Reverb VST Plugins

Good Verb Gone Bad

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favourite DAW.

MangledVerb starts with a variable pre-delay which feeds a stereo reverb into a complex distortion effect. Sonically it can range from the light friction of a bow scraping a cello string to the mayhem of a caged beast being poked with a red hot flounder.

Tweak it Live

Like all the H9 Signature Series plug-ins, MangledVerb excels in live situations. The Ribbon is an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them. The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls brings you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

• Create out-of-this-world soundscapes by increasing the Size and Overdrive.
• Use it as Mono-In/Mono-Out, Mono-In/Stereo-Out or Stereo-In/Stereo-Out for ultimate flexibility.
• Smoothly move from Softclip distortion to Overdrive for ripping transitions.
• Use the Wobble control to create spooky detuning effects.
• Use The Ribbon control to easily manipulate multiple parameters in a live situation.
• Program the HotSwitch to instantly change multiple parameters at once.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta-control on the fly.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.

MangledVerb Artist Presets

MangledVerb includes over 180 presets from the H9 and artists like:

• Aaron Nevezie
• Chris Carter
• Christian Cassan
• Count
• Danny Gomez
• Drew of the Drew
• Headsnack
• Joel Hamilton Jordi Martinez
• Kerry Leva
• Lawson White
• Mikail Graham
• Richard Devine
• Symbion Project
• Vernon Reid

A Brief History of MangledVerb

MangledVerb started life as a popular effect algorithm in Eventide’s rack-mount Eclipse and is one of the key algorithms included in our Space and H9 stompboxes. The plug-in version has been optimized for anyone working ‘in the box’ and presets can be shared between Space, the H9 and the MangledVerb plug-in.

PSP 2445 EMT is a reverb processor plug-in inspired by two legendary early digital age reverberators: the EMT® 244 and the EMT® 245.

PSP thoroughly researched how to bring the specific features of those simple, yet very musical sounding reverbs to life as a plug-in.

We then improved from the originals with a handy set of parameters to control details of the sound and mix the reverb not available in the original hardware. PSP 2445 is capable of processing using one selected engine or both of them simultaneously.

The reverb algorithms implemented in PSP 2445 are based on original algorithms designed by Dr. Barry Blesser (one of the grandfathers of the digital audio revolution). Thanks to Dr. Barry’s extensive consultation and support, our algorithms sound as good as the originals and plug-in could be officially endorsed by EMT Studiotechnik GmbH.

Shimmer Reverb

Luminance is a plugin for creating “shimmer reverb” effects – unreal acoustic space simulations which gradually pitch-shift the reverberation tail upwards or downwards. It is a novel take on this highly coveted effect, based on a modern feedback delay network design with a built-in granular pitch shifter, and featuring many original tricks such as alternating-phase time scale modulation.

Thanks to the unique, meticulously executed tuning of its individual components, Luminance possesses a fresh and highly musical character: it smoothly follows the original melodic content and creates a gorgeously beautiful background sound layer reminiscent of a dreamy symphony of strings or pipe organs – with organic depth and expansive stereo field.

MAIN FEATURES

Sound Engine

• Reverb engine based on 8×8 feedback delay network with spline interpolation and smoothly variable time scale
• Granular pitch shifter and two-pole low-pass filter for shimmer effect shaping
• Sine generator for time scale modulation, with unique alternating-polarity routing
• Additional pre-delay stage
• Lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic Interface

• Colour-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

Lush surround reverbs with advanced control

Our lush, colourful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.

Distinct, sprawling multichannel reflections

Symphony represents the pinnacle of Exponential Audio reverb processing. This character reverb engine is the complete solution for crafting distinct, captivating spatial effects for multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, Symphony lets you get the absolute most out of your mix’s reverb.

Stretch time with Freeze

With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for creating drones and textural effects.

Overdrive and Compression modules via Warp

Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.

Expanded controls for creative precision

Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.

Key Features

• Lush surround reverb algorithm for up to 7.1 channels
• Freeze, Chorus and Gate modules for creative effects
• Channel-specific control over reverb gain and delay
• Advanced control of reverb tail and early reflections
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

The Sound of a Legend

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall.

With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb.

Visconti set up three microphones in the hall of Berlin’s Hansa Studios, the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in the hall.

Visconti placed gates on the second and third microphones set to open as Bowie sang louder and louder.

Signature Techniques

Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.

Inspiration of the Past/Power of the Future

Tverb was designed with a new level of efficiency for plug-ins.

It captures the rich ambience of Hansa’s studio 2, the historic Meistersaal concert hall, without burdening your DAW’s CPU. Tverb features three independent reverbs, with the ability for the two far microphones to be convincingly placed anywhere in the hall.

MAIN FEATURES

• 2 Moveable microphones to adjust reverb size and tone
• Adjustable polar patterns for microphone 1 to adjust the amount of ambient room tone
• Custom Eventide reverb algorithm with EQ, diffusion, and decay control
• Compressor module on microphone 1, just as Visconti had in the original session
• 2 Linkable post-reverb gate modules with control of when the gates close, the speed at which they close and the length of time they are forced to stay open
• Console (inspired by the one used in the session and with Visconti’s “grease pencil” labelling) provides post-reverb channel processing for each individual mic and the master
• Room mixer module alters the sound of the room itself with control over decay, diffusion and frequency attenuation
• Signal inversion buttons to remove (or create) phase cancellation
• Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
• Complete automation support

Transform Your Mixes with Three Essential Production Tools

Designed as the ultimate core set of plugins for producers, engineers and sound designers, the Ultra Essentials Bundle features three of our most powerful plugins: UltraChannel, UltraReverb and UltraTap. Whether you are mixing or tracking a record, live sound or post-production, our Ultra Essentials will make everyday tasks easier and fire your imagination.

