Delay VST Plugins

Dispersion is a bouncing ball delay effect plugin for Mac and PC.

It has up to 32 sequential delay lines whose times are spread exponentially via a special formula developed at Sinevibes, in order to produce sound repetitions akin to a bouncing ball. The key feature is that a single round of such delay bounces is always summing up to a precise tempo fraction – making this a rhythmical effect.

Dispersion can also gradually spread the pan of the bounces left to right and vice versa, so that the imaginary ball moves within the stereo field.

With an optional inverse time spread, multiple feedback shaping features, and trademark alternating-polarity modulation, Dispersion is capable of a whole universe of unusual yet musically rich effects which simultaneously combine the characteristics of delay, reverb, chorus ensemble, and stereo widening.

SOUND ENGINE

• Up to 32 sequential delay lines with tempo-synchronized “bouncing ball” time spread
• Gradual and stepped feedback modes
• Optional two-pole low-pass or high-pass feedback damping filter
• Adjustable delay bounce stereo pan spread
• Delay time modulation with unique alternating-polarity routing and variable stereo phase offset
• Lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

GRAPHIC INTERFACE

• Color-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

Version 2.5 of u-he’s monster delay plug-in More Feedback Machine is now available.

The new version comes with a redesigned GUI, native support for Apple silicon, VST3 and CLAP (the new open source plug-in format), a new input section, new granular and diffusion effects… and quite a lot more.

The 3D circular arrangement of elements in the previous version has made way for a more practical design, and In case anything remains unclear despite the streamlined UI, users can access the user guide and other documentation by clicking on the u-he logo.

Several of the new factory presets feature the Diffusor effect, demonstrating that version 2.5 is also quite a capable reverb unit. Fans of experimental effects will also welcome the Granular feature, which includes a reverse option and host-syncable grain size.

MFM2.5 can do…

• Ping-pong and panning delays
• Filtered and frequency-shifted delays
• Chorus, flanger, resonator
• Reverb, diffusion and ambience
• Granular effects
• Degrading & distorting delays
• Ducked and compressed delays
• Endless loops
• Keyboard-controlled (tuned) comb filter
• Massive glitch effects
• Any combination of the above

2 Input Processors

Input signals can be processed in pairs before being sent to the delay lines. The “Transient” controls suppress or boost spikes. The two non-resonant input filters can reduce the frequency range or even split the frequencies into two stereo bands with independent delay settings (set In 1+2 to Lowpass and In 3+4 to Highpass with the same Cutoff value).

4 Delay Lines

Independent delay modes: synchronized, free, or even controlled by MIDI notes.

The dark field below each knob is a modulation source selector, and the amount of modulation is controlled by the “pip” which appears at the top right of the knob.

4 Main Filters

Resonant filters can be placed in various positions within the signal path. On offer here: 2x low pass, 2x high pass, band pass, band reject, allpass (phaser).

The Feedback Matrix

This is where you can specify how the delay lines feed into each other: The “User Matrix” option lets you freely route signals between all 4 delay lines.

The large control at the top adjusts the overall amount of feedback. At the bottom of the panel are the output level controls, allowing for normal and inverted polarity.

2 Effects

Pre-feedback processing. On offer here: limiter, bit crusher, phaser, frequency shifter, lowpass/highpass filter, granular pitch shifter, diffusor (reverb-ish).

2 Compressors

The final polish! Peak or RMS mode compression. In PeakComp mode you can compress one pair of channels using a sidechain from the other.

Creating new effects in MFM2 can be quite complex, depending on how deep you want to go! Below is a very brief introduction so you can get some idea of what awaits you as MFM2 tweaker…

Features

• New in version 2.5: input section with gain, filter and transient balance
• 4 delay lines with independent absolute time or tempo-synced modes
• Each delay line has its own multimode filter: 2x lowpass, bandpass, 2x highpass, bandreject or allpass
• 6 default delay configurations or user matrix (freely route signals between all 4 delay lines)
• 4 syncable LFOs with 8 waveform options or user definable shapes
• 2 syncable and loopable multi-stage envelope generator (MSEG) modulation sources
• 4-slot modulation matrix with depth modulation from a second source
• 2 channel-pair effects: soft clipper, bit crusher, phaser, frequency shifter, filter…
• New in version 2.5: granular (pitch shift, reverse delays) and diffusor (reverb)
• 2 channel-pair compressor/limiters, with peak or maximize modes
• New in version 2.5: output shield (soft clipper) with strength and threshold options
• Scalable UI from 70% to 200%
• 400+ factory presets

Imperial Delay is designed to be a fast moving, powerful beast of a delay. It gives you complete control over every nuance of your delay, but does so in a way that doesn’t get in the way of your creative side.

