Delay VST Plugins

Blast Delay is a simple and intuitive delay with a built-in parameter sequencer.

You can program independent loops of motion sequences for each knob with independent speeds.

Tweak your effect in live situations and recall all the parameters in the sequencer.

The sequencer allows you to sequence all the parameters of the Blast Delay to pre-program motion sequences of parameters in loops.

The sequencer is synchronized to the hosts tempo and each step of the sequencer represents the value in percentage of the parameter from 0 to 100%.

Features:

• DRY/WET: The Dry/Wet control adjusts the balance between the processed and dry signals
• VOLUME: The Volume parameter adjusts the volume of the processed signal.
• TIME: The Time parameter adjusts the time of the delay in milliseconds or from 1 Bar to 1/128 when sync button is activated
• FEEDBACK: The Feedback parameter defines how much of each channels output signal feeds back into the delay lines inputs
• FILTER: From -100 to 0 the parameter works as a low pass filter, from 0 to 100 it works as a hi passfilter
• SYNC: If the Sync switch is on, the delay time is synced to the tempo from 1 Bar to 1/128. If the Sync switch is off, the delay time reverts to milliseconds. In this case, to edit the delay time, click and drag up the Delay Time knob
• PING PONG: When the Ping Pong switch is activated, the signal jumps from the left to the right output
• FREEZE: This button will loop the delay buffer. The input signal is no more processed by the Delay
• POLARITY: It inverts the phase in effect by 180°, the effect is more interesting on low value of TIME with high feedback
• PITCH: Pitch button on causes a pitch variation when changing the delay time, similar to the behavior of old tape delay units
• PARAMETER SEQUENCER: The sequencer allows you to sequence all the parameters of the Blast Delay to pre-program
  motion sequences of parameters in loops.

Timeless 3 – Don’t waste your time, modulate it

From everyday echos to lush modulation

FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

Vintage filters and creative effects

The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.

Easy drag-and-drop modulation

Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

FabFilter goodies

Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

Key Features

• IMPROVED – Fully redesigned, highly simplified interface, with an easy workflow and new modulation engine
• NEW – Optional Drive, Lo-Fi, Diffuse, Dynamics and Pitch effects to creatively color the feedbacked delay sound
• Analog tape delay or smooth time-stretching behavior when changing the delay time
• NEW – Up to 6 filters, which can be either the original, vintage LP/HP/BP filters or Bell/Shelving/Notch EQ filters
• NEW – Create rhythmic patterns using up to 16 delay taps, which can be controlled and modulated individually
• IMPROVED – Improved the sound quality of overall feedback, the filters, and internal saturation
• IMPROVED – Feedback and cross-feedback, and modulatable freeze option
• Mid/side processing
• NEW – Ping-pong modes
• NEW – Live modulation visualization for targets and sources
• IMPROVED – Carefully designed and curated factory presets, plus support for earlier Timeless presets
• IMPROVED – Interactive delay and filter displays
• GPU-powered graphics acceleration
• IMPROVED – Various interface sizes and Full Screen mode
• NEW – Curve control in EGs and transient detection in EFs
• Easy drag-and-drop modulation with 50-slot modulation matrix
• NEW – Supports common Pro Tools hardware control surfaces
• Interactive MIDI Learn
• Extensive help file with interactive help hints
• Unique per-component presets for modulation sources and tap patterns
• IMPROVED – Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need
• Smart Parameter Interpolation
• Undo, redo and A/B switch features
• Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats

ALL SOUNDS GOOD NOW

Vocal Finalizer is designed for holding “Vintage & Modern Characters – Simplicity – Wide Usability Range – Time Saving” properties together. Carefully crafted pieces are used in this combination to give everything you need to reach a final ready to mix vocal sound from a raw vocal track.

BALANCED & POLISHED

Vocals are the most important element of any song. Maybe that’s why a mixing engineer / producer wastes most of the time on vocal tracks to make the vocals sound as much as “perfect” and “sit-in-the-mix” possible. You don’t need to worry about that anymore. Get gorgeous results with ultra simple controls…

ALL IN ONE TOP FAMOUS CLASSIC VOCAL EFFECTS

You will find different variations of top 7 most popular vocal effects on a single unit with right settings and right amounts.