The bundle comes with more than 600 presets across the three plug-ins, many designed by Eventide artists including Andrew Scheps, Chris Carter, Richard Devine, Sasha, ROCASound, Brian Montgomery, Matt Lange, Colin Newman and many more. Valued at over $500 if purchased separately, bundles are the most affordable way to own Eventide’s award-winning tools.

UltraChannel – Professional Audio Engineering For All

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance, but is also the most versatile channel strip available due to our exclusive FlexiPath™ routing, which allows processors to be ordered based on desired workflow.

The Secret Sauce of Mixing

UltraChannel shines in carving out space for any instrument or vocal to sit just right in the mix. There are an infinite number of ways to generate the exact tone, dynamics and frequency characteristics you’re seeking. Additionally, through its support for side-chaining, you can use an alternative audio source to color the characteristics of your main signal. It wouldn’t be an Eventide if it didn’t also feature micro pitch functionality (from our flagship H8000 hardware) to thicken or increase the stereo spread of any instrument or vocal.

FlexiPath™

Allows drag and drop for reordering the signal path of the top level components (O-Pressor, compressor/de-esser, EQ, Gate) for ultimate flexibility and experimentation.

UltraReverb

Comprehensive reverb toolbox with nine H8000 hardware-derived, reverb algorithms to realistically simulate halls, chambers, rooms, plates and ambience or, taken to the extreme, other-worldly environments. The toolbox includes 4 parametric EQs, compression and delay which can be routed pre or post reverb. Packed with more than 300 presets it is arguably the most comprehensive reverb plug-in available.

Features

• Halls, Chambers, Rooms, Plates, and Ambience derived from Eventide’s flagship hardware processor, the H8000 UltraHarmonizer®
• Create acoustically natural or other-worldly environments
• Packed with over 300 killer presets for mixing, mastering, post-production, and sound design
• Includes Artist Presets designed by top engineers and recording professionals

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

Features

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.

Poly Space – Out of Space Reverb

Meet Karanyi Sounds first FX plugin: Poly Space. A modern, studio-quality ambient reverb plugin, combining pristine DSP algorithms and vivid impulse responses that take you into clouds of blissful sounds.

Magnitude & Longitude
Poly Space comes with just two easy controls – but don’t let it fool you. There is a complex workhorse under the hood. With Magnitude, you can transform your reverb sound from gentle to epic, while with Longitude you can smoothen and longer the sounds. Slow motion sounds ahead!

Design with Space Get ready to take your sound on an adventurous journey with Poly Space’s various reverbs algorithms, convolution engine, and DSP delays.

• Including over 50 carefully designed space combinations of sampled famous vintage hardware and algorithmic reverbs.
• Shape the sonic landscape with over 30+ onboard presets.

Instant Variations
Create your very own with just a few tweaks or generate exciting new sounds with one click: use the Smart Random button and get inspired by the variations.

Poly Space Summary

• 30+ Factory & Artist presets
• Focusing on unreal, superlush spaces
• 50+ Algorithms custom-made for this reverb
• Streamlined interface with just 2 main controls
• Smart Random button on board for instant inspiration
• Dry/Wet and In-Out knobs for ease of use in mixing situation.
• Supports major DAWs, including Ableton Live, FL Studio, Logic Pro, Cubase, Reason, Studio One, BitWig, Reaper, etc.

Nerdy. Easy. Super Cool.

The Micro Digital Reverberator combines killer reverb and delay effects with a super friendly user interface and controls. Pop it on an insert, pick a preset, and go. Drums? Vocals? Synths? Guitars? This little plugin has you covered.

Our MDR has the sounds of the first generations of budget reverbs that took over project studios in the late 1980s. In a few years, these units were commonplace in major recording studios and all over many of your favorite records.

Don’t let the simple interface fool you: this thing sounds amazing, with tight small rooms, huge plates and halls, gates and reverse reverbs, and some effects that can only be found on the MDR.

Machine 1

Machine 1 is a simulation of a very popular 16 bit, 1/3 rack size digital reverberator that was introduced in 1986. Although it has a limited amount of sounds, they are carefully designed and sound great. You still see this unit in guitar racks and studios all over the world.

Machine 2

Machine 2 is a simulation of the second-generation, full-rack size digital reverberator. This unit has lots of presets, lots of useful sounds, and some one-off special effects which can only be found on this particular unit.

Nerdy on the Back Side

The Micro Digital Reverberator has a few tweaks on the other side that let you craft frequency response, oversampling and GUI performance. There’s also a super effective stereo widener tucked in back there, for those times you want the effect all around the music and the listener.

Spectral Shifting

When reverb and delay just aren’t enough, reach for Venom. This powerful spectral processing plug-in twists raw audio into many types of sounds from subtle granular movements to unrecognisable soundscapes. This makes Venom an incredibly versatile tool for sound designers, musicians, EDM producers and anyone who needs other-worldly transformations.