Easy to Use. Insanely Powerful.

Imperial Delay was designed from the beginning with two goals: Be the most powerful delay, and be easy to use. As it turns out, those two requirements tend to be at odds with each other. Some delays give you lots of control but require you to get out your lab coat and calculator in order to use it. Other delays sound great with only a couple knobs, but give you almost no options. Imperial Delay does both.

Every option that you would need in a delay is available at the twist of a single knob. If you need more control over those effects, you can enter the advanced controls and experiment to your heart’s content.

Boz Digital Labs’ new preset management system lets you save presets that go far beyond your DAW’s preset saving ability.

Colour Copy: A Bucketful of Delay

A virtual analog effect inspired by classic bucket-brigade delays (BBD) but extended with modern features.

We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic BBD units, but with a wider variety of colours.

Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

Colour Copy in the spotlight…

• BBD-style analog delay, for the smoothest possible pitch effects
• Unique colour morphing, with saturation for non-linear effects such as distortion / resonance
• 1ms to 1s or host-synched time base, scaled via rate control from 25% to 400%
• Dynamic ducking via envelope follower, with an option that preserves the initial delay
• LFO (with dynamic frequency and depth) can modulate rate, tap position or amplitude.
• Midi note tracking and Freeze button (infinite loop) for wildest experimental effects
• Powerful preset browser with tag and/or text search functions
• Independent input and feedback routing options allow all possible stereo or mono combinations
• 100 factory presets, nks-compatible
• UI instantly resizable from 70% to 200%
• Custom remote control via midi cc, 14-bit resolution option

In most digital delays the delay time alters the size of the buffer. If you quickly modulate or sweep the delay time on a typical digital unit, unmusical glitches propagate through the feedback as the buffer is shortened or lengthened.

Like a real BBD, Colour Copy changes the internal sample rate instead (i.e. how fast the “buckets” pass on their content), and this is why Colour Copy is smooth with a capital SMOO!

MAIN FEATURES

Colours
During development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. A single knob lets you continuously blend between the five finely-tuned “colour” macros.

The differences may be subtle, but each one is rich in detail. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. Finally, a Brightness knob lets you adjust the bandwidth.

Flexibility
Colour Copy is capable of a huge variety of different delay-based effects. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange/chorus effects to regular ping-pong delays and longer “looper” effects.

The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. Additionally, unlike hardware BBD units, Colour Copy’s left and right output “taps” can be placed anywhere along the delay lines. This feature lets you move echos independently “forward in time” for e.g. ping-pong or “rushing” delays as well as various stereo chorus or flanger effects. You never knew you’d want three different ways to create a ping-pong effect!

Animation
Colour Copy comes with a stereo LFO that can be used to modulate either the delay rate, the tap positions or the delay amplitude. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the LFO can create chorus, vibrato and tremolo effects. Crank up the modulation depth for deep pitch-shifting. An envelope follow signal derived from the input signal can be used to modulate the LFO frequency and depth, adding realtime dynamics to the effects.

Colour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. This latter option leaves the very first delay unaffected, preserving the overall stereo “space” while preventing the sonic mayhem that high regeneration often causes.

Performance Control
Some people like to perform on their bbd hardware, pitching the regeneration up and down by twisting the rate knob.

We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Secondly, midi key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.

Sparkling Filterbank Delay

Things – Bubbles is an unusual filter bank effect plugin aimed at experimental sound design.

You can use up to 10 band pass filters, represented by bubbles in the UI, with controllable resonance. Each band can have a dedicated delay with feedback.

You can spread the cutoff, resonance, delay time, and delay feedback across each band to get very creative effects, from odd sounding echoes/reverbs to impossible sequences.