• Compression (3 types)
• DeEsser (Vocal Specific Dynamic EQ)
• Delay (4 types)
• Reverb (5 types)
• Doubler (3 types)
• Solid State, EQP1A and 31102 Classic Analog EQ Collection with 3 frequency band sections
• Stereo Wider effects

QUICK, SIMPLE & ELITE

Quickly combining the vocal processing settings for all musical genres is just a few clicks away. So because of getting the amazing sound very easily, you won’t believe what you hear. Your vocals will turn into real records just like in your dreams.

REAL ANALOG MODELS

If you’re looking for a true high quality “Analog Character”, quick and all in one vocal tone solution, “Vocal Finalizer” will definitely be your ”go to” vocal fx processor”. It will finalize your vocal track from “a raw track to professional record” with it’s magical processing power.

Product Specifications:

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Simplified controls, lot’s of creative possibilities
• 3 types of Vocal Specific Compressor/Limiter unit
• 4 types of Vocal Specific Tempo sync stereo delay unit with customizable section
• 5 types of Vocal Specific High Definiton Reverb unit
• 3 types of Vocal Specific Stereo Doubler – Chorus modulation unit
• Vocal Specific Body and Treble (Solid State, EQP1A and 31102 Classic Analog EQ models with 3 frequency band sections)
• Analog High Pass & Low Pass Filters
• DeEsser (Dynamic Eq) module
• Simplified Vocal Noise Gate
• Advanced Stereo Enhancer algorithm
• Resizable GUI with Vectoral GUI elements
• “Stereo” and “Mono to Stereo” Channel support

Authentic Vintage Tape Delay Emulation with Added Customization

The Lem Echo Music plugin recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. Martinic’s authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the wonderful wow, flutter, and degradation of the original.

History

In the late ’60s and throughout the ’70s, pairing an electric organ with a tape echo unit was common. Organists like Lenny Dee modified their organs, adding a tape delay for an extra dimension. The LEM Echo Music, for instance, allowed organists to send their bass tone to a dedicated output, providing precise EQ and delay control.

Martinic Lem Echo Music emulates the vintage tape delay unit’s classic sound. The effect involves recording on a single reel of tape moving past magnetic playheads at different positions, playing back multiple copies of the original signal.

The playhead positions and delay times are fixed, not syncing to a DAW’s tempo. Recreated imperfections like wow, flutter, and degradation add uniqueness. Additional plugin features include tape saturation, stereo mode with pan controls, and reverb—enhancements not present in the original.

Features

• Same tape delay as in Elka Panther plug-in
• 3 playheads at 80 ms, 210 ms, and 330 ms
• 7 delay tap combinations
• Total tape loop length 9.5 s
• Authentic wow and flutter
• Wet mix and feedback controls
• 2-channel mixer with bass/treble tone controls
• Vintage VU meter

Advanced Features

• Tape age control
• Same reverb as in Elka Panther plug-in
• Stereo mode with pan controls
• Master volume control

Introducing Pluralis, the ultimate delay plugin for producers and musicians who demand nothing but the best.

With its unique signal-splitting actions and advanced delay design, Pluralis lets you create truly unique and dynamic delays that will take your mixes to the next level.

Two Regular Delays

Featuring two regular delays with standard controls for Time, Feedback, Colour and more, Pluralis also offers four powerful modes for processing your audio: Mid/Side, Left/Right, Quiet/Loud, and Low/High. These modes allow you to split your signal into different parts, apply different processes to different areas, and get truly unique and creative results.

Modulation Section

With Pluralis, you can also take advantage of two Modulation sections that let you set values for Level, Rate, Feedback, and Dispersion. This gives you complete control over your delays and allows you to create dynamic and evolving delay effects that will enhance your productions.

Advanced Visualization

Pluralis also features an advanced visualisation system that makes it easy to see what’s going on in your mix. The four modes are logically placed, the modulation area is simple to set up, and each of the delay chains clearly displays input and output levels and frequency information. This gives you complete control over your delays and allows you to create complex and sophisticated effects with ease.