Explore the myriad of possibilities by using the included presets, then dive deeper with the hot-swappable effects chain, granular sizes and advanced tone shaping. Every experiment with Venom will yield sonic surprises; creating expansive reverbs, harmonic excitement, frozen spectral tones and completely unique ambiences.

Two stage processing

Venom processes audio in two stages: Firstly a ‘freeze’ stage captures and accumulates a snapshot of the incoming sound, applying the audio effects to the continuously and creating feedback. This causes the output signal to change over time (like the reverb tail of an echo). The subsequent direct output stage applies a user-defined spectral operation to the signal.

Seven transformations

The 7 creative audio effects shape all sorts of spectral processing: Focus, Feaze, Decay & Damping for the creation of unusual, beautiful sounding ambiences. Mirror, Pitch & Slope to generate experimental spectral transformations. Any combination of these is possible for other unique soundscapes.

Hot-swappable FX

The user interface of Venom is completely modular: Drag an individual effect into the desired position in the processing chain to define the order of effects processing.

Live or Studio

Venom comes with multi-core support to prevent any glitches and audio dropouts. It also features user-controllable parameters for various aspects of spectral resolution that allow you to find the best settings for any environment; in the studio, on the road, or in a live setting.

Power

The Venom logo acts as a bypass control for the whole plugin, and is smoothed to be click and pop free for unhindered A/B testing. Use it to swap between your original audio and the Venom transformations.

Presets

A range of factory presets are designed to get you up and running quickly, with tailored settings for many types of special FX and spectral shaping. These are all easily accessible from the menu and of course, you can save your own settings as user presets too.

Let Venom inspire you to create unique sounds that you never thought possible – all with just a few clicks. W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features:

• Spectral freeze and processing
• Real-time frequency display
• 7 individual FX: Focus, Feaze, Decay, Damping, Mirror, Pitch & Slope
• Hot-swappable FX chain
• Creative Presets for special FX and spectral shaping
• Click-free bypass control
• Multicore support for glitch free performance
• Input, Output level and Mix controls
• Full PDF Manual & Tutorial video

From the minds behind Ozone and Nectar, and powered by legendary Exponential Audio technology, iZotope Neoverb is the most intelligent reverb plug-in for music producers.

Save time and leave the trial and error behind and design unique spaces for vocals and instruments in seconds, without muddying the mix.

A new real-time Reverb Assistant guides you in selecting and blending reverbs according to your creative needs. An AI-powered EQ section listens to your audio and helps you avoid artifacts, mud, and masking. Explore a deep Advanced panel and dozens of presets for vocals and instruments, and add your personal touch.

Whether you’re a new producer honing your a craft, or a veteran on your latest project, Neoverb will help you get to a great reverb sound in less time.

iZotope Neoverb Features:

• Reverb Assistant uses AI-assisted processing to create complex, customized reverbs for any track
• Blend Pad crafts unique amalgams of early reflections, rooms, plates, chambers, and halls
• Formidable EQ section achieves amazing-sounding reverbs without long plug-in chains
• AutoCut function suggests EQ moves to keep your input signal clean before you add reverb
• Smoothing control evens out your track’s dynamics, thereby avoiding distracting artifacts
• Unmask feature ensures that your reverb doesn’t overwhelm your mix
• Masking Meter deploys inter-plug-in communication to indicate where your reverb is masking other tracks
• Modulation adds lushness and depth to your reverb
• Resizable interface accommodates your screen size and workflow
• Pro-designed presets give you a sizable cache of application-specific starting points

Neoverb is powered by Exponential Audio’s famous reverb engines. Inspired by classic studio hardware, Exponential Audio reverbs are beloved for their high quality algorithms and realistic room sounds. Combine best-in-class sound quality with iZotope’s intuitive workflow, and you have a reverb plug-in ready to tackle any mix.

• Design & Combine – Blend up to three different reverbs at once, or let the assistant choose them for you. Automate the blend pad in your DAW to create exciting movement in your mix!
• Carve it Out – Neoverb’s AI-powered EQs listen to your audio to make suggestions. Unmasking technology helps your reverb stand out in the crowd, or blend into the mix.
• Visualize Your Space – Explore dozens of presets and advanced controls that let you add your own personal touch, no matter the genre.

Blend Pad

iZotope Neoverb’s innovative Blend Pad gets you further, faster by helping you mix three different types of reverbs at once, to create a unique reverb tail that fits your track.

• Blend different types of reverb together to get a unique sound in seconds: Add realistic space with Reflections, classic environments with Plate, and height and depth with Hall.
• Separate Size controls for each reverb type to let you create epic guitar tones, construct massive drum rooms, or dream up completely exotic spaces to make your mix unique.
• The Blend Pad is automatable, so you can change between different blends of reverb for creative effects and transitions in your song.

Reverb Assistant

Get a great reverb for any track, with an easy four-step Assistant that adjusts iZotope Neoverb’s settings in real time. Create complex, customized reverbs, without spending time in menus.

• Choose your preferred Size and Style while iZotope Neoverb automatically selects and blends reverb combinations and advanced settings as you move the sliders.
• Add a little vibe with four different Tone selections that further adjust your reverb to give you dark, airy, bright sounds.
• Reverb Assistant listens to your audio and makes further EQ suggestions to get the cleanest possible reverb tone.

Reverb EQ

iZotope Neoverb’s Reverb EQ helps keep your reverb clean and under control in the mix, with AI-powered Unmasking that listens and unmasks your dry signal, providing a clean professional sound.