Specifications

• 10-band Filterbank
• Delay for each band
• Preset system with randomizer
• Resizable Window

Simply put, it’s a delay effect. HY-Delay4, designed by HY-Plugins is here to help add delay and multi-fx with an all in one tool.

The plugin contains waveshaper, eq, multip and fx units. You can change these process orders around in any way that suits your current needs.

There are 5 delay modes (simple, dual, grain, groove, pm) and bypass available. If you want to use this plugin without delay, you can use bypass mode.

Also you can modulate those parameters by internal modulation sources. There are 4 modulation units available and each unit has 5 modulation types.

• 5 delay modes + bypass mode
• You can change process order(delay, amp, ws, eq, fx1, fx2)
• Drag&drop for modulation assignment
• 4 modulation generators(5 modulation types)
• Ducker
• Side-chain input for ducker and envelope follower
• Randomizer
• Preset manager (each fx unit also have preset manager)

It’s also a multi effect unit. there are two fx units available, each unit containing 22 effect types.

• Simple Delay
• Ping Pong Delay
• Reverse Delay
• M-Tap Delay
• Haas
• SVF ( State Variable Filter )
• HP/LP
• Formant
• Comb
• Chorus
• Flanger
• Phaser
• Tremelo/Pan
• Freq Shifter
• Pitch Shifter
• Lofi
• Overdrive
• Clipper
• Compressor
• Envelope Shaper
• Gate
• Reverb

Precision Time Align is a high precision, sub-sample delay that can slide a track forward or backward in time.

It will help you get perfectly synchronized double-tracked recordings and significantly eliminate timing anomalies and phase issues from your mix on multi-mic’d drums, vocals, and instruments.

Blowout Comb: Precision Time Align allows for synchronizing signals to microsecond accuracy, up to 1/64th of a sample.

Recording drums, an electric guitar cabinet, or vocals with more than one mic can be challenging. While the sound recorded from each microphone might sound good on its own, mixing them together can introduce phase anomalies like comb filtering (phased, hollow sound) or low frequency attenuation. Editing in your DAW can help with time-alignment on a sample level.

Precision Time Align gives you much, much finer control – 64x higher resolution, in fact. 

Features:

• Synchronize signals to microsecond accuracy, up to 1/64th of a sample
• Phase Invert button fixes mirror-image acoustical phasing
• Precise Coarse and Fine controls optimize time shift in recordings
• Perform negative delays, moving the track up in time relative to other tracks in the recording
• Four different methods for calibrating the signal to achieve perfect signal matching
• Precision Time Delay also included for use with DAWs lacking delay compensation
• Much faster and more accurate workflow than trying to manually align in your DAW

Whether you wish to combine multiple tracks of a single instrument, compensate for phasing from different mics on a kick drum, or align audio segments for a tracking-only session.

Precision Time Align is ideal for these critical engineering tasks.

Iconic H3000 Effect with Out-of-this-World Pitch, Delay & Reverb

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. 

Built for Experimentation 

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Features

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up.
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback.
• Reverb with 100 seconds of decay.
• Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents).
• Smooth out delay grains by applying up to 4 seconds of delay for each voice.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• FLEX shifts both voices up one octave at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.
• Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App.

Play the Ribbon

The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

Beyond Traditions

Objeq Delay is a creative effect plug-in combining acoustic filtering with a clever delay unit. The plate, beam, drumhead, and string objects impart evocative acoustic resonances to the input signal. Further shaping is also available via low- and high-cut filters. The in-series delay acts as a classic unit or can split the first and subsequent repeats to either remodel the attack or create complex rhythmic patterns. An LFO module completes the package with comprehensive modulation destinations to the filter, resonator, and delay parameters. 

“Objeq delay is a truly creative and fun effect with multifaceted applications, ” said Eric Thibeault, the product’s designer, “Objeq Delay is obviously a great delay unit, but the complete feature set takes it to another level. The acoustic resonator is a great percussion track enhancer—it’s fantastic on kicks and snares. The split between the first and subsequent echoes can mangle simple loops into new complex rhythms. The LFO allows various modulator-type effects such as flanger and chorus. And then when you bring it all together, a highly resonant object with the delay brings you into the drones territory.”