Presets for Inspiration

To help you get started, Pluralis comes with a variety of presets for each of the modes, as well as some artist presets created by Zardonic. And with hassle-free software protection, 15 days of unlimited trial, and free-for-life updates, you can be sure that Pluralis will always be up-to-date and ready to deliver the ultimate delay experience.

Features:

• Unique signal-splitting actions and delay design
• Two regular delays with standard controls for Time, Feedback, Colour, and more
• Four processing modes: Mid/Side, Left/Right, Quiet/Loud, and Low/High
• Modulation sections for Level, Rate, Feedback, and Dispersion control
• Advanced visualization of input and output levels and frequency information
• Preset folders for each processing mode and artist presets by Zardonic
• Hassle-free software protection without iLok, dongle, or internet access
• 15-day unlimited trial version with no saving limits or noises
• 64-bit audio quality at any sampling rate, including 192 kHz or higher
• Smart bypass with compensation for latency and clicks or harmful noises when automating parameters
• Intelligent sleep on silence to save computing resources
• Free-for-life updates to keep up with current operating systems and DAWs

Recapture Authentic Vintage Vibes

Achieve authentic vintage vibes “in-the-box” with the Retro Pack. This bundle of precisely modelled instruments and effects will allow you to recreate that nostalgic mojo without the need for a time machine.

►Elka Panther

Introducing the Elka Panther 300, a vintage Italian combo organ from the 60s. With bold organ sounds, adjustable voice levels, and unique features like Tone Decay and powerful vibrato, this classic instrument offers timeless charm for your music.

►Lem Echo Music

Experience the nostalgia of vintage Italian tape delay with the Lem Echo Music plugin by Martinic. Authentic emulation captures the classic three playhead sound, complete with original wow, flutter, and degradation. Enhance your creativity with added customizable features

►Scanner Vibrato

Martinic Scanner Vibrato faithfully reproduces the original scanner-vibrato, preserving its character and adding flexibility. Adjust rate, depth, and stereo width, applying it not only to organ sounds but also to guitars, synthesizers, or any sound you desire.

►Elka Panther

The Elka Panther 300, also known as the Capri, is a classic Italian combo organ of the 60s

The instrument produces bold, rich organ sounds and has a wide range of tonal variations (13). The Panthers 16′, 8′, 4′ Stops and Mixture voice levels are adjustable. Each note spans over three octaves, there is bass extension into grey keys and separate volume control for bass octave(s).

Tone Decay adds percussive effect to Mixture voices. The Panther has powerful vibrato with speed and intensity control.

Available as early as 1966, the Elka Panther was designed to have it all. Tweakable and versatile, families of sound would be activated using plastic switches – the on/off equivalent of pulling out stops on an organ. The switches controlled which family of sounds were activated, and were laid out horizontally in order of their pitch.

Features

Physical modeling (no samples used) of vintage Elka Panther 300 (1966-1972) and the rare LEM Tape Echo delay effect.

• 13 treble stops in 4 ranks (16′, 8′, 4′, Mixture), plus 2 bass stops
• Treble voice stops: Bourdon 16′, Contra Oboe 16′, Strings 16′, Open Diapason 16′, Flute 8′, Strings 8′, Clarinet 8′, Oboe 8′, Flute 4′, Strings 4′, Salicet 4′, Mixture I, Mixture II
• Bass voice stops: Bass Bourdon 16′, Bass Dulciana 16′
• Adjustable 16′, 8′, 4′, Mixture, and bass mix
• In the harmony control section, the level of the 16′, 8′, 4′ and Mixture voices can be infinitely varied via the knobs
• Mixture I “Harsh” and Mixture II “Mellow” are a combination of 3 pitches: 2-2/3′, 2′ and 1-3/5′
• Bass pedal board
• Onboard vibrato: on/off, lite/heavy, slow/fast
• Optical swell (volume) pedal
• Rare LEM Echo Music tape delay effect including a 2-channel mixer, tone controls and pan
• Fully polyphonic

