a send reverb in the mix. Thanks to PSP SpringBox’s two channel A and B settings and range of presets, operation is fast and easy.