Objeq Delay is a creative delay unit with unique filtering options thanks to our acoustic object models. Going beyond traditional delay duties, Objeq Delay delivers modulator type effects, drum track layering, one-shot re-crafting, dynamic loop mangling, and drones…

Echoes – 35 Presets

Objeq Delay kits out an extensive Delay module. Whether it’s for psychoacoustic effects, slap, rhythmic, or super lush space-out echoes, with modulation and feedback filters, Objeq Delay covers the whole gamut of delay possibilities.

Modulators – 44 Presets

Objeq Delay boasts a comprehensive LFO with a full list of modulation destinations that allows the creation of chorus, flanger, vibrato, tremolo, and auto-filter modulation effects.

Rhythmic Loop Mangers – 36 Presets

Objeq Delay really augments the life of rhythmic loops. While the resonator is made as a new pulsing element, the delay module, with its independent first and subsequent repeats, answers the source’s original invitation—working together to create complex and intricate new beats.

Kick Track Enhancers – 25 Presets

Objeq Delay’s resonators can transform kick tracks in many interesting ways—add boom decays or snap attacks in skin, plastic, wood, or metal flavours.

Snare Track Enhancers – 20 Presets

Like kicks, snare tracks are prime candidates for Objeq Delay’s resonators. The objects layer in weight, body, an acoustic ring, or a snappier attack showing no prejudice whether your source material is acoustic or electronic.

Dornes – 24 Presets

With high resonance and modulation, Objeq Delay’s resonator forms ever evolving drones that reacts to the source material in a related but often unrecognizable fashion.

Richard Devine Signature – 42 Presets

Expert sound designer Richard Devine bring his touch to Objeq Delay with a comprehensive set of presets that explore the extremes of the effect with all kinds of new and interesting sonic transformations.

Martin Walker Signature – 40 Presets

Sound designer and steampunk audio inventor Martin Walker pushes the boundaries of Objeq Delay, discovering fresh and exciting possibilities while retaining loads of musicality.

Neat Features

• Real-time control over any parameters via DAW automation
• Host tempo synchronization for effects and modulations
• Relaxed editing with unlimited undo/redo capability

The Benefits of Physical Modelling

• Sound manipulation at the source core.
• Presets load in a flash.
• Installs in less than a minute – less than 11 MB on disk.

Plugin Formats:

• Audio Units (AU)
• AAX Native
• VST

Cycles & Spots crafted another great instrument for Native Instruments Reaktor.

This one consists of 4 granular samplers, each can be manipulated in numerous ways (6 modulation destinations at the same time) and these can be automated over time to create deep abstract Ambient soundscapes, making the 200 implemented original samples unrecognizable.

Reaktor Atmosphere allows to import own samples as well.

Pack Contents:

• 1 Reaktor Instrument (Ensemble) For NI Reaktor 6
• 200 Loops Implemented (Importing Possible)
• Reverb
• Delay

This instrument is aimed towards touchscreen usability, though it isn’t obligatory and can be used in a regular way as well.

Quick Time Align

L8R is a super simple but very handy plugin. With just a single knob (and a couple of buttons) it lets you apply micro delays to your left or right channel. It’s perfect for either correcting or creating very small timing differences between your stereo channels.

With one knob, you can quickly add super small amounts of delay to either the left or the right channel, to either create or fix timing discrepancies.

MAIN FEATURES

• Add width to mono sources
• Pan using the Precedence Effect
• Correct timing issues on stereo tracks

Smooth Adjustments
No clicky delay changes here. As you adjust the delay time, we made sure to keep that delay transition super smooth so you can automate it without having to deal with any clicks that tend to come with changing delay times.

10x
Sometimes you need more than just a small delay. Enabling the 10x option increases the maximum delay from 3ms to 30ms for those times when large adjustments are needed.

Mono Check
Micro delays can create phasing issues in your mono mixdown (if you care about that sort of thing). The Mono Check button lets you hear what effect this plugin will have on your mono output to make sure you aren’t doing more damage than good. With just a single button you can check between mono and stereo to make sure you are getting the best sound you can get.