Advanced Features

• Additional Elka Panther 100 engine
• 6 treble stops in 2 ranks (16′, 8′) plus 1 bass stop
• Treble voice stops: Bourdon 16′, Strings 16′, Flute 8′, Diapason 8′, Strings 8′, Trumpet 8′
• Bass voice stops: Bass Bourdon 16′, bass stop off lower octave plays the treble voices
• Extended 88 MIDI note range
• Sustain pedal support
• Pitch bend ±2 semitones
• MIDI program change support
• Separate treble/bass MIDI channel
• Vintage tube combo amp, with classic spring reverb, built-in opto tremolo, and cab simulation
  (Cabinet impulse responses by Studio Nord Bremen and Dr Bonkers Soundlab)
• Velocity-sensitive key contacts attack/release
• All settings MIDI learnable

►Lem Echo Music

Authentic Vintage Tape Delay Emulation with Added Customization

The Lem Echo Music plugin recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. Martinic’s authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the wonderful wow, flutter, and degradation of the original.

History

In the late ’60s and throughout the ’70s, pairing an electric organ with a tape echo unit was common. Organists like Lenny Dee modified their organs, adding a tape delay for an extra dimension. The LEM Echo Music, for instance, allowed organists to send their bass tone to a dedicated output, providing precise EQ and delay control.

Martinic Lem Echo Music emulates the vintage tape delay unit’s classic sound. The effect involves recording on a single reel of tape moving past magnetic playheads at different positions, playing back multiple copies of the original signal.

The playhead positions and delay times are fixed, not syncing to a DAW’s tempo. Recreated imperfections like wow, flutter, and degradation add uniqueness. Additional plugin features include tape saturation, stereo mode with pan controls, and reverb—enhancements not present in the original.

Features

• Same tape delay as in Elka Panther plug-in
• 3 playheads at 80 ms, 210 ms, and 330 ms
• 7 delay tap combinations
• Total tape loop length 9.5 s
• Authentic wow and flutter
• Wet mix and feedback controls
• 2-channel mixer with bass/treble tone controls
• Vintage VU meter

Advanced Features

• Tape age control
• Same reverb as in Elka Panther plug-in
• Stereo mode with pan controls
• Master volume control

►Scanner Vibrato

Unveiling The Legacy

The original scanner-vibrato was developed in the 1940s, and was an analog, electromechanical device, consisting of an analog delay line and a mechanical rotor (“scanner”). The rotor was driven by the organ’s internal motor, and therefore its rate was fixed at about 6.9 Hz. The original scanner-vibrato could produce both chorus and vibrato effects, and it offered three depth presets.

Martinic Scanner Vibrato is modelled closely on the original scanner-vibrato, so it offers the same features (and flaws), perfectly preserving the character of the original effect. However, Scanner Vibrato is more flexible; you can adjust the rate, depth, and even stereo width. And best of all, you can apply Scanner Vibrato not only to organ sounds, but also to guitar, synthesizer, or whatever sound you like.

Features

• Chorus/vibrato effect unit from well-known tonewheel organ
• Improved ACE^® technique model
• Original C-1/C-2/C-3/V-1/V-2/V-3 depth/mix settings
• Adjustable rate, depth, and mix
• Optional stereo width with separate left/right rates
• 16 presets, from classic chorus/vibrato to rotary-like effects
• Tempo sync
• Output volume control

Droplet is a delay modeling engine for creating “raindrop delay” effects. It is based on 32 stereo delay lines connected in series via a proportional feedback system, with each delay’s time and stereo pan being randomized in order to produce a natural sound similar to water drops falling onto a surface.

The wide parameter range, as well as low- or high-frequency feedback damping, allow Droplet to produce a huge variety of effects – not just its trademark raindrop delay but also lush reverb and resonator simulations.

The built-in modulation oscillator adds a unique dimension and unison detune to the sound, thanks to its unique flipped-polarity routing.

And thanks to the fact that the randomization seed is generated each time the plugin is loaded, just like the natural process it’s modeling, every instance of Droplet will always sound different.

Sound engine

• Multi-tap delay engine with 32 stereo delay lines and proportional feedback scaling
• Adjustable delay time randomization
• Adjustable delay output pan randomization
• Individual low-pass and high-pass damping filters per each delay line
• Sine-wave oscillator for delay time modulation, with flipped polarity between even and odd delay lines
• Lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic interface

• Color-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host
• control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!