• Mix your reverb, avoid long, corrective plug-in chains and get the cleanest reverb tone in just one plug-in.
• The Reverb EQ can automatically unmask your dry signal to get a clean reverb tone quickly with the Unmask button.
• You can have Reverb Assistant set up Unmask for you, or you can quickly access it in the EQ window to get your reverb sitting right.

Pre EQ

Having a clean input signal is the key to getting a great reverb tone, and iZotope Neoverb’s 3-band Pre EQ gets you set up by listening to your audio and suggesting the best areas to cut. You can further customize the EQ with shelving and band-filters.

• Treat your input signal before it hits the reverb to avoid unwanted build up or resonances in your wet signal.
• Use Auto Cut to have Neoverb listen to your signal and suggest areas to cut, in order to avoid.
• Use filter nodes to customize your cuts, or let Neoverb learn your audio and make suggestions for you.

Advanced Panel

You can customize Neoverb’s advanced parameters within each reverb engine using the Advanced Panel for even greater control of your sound. If you’re not getting quite the results you’re looking for, dive into the Advanced Panel and explore!

• Individual, customizable parameters for each reverb engine, including Attack, Crossover, Damping, and more.
• Sync your pre-delay and reverb time to your host tempo to create reverbs that move with your music.
• Reverb Assistant also sets the Advanced Panel controls, so you can view and adjust your results.

Masking Meter

Stop muddy mixes before they happen with a Masking Meter that communicates with other iZotope plug-ins (via Inter-Plugin Communication) to show you where your reverb is masking other tracks, helping you keep track of reverb build-up in your mix.

• Use Dry vs. Wet mode to view masking over your dry track. Or, select another compatible iZotope plug-in to check masking on other tracks in the mix.
• Works with other compatible iZotope plug-ins like Neutron 3, Nectar 3 Plus, VocalSynth 2, and Relay.

Smooth, Pre-Delay, & Mixing Controls

Neoverb’s Input/Output (I/O) panel gives you more ways to mix reverb. Soften the transients of the audio entering Neoverb with the Smooth control to keep your reverb sounding even, control Pre-Delay to add depth or or a sense of distance, and create a natural blend with the Dry/Wet and Level slider.

• Based on transient shaping technology, the Smooth slider lets you easily tame sharp, percussive sources so they don’t create unatural results in your reverb.
• A global Pre-Delay lets you control the distance of your reverb reflection, letting you create a sense of space without resorting to longer reverb tails.
• Create a natural balance of reverb and dry signal with Dry/Wet and Level controls.

Mod Pad

Add subtle animation to your reverb with a Mod pad, offering two modes for both subtle and creative reverb modulation. Keep the Mod on low settings to make longer reverb tails feel more natural, or increase the setting (up to 125%) for more intense creative effects.

• An intuitive X/Y Pad helps you quickly dial in the right setting
• Pitch mode creates a subtle pitch shift, similar to a Doppler-effect.
• Random (‘RandomFat’) mode produces a randomized modulation effect akin to a classic chorus.

Create customized reverbs effortlessly with Reverb Assistant

Creating a great-sounding reverb that sits perfectly in your mix can be a time-intensive endeavor. That’s not the case with Neoverb.

Courtesy of its Reverb Assistant, you can craft multifaceted reverbs that are tailor-made for your application without wasting time wading through mile-long menus.

Explore and Get Creative
When you’re ready to go go deeper, Neoverb offers an endless world of reverb sounds to explore. Add your own unique touch with the Advanced Panel controls with unique settings for all three reverb styles, for near-infinite creative possibilities. Or, get reverbs ready-made for vocals, instruments, and genres with dozens of unique presets made by iZotope’s team of professional sound designers.

MagicVerb is the latest result of the collaboration between MagicDeathEye aka Ian Sefchick and DDMF. 

This journey was a little more creative as we weren’t modeling a piece of hardware. We were modeling spaces and experimenting with EQ and texture. Ian spent a decade working at a studio known for its chambers and that dark beautiful feeling of space was always with him when creating these models.

We had a lot of his engineer and producer buddies check em’ out and used their feedback to tighten everything up.

We also put a really cool plate and model of a classic digital reverb in there as well.

There’s nothing new under the sun and this has all been done before, so the objective was to make a reverb plugin as useful as the Magic Death Eye compressor plugins. A real utility reverb that works on everything and is super easy to operate.

A reverb with depth, texture, and lots of love. A MagicVerb!

Classic Algorithmic Reverb – Revitalized

Sonsig Rev-A combines traditional true-stereo algorithmic reverb with advanced modern filter and modulation controls in a great-sounding, easy to use, affordable plug-in.

• 10 distinctly different reverb sizes provides a broad range of reverbs, from vintage warmth to pure and clear modern spaces
• “First of its kind” output render modes to instantly change the reverb’s overall character. 
• Unprecedented in-reverb modulation with the world’s first true in-reverb ensemble chorus.

With Sonsig Rev-A, you’re sure to get the perfect reverb, fast and easy – every time.

Create The Space You Need, When You Need It

Sonsig Rev-A provides a broad range of reverbs, from vintage warmth and deep, lush, larger-than-life spaces with moving reverb tails like you’ve never heard before, to the pure and clear sounds of natural, realistic modern spaces.