Delay: Dodged & Defined

‘Mutant Delay’ is a host-synced delay plugin with a built-in ducker, perfect for vocal processing and many other applications. In the studio, we’ve lost count of the number of times we’ve had to set up convoluted sidechain and compression routing, just to achieve a ducked delay for our vocal lines. With Mutant Delay all that complexity is a thing of the past. Now you can easily replicate this popular mixing technique with just one plugin and a couple of clicks, allowing you to dial in extreme delay effects whilst maintaining clarity of the original signal. If you want to keep things simple, just load up Mutant Delay on your vocal track, choose a preset and voila! Need to get deeper? Adjust the delay and ducking parameters to your own taste, with clear visual feedback provided in real time, showing exactly how the ducked delay is being performed.

So what’s going on under the hood? Essentially, the ducker listens to the dry source, and ducks the wet delay signal making space for the source signal. This setup is very useful when using more pronounced delay effects that have a lot of feedback. For example; vocals, synths and percussion. Quickly dial in extreme delay effects without losing the definition and clarity of the source signal.

Power: The Mutant Delay logo acts as a bypass control for the whole plugin, and is smoothed to be click and pop free for unhindered A/B testing.

Visual Feedback: The waveform graph at the very top of the interface shows the dry source and the wet delay signal in different colours. You can clearly see what the plugin is doing in terms of delay and ducking.

Synced Delay Section: The Synced Delay section of Mutant Delay offers flexible host-synced delay for the left and right channel independently, including High & Low pass filters and a Ping-Pong setting.

Mix & Time: Use the Mix dial to set the wet delay level. Used in conjunction with the Threshold and Ratio dials within the Internal Ducker section, this parameter can give precise control over the performance of the delay and feedback. Independent delay time controls for the left and right channels can be set from 1/1 to 1/16 with straight, triplet or dotted notes.

Feedback & Ping-pong: The Feedback dial mixes the output of the delay back into the input of the delay line, creating a repetitive delay effect. For more complex delay combinations, you can cross-mix the feedback paths of the left and right delay channel using the Ping-Pong routing option.

Frequency shaping: A common delay technique; shaping the frequency of the delay tail adds movement to the feedback and helps with mix clarity, reducing high and low end clutter. Mutant Delay’s High & Low pass filter dials can be used to filter the output of the delayed signal in two different ways. Mode A limits the entire delayed signal to the upper and lower frequency limits. Mode B will introduce the frequency shaping slowly as the delay feeds back – an interesting and creative effect.

Internal Ducker Section: The ducking section of the interface works similarly to a standard compressor and the Threshold and Ratio dials are the main controls for shaping how the ducked signal is processed. Threshold sets the intensity level at which the compressor starts working and the Ratio dial dictates how much gain reduction is applied.

Advanced Controls : Attack / Hold / Release: You can fine tune the behaviour of the ducking effect with the Attack, Hold and Release dials. Attack allows you to ignore transients in the delay signal. Hold stabilises the generated gain reduction. Release set the fade out time for the gain reduction. Adjusting these parameters is the key to shaping your bespoke delay. Try setting Attack to zero and dialling in a long Release time for a really atmospheric effect.

Presets: Including a wide range of factory presets, Mutant Delay is designed to get you up and running quickly. The specially tailored settings include many types of delay chains, from standard processing right through to special FX. These are all easily accessible from the plugin menu and of course, you can save you own settings as user presets too.

This all-in-one frequency shaped ducked delay gives you precise control over your delayed vocals, synths and so much more. Mutant Delay perfectly controls delay feedback tails, without complex routing and sidechaining, maintaining the clarity of the original signal. It’s just simple and fast.

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features:

• Host-synced delay
• Built-in internal ducker with compressor-style controls
• Many presets for a wide range of delay parameters
• Click free bypass control
• 2 filtering modes (straight dampening & increasing over time)
• Straight and ping-pong delay with multiple note divisions
• Real-time waveform display
• Full PDF Manual & Tutorial video

New Features in version 2.1.0:

• Resizability
• Updated presets manager
• Updated license management
• Bug fixes

C&S present another great sample based instrument for Native Instruments Reaktor including 100 presets. This one is playable via keyboard or any other MIDI input and makes morphing / modulating Atmo, Chord, Bass, FX and Lead sounds.

The morphing is controlled by an LFO and can be synced to your DAW. The instrument´s heart is a controllable granular sampler and features a spectral stereo equalizer plus two effects (Delay, Reverb).