All-in-one Introducing Repeater – A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs: Cassette Tape – A model of an early 80’s Japanese cassette tape deck. We’d call this one mid-fi Coopy Cube – An early 70’s delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option. Digital 42 – One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals. Digital 42 x 2 – The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums. Digital Delay – A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone. DM-2 – An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths. Mellow Delay – A smooth, subdued delay that is based on several vintage analog topologies. Memory Guy – Lush analog delay with fat vintage tone. Mirky Delay – Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option. New Radio – Delay tone with FM radio style scooped hi-fi tone. Try it on vocals. Old Radio – Delay tone with AM radio style grainy lo-fi tone. Pitchy Delays – (3 models) – Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect. These can also be used with tight delays with Spread option for widening and thickening effects. Plexy Echo – Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums. Space Delay – Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars. Tape Delay Ancient – An extremely old 1940’s style tape delay tone. Tape Delay Classic – Early 60’s style tape delay. Tape Delay Modern – Hi-fi tape delay with warm and lush tone. Tape Delay Vintage – 70’s style tape tone, slightly grainy but warm. Telephone 1 – Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix. Telephone 2 – Another lo-fi telephone tone with slightly different frequency and distortion tone. TelRay – The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.

Reflections of the Future

Imagine a plugin that sees the future. It reverses your audio, applies effects and plays it back before the event even begins. This plugin would automatically create the much-loved reverse reverb and snare effects in seconds, allowing you to focus on the sound, not the process.

Well, that is JMG Mirror – the world’s first reverse negative delay.

Mirror needs time to record your audio into the buffer before reversing it and playing back before your original sound. This causes latency, which means that playback will not immediately start. Please be patient and give Mirror time to work its magic, in the long run, it will save you lots of time over the tedious manual process. You can shape the effect in context with the rest of the audio in perfect sync. When you are happy with the result, simply bounce the effect to remove the latency.

Mirror Key Features

A Delay Ahead of its Time

Mirror is a reverse negative delay, which means the reverse effect is heard before the original sound. This is achieved by reporting a fake latency to the DAW, which then compensates, perfectly aligning the end of the effect with the start of your original sound.

Ghost Snares

Get that classic reverse snare sound instantly without the hassle of setting it up manually for every hit in your project. Mirror does all the hard work for you and lets you fine-tune the effect to make it fit perfectly to your snare drum.

Reverse Reverb

Mirror lets you easily get that reverse reverb effect in seconds. It records the audio into a buffer, adds reverb, reverses everything and then plays it back before the original sound. Use it to transition into new elements in a song or add ethereal effects and ambiences to tracks.

Get Creative

Mirror is not just for snares. In fact, it can sound amazing on a wide variety of sounds. Inject interesting rhythms to boring drum loops, spice up ARPs and leads or transform vocals and pads into otherworldly textures. The limit is your imagination.

Perfect Fit

The easy to use controls allow you to soften, trim, filter and extend the reverse effect to seamlessly transition from wet to dry. You can smooth out transients, remove bass punch, reduce harsh attacks or bring down high-end frequencies all to make the effect a supporting role while keeping your original sound center stage.

Realistic 3D yet flexible GUI

The photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size – make it smaller to save valuable screen space, or enlarge it to make it easier to use.

64-bit audio quality at ANY sampling rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any clicks or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.

A delay playground with endless capabilities

Modley is a modulation delay with effect insert capabilities, which lets you design the whole delay signal with several carefully selected effect modules to create unique signal flows.

The idea behind Modley is to push the boundaries of what a delay effect is capable of – only your imagination sets the limits! While Modley sure can be used to do all the traditional tricks – Stereo delay, Tape delay, Short slapback delay, etc., its true potential lies within the variety of unexpected effect modules that can be applied.

New in v1.1

• New Bitcrusher insert effect
• New Stereo width control insert (Stereoid)
• New Feedback mode, controls the behaviour of loop insert effects
• The Filter insert now features a bandpass type
• The Pitch insert now has a range knob

• 1. Pre-pare for the loop – The first row is the Pre rack – all effects inserted here will process the incoming audio before entering the Loop rack.
• 2. Loop the loop – This is where the fun really starts. The inserted effects will process the audio from left to right, and if the feedback control (4) is set to anything above 0, that amount of the loop output will be re-routed back to the loop input.
• 3. Post-traumatic stress – Same as the Pre rack, but this rack is positioned after the loop rack in the chain.
• 4. Only positive feedback, please – This controls how much fun you want.