• Choose from 10 distinctly different reverb sizes each with adjustable decay time for precise control of your virtual listening space. 
• Shape your sound quickly and easily with menu-free controls for Tempo-Lockable PreDelay, Size, Decay, Width and Diffusion.
• Get infinite sustain with the innovative Freeze function and create abstract spatial effects and drones. 

Regardless of instruments, regardless of settings, the rich, luscious sound of Sonsig Rev-A is a significant step up from the established, traditional and stock reverbs – at a fraction of the price.

Distinctive Character and Exponential Tonal Possibilities

The sound of Sonsig Rev-A ranges from classic 80s hardware to realistic and unrealistic modern spaces.

With the “first of its kind” Output Render Modes, choose from three uniquely different output models to instantly change the reverb’s overall character. 

Choose from the much sought-after low-fi, vintage character of the QRS, the instantly recognizable character and texture of the 224, and the pristine modern spaciousness of the Rev-A.

Whether you’re mixing pop, rock, hip hop, electronic, or orchestral music, you can bring extraordinary dimension and detail to your productions with ease, using Sonsig Rev-A.

The World’s First “In-Reverb” True Ensemble Chorus

Rev-A takes a unique approach to modulation never before found in a reverb by using three simultaneous modulation algorithms, for unparalleled, dynamic sound quality. 
With Ensemble, you get lush reverb tails that sound elegant and classy even on the longest decay settings.

Sonsig Rev-A Is Unlike Any Reverb You’ve Heard Before

The magic behind the sound of Sonsig Rev-A is a proprietary new breakthrough algorithm technology – Psychoacoustic Spatial Alignment (PSA).

This unprecedented “next-generation” algorithmic process uses psychoacoustics-based multiplex component alignment to create distinctive, smooth, rich reverb effects never before possible in a reverb effect.

The phasing, filtering, diffusion and compound modulation of each and every echo fragment in every reverb tail is continuously and dynamically aligned according to a strict and complex psychoacoustic model.

The result is a revolutionary reverb that behaves like an instrument that changes its behavior and feel over time. You not only get the beautiful decay of lush reverb tails, but you also reap the benefits of having classic and modern algorithmic reverb parameters for fine-tuning in ways never before possible.

With Sonsig Rev-A, your reverbs will always sound alive and vibrant, with sweet-sounding spaciousness.

Features

• Outstanding Audio Quality – Dial in small rooms, lushes halls and realistic ambiences with uncompromising and unparalleled sound quality.
• Fast Workflow – Quickly tweak and sculpt your own sound in seconds with ease.
• High-Quality Presets – Mix with over 200 of the best collection of golden ears presets.

CHASING ‘THE PERFECT ARTIFICIAL SPACE’

When we’re talking reverbs, there are two fundamental philosophies: One tries to mimic the sound of a real physical space – while the other seeks to create an artificial space from an algorithm, free from the constraints of the natural world. The idea of an algorithmic reverb was first conceived in the 1960s – and evolved over the following decades, redefining the sound of modern music with every new technology leap (and improved memory chip). All your favorite albums from the 1980s and after most likely relied on algorithmic/artificial reverbs to get a big and polished sound.

Crystalline follows in the tradition of the classic algorithmic reverbs, but adds new features and higher fidelity thanks to modern computer power. It is meant to sound unreal – in the most positive sense of the word. Its rooms and halls won’t sound anything like those in your house – but closer to those of your dreams!

MAKE SPACE FOR LUSHNESS

• Crystalline is a state-of-the-art reverb plugin with a pristine and modern sound
• Gives you unprecedented creative control to shape your reflections
• Lets you sync reverb start and decay times to your song’s tempo
• An evolution of classic 20th century studio reverbs – fully upgraded for today

A STUDIO REVERB FOR THE CURRENT ERA

A ‘perfect algorithmic reverb’ is often considered the holy grail of digital audio effects. In fact, the idea can be traced all the way back to research papers from the 1960s. Throughout the 20th century, algorithmic reverbs evolved thanks to companies like EMT and Lexicon. But scarce computing power generally forced manufacturers to work within limited constraints.

Fast forward, and we now have the resources to do things that couldn’t be done during the golden age of studio reverbs. Both in terms of sheer sound quality. But also in terms of adding creative features that weren’t possible in the hardware days.

Crystalline stands on the shoulders of 60 years of chasing ‘the holy grail of DSP’. We’ve asked ourselves what the pioneers of legendary digital reverbs would have done if they had the resources we have today. And then we’ve made exactly that plugin. With all the bells and whistles a modern engineer would need.

FEATURES

BPM-synced start and end times: Crystalline lets you hard-sync the reverb attack and decay time to your DAW’s tempo. This will generally result in cleaner mixes where the reflections are naturally in sync with the music. Prefer the classic way? Just hit the “Sync/MS” switch and Crystalline lets you set pre-delay and decay times in milliseconds instead.

Reflections Section:

• “Size” lets you set the room size from tiny to large. This control is detached from the “Length” control, meaning you can get any size/length combination you want, including esoteric settings like huge spaces with very short tails or tiny spaces with very long tails.
• “Sparkle” emphasizes high frequencies inside the reverb algorithm. This generates reflections that are naturally brighter, which will help you achieve that extra shine on vocals or snares.
• “Width” lets you set the stereo image of the reverb from mono to wide – and even further to extra wide.