So the presets can be changed in many ways though you instantly can start without any tweaking to easily produce music ranging from Deep House to Ambient right away.

Pack Contents:

• 1 NI Reaktor Instrument (Ensemble)
• 100 Presets (Atmo, Bass, Chord, FX, Lead)

Total Number Of Files:

• 1
• 379 MB

Software Requirements:

• NI Reaktor 6.1 & Higher Needed

PSP 608 MultiDelay is an extensive delay plug-in.

Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options.

The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from PSP’s renowned mastering processors.

Of course all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.

Features:

• Up to 8 seconds of delay time per channel.
• Continuous control over the delay time in milliseconds and/or chosen quantize note.
• Two operation modes: Multidelay, in which each tap has its own feedback buffer; and Multitap, in which the Master Feedback operates on one (user selectable) tap.
• Each tap included independent adjustment of the following: gain, stereo field width and balance, delay time, filtering, modulation, saturation simulation and reverberation.
• Each tap can choose between multiple quadruple biquadratic filter types, including: Low Pass, Band Pass, High Pass, PEAK filter and four Shelf filters.
• Modulation section (LFO and envelope follower) offer adjustable modulation depth of ± 3 octaves, and can be selected for filter cutoff.
• Tape saturation simulation with adjustable gain based on the algorithm used in our mastering processors.
• Filtering module in feedback includes LP, BP, HP filter (either State Variable Filter or Biquad) with adjustable cutoff and resonance.
• Vintage reverberation module for faithful simulation of spring and plate reverbs.
• Support for sample rates of up to 192kHz.
• Host and MIDI automation of all processing.

Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines.

What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can’t be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs! 

Each and every aspect of the plugin’s workflow is presented in a visually clear and intuitive way, allowing for quick and precise control of every facet of the device, as well as the ability to easily tame all 16 delay lines it contains with global controls. The ability to visually grasp the entire layout with minimal effort allows you to achieve even the most complex results with extraordinary speed. Fully-featured delay lines

Despite the imposed, fixed topology, each of the 16 delay lines has its own independent set of parameters providing complete control over:

• Delay loop
• Panning
• Stereo spread
• Post-tap multi-mode filter

Despite its superficially simple appearance, in the right hands Tekturon can be a very powerful production tool, indeed! Quick-access mute buttons You’ll certainly appreciate these for live performance situations, among others: conveniently placed, always accessible, and MIDI-assignable mute buttons for selectively suppressing individual delay lines. Invigorate your arrangements, bring some life to your production, and have fun! Two-tiered Control Tekturon provides the ability to control some aspects of the processing globally (adjusting parameters of all 16 delay lines at once) or locally (individually per delay line), thus making it possible to exert both fine-grained and convenient, ‘one-knob’ control over your performance! Key features

• 16 delay lines arranged in a sequence of taps equally delayed from each other
• Quick-access Mute buttons for selectively suppressing lines’ outputs
• Globally controlled (all 16 delay lines at once):
• Time grid – The delay between subsequent taps and base delay time for all 16 feedback loops
• Optional host tempo synchronization
• Feedback base value
• Shuffle (swing)
• Master filter’s settings
• Locally (per delay line):
• Feedback relative to base value
• Delay time as multiple of Time grid
• Local filter’s settings
• Stereo Panorama
• Stereo Spread
• Output volume with level indication
• Ultra-low digital aliasing output
• Tag based preset browser
• MIDI-learn functionality
• 64bit internal processing

A delay worth waiting for.

Of all the essential mix tools, the delay may be the most creatively gratifying. So we asked ourselves: Could we take this classic effect and give it an upgrade?

We set out to develop our vision for a more inspiring delay plugin. One that lets you design your own signature delay sounds through a versatile selection of flavoring tools.

Easily and intuitively. And with powerful results. Comeback Kid includes everything you’d expect from a new go-to delay — plus some unexpected extras.

MAIN FEATURES:

SETUP YOUR DELAY:

BPM-synced modes: Straight, dotted, triplet. Free mode: 0.01 ms – 2500 ms. Ping-Pong option.