Features

• 15 different effect modules – Panning modulation, Phaser, Distortion, Tape Saturation, Pitch Shifter, Delay (!), Reverb and much more.
• Time sync.
• Global modulation of the delay.
• Built-in limiter.
• Freeze function, with pre- or post-loop processing.
• Lots of presets to kickstart the creative flow.
• Dry/wet mix

Can Your Delay Plugin Do This?

The team at AIR Music Technology decided to come up with a delay plugin that gave us all we  ever wanted from a delay plugin, and then add some more stuff besides!

For starters there’s modulation and LFO options. And a stereo widener… and some more EQ… and distortion, and we’ve thrown in a limiter too, and a chorus, plus stereo and wobble effect..

But we kept thinking about some really powerful extras… to take your in-the-box mixes outside the box!

Autoclear is magical, it gives you the option to have enormous delay based effects that stop when you need them to, for example, when the next note hits. It’s something you have to hear to really get your head around. Once you’ve used it you’ll wonder how you ever used an echo without it.

Then there’s diffusion, an effect that smears the delay sound, taking it into the realm of a reverb, it’s a way of knocking off some of the hard edges. Experiment to create a mix between a delay and a reverb. We also added an envelope follower that allows you to manipulate the time, feedback, and delay amount based on release and ceiling time. This is where things can get really bonkers.

And just in case you need some inspiration to get you started, we threw in a ton of presets, there’s the usual suspects plus some wild and wacky stuff to really mangle the sound.

In short, we wanted to create a delay plugin without compromise. Some call it extraordinary, we call it the AIR Delay Pro.

Features

• Up to four second delay time
• Fully BPM syncable
• Three stereo modes for creating complex offset and bouncing delays, plus width control
• Choose between characteristic digital and analog behaviours
• Comprehensive feedback section including high and low pass filters, resonant filter with resonance and LFO, and distortion and limiter.
• Auto-clear function
• Diffusion section with stereo switch and size control to create subtle washes
• Modulation section with three distinct modes (Wobble, Stereo and Chorus) with slow and fast modulation control for classic tape emulation effects and more.
• Powerful envelope follower assignable to time, feedback and mix parameters
• Parametric EQ band
• Output section with high and low pass filtering, width, balance and mix controls
• Wide range of logically categorised presets

PSP Echo is a high quality echo processor (plug-in AudioUnit, VST, RTAS AAX for Mac OSX (Universal Binary); VST, RTAS and AAX for Windows).

PSP Echo’s powerful and unusual features combined with its smooth operation makes it ideal for all kinds of creative uses from simple slap back and sustain effects through ping-pong delays and spacious echoes.

• Use the delay sliders to add special tape echo effects for even more unique effects.
• The tape wow control and built in ducker further extend the creative potential of PSP Echo.

Internally, the Echo is like a combination of four mono tape delays—two for the initial ping-pong pre-delay and two for the main stereo echo.

PSP Echo includes a set of extremely useful factory presets that cover a wide range of this plug-in’s settings.

MORE THAN JUST A DELAY

We have designed Action Delay with these characterstics in mind: Full Power – Simplicity – Creativity.

Mixing these goals together is a hard task that requires hard work. But at last, this multi-effect beauty was born.

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Tempo Sync and free delay modes with individually adjustable L / R channel settings.
• Lo-Fi degrade unit with “Bit Reduction & Sample Amount” settings
• Reverb unit for dry and wet signals with 3 High Definition reverb modes.
• Chorus modulation unit
• 4 band Solid State EQ
• Advanced Stereo Enhancer algorithm
• Simplified controls, lot’s of creative possibilities.

Just plug Action Delay in to your track and after twisting a couple of knobs, boom. You’ll get what you need, so so simply.

4 IN 1

Don’t be fooled by the name. It’s not just a delay unit. It’s a very advanced combination of:

• Delay
• Chorus
• Reverb
• LoFi Processors

You can combine built-in processors with the delay section, so you will be able to produce creative delay effects with an easy & fun way.