Depth Section:

• “Resolution” sets the complexity of the algorithm from ‘basic’ to ‘pristine’. More complex settings will give you an ultra-clean reverb response, free of metallic artifacts. But this comes at a higher CPU load. The ‘Basic’ setting will give you an efficient CPU performance, without compromising the sound noticeably.
• “Modulation” creates pitch variations inside the reverb algorithm. This results in a richer sound that works especially well to fatten up synths, guitars and vocals.
• “Shimmer” makes the high frequencies of the reverb tail decay slower than the rest of the spectrum, giving the reflections an ‘angelic halo’ effect. You can set the frequency cutoff point as well as the multiplier effect, which controls how much longer it takes for the higher frequencies to decay. Please note that if Shimmer is active, the high frequencies will decay later than your specified reverb “End Time” (either at 2x, 4x or 6x the length).

Clean-Up Section:

• “Damping” is a dual filter control that lets you remove high and low frequency content from the reverb reflections. This control offers a fast way to get rid of clutter and muddiness in your mixes.
• “Sides” is a high-pass filter that removes stereo information from the low end of the reverb, while keeping the mono-information intact. This is especially helpful for creating wide vocal or lead instrument reflections without muddying-up your low end.
• “Gate” lets you instantly recreate the classic 1980s gated reverb sound. The gate offers ‘threshold’ and ‘release’ controls and makes it fast and intuitive to make your snares go ‘Phil Collins’.

Shape Section:

• “Tone” is a tilt EQ that lets you quickly shift the frequency balance of the reverb to brighter or darker.
• “Smoothing” gradually applies an EQ-curve custom-designed to address the frequency areas that tend to get resonant and sharp. It mellows out any reverb harshness and gives Crystalline a more subtle feel. This allows you to add a little more reverb without drenching your mix.
• “Transients” lets you shift the reverb algorithm’s emphasis to either the attack or sustain part of the incoming signal. Emphasizing the sustain more than the transients will make the reverb feel airy and light, while emphasizing the attack stage is a great way to get a splashy and dense sound. The Transients feature works especially well for controlling reflections on percussive material.

Output Section:

• “Ducker” lowers the reverb signal when the dry/incoming track is playing. This gives you a cleaner mix, where you can turn up the reverb more without compromising the dry track. “Ducker Gentle” mode offers a slow and natural ducker setting, while the standard ducker mode has a more pumpy feel.
• ”Reverse” reverses the reverb playback, giving you some radical sound design possibilities.
• “Freeze” is another creative effect that takes a granular snapshot of the reverb when clicked and holds this snapshot continuously until the button is un-clicked again. It can be a powerful effect for creating interesting transitions in a mix.
• “Dry/Wet” sets the global mix balance between the dry/incoming signal and the reverb signal. Clicking the “Wet Lock” button lets you browse presets while keeping your preferred wet/dry balance – for easier comparison.

Top Panel:

• “Color” lets you change between light and dark background colors.
• “Eco Mode” lets you run Crystalline in a low-CPU mode by setting the resolution to ‘basic’ and disabling the shimmer effect.
• “Save As Default” lets you save your own default preset that will appear every time the plugin initializes or you hit the reset button. “Reset” resets the plugin’s state to your default preset. “Tool Tips” gives you help texts explaining each plugin parameter during mouse hover-over. Crystalline comes loaded with more than 150 presets from Baby Audio and friends of the house to get you started.

The concept algorithm implemented in the unit allows to create practically any type of reverb.

When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any “off-the-shelf” algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb. Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many ways by the user. Reverb is a critical effect in a mix. Result depends on the reverb algorithm used and the quality of the implementation. Usually reverb is used as a send effect in which many channels in a mix are routed to it. If a low-quality plug-in or hardware unit is used, the end results can sound very disappointing with the reverb tail sounding like it had been “ripped-off” in the mix.

High quality of diffusion

In Toraverb, we applied diffusing network of the highest possible quality based on modified all-pass filters. By doing this and using properly tuned parameters, we can almost eliminate unwanted flutter echo effects for every sound source.

Two parametric EQs

Toraverb is equipped with two independent, single band, fully parametric equalizers with 3 available curve types each. One is used to EQ early reflections and the other to EQ late reflections. This is an incredibly useful feature which provides a lot of control over the character of the reverb allowing to achieve most natural sound.

Modulated tail

Toraverb also has an additional modulation parameter, which affects the diffusing network. These are responsible for the distribution of the sound waves reflections in time. By changing the modulation, the sound of the reverb tail can be altered to give a more realistic effect of sound propagation. Modulation amount is controlled independently for early and late reflections.

Realistic cross-talk

To give a better impression of physical space, we have added an innovative spatial reflection algorithm to Toraverb. It improves spatial reflections by allowing cross-talking of reflected stereo waves between stereo channels. This models what happens in the real world when a sound audible only in the left ear is reflected and is heard in both ears.

Early / Late mixer

For convenient blending, Early and Late reflections together. Now with balance parameters, for both reflection types, working in Left / Right or Mid / Side domains yet expanding palette of possibilities.

Built-in ducker

Essential functionality in the most studio situations. Toraverb features a built-in ducker, which’s compresses FX signal’s amplitude proportionally to the loudness of dry / unprocessed input, thus saving an overall output signal energy. Such a tool built into the plug-in is a real time-saver for any music producer or studio engineer. No need to employ any additional side-chain compression unit into your fx chain and simplify this aspect of use to the minimum.