ADD SOME CHARACTER:

• Lo-Cut + Hi-Cut: Tame your delays with analog modeled filters.
• Attack + Sustain: Sculpt your delays with flexible transient designers.
• Cheap: Degrade you delays with a custom 11-bit signal path — modeled after vintage digital units.
• Tape: Warm-up your delays with analog-style tape saturation.
• Swirl: Add movement to your delays with an analog modeled phaser.
• Sauce: Add space to your delays with a touch of algorithmic reverb.
• Wider: Widen your delays through L/R time variations.
• Richer: Add dimension to your delays through L/R pitch variations.
• Pan: Place your delays in the stereo image.
• Mono: Turn your delays into mono.
• Ducker: Lower your delays when the dry signal is playing — for a cleaner, more modern sound.
• Destiny: Leave your delays to destiny — for a less robotic, more human and unpredictable vibe.

As with our other effects, each knob is the tip of the iceberg—with plenty of good stuff going on under the hood. This gives you flexible sound design options, while the workflow remains fast.

DELAYS THAT WORK IN YOUR FLAVOR

Want a tape delay vibe for your lead synth, a modern slap on your vocals and a crunchy lofi echo on your guitars? Not a problem. Want to mix and match all of the above to create your own delay sound? Also not a problem!

Comeback Kid offers you a flexible palette of flavoring tools to take full control of your delays. And with no sub-menus or hidden features, everything you need is right in front of you.

EVEN SOME INSPIRATION:

Comeback Kid comes loaded with 61 presets created by friends of BABY Audio – including:

• Mick Schultz: Grammy Nominated, Multi-Platinum, producer for Rihanna, Kelly Clarkson, Jeremih etc.
• Anthony Saffery: Billboard #1 producer / engineer for Portugal. The Man, Dirty Vegas, Cornershop etc.

The Conduit Through Which Ethereal Melodies Resonate

Step into a mesmerizing sonic realm where ethereal echoes cascade through the air like shimmering stardust, immersing your tracks in a cinematic tapestry of otherworldly beauty. Harness the power of tri-band architecture to effortlessly manipulate frequencies, infuse pulsating rhythms, and orchestrate an expansive sonic panorama. Prepare to embark on a sonic odyssey where past, present, and future converge, leaving an indelible imprint of atmospheric brilliance on your musical creations.

• Tri-Band Delay for maximizing Space, Time & Dimension in your productions.
• Massive Stereo Dimension with over 200% Width Emulation.
• Simple Reverb Module adds Thickness & Depth for better balance.
• Works With Any Plugin
• Works With Your DAW
• Save Your Own Presets
• Designed For Modern Producers

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation.

It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

This unique effect has been ported directly from the award-winning H9 Harmonizer. All of the H9 presets have been converted to work with the plug-in and have been included, as well as newly created factory and artist presets. Now you can use all the delays, reverbs, chorus and modulation effects that guitarists and synth players have grown to love. Best of all, The Ribbon has been optimized for live use with your favorite DAW.

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.
• Speed up or slow down the rhythmic space between taps using the Spread knob.
• Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms.
• Control the stereo image of taps to alternate between hard-panned and mono.
• Sync the Length and/or Chop LFO speed to the DAW session.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta control on the fly.

A Brief History of UltraTap

It all started in 1982 with the world’s first rack mount programmable audio processor, the Eventide SP2016, where a flexible 64 tap delay debuted as part of its Factory Program suite. By the late 80’s UltraTap had migrated to the legendary H3000 Harmonizer effects processor and then to the DSP4000 and H8000. Thanks to advances in technology, we were able to include UltraTap in a portable compact form factor, the H9 Harmonizer stompbox. And now UltraTap has come back to the studio via your DAW and FOH environment, where it all began 35 years ago!

Blue Cat’s Late Replies is a powerful delay and multi effects plug-in that can be indefinitely extended by hosting third party VST, VST3 or AU plug-ins anywhere in the signal path.

With its unique topology, the plug-in is a full-featured delay machine with unlimited powers: both the 8 taps pattern module and the two nested feedback loops include plug-in slotsthat can host built-in effects or third party plug-ins.

So it’s not just about delays! The plug-in includes 25 built-in effects to further manipulate the delay lines: modulation effects, EQ and filters, dynamics processors, pitch and frequency shifters, wave shaper…

With the integrated ducker and its side chain input, ducking delays or reverbs has never been so easy.