BUILT-IN PROCESSORS:

• Classic Reverb
• Lo-Fi Distortion
• Classic Chorus
• Stereo Enhancer
• Classic Solo EQ
• Hybrid Delay Engine

TONS OF POSSIBILITIES

Every parameter designed carefully to give the shortest and the most varied result. So you won’t get drowned in dozens of parameters. There are tons of possibilities for Action Delay but can be achieved with less effort.

Instantly enhance the functionality of your plug-ins and DAW with eleven different signal modification units. Explore new creative possibilities and quickly add missing features.

Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.

With eleven single-process modules, SigMod contains many useful, creative functions which are unobtainable or otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.

Full List of Modules:

• Mid/Side
• Protect
• Mono
• Switch
• Delay
• Phase
• Trim
• DC offset
• Tap
• Mute/Solo
• Crossover

For Your Plugins

Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.

Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers.

Manual or auto reset options give you the level of protection you need.

Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges – great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.

For Your Daw

Several of SigMod’s modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.

How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker – the Mono module switches your signal from stereo to mono in one click.

You can also check the phase relationship between your left and right channels with the Phase module.

PSP stompDelay, is a creative delay plug-in

Designed to provide a wide range of sounds from lush analog tape delays through vibrant loops, from classic ping-pong to scratchy pitch shifts.

stompDelay features both traditional delay effects and a looper when in “infinite operation mode” (called Infinity mode) that offers continuous tap tempo, as well as accurate tape simulation, including simulating the volume drop that occurs when fast forwarding or cueing the tape.

stompDelay is capable of generating the full gamut of delay-based effects: flanging,doubling, chorus and every kind of echo imaginable, from epic Strawberry Letter 23-style swells to dub delays, slapback and classic ping- pong. It’s also an incredibly easy plugin to edit and tweak.

Features:

• Versatile delay effects
• Lush analogue sound
• Tap tempo feature

Nerdy. Easy. Super Cool.

The Micro Digital Reverberator combines killer reverb and delay effects with a super friendly user interface and controls. Pop it on an insert, pick a preset, and go. Drums? Vocals? Synths? Guitars? This little plugin has you covered.

Our MDR has the sounds of the first generations of budget reverbs that took over project studios in the late 1980s. In a few years, these units were commonplace in major recording studios and all over many of your favorite records.

Don’t let the simple interface fool you: this thing sounds amazing, with tight small rooms, huge plates and halls, gates and reverse reverbs, and some effects that can only be found on the MDR.

Machine 1

Machine 1 is a simulation of a very popular 16 bit, 1/3 rack size digital reverberator that was introduced in 1986. Although it has a limited amount of sounds, they are carefully designed and sound great. You still see this unit in guitar racks and studios all over the world.

Machine 2

Machine 2 is a simulation of the second-generation, full-rack size digital reverberator. This unit has lots of presets, lots of useful sounds, and some one-off special effects which can only be found on this particular unit.

Nerdy on the Back Side

The Micro Digital Reverberator has a few tweaks on the other side that let you craft frequency response, oversampling and GUI performance. There’s also a super effective stereo widener tucked in back there, for those times you want the effect all around the music and the listener.

Transform Your Mixes with Three Essential Production Tools

Designed as the ultimate core set of plugins for producers, engineers and sound designers, the Ultra Essentials Bundle features three of our most powerful plugins: UltraChannel, UltraReverb and UltraTap. Whether you are mixing or tracking a record, live sound or post-production, our Ultra Essentials will make everyday tasks easier and fire your imagination.

The bundle comes with more than 600 presets across the three plug-ins, many designed by Eventide artists including Andrew Scheps, Chris Carter, Richard Devine, Sasha, ROCASound, Brian Montgomery, Matt Lange, Colin Newman and many more. Valued at over $500 if purchased separately, bundles are the most affordable way to own Eventide’s award-winning tools.

UltraChannel – Professional Audio Engineering For All

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance, but is also the most versatile channel strip available due to our exclusive FlexiPath™ routing, which allows processors to be ordered based on desired workflow.