Key Features:

• High quality diffusion network
• Pre-delay with optional tempo sync.
• Reverb’s tail modulation (with independent control for Early and Late reflections)
• Controllable crosstalk of spatial reflections
• Parametric EQ for Early and Late reflections (with 3 different curves each)
• Early and Late mixer (with stereo balance working in either L/R or M/S domains)
• Built-in ducker
• Adjustable FX crossfade characteristics
• Tag based preset browser
• Two alternative GUI sizes
• MIDI-learn functionality throughout
• 64bit internal processing

Why is MasterVerb a great reverb?

1) It sounds great. 

The rooms sound natural and spacious. The plates are extremely dense. The decays are silky smooth without annoying artifacts. The reverb is clearly audible without being muddy.

When applied to stereo inputs, the stereo soundstage is maintained with proper balance.

2) It can reproduce a range of spaces.

MasterVerb contains two different algorithms to generate the dense late reverberation: a hall algorithm and a plate algorithm. Each of these algorithms has independently adjustable size and decay time controls, so they can be morphed across a wide range of characteristics.

The hall algorithm is intended for acoustic spaces, e.g. rooms, chambers, studios, halls, while the plate algorithms is for, well, plate reverbs. An early reflection section allows for various early reflection patterns, again with adjustable size. Wet and dry delays allow for pre-delay and other delay effects.

Two three-band EQs are provided: the early EQ shapes the overall tonality of the reverb response and the late EQ shapes the frequency dependent decay. On top of that there is a triggered amplitude envelope which can generate gated and reverse reverb effects. So, there is a ton of flexibility here.

MasterVerb ships with 60 presets which cover a wide range of reverbs and serve as starting points for further exploration.

3) It’s easy to use.

The interface allows you to quickly visualize the changes you are making. A reverb time response lets you see the reverb decay, early reflections, amplitude envelope, and delay settings.

A 3-D frequency response plot shows the reverb decay as a function of frequency. There are graphical frequency response controls for both EQs.

4) It’s CPU efficient.

Considerable effort went into designing the low level algorithms so they could be fully automatable and also extremely CPU efficient. The result is that MasterVerb takes far less CPU than other reverb plug-ins.

Cycles & Spots return with another superb instrument for Reaktor. Transform the included loops (Or your own) into modulating abstract soundscapes or rhythms.

Inside you’ll find 2 granular samplers and 2 loop samplers.

Choose playback sections of the samples and randomize loop starting points, grain lengths, tuning, volume level, speed and more via knobs and / or by drawing into a modulation field.

This brings life to samples & loops as they change over time.

Main Features:

• 1 Ensemble Instrument For Reaktor 6
• 200 Loops Integrated
• Reverb
• Delay
• Drag&Drop Option For Importing New Loops
• Multiple Randomization Possibilities
• Walkthrough Video

The essential tools for production, mixing and mastering!

Melda have picked the most important plugins from their huge arsenal and put them into a single cost-effective bundle, which contains everything you need to produce, mix and master music efficiently and with ultimate audio quality.

Ultimate Audio Quality

High speed, simplicity, crystal clear sound and minimal noise level is the standard output from every MeldaProduction plugin.

Unique Super-modern Technologies

MeldaProduction specialize in hi-tech super-modern technologies available nowhere else. Their MEssentialsFXBundle does not contain simulations of vintage analogue devices or mere clones. Rather their plugins move audio production technology forward! The price is also more than affordable. The question now, is only: “Do you want to join this advancing, new world of audio processing”?

MTurboDelay

MTurboDelay is the ultimate delay providing 39 delay plugins in a single beast. That means 39 completely different delay designs inspired by both analog and digital worlds, brought to a whole new level.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MAutoAlign

MAutoAlign solves problems with phase cancellations when recording a single instrument using multiple microphones. Normally engineers have to search for ideal delays and potentially invert phases manually. But now all you need to do is to place MAutoAlign to all tracks you want to fix, start playback and press Analyze button in one of them. The plugin will analyze all tracks and after a few seconds, you are finished!

Features

• Unique multitrack design – the plugin does not need any advanced techniques with sidechains etc. All you need is to do is to place one instance to each track. These will automatically talk to each other and perform the analysis without need for your interaction.
• Completely transparent processing – the plugin only delays each track and potentially inverts phase of some of them. But performs no filtering or any other advanced processing which alters the signal.
• Advanced metering system – provided meters display frequency cancellations useful to judge how much of the signal is lost when mixing the tracks together.
• Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover, Melda plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Fully automatable.

MAutoDynamicEq

MAutoDynamicEQ is the ultimate “go-to” parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange

MAutoVolume

Vocals, bass, solo guitars, saxophones. They all deserve to be on top of the mix all the time. To accomplish this, some engineers used compressors, others automated faders. Now you have MAutoVolume, which does the job for you with almost no effort and with unbelievable audio quality.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange

MCompare

MCompare is the ultimate reference tool for mixing and mastering allowing you to quickly compare your audio to any audio file and stages of your processing chain, and saves you from loudness deception.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• M/S, single channel, up to 8 channels surround processing…
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MLimiterX

4 simple knobs give you all the power to make your recordings loud without the ugly artifacts most limiters cause. Choose the character you like and just use the drive knob. Advanced visualization will tell you immediately how loud the results are. If you need to dive deeper, just click the edit button.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimized for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange

MSaturatorMB

MSaturatorMB is a powerful multiband saturation/distortion processor. It can be smooth as glass, hard as rock, or creamy as butter. Its modulation system goes far beyond what you could have thought possible. All this with unbelievable audio quality that will blow you away.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• 1-6 fully configurable independent bands
• Modulators
• Adjustable oscillator shape technology
• Multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MTurboCompLE

MTurboComp is the ultimate (not-only) compressor, which emulates most of the classic vintage analogue compressors. Unbelievable sound, uniquely fast workflow, tons of additional features.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• Unique generalized dynamic detector
• Parallel compression using dry/wet control
• Unique temporary gain feature
• M/S, single channel, up to 8 channels surround processing…
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 and AVX512 capable processors
• Global preset management and online preset exchange

MTurboReverbLE

MTurboReverbLE is an edition of Melda’s revolutionary algorithmic reverb MTurboReverb, at a lower price, but has a few limitations.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• Modulators
• Multiparameters
• Tube saturation
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX capable processors
• Global preset management and online preset exchange

Quality Algorithmic Reverb Plugin

AR1 is an algorithmic reverb plugin designed to sound great on all types of instruments. AR1 sounds amazing on Pianos, Bells, Guitars, and Vocals, but also on more synthetic sounds like Synthesizer leads.

We have tweaked and tested for thousands of hours to get this sounding just right for any sound source you care to throw at it.

A Reverb plugin is used to make instruments sound like they are being played in a real place (Hall, Stadium etc) , an algorithmic (ie realtime) reverb has to recreate this very convincingly or it will just sound “wrong” or fake.

AR1 Reverb gives you the ability to create a space of your liking with very simple to use controls. We want this to be your go to plugin for quality reverberation.

AR1 sounds great and is easy to use with a high definition interface that is pleasing to work with.

AR1 Reverb Features

• Early Size: This controls the distance or size for any early reflections.
• Early Level: Controls how much of an effect the Early size control has on the overall sound of the reverb.
• Size: Increases the size of the reverb space, also has the effect of making the reverb tail last longer.
• Width: Stereo width, at 0% the reverb will be completely mono, losing all stereo information. At 100% the reverb sounds as wide as possible in the stereo field.
• Pre delay: AR1 reverbs response is delayed by the pre delay amount in milliseconds. This can give the effect of an even larger space or just sound more natural. Reflections of sound usually takes some time to reach the ear. Set the exact amount with pre delay.
• Bandwidth: Reduces the amount of high frequencies in the reverb. This would make the reverb sound ‘softer’ , think being in a space with soft furnishings and carpets, as opposed to say a kitchen or bathroom with lots of hard surfaces.
• Damping: This controls how fast the high frequencies in the reverb dissipate over time. More damping will make the reverb sound softer and the overall reverb will appear to decrease in volume faster too. High damping means the reverb is absorbed very quickly by the room and doesn’t reverberate as much.
• Modulation: Adds a little pitch modulation to the reverb tail.
• Mix: Controls how much of the original audio is mixed with the reverberation. Set to 100 wet to get only the AR1 Reverb tail.

Hollow is a vast space reverb effect plugin. At its core is a massive delay network comprised of 24 delay lines, 32 filters, and a feedback matrix with as many as 256 connections.

With all settings maxed out, this engine is capable of producing tail times that exceed 15 minutes, while still having a very natural exponential decay.

Hollow includes a variable diffusion stage and a unique bi-directional pre-delay: in addition to normal operation, it can also make the reverb tail precede the dry input signal, opening interesting new creative possibilities.

Additionally, the plugin has trademark unison modulation via four phase-shifted sine oscillators – for adding deep, chorus-like vibrance and richness.

The complex yet highly musical algorithms in Hollow also feature finely-tuned low-pass or high-pass damping filters and employ a very special formula for adjusting the reverb engine’s stereo width – giving it a truly vast, almost three-dimensional sound.

Features

Sound Engine

• Reverb engine based on a feedback delay network with a 16×16 matrix
• Unique two-way pre-delay stage
• Variable diffusion stage
• Stereo width adjustable from mono to full expansive stereo
• Unison-style modulation via four mutually phase-shifted oscillators
• Variable low-pass or high-pass damping filters
• Lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic Interface

• Colour-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

Design your own spaces, in this delay/reverb hybrid

This audio effect filter is a hybrid between a simple reverb and a very complex delay.

R0Verb consists of up to 50 separate delay lines and puts you in charge of every single delay with controls for volume, pre-delay, feedback & high shelf. It can be used for everything from simple delays to complex spaces, whatever your mix needs. It also has a nice Randomizer if you’re feeling lucky!

• 1. Delay lines – Rôverb consists of multiple delay lines, each with separate parameters for pan, pre-delay time, delay time, gain, decay & high-shelf. The direction of each delay line tells how the output will be panned; if it points to the left, the output will be panned to the left and vice versa. The size of the circles denotes gain levels. The first circle (from origin) is the gain value. The outer circle represents decay.
• 2. Toolbox – Use these to switch between Time change, Delete, Volume, and High shelf gain.
• 3. Randomizer – This tool makes it possible to create a new reverb with user-defined bounds. Weeha!

Features

• Up to 50 parallel delays
• Every delay has parameters for volume, pre-delay, feedback, delay time & a high shelving filter
• Randomizer – creates a space with user-defined bounds
• Multi-select and edit several delay-lines in one gesture
• Post 3-band EQ
• Comes with a few factory presets for inspiration