Blue Cat’s Late Replies is delivered with hundreds of presets producing many kinds of audio effects: classic delays, rhythmic or melodic patterns, reverbs, vintage echoes, shimmer effects, sci-fi sounds and more.

Main Features

• Powerful delay with built-in effects and third party plug-ins support.
• 8 taps pattern section with integrated mixer and plug-ins slots.
• 2 feedback loops with crossfeed and plug-ins slots.
• 25 built-in effects: EQ, filters, pitch & frequency shifter, delays, modulation effects, compressor, gate, bit crusher, wave shaper and more.
• Supports third party VST, VST3 and Audio Unit plug-ins, with latency compensation.
• Tempo/Host Synchronization.
• Global stereo spread control.
• Several hundreds of fully editable presets.
• Integrated ducking, with internal and external side chain.
• Comprehensive visual feedback with detailed impulse response display.
• Protect your ears with the included feedback and output brickwall limiters.
• No latency.

New features and improvements in Late Replies 1.5:

• New dual user interface: browse and quick-edit presets with the new easy mode, or create your own delays and reverb with the full editor.
• Up to 8 times more processing power with the new multicore engine that can process each reply on a separate core.
• New echoes and ping pong delay presets with effects.
• New DSP workload meter that displays the DSP activity and CPU load.
• Added MIDI control support (MIDI CC messages) for Next and Previous
• Preset commands, with MIDI learn.
• Reduced time to load Late Replies or any built-in plug-in.
• Multiple DSP performance improvements.
• Level meters and spectrum analyzers are not updated anymore when the user interface is closed, reducing CPU usage.
• Reduced the number of threads used by the plug-in.
• Improved global and preset settings window loading time on Windows.
• Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.
• Full unicode support.
• Preset files can now be dropped onto the preset LCD area to be loaded.
• Smoother loops Freeze when quickly switched from 0 to 100%.

Compatibility:

• Native Apple Silicon (M1 processor) support.
• Dropped 32-bit support on Mac.
• Now requires MacOS 10.9 and newer.

Fixes:

• Fixed host loop end value not properly passed to hosted plug-ins, for the VST2 version.
• Fixed several crashes upon load for multiple third party plug-ins (mostly VST3).
• Fixed MIDI control for hosted plug-ins not always working when fed with silence.
• Fixed VST3 (and sometimes VST) version freezing Ableton Live upon save on Windows.
• Fixed harmonizer and Pitch Shifter built-in plug-ins that did not always flush their buffer upon bypass (short sounds could be heard when getting out of bypass)

Blast Delay is a simple and intuitive delay with a built-in parameter sequencer.

You can program independent loops of motion sequences for each knob with independent speeds.

Tweak your effect in live situations and recall all the parameters in the sequencer.

The sequencer allows you to sequence all the parameters of the Blast Delay to pre-program motion sequences of parameters in loops.

The sequencer is synchronized to the hosts tempo and each step of the sequencer represents the value in percentage of the parameter from 0 to 100%.

Features:

• DRY/WET: The Dry/Wet control adjusts the balance between the processed and dry signals
• VOLUME: The Volume parameter adjusts the volume of the processed signal.
• TIME: The Time parameter adjusts the time of the delay in milliseconds or from 1 Bar to 1/128 when sync button is activated
• FEEDBACK: The Feedback parameter defines how much of each channels output signal feeds back into the delay lines inputs
• FILTER: From -100 to 0 the parameter works as a low pass filter, from 0 to 100 it works as a hi passfilter
• SYNC: If the Sync switch is on, the delay time is synced to the tempo from 1 Bar to 1/128. If the Sync switch is off, the delay time reverts to milliseconds. In this case, to edit the delay time, click and drag up the Delay Time knob
• PING PONG: When the Ping Pong switch is activated, the signal jumps from the left to the right output
• FREEZE: This button will loop the delay buffer. The input signal is no more processed by the Delay
• POLARITY: It inverts the phase in effect by 180°, the effect is more interesting on low value of TIME with high feedback
• PITCH: Pitch button on causes a pitch variation when changing the delay time, similar to the behavior of old tape delay units
• PARAMETER SEQUENCER: The sequencer allows you to sequence all the parameters of the Blast Delay to pre-program
  motion sequences of parameters in loops.