The Secret Sauce of Mixing

UltraChannel shines in carving out space for any instrument or vocal to sit just right in the mix. There are an infinite number of ways to generate the exact tone, dynamics and frequency characteristics you’re seeking. Additionally, through its support for side-chaining, you can use an alternative audio source to color the characteristics of your main signal. It wouldn’t be an Eventide if it didn’t also feature micro pitch functionality (from our flagship H8000 hardware) to thicken or increase the stereo spread of any instrument or vocal.

FlexiPath™

Allows drag and drop for reordering the signal path of the top level components (O-Pressor, compressor/de-esser, EQ, Gate) for ultimate flexibility and experimentation.

UltraReverb

Comprehensive reverb toolbox with nine H8000 hardware-derived, reverb algorithms to realistically simulate halls, chambers, rooms, plates and ambience or, taken to the extreme, other-worldly environments. The toolbox includes 4 parametric EQs, compression and delay which can be routed pre or post reverb. Packed with more than 300 presets it is arguably the most comprehensive reverb plug-in available.

Features

• Halls, Chambers, Rooms, Plates, and Ambience derived from Eventide’s flagship hardware processor, the H8000 UltraHarmonizer®
• Create acoustically natural or other-worldly environments
• Packed with over 300 killer presets for mixing, mastering, post-production, and sound design
• Includes Artist Presets designed by top engineers and recording professionals

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

Features

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.

MSpectralDelay is a unique creative delay plugin, which works in the spectral domain and lets you perform various transformations on the delayed signal – from changing pitch to arbitrarily transforming individual frequencies. It’s complex, but it is still easy-to-use for the beginners.

20 delay plugins in one

MSpectralDelay is extremely powerful, therefore also complex. So we have exploited its features and created 20 active presets on the easy screen, each as versatile as a dedicated plugin. These make using the plugin easy even for complete beginners.

The power of spectral processing

Traditional delay plugins feature a simple feedback delay, which produces identical copies of the original signal, sometimes with a possibility of filtering, distortion or other basic effects.

MSpectralDelay lets you transform individual frequencies. First it lets you control the delay time, feedback, panorama and level (EQ) for each frequency. MSpectralDelay also provides complex spectral transformations – pitch, frequency shift, formants, plus an actual frequency to frequency transformation and level to level transformation.

MeldaProduction goodies

Isn’t transforming pitch, formants, levels and more advanced stuff enough to satisfy your creative needs? It wouldn’t be a Melda plugin without the signature modulators, multiparameters, channel modes, A-H presets, ABCD morphing and more!

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• 1-6 fully configurable independent bands
• Modulators
• Adjustable oscillator shape technology
• Multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX2 capable processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

Lexicon PSP 42 is a high-quality digital stereo delay and phrase sampler plug-in based on the legendary Lexicon PCM 42 processor famous for its distinctive sound and unique concept.

Lexicon PSP 42 has been carefully designed to accurately reproduce the flexibility and warmth of this renowned classic. This has been accomplished by incorporating precise tape saturation algorithm and a delay line operating with variable sampling rate which simulates physical properties of vintage tape machine delays. The plug-in has been designed with consideration to preserve maximum signal quality at every processing stage.

Lexicon PSP 42 is capable of generating wide variety of delay-based effects ranging from tempo-locked feedback delay with high frequency absorption and tape saturation to flanging and phasing effects.

A flexible modulation section for continuous delay time and pitch control allows the user to add subtle animation or swing to the processed signal as well as to create unpredictable, alien sounds when pushed to its limits. The freely adjustable delay line sampling frequency makes Lexicon PSP 42 a good tool for creating lo-fi effects that sound smooth thanks to the superior characteristics of employed

Features

• High quality signal processing algorithms
• Up to 9600 ms of delay time depending on internal sampling frequency
• Continuous control of delay time
• Tight synchronization to the host tempo and its changes
• Tape saturation simulation based on the algorithm used in our line of mastering processors
• Low-pass filter for high frequency absorption modeling
• Modulation section with three different modulation signal sources (sinus, square, envelope detector) mixed in any proportions
• Phrase sampler capability
• Parameter filtration and on-the-fly cross-fades for smooth and click-free operation
• Support for sample rates of up to 192kHz
• MIDI and VST automation
• Logic Control support
• Extensive